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382 results for "establish character" in 43 films

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Agitato0:06:49 - Henriette leaves the classroomagitated | appoggiatura | chromatic scale | distressed | establish character | hurrying | leading lady | leaving | minister | Neapolitan | principal | school | teacher | walking

All This, and Heaven Too (1940)

Molto Agitato0:07:21 - Henriette talks to Miss Hainesagitated | conversing | dissonant bass | distressed | establish character | foreign key modulation | leading lady | minister | principal | school | suspension | teacher

All This, and Heaven Too (1940)

Henry0:07:41 - Henriette looks at Henry Fieldestablish character | gentle | hymn-like | leading lady | minister | noble | principal | reassuring | school | secondary dominant | teacher

All This, and Heaven Too (1940)

Underscoring (Agitated)0:07:52 - Henriette talks to Henry Fieldagitated | chromatic parallelism | chromatic sequence | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Moderato)0:08:03 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | secondary dominant | teacher

All This, and Heaven Too (1940)

Henriette (Proud)0:08:21 - Mr. Field encourages Henrietteadded-note chord | deceptive arrival | establish character | hopeful | leading lady | minister | mode mixture | mysterious | pedal tone | principal | reassuring | reverse Picardy | school | student | teacher

All This, and Heaven Too (1940)

The Duchess (Agitato)0:22:02 - The Duchess argues with the Dukeagitated | arguing | chromatic scale | chromatic sequence | distressed | duchess | duke | establish character | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

Underscoring (Agitated)0:22:23 - The Duke rebukes the Duchessagitated | arguing | chromatic parallelism | chromatic scale | distressed | dominant 7th chord | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing0:22:31 - The Duchess rushes after the Dukeagitated | arguing | augmented triad | distressed | duchess | duke | establish character | leading lady | leading man | mickey-mousing | rising | room | rushing | turn figure

All This, and Heaven Too (1940)

Pleading0:22:41 - The Duchess pleads with the Duke to stayacceleration | agitated | arguing | chromatic sequence | distressed | duchess | duke | establish character | fragmentation | leading lady | leading man | parallelism | pleading | room

All This, and Heaven Too (1940)

Desperation (Furioso)0:22:53 - The Duchess curses the Dukeagitated | arguing | dissonant bass | distressed | duchess | duke | establish character | leading lady | leading man | parallelism | pleading | priest | room | tense

All This, and Heaven Too (1940)

Fairy Tale0:23:13 - Henriette reads a fairy taleadded-note chord | book | calm | child | delicate | establish character | fairy tale | governess | leading lady | pentatonic | pleasant | room | storytelling

All This, and Heaven Too (1940)

Fairy Godmother0:23:28 - Henriette reads a fairy tale9th chord | altered dominant | book | calm | child | delicate | establish character | fairy tale | foreign key modulation | governess | leading lady | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Henriette (Fairy Tale)0:23:50 - Henriette reads a fairy talebook | calm | child | countermelody | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling
Angels With Dirty Faces (1938)The Gangster (Reformatory)0:05:04 - Sign: "Society for Juvenile Delinquents"establish character | main title | Neapolitan | prisoner | reformatory | serious | sign | somber | teenager

Angels With Dirty Faces (1938)

The Gangster (Fingerprints)0:06:17 - Montage of juvenile detention and prison lifedigging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working

Angels With Dirty Faces (1938)

Bootlegging0:06:46 - Bootlegging liquoralcohol | boat | dock | establish character | gangster | leading man | mickey-mousing | montage | sneaking | sneaky

Angels With Dirty Faces (1938)

Running and shooting0:06:52 - Police chase gangsters and Rocky shootsagent | augmented triad | chasing | dissonant bass | dominant 7th chord | dramatic | establish character | gangster | gun | gunshot | leading man | mickey-mousing | montage | newspaper | quartal chord | running | shooting | street | zoom out

Angels With Dirty Faces (1938)

Roulette0:07:01 - Roulette wheel spinsclub | double exposure | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | parallelism | pedal tone | sequence | spinning

Angels With Dirty Faces (1938)

Night Club Music0:07:05 - Rocky gambles in a nightclubaltered dominant | club | dancing | double exposure | drinking | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | pouring

Angels With Dirty Faces (1938)

Explosion0:07:16 - Building explodes after car drives bybomb | chromatic scale | dissonant bass | dramatic | driving | establish character | explosion | gangster | mickey-mousing | montage | polychord | street | throwing

Angels With Dirty Faces (1938)

The Gangster (Headlines)0:07:21 - Newspaper headlinedark | establish character | headline | main title | montage | mysterious | newspaper | octatonic scale | pedal tone | street

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting

Are These Our Children? (1931)

Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" sign64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse

Arsenic and Old Lace (1944)

Underscoring (Comical)0:02:20 - Mortimer hides from the reporterschromatic parallelism | chromatic wedge | comical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Wow Wow Trumpet)0:02:42 - Reporters talk64 chord | chromatic mediant | comical | conversing | establish character | familiar tune | foreign key modulation | marriage | office | reporter

Arsenic and Old Lace (1944)

Two by Two0:02:51 - The marriage clerk singsclerk | establish character | marriage | office | on-screen music | singing | source music | upbeat

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone boothadded-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

Hanging up0:03:53 - Mortimer hangs up the phonebystander | diminished 7th chord | establish character | hanging up | leading lady | leading man | marriage | mickey-mousing | office | rushed

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elaineadded-note chord | arguing | conversing | enharmonic modulation | establish character | kissing | leading lady | leading man | marriage | mode mixture | office | parallel period | pedal tone | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:04:54 - Mortimer and Elaine rush offestablish character | familiar tune | foreign key modulation | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Chinese)0:05:00 - Chinese girl turns aroundChinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | open fifth | smiling | stereotype | winking

Arsenic and Old Lace (1944)

Here Comes the Bride (Comical)0:05:05 - Goofy man turns around9th chord | comical | common-tone diminished 7th | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking

Arsenic and Old Lace (1944)

Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

The Aunts0:09:05 - Aunt Abby scurries across the roomaunt | crazy person | delicate | establish character | foreign key modulation | gentle | harmonic sequence | hurrying | leading lady | room | scurrying

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Jonathan 20:40:30 - Jonathan enters the housearriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in

Arsenic and Old Lace (1944)

Scar0:40:54 - The scar on Jonathan's faceclose-up | criminal | dark | establish character | horn flare | leading man | observing | ominous | pc set | polychord | room | scar

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:41:03 - Jonathan looks around the houseadded-note chord | augmented triad | brother | conversing | crazy person | criminal | dark | dissonant bass | distortion | doctor | establish character | familiar tune | leading man | observing | ominous | room

Arsenic and Old Lace (1944)

Scar (Misterioso)0:41:31 - They see the foodbrother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe
Beyond the Forest (1949)Lewis (Moderato Expressivo)0:06:23 - Fishing in a streamcalm | canoe | doctor | establish character | friend | lake | leading lady | leading man | rowing | wife

Beyond the Forest (1949)

Lewis0:10:42 - The doctor in a canoecalm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife

Beyond the Forest (1949)

Moose0:11:22 - Moose enters the housecabin | conversing | establish character | exotic | friend | leading lady | liquor | wife | working

Beyond the Forest (1949)

Liquor0:11:52 - Moose finds some alcoholcabin | drunk | establish character | friend | liquor | pouring

Beyond the Forest (1949)

Porcupine0:11:59 - A porcupine in a treecabin | climbing | comical | dying | establish character | falling | leading lady | porcupine | shooting | wife
The Big Sleep (1946)Underscoring (Tense)0:01:01 - Sign for the Sternwood mansionarriving | butler | establish character | leading man | mansion | private eye | room | tense | underscoring

The Big Sleep (1946)

Walking0:01:26 - Carmen walks down the stairsarriving | daughter | deceptive resolution | descending | establish character | femme fatale | leading man | mysterious | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Flirtation0:01:42 - Carmen flirts with Marlowechromatic parallelism | chromatic scale | comical | daughter | establish character | femme fatale | flirting | half-diminished 7th chord | leading man | private eye | room

The Big Sleep (1946)

Marlowe0:02:01 - Marlowe gives Carmen a fake nameadded-note chord | comical | common-tone dominant 7th | daughter | establish character | femme fatale | flirting | leading man | private eye | room

The Big Sleep (1946)

Marlowe (Sly)0:02:12 - Marlowe and Carmen talkdaughter | establish character | femme fatale | flirting | leading man | mysterious | private eye | room

The Big Sleep (1946)

Carmen falls0:02:20 - Carmen falls into Marlowe's armsdaughter | diminished 7th chord | establish character | falling | femme fatale | flirting | leading man | mickey-mousing | playful | private eye | room | whole-tone chord

The Big Sleep (1946)

Carmen0:02:21 - Carmen in Marlowe's armsdaughter | establish character | femme fatale | flirting | half-diminished 7th chord | leading man | mysterious | oscillation | private eye | room | whole-tone chord

The Big Sleep (1946)

Sternwood0:02:31 - Carmen walks away9th chord | added-note chord | altered dominant | bluesy | daughter | establish character | femme fatale | leading man | Neapolitan | private eye | retardation | room | seductive | walking

The Big Sleep (1946)

Underscoring (Tense)0:02:45 - Marlowe goes to meet Sternwood9th chord | altered dominant | butler | chromatic scale | establish character | leading man | private eye | room | tense | underscoring | walking
Caged (1950)Marie0:08:04 - Marie poses for mugshotcamera | establish character | guard | leading lady | mugshot | photographer | photographing | prison | prisoner | somber

Caged (1950)

Isolation Ward0:08:54 - Edna lying in a bedconversing | dark | establish character | illness | isolation | leading lady | mysterious | ominous | prison | prisoner | rain | uneasy

Caged (1950)

Mrs. Benton (Not in Film)NIF - not in filmcomforting | crying | cut from film | disbelief | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | realization | warden

Caged (1950)

CryingNIF - not in filmcomforting | crying | cut from film | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 2)NIF - not in filmcomforting | crying | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Marie 2 (Not in Film)NIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

LullabyNIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 3)NIF - not in filmconversing | cut from film | establish character | gentle | guard | leading lady | office | pregnancy | prison | prisoner | reading | room | warden

Caged (1950)

Underscoring (Subtle)0:36:52 - June gets dressed for her parole board hearingdressing | establish character | excited | friend | leading lady | prison | prisoner | tense | underscoring

Caged (1950)

June and Marie0:37:06 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | noble | prison | prisoner

Caged (1950)

June0:37:27 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

Underscoring (Dark)0:37:58 - June and Marie arguearguing | dark | establish character | friend | leading lady | prison | prisoner | underscoring

Caged (1950)

June (Triste)0:38:14 - June and Marie talkconversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Slowly)0:38:39 - Marie looks for Junearriving | conversing | establish character | friend | guard | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Adagio)0:39:34 - Inmates play cardscards | close-up | conversing | establish character | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy

Caged (1950)

June and Marie (Very Slow)0:39:59 - Marie helps Juneconsoling | dark | despair | establish character | friend | guard | helping | leading lady | prison | prisoner | somber

Caged (1950)

Harper0:40:20 - Harper walksdark | establish character | friend | guard | leading lady | mickey-mousing | prison | prisoner | tritone | walking
His Greatest Gamble (1934)Bavardage0:01:10 - The beachAABA structure | beach | casino | establish character | establish place | establish setting | gambler | gambling | leading man | luggage | pleasant | roulette wheel | transcribed by ear | upbeat

His Greatest Gamble (1934)

Morning Glory Waltz (Tender)0:02:35 - Philip in the casinocasino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz

His Greatest Gamble (1934)

Home Sweet Home0:03:14 - Philip and Alice go homechild | establish character | gentle | humming | leading man | on-screen music | room | sleeping | source music
City for Conquest (1940)The Bowery0:05:00 - People on a New York streetchild | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat

City for Conquest (1940)

Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playing9th chord | child | conversing | establish character | foreign key modulation | love | Neapolitan | old man | romantic | sentimental | soliloquy | street | waltz

City for Conquest (1940)

Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious | transcribed by ear

City for Conquest (1940)

Tone Poem A0:10:50 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Very Broad)0:12:16 - Eddie plays the piano13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Unattainable Stars)0:12:37 - Eddie plays the pianobrother | chromatic parallelism | composer | conversing | describing | establish character | explaining | leading man | musician | piano | playing | romantic | room | somber | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:13:03 - Eddie plays the piano9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear
Crime School (1938)Elephant Walk0:04:57 - Kids whistle as cop walks awaycomical | establish character | gang | on-screen music | source music | street | teenager | whistling

Crime School (1938)

Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

The Warden0:23:15 - Warden stands up to face the boysantagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord
They Made Me a Criminal (1939)M-O-T-H-E-R0:05:01 - Drunken man singscomical | drunk | establish character | on-screen music | room | singing | source music

They Made Me a Criminal (1939)

Cowboy From Brooklyn0:25:04 - A young man whistlesestablish character | jaunty | on-screen music | ranch | source music | teenager | whistling | working

They Made Me a Criminal (1939)

The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

Date picking0:25:21 - Boys picking dates9th chord | establish character | light | ranch | sequence | step modulation | teenager | working

They Made Me a Criminal (1939)

Throws date0:25:34 - Boy throws datecomical | establish character | mickey-mousing | ranch | teenager | throwing

They Made Me a Criminal (1939)

The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired

They Made Me a Criminal (1939)

The Fugitive (Fainting)0:26:32 - Johnnie stumbles and faints9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:26:48 - Peggy rushes to help Johnnie64 chord | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring
Deep Valley (1947)Homestead (Grazioso)0:01:02 - A rooster crowingbarnyard | calm | establish character | establish place | farmhouse

Deep Valley (1947)

Joe0:01:29 - A dogcheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking

Deep Valley (1947)

Libby 2NIF - not in filmcut from film | establish character

Deep Valley (1947)

Joe (Not in Film)NIF - not in filmcut from film | establish character

Deep Valley (1947)

Joe (Poco Meno Expressivo)0:01:59 - Libby gets updog | dressing | establish character | leading lady | mother | room | scolding | upbeat | waking

Deep Valley (1947)

Drudge0:03:59 - Libby goes downstairsdescending | establish character | leading lady | room | somber | stairs | upset | walking

Deep Valley (1947)

Drudge (Kitchen)0:04:12 - Libby works in kitchencooking | dog | establish character | kitchen | leading lady | somber | upset

Deep Valley (1947)

Joe (Very Light)0:04:29 - Joe watches Libby workcheerful | cooking | dog | establish character | kitchen | leading lady | upbeat

Deep Valley (1947)

Drudge (Sentimentale)0:04:49 - Libby feeds Joecooking | dog | establish character | kitchen | leading lady | somber

Deep Valley (1947)

Libby0:06:09 - Libby returns to her workestablish character | father | kitchen | leading lady | serving | somber

Deep Valley (1947)

Homestead (Morendo)0:06:44 - Cliff makes his bedcleaning | establish character | father | room | somber

Deep Valley (1947)

Libby (Rubato)0:08:13 - Libby at the kitchen tableestablish character | kitchen | leading lady | leaving | somber | tense

Deep Valley (1947)

Woods0:08:25 - Libby leaves the housecheerful | dog | establish character | forest | leading lady | playing | running | upbeat

Deep Valley (1947)

Squirrel0:09:26 - Libby feeds a squirrelcheerful | conversing | establish character | forest | leading lady | squirrel | upbeat

Deep Valley (1947)

Woods0:09:57 - Libby walks in the woodscheerful | cut from film | dog | establish character | forest | leading lady | upbeat | walking

Deep Valley (1947)

Woods (Misterioso)NIF - not in filmcut from film | establish character
Dust Be My Destiny (1939)Mysterioso0:02:00 - Warden talks to Joeconversing | drone | establish character | leading man | mysterious | parallelism | polytonality | prison | prisoner | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:02:29 - Joe reacts to the warden9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden

Dust Be My Destiny (1939)

Charlie0:10:58 - Charlie talks to inmatesconversing | dark | drunk | establish character | leading man | polychord | prison | prisoner | warden

Dust Be My Destiny (1939)

Hiccough0:11:35 - Charlie hiccupscomical | drunk | establish character | hiccuping | leading man | mickey-mousing | prison | prisoner | warden

Dust Be My Destiny (1939)

Cow0:11:39 - Man calls Charlie a cowcomical | cow | drunk | establish character | leading man | mickey-mousing | mooing | prison | prisoner | stinger | warden

Dust Be My Destiny (1939)

Charlie (Extended)0:11:41 - Charlie talks to inmateschromatic parallelism | dark | drunk | establish character | leading man | prison | prisoner | sequence | slapping | stinger | warden

Dust Be My Destiny (1939)

Marching0:12:27 - Inmates marchingestablish character | march | marching | pedal tone | prison | prisoner | somber

Dust Be My Destiny (1939)

My Wild Irish Rose0:40:51 - Joe and Mabel in Nick's Dineraccompanied source music | altered dominant | common-chord modulation | diner | establish character | familiar tune | friend | happy | leading lady | leading man | mode mixture | parallel double period | popular song | radio | shopkeeper | singing | source music | ternary form

Dust Be My Destiny (1939)

Dust Be My Destiny (Irish Rose)0:42:25 - They go to work in the kitchendiner | establish character | friend | happy | leading lady | leading man | score to source | shopkeeper
Flamingo Road (1949)If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

Underscoring (Dark)0:02:12 - Steve mentions a divorce and leavesconductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring

Hell on Frisco Bay (1955)

Amato0:14:48 - Mario runs to talk to Amatoconductor score | establish character | fearful | hurried | office

Hell on Frisco Bay (1955)

Spring Song0:14:56 - Amato talks to Marioantagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone

Hell on Frisco Bay (1955)

Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Amato0:15:44 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Face twitching0:16:59 - Lye's face twitchesantagonist | comical | conductor score | establish character | gangster | mickey-mousing | office | twitching

Hell on Frisco Bay (1955)

Menace0:17:13 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Amato0:17:47 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Underscoring (Dark)0:19:33 - Amato slaps old manantagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring

Hell on Frisco Bay (1955)

Menace0:19:43 - Amato talks to old manantagonist | conductor score | dark | establish character | gangster | office | yelling

Hell on Frisco Bay (1955)

Menace0:20:30 - Amato talks to Lyeantagonist | conductor score | conversing | dark | establish character | gangster | office

Hell on Frisco Bay (1955)

Amato0:20:40 - Amato leavesantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:21:37 - Marcia on a posterclub | conductor score | establish character | investigator | leading man | romantic | walking

Hell on Frisco Bay (1955)

The Very Thought of You0:21:51 - Marcia singing at a clubclub | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying
Her Kind of Man (1946)You Do Something to Me0:02:52 - A night clubcelebrating | club | conversing | dancing | establish character | flashback | mickey-mousing | on-screen music | playing | popular music | ripple effect | source music | upbeat | working

Her Kind of Man (1946)

It Had to Be You0:11:33 - Steve whistlesestablish character | gambler | leading lady | leading man | love interest | love scene | on-screen music | room | sentimental | singer | source music | whistling

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomconversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music
In This Our Life (1942)Asa0:02:02 - The Timberlake crestestablish character | noble | street | worker | working

In This Our Life (1942)

Asa (Expressivo)0:02:33 - Asa walksconversing | establish character | gentle | noble | street | walking | worker

In This Our Life (1942)

Roy0:02:59 - Roy descends a staircaseconversing | daughter | delicate | establish character | father | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley Introduction0:06:35 - A car arrivesarriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives awaycar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | establish character | hurried | leading lady | mickey-mousing | room | running | street

In This Our Life (1942)

Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | room | sister | stinger

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyconversing | establish character | gentle | leading lady | room | sister | sweet

In This Our Life (1942)

Expressivo0:12:28 - Stanley talks with Royconversing | establish character | expressive | leading lady | room | sister

In This Our Life (1942)

Underscoring (Tense)0:12:41 - Stanley leavesestablish character | leading lady | room | sister | stinger | tense | watching

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairsestablish character | gentle | leading lady | room | somber | walking
The Informer (1935)The Informer (Walking)0:01:44 - Gypo walks down the streetcountermelody | establish character | leading man | mickey-mousing | mysterious | poster | Scotch snap | street | walking

The Informer (1935)

Poster0:02:01 - Gypo looks at the reward poster for Frankie McPhillipestablish character | leading man | mickey-mousing | mysterious | poster | stepping | stinger | street

The Informer (1935)

Drinking Song0:02:15 - Gypo and Frankie sing at a pubcheerful | drinking | establish character | flashback | leading man | on-screen music | pub | remembering | singing | somber | source music | street

The Informer (1935)

Underscoring (Tense)0:02:23 - Gypo stares at the poster, thinking64 chord | establish character | leading man | muttering | mysterious | street | thinking | underscoring

The Informer (1935)

Rule, Britannia!0:02:32 - Close-up on the 20 pound reward on the posterBritish | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense

The Informer (1935)

Tearing down poster0:02:47 - Gypo tears the reward poster off of the walldissonant bass | down | establish character | leading man | linear chromaticism | mickey-mousing | poster | removing | street | tearing | upset

The Informer (1935)

The Rose of Tralee0:02:54 - Man sings an Irish folk song by a lamp postcalm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking

The Informer (1935)

Poster blowing 10:03:05 - Torn poster blows down the street onto Gypo's legaugmented sixth chord | blowing | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Poster blowing 20:03:26 - Torn poster blows down the street onto Gypo's leg againblowing | clinging | diminished 7th chord | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Underscoring (Subtle)0:04:22 - Close-up on Katieestablish character | leading lady | linear chromaticism | mysterious | staring | street | underscoring

The Informer (1935)

Katie0:04:31 - Katie walks down the streetestablish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking

The Informer (1935)

Match strike0:05:03 - Man strikes a match on the lamp postestablish character | leading lady | lighting | match | mickey-mousing | playful | street

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Blowing smoke0:05:16 - Man blows smoke into Katie's faceblowing | establish character | leading lady | mickey-mousing | mysterious | smoke | street | whole-tone

The Informer (1935)

Throwing man down0:05:31 - Gypo picks the man up and throws him in the streetangry | down | establish character | falling | leading man | mickey-mousing | street | throwing | whole-tone | whole-tone chord

The Informer (1935)

Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

Footsteps0:07:16 - Close-up on walking feetestablish character | footsteps | leading man | mickey-mousing | mysterious | street | tritone | walking

The Informer (1935)

The Wearin' o' the Green0:07:32 - Frankie looks at reward poster with his picture on it64 chord | dark | establish character | folk song | hero | Irish | marching | mickey-mousing | mysterious | source music | street | thinking

The Informer (1935)

Running and hiding0:07:54 - Frankie runs and hides in the shadowschromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense

The Informer (1935)

Running (Not in Film)NIF - not in filmchromatic scale | establish character | hero | mickey-mousing | running | street

The Informer (1935)

The Wearin' o' the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense
Key Largo (1948)I Gotta Right to Sing the Blues0:04:21 - Frank speaks with people in the barconversing | establish character | gangster | hotel | jazz | leading man | moll | radio | sentimental | source music

Key Largo (1948)

Largo Hotel (Quasi Misterioso)0:11:00 - Frank and Nora talk in the hotelconversing | establish character | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco 20:11:30 - Frank and Nora talk about Roccoconversing | establish character | harsh | hotel | leading lady | leading man

Key Largo (1948)

McCloud0:11:41 - Nora talks about her husband Georgeconversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble

Key Largo (1948)

Rocco 2 (Subito)0:12:07 - Nora sees Curlydangerous | establish character | gangster | hotel | leading lady | mysterious | watching

Key Largo (1948)

McCloud (Misterioso)0:12:13 - Nora walks downstairsestablish character | gangster | hotel | leading lady | mysterious | walking | watching

Key Largo (1948)

Rocco 2 (Molto Misterioso)0:12:22 - Curly walks down the halldangerous | establish character | gangster | hotel | mysterious | walking | watching

Key Largo (1948)

Rocco 30:25:37 - Curly pushes Noradangerous | establish character | gangster | gun | hotel | leading man | mysterious | stinger | threatening | violence

Key Largo (1948)

Rocco0:25:46 - Rocco in the bathtubbathing | boss | establish character | gangster | hotel | menacing | sinister | tremolo

Key Largo (1948)

Rocco (Tense)0:26:13 - Curly talks with Roccoboss | conversing | dressing | establish character | gangster | hotel | tense | tremolo

Key Largo (1948)

Tension0:26:48 - Rocco slaps bleeding manboss | establish character | gangster | hostage | hotel | menacing | police | sinister | slapping | violence
The Letter (1940)Mrs. Hammond0:23:27 - Mrs. Hammond appearsAeolian mode | Chinese | Chinese | death | delicate | dissonant bass | establish character | grieving | open fifth | parallel fifths | parallelism | pentatonic | plantation | stinger | widow

The Letter (1940)

Mrs. Hammond (Appassionato)0:24:12 - Mrs. Hammond looks at her husbandAeolian mode | Chinese | Chinese | death | delicate | establish character | grieving | open fifth | parallel fifths | parallelism | passionate | pedal tone | pentatonic | plantation | widow
Lightning Strikes Twice (1951)Menace0:01:23 - Priest in a prisonarriving | conversing | dark | establish character | funeral march | funereal | guard | leading man | priest | prison | prisoner | solemn | somber | walking | warden

Lightning Strikes Twice (1951)

Liza0:02:55 - Trev is released from death rowcalm | conversing | establish character | guard | hopeful | leading man | priest | prison | prisoner | relief | reprieve | walking | warden

Lightning Strikes Twice (1951)

Trev0:07:18 - Myra talks about finding Trevactor | conversing | establish character | father | gentle | hotel | leading lady | mother | owner

Lightning Strikes Twice (1951)

Shelly0:07:42 - Shelly wakes upactor | calm | establish character | leading lady | owner | room | waking

Lightning Strikes Twice (1951)

Menace (Ominous)0:17:50 - Newspaper headline about Trevactor | conversing | dark | establish character | headline | leading lady | leading man | newspaper | ominous | room | suspect

Lightning Strikes Twice (1951)

Trev (Screwy)0:18:19 - Trev hands a candle to Shellyactor | candle | conversing | establish character | leading lady | leading man | mysterious | room | suspect | tense | uneasy

Lightning Strikes Twice (1951)

Shelly (Concerned)0:18:30 - Shelly looks at Trevactor | candle | concerned | conversing | establish character | leading lady | leading man | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Shelly 2 (Worried)0:18:41 - Shelly walks to her roomactor | candle | concerned | establish character | leading lady | room | walking | worried

Lightning Strikes Twice (1951)

Shelly 30:18:52 - Shelly puts down her candleactor | candle | concerned | establish character | leading lady | leading man | room | suspect | unpacking | walking | worried

Lightning Strikes Twice (1951)

Shelly 2 (Misterioso)0:19:14 - Shelly gets ready for bedactor | candle | concerned | establish character | leading lady | leading man | preparing | room | suspect | thinking | thoughtful | worried

Lightning Strikes Twice (1951)

Blows out candle0:19:35 - Shelly blows out a candleactor | blowing | candle | establish character | leading lady | light | mickey-mousing | mysterious | room | turning off

Lightning Strikes Twice (1951)

Fear0:19:42 - Shelly lies down in the darkactor | darkness | establish character | fear | leading lady | leading man | listening | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Shelly and TrevNIF - not in filmactor | blowing | candle | cut from film | establish character | leading lady | leading man | light | room | suspect | tense | turning off

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)0:20:20 - Shelly looks at Trevactor | calm | establish character | leading lady | leading man | looking | morning | peaceful | room | sleeping | smiling | staring | suspect | thinking | waking
Mildred Pierce (1945)Mildred (Pier)0:02:15 - Santa Monica pier at nightchromatic parallelism | dock | establish character | fragmentation | heroine | leading lady | mickey-mousing | pedal tone | pondering | sequence | somber | walking | water | wave

Mildred Pierce (1945)

Mildred (Tragic)0:02:42 - Mildred walks out onto the dockaltered dominant | dock | establish character | half-diminished 7th chord | heroine | leading lady | mickey-mousing | pondering | sequence | somber | suicide | tragic | water | wave

Mildred Pierce (1945)

Waves rumbling0:03:15 - Policeman convinces Mildred not to jumpconversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Flashback starts0:20:16 - Flashback to the pastdouble exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street

Mildred Pierce (1945)

Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Kay and Veda0:25:03 - Kay plays football in the street11th chord | added-note chord | child | establish character | football | mickey-mousing | playing | street | upbeat

Mildred Pierce (1945)

Kay falls0:25:12 - Kay falls to the groundchild | establish character | falling | football | mickey-mousing | playing | street | upbeat

Mildred Pierce (1945)

Kay and Veda (Going Home)0:25:13 - Veda leads Kay homechild | establish character | graceful | oscillation | street | walking

Mildred Pierce (1945)

Kay and Veda (Skipping)0:25:25 - Kay skips on her way homeadded-note chord | child | establish character | graceful | playing | skipping | street

Mildred Pierce (1945)

Kay and Veda (Sentimental)0:25:37 - Veda and Kay see their father leavingchild | establish character | interrupting | leaving | mode mixture | packing | sentimental | somber | stopping | street
The Life of Vergie Winters (1934)Lullaby (Slowly)0:04:07 - Vergie working in a shop window64 chord | establish character | leading lady | peaceful | plagal cadence | shop | working
Out of the Fog (1941)Harbor Front0:01:11 - Goff descends a ladderboat | criminal | establish character | fire | harbor | leading man | sneaking | tense

Out of the Fog (1941)

Concert in the Park0:01:57 - Goff walks along the dockarriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker

Out of the Fog (1941)

Russian Barcarolle (Dark)0:06:06 - Goff looks around the restaurantchef | criminal | dark | establish character | leading man | restaurant | sneaking | transcribed by ear

Out of the Fog (1941)

Stella Runs0:11:35 - Stella runs out of the restaurantboyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching

Out of the Fog (1941)

Stella and George0:11:54 - George talks to StellaAABA structure | arguing | boyfriend | conversing | dock | establish character | leading lady | romantic | transcribed by ear

Out of the Fog (1941)

Underscoring (Subtle)0:13:05 - A boy runs inarguing | boyfriend | conversing | dock | establish character | leading lady | underscoring | uneasy

Out of the Fog (1941)

Stella and George (Tender)0:13:24 - George talks to Stellaboyfriend | conversing | crying | departing | dock | establish character | evaded cadence | leading lady | tender | transcribed by ear
Kid Galahad (1937)Boxing poster0:00:41 - Boxing poster64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in

Kid Galahad (1937)

Swing for Sale0:04:26 - Dancing at a partyAABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

The Ring0:06:38 - People at a partyAABA structure | crowd | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

Stride Piano Improvisation 10:08:50 - People at a partyblues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat

Kid Galahad (1937)

The Prizefighter and the Lady0:09:36 - Ward helps LouiseAABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat

Kid Galahad (1937)

Stride Piano Improvisation 20:13:24 - People dance at a partycrowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat
Traveling Husbands (1931)There's a Sob in My Heart (Whistling)0:01:25 - A man whistles on a traincheerful | establish character | on-screen music | popular song | salesman | source music | train | train | transcribed by ear | whistling

Traveling Husbands (1931)

There's a Sob in My Heart (Singing)0:01:44 - A man sings on a traincheerful | establish character | on-screen music | popular song | salesman | singing | source music | train | train | transcribed by ear
The Unfaithful (1947)Chris0:01:26 - Chris arrives at home9th chord | arriving | Beverly Hills | calm | establish character | foreign key modulation | house | leading lady

The Unfaithful (1947)

Chris 20:01:40 - Chris runs through the houseestablish character | graceful | joyful | leading lady | room | running

The Unfaithful (1947)

Unfaithful (Chris)0:01:46 - Chris answers the phoneestablish character | foreshadowing | leading lady | mode change | peaceful | room

The Unfaithful (1947)

Stride Piano0:03:20 - Larry arrives at the partyestablish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat

The Unfaithful (1947)

Deep Night0:05:47 - Roger argues with PaulaAABA structure | antagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music
We Are Not Alone (1939)Surprise Symphony (Glissando)0:02:20 - David rides his bike homebicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street

We Are Not Alone (1939)

Surprise Symphony (Theme and Variations)0:02:37 - David enters his homeaugmented triad | classical music | deceptive resolution | establish character | familiar tune | Haydn | hero | home | playful | quotation | scored source music | source music | street | whistling

We Are Not Alone (1939)

Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:03:55 - David talks to his sonboy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story

We Are Not Alone (1939)

Playful0:04:39 - David asks his son to find a catboy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation

We Are Not Alone (1939)

Boy runs back and forth0:04:52 - Gerald runs to the door and backback and forth | boy | child | establish character | father | hero | home | mickey-mousing | playful | running

We Are Not Alone (1939)

Surprise Symphony (Hushed)0:04:59 - David talks to his sonboy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle

We Are Not Alone (1939)

Surprise Symphony (Hug)0:05:14 - David hugs his sonboy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office

We Are Not Alone (1939)

Tommy0:08:41 - David and Tommy talk about cats64 chord | boy | cat | deceptive resolution | doctor | establish character | hero | mode mixture | office | parallelism | playful

We Are Not Alone (1939)

Allergic Reaction0:09:04 - Tommy has an allergic reaction to the cat9th chord | 64 chord | allergies | boy | cat | doctor | dramatic | establish character | hero | office

We Are Not Alone (1939)

Tommy (Recovering)0:09:17 - David tells Tommy he is allergic to cats11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence

We Are Not Alone (1939)

Tommy (Lyrical)0:09:34 - David gets some medicine for Tommy9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful

We Are Not Alone (1939)

Surprise Symphony (Chromatic Shift)0:09:49 - David puts the cat outsidecat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation

We Are Not Alone (1939)

Jessica0:10:01 - Jessica enters the room 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:10:16 - Jessica rushes David awayantagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Calm)0:12:01 - David's treatment is successfulcalm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Not in film)NIF - not in filmclassical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | pedal tone | quotation | room

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

Tenderness0:13:40 - David talks to Leni64 chord | doctor | establish character | friendly | hero | heroine | mode mixture | room | sequence | tender

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Tragico)0:14:05 - Leni talks with Daviddoctor | establish character | familiar tune | hero | heroine | minor-major 7th chord | quotation | room | tragic

We Are Not Alone (1939)

Frohe Botschaft (Tenderly)0:14:22 - Leni takes off her wig64 chord | doctor | establish character | familiar tune | folk song | German | hero | heroine | pedal tone | quotation | room | tender

We Are Not Alone (1939)

Blue Danube0:14:52 - Leni says she is from Austriaclassical music | doctor | establish character | familiar tune | hero | heroine | mode mixture | peaceful | quotation | room | Strauss

We Are Not Alone (1939)

Surprise Symphony (Gute Nacht)0:15:00 - David says goodnight in German to Leniclassical music | doctor | establish character | familiar tune | Haydn | hero | heroine | peaceful | perfect authentic cadence | quotation | room

We Are Not Alone (1939)

Surprise Symphony0:17:34 - David whistles while helping a patientclassical music | comical | diminution | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling

We Are Not Alone (1939)

Frohe Botschaft (At the Piano)0:34:49 - Leni plays and singsboy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear

We Are Not Alone (1939)

Frohe Botschaft0:36:41 - Leni plays the pianoboy | child | establish character | familiar tune | folk song | German | heroine | home | on-screen music | piano | playing | source music | warm

We Are Not Alone (1939)

Piano Banging0:37:12 - Gerald bangs on the piano antagonist | boy | chaotic | child | dissonant | establish character | heroine | home | mother | on-screen music | piano | playing | tone cluster
White Heat (1949)Steam0:04:54 - Man gets burned by steam from trainburning | bursting | countryside | dramatic | establish character | falling | gangster | leading man | murderer | pain | robbery | steam | steam effect | stinger | tense | train | train engineer | victim | writhing

White Heat (1949)

Danger0:05:02 - Gangsters leap from the trainannouncer | countryside | dramatic | escaping | establish character | gangster | jumping | leading man | murderer | pain | radio | robbery | tense | train | train engineer | victim | writhing

White Heat (1949)

Underscoring (Mysterious)0:05:27 - Gangsters listen to the radioannouncer | car | establish character | gangster | listening | mysterious | radio | street | underscoring

White Heat (1949)

Cody0:05:35 - Gangsters listen to the radioannouncer | car | conversing | establish character | gangster | radio | street | tense

White Heat (1949)

Agitato0:05:43 - Big Ed plots against Codyagitated | conversing | establish character | gangster | plotting | street | tense | walking

White Heat (1949)

Big Ed0:06:00 - Big Ed talks to Codyarriving | dark | establish character | gangster | leading man | murderer | room | tense | victim

White Heat (1949)

Thinking0:06:23 - Cody walks across the roomestablish character | gangster | leading man | mother | murderer | room | tense | thinking | victim | walking

White Heat (1949)

Stirring the pot0:06:29 - Ma stirs food in a potcooking | establish character | gangster | leading man | mother | murderer | room | stirring | uneasy | victim

White Heat (1949)

Ma0:06:34 - Ma cooks dinnercooking | establish character | gangster | leading man | mother | murderer | room | uneasy | victim

White Heat (1949)

Moll0:06:40 - Verna sleepscalm | establish character | gangster | leading lady | leading man | moll | murderer | room | sleeping | snoring | waking

White Heat (1949)

Verna0:06:56 - Verna gets uparguing | bluesy | complaining | dark | establish character | gangster | leading lady | leading man | moll | mother | murderer | rising | room | victim | waking
The Woman in White (1948)Appearing0:02:54 - The woman in white appearsappearing | establish character | forest | leading lady | leading man | magical | magical effect | mickey-mousing | mysterious

The Woman in White (1948)

Ann0:03:00 - The woman in white talks to Waltercalling | conversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Ann 20:03:15 - The woman in white talks to Waltercalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman’s Whistle (Rubato)0:03:23 - Walter talks to the woman in whitecalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:03:29 - Walter talks to the woman in whitecalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

Ann (Quasi Misterioso)0:03:36 - Walter talks to the woman in whiteconversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Ann (Poco Agitato)0:03:55 - The woman in white talks to Walteragitated | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

Ann 20:04:13 - The woman in white talks to Walterconversing | establish character | forest | gentle | leading lady | leading man | warm

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:04:26 - The woman in white talks to Walterconversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Fosco0:04:40 - Walter hears a carriage approachingarriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:05:23 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | tense

The Woman in White (1948)

Ann (Molto Misterioso)0:05:30 - Closeup on Count Foscocarriage | conversing | establish character | forest | leading man | mysterious

The Woman in White (1948)

Underscoring (Tense)0:05:38 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | stinger | tense | underscoring

The Woman in White (1948)

Fosco0:05:43 - The carriage rolls awaycarriage | departing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman’s Whistle0:06:09 - Walter walks awayarriving | calm | establish character | garden | leading man | mansion | walking

The Woman in White (1948)

The Carman’s Whistle (Arriving) + Ann0:06:22 - The woman in white appearsarriving | calm | combination of themes | establish character | garden | leading lady | leading man | mansion | sneaking | tense | tremolo | walking

The Woman in White (1948)

Limmeridge0:06:41 - Walter arrives at the mansionarriving | bold | butler | establish character | leading lady | leading man | mansion

The Woman in White (1948)

Underscoring (Gentle)0:06:56 - Walter meets Marianarriving | butler | establish character | gentle | leading lady | leading man | mansion | underscoring

The Woman in White (1948)

Fairlie0:11:53 - The butler takes Walter to see Mr. Fairliebutler | conversing | establish character | grand | leading man | mansion | noble

The Woman in White (1948)

Fairlie (Poco Meno)0:12:33 - They arrive at Mr. Fairlie's roomarriving | butler | establish character | gentle | leading man | mansion

The Woman in White (1948)

Fairlie (Gentle)0:12:57 - Walter enters Mr. Fairlie's roomarriving | butler | establish character | gentle | leading man | mansion

The Woman in White (1948)

Limmeridge 20:19:36 - Walter walks outsideestablish character | garden | leading lady | leading man | mansion | noble | walking | watching

The Woman in White (1948)

Ann (Poco Agitato)0:20:03 - Walter sees Lauraconversing | establish character | garden | leading lady | leading man | mansion | tense | walking

The Woman in White (1948)

Laura0:21:27 - Walter talks with Laurabutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Laura (Harp Countermelody)0:22:03 - The Fairlies sit at the tablebutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Ann (Poco Agitato)0:22:39 - Laura talks about a mysterious womanbutler | conversing | establish character | family | leading lady | leading man | mysterious | room | tense | walking

The Woman in White (1948)

Fosco0:22:53 - Closeup on Fosco's facebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

The Carman’s Whistle0:23:04 - Walter talks about the woman in whitebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

Underscoring (Mysterious)0:23:16 - Fosco gets up to leavebutler | conversing | establish character | family | leading lady | leading man | mysterious | room | walking

The Woman in White (1948)

Fosco0:23:42 - Fosco walks up the stairsbutler | establish character | leading man | pushing | room | rushing | tense | walking
High Stakes (1931)Close to Me0:01:09 - People at a partyconversing | establish character | friend | on-screen music | playing | source music | upbeat | waiting | wedding
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango
Men of America (1932)Cimarron C0:01:08 - Smokey Joe fights the Indiansambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear

Men of America (1932)

Cimarron B (Transition)0:02:19 - Smokey Joe fights the Indiansambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear
State’s Attorney (1932)Na Moku Eha0:01:19 - Hula dancercheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music
Thirteen Women (1932)Blue Streak0:01:54 - A circus posterABA structure | circus | circus music | conversing | cousin | establish character | establish place | horoscope | letter | performer | reading | source music | upbeat

Thirteen Women (1932)

Circus Music0:03:44 - June talks to HazelAB structure | circus | circus music | conversing | cousin | establish character | performer | source music | upbeat

Thirteen Women (1932)

The Swami0:07:16 - The swamiAeolian mode | antagonist | conversing | establish character | fortune | fortune teller | leading lady | parallelism | predicting | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Thirteen Women (Destiny)0:07:52 - Ursula talks to the swamiantagonist | common-chord modulation | conversing | destiny | establish character | fortune teller | harmonic sequence | leading lady | predicting | relative key | room | somber | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Past Life)0:08:18 - The swami talks to Ursulaantagonist | chromaticism | chromatic parallelism | conversing | establish character | fortune teller | leading lady | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Romance)0:08:37 - The swami kisses Ursulaantagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Horoscope)0:08:56 - The swami talks to Ursulaantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | predicting | quintal chord | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Fate)0:09:11 - The swami predicts Ursula's fateantagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear

Thirteen Women (1932)

The Swami (Rising Tension)0:09:53 - The swami shrinks from Ursula's gazeantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Hypnotic)0:10:05 - Ursula hypnotizes the swamiantagonist | diminished 7th chord | establish character | fortune teller | hypnotic | hypnotizing | leading lady | mysterious | room | seductive | sleeping | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Sleeping)0:10:46 - Ursula leaves the swamiantagonist | establish character | fortune teller | leading lady | mysterious | room | sleeping | swami | transcribed by ear | whole-tone | whole-tone chord
Headline Shooter (1933)He's Not the Marrying Kind0:02:32 - Radio announcer talkingannouncing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music

Headline Shooter (1933)

Ensemble Tuning0:04:41 - Bill talks to business manbusiness man | calm | conversing | establish character | leading man | pageant | source music | tuning

Headline Shooter (1933)

You Can Depend on Me0:05:21 - Bathing beauties walk pastAABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music
Sing and Like It (1934)Indiana0:01:30 - Ruby changes the radio stationABAC structure | boss | conversing | establish character | gangster | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat

Sing and Like It (1934)

Dinah0:02:34 - Ruby and Fenny listen to the radioAABA structure | arguing | boss | conversing | establish character | gangster | gum | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat

Sing and Like It (1934)

It's Sunday Down in Caroline0:04:11 - Fenny prepares for a meetingAABA structure | boss | conversing | establish character | gangster | jazz | laughing | leading lady | leading man | moll | plotting | radio | room | source music | upbeat
Murder on the Blackboard (1934)The Janitor0:01:30 - A janitor gets out of beddiminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking

Murder on the Blackboard (1934)

Blackboard Murder (Mysterious)0:01:52 - A janitor goes about his workestablish character | janitor | mysterious | school | transcribed by ear | walking
Star of Midnight (1935)Swing it Sister0:10:50 - Clay talks with JimAABA structure | blackmail | blackmailing | conversing | criminal | detective | establish character | leading man | radio | room | source music | threatening | upbeat
Another Face (1935)Russian Waltz (Meno) + The Iron Door0:02:11 - Gangsters talk with doctorchromatic scale | combination of themes | conversing | doctor | establish character | gangster | mysterious | nurse | office | pedal tone | tense

Another Face (1935)

Underscoring (Tense)0:02:30 - Gangster talks with nursechromatic parallelism | conversing | doctor | establish character | gangster | half-diminished 7th chord | nurse | office | tense | underscoring

Another Face (1935)

Zaroff (Molto Moderato) + The Iron Door0:02:43 - The gangsters departchromatic scale | combination of themes | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense

Another Face (1935)

Courage + The Iron Door0:02:53 - Close up on the nursedramatic | establish character | gangster | headline | laughing | newspaper | nurse | office | pedal tone | reacting | reading | stinger | tense

Another Face (1935)

Underscoring (Mysterious)0:03:08 - Gangster smoking in chairaugmented triad | chromatic parallelism | establish character | gangster | office | smoking | tense | underscoring | waiting
Girl of the Rio (1932)Toreador Song0:04:23 - A man cues the orchestra to playarriving | celebrity | crowd | establish character | leading man | night club | source music | Spanish | three-phrase period | upbeat | walking

Girl of the Rio (1932)

Querida0:06:40 - Don Jose admires a womanABAC structure | arriving | celebrity | conversing | crowd | establish character | laughing | leading lady | leading man | night club | on-screen music | performing | romantic | singer | singing | source music | Spanish
Without Honor (1949)Expressivo0:03:57 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy

Without Honor (1949)

Ecstatic0:04:07 - Jane talks with Dennisadulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room

Without Honor (1949)

Ecstatic (Molto Expressivo)0:04:21 - Jane talks with Dennisadulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room

Without Honor (1949)

Appassionato 20:04:37 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy

Without Honor (1949)

Molto Misterioso0:05:03 - Jane walks to the dooradulterer | affair | conversing | establish character | leading lady | leading man | love interest | mysterious | room | tense

Without Honor (1949)

Dog0:05:12 - Jane finds the dogadulterer | affair | conversing | dog | establish character | leading lady | leading man | light | love interest | mysterious | playful | room

Without Honor (1949)

Tempo di Gavotte0:05:30 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | light | love interest | playful | room

Without Honor (1949)

Twilight (Triste)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Appassionato 2 (Molto Agitato)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Twilight (Poco Agitato)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Molto ExpressivoNIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Twilight (Misterioso)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room
The Most Dangerous Game (1932)A Moment In The Dark0:04:39 - A picture of a hunting tripboat | conversing | establish character | friend | hunter | leading man | radio | radio | source music | upbeat

The Most Dangerous Game (1932)

Zaroff0:13:51 - Bob looks at Zaroffcastle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching

The Most Dangerous Game (1932)

Centaur0:13:56 - Bob sees a centaur on the tapestrycastle | count | establish character | jump scare | leading man | mute | ominous | servant | staring | stinger | tapestry

The Most Dangerous Game (1932)

Zaroff (Staring)0:14:08 - The Count watches Bobcastle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching

The Most Dangerous Game (1932)

Piano Noise0:23:59 - Martin falls on the pianobrother | castle | count | drunk | establish character | leading lady | leading man | neutral | on-screen music | source music | stumbling

The Most Dangerous Game (1932)

Russian Waltz0:24:22 - Zaroff plays the pianobrother | castle | conversing | count | dog | drunk | establish character | leading lady | leading man | on-screen music | piano | playing | recounting | score to source | somber | source music | warning