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54 results for "linear" — see also running

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord
Angels With Dirty Faces (1938)Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking
Are These Our Children? (1931)Flapper and Eddie WaltzNIF - not in filmadded-note chord | altered dominant | cut from film | linear chromaticism | parallel double period | waltz
Arsenic and Old Lace (1944)Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking
Crime School (1938)Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Running around0:56:37 - Boys run out of the buildingaction scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring
They Made Me a Criminal (1939)The Fugitive (Traveling)0:22:51 - Johnnie's plodding feetchromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Mysterious)0:23:21 - Men at the diner stand upadded-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord

They Made Me a Criminal (1939)

The Fugitive (Excitedly)0:29:07 - Johnnie talks to the sheriff anxiety | anxious | conflict | leading man | linear chromaticism | lying | room | sheriff

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender

They Made Me a Criminal (1939)

On the Make (End Cast)1:31:03 - End titles9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat
Dust Be My Destiny (1939)Dust Be My Destiny (Fight)0:25:41 - Charlie and Joe fight42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale

Dust Be My Destiny (1939)

Fleeing0:34:56 - Joe and Mabel fleealley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Jail Break)0:49:16 - Mabel looks up and sees Joechromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Mysterioso)1:05:26 - Joe talks to Mikeadvance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber

Dust Be My Destiny (1939)

Underscoring (Tense)1:09:28 - Mike is confronted by gangstersbribe | chromatic parallelism | conflict | gangster | linear chromaticism | newspaper editor | street | tense | underscoring
Each Dawn I Die (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | WB shield

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling

Each Dawn I Die (1939)

Montage0:22:54 - Montage showing the passing of timechromatic parallelism | clock | dramatic | linear chromaticism | mickey-mousing | montage | montage | prison | prisoner | tense | waiting | whole-tone chord

Each Dawn I Die (1939)

On the Make1:31:02 - Closing credits9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing
Flamingo Road (1949)If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th chord | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Underscoring (Tense)1:11:26 - Field drinksalcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring

Flamingo Road (1949)

If I Could Be With You (Maestoso)1:26:31 - Dan reads a telegram about Field's deathadvance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring
The Informer (1935)Rule, Britannia!0:02:32 - Close-up on the 20 pound reward on the posterBritish | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense

The Informer (1935)

Tearing down poster0:02:47 - Gypo tears the reward poster off of the walldissonant bass | down | establish character | leading man | linear chromaticism | mickey-mousing | poster | removing | street | tearing | upset

The Informer (1935)

Underscoring (Subtle)0:04:22 - Close-up on Katieestablish character | leading lady | linear chromaticism | mysterious | staring | street | underscoring

The Informer (1935)

Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

The Escape (The Fight)1:28:25 - Rebels shoot through the doorantagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone
The Letter (1940)Leslie B (Appassionato)0:19:26 - Leslie closes the blindschanging meter | dramatic | emotional | home | leading lady | linear chromaticism | love scene | sequence | walking
Kid Galahad (1937)Underscoring (Tender)1:38:49 - Nick lies dying on a tableclimax | dying | linear chromaticism | manager | pedal tone | room | somber | tender
We Are Not Alone (1939)Signature0:00:00 - WB shieldadded-note chord | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | phrase extension | starring list | WB shield

We Are Not Alone (1939)

Transition0:00:18 - Book pages showing main castaugmented sixth chord | cast list | chromatic scale | linear chromaticism | main title | opening title sequence | tense

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

Underscoring (Tense)1:03:56 - The crowd outsideagitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring

We Are Not Alone (1939)

In Love1:30:55 - David realizes he is in love with Leni 9th chord | courtroom | courtroom scene | hero | heroine | linear chromaticism | love scene | realization | realizing | romantic | suspension | testifying | tone cluster
Three Who Loved (1931)Transition0:00:45 - Cast listcast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear
Transgression (1931)Waltz0:18:26 - People at a partyadvance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz
Penguin Pool Murder (1932)Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord
Murder on the Blackboard (1934)Sidewalks of New York (Two-Step)0:00:17 - Buildings in New York Citycheerful | city | establish place | establish setting | linear chromaticism | popular song | transcribed by ear
Star of Midnight (1935)Midnight in Manhattan (Fanfare)0:00:12 - Title of film; starring listbold | linear chromaticism | marquee | mode mixture | opening title sequence | starring list | title of film | transcribed by ear