| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:49:36 - Dr. Clitterhouse in safe | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | panicking | robbery | spinning | store | tense | thief | trapping | whirling |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:11 - Butch comes back | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | robbery | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Rocks (Sneaking) + The Motor | 0:50:14 - Rocks sneaks around in the dark | antagonist | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | robbery | sneaking | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:22 - Butch runs downstairs | anxious | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Butch goes downstairs | 0:50:22 - Butch runs downstairs | anxious | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor) | 0:50:33 - Rocks goes out to the truck | antagonist | anxious | combination of themes | criminal | double-cross | dramatic | gangster | lying | murderer | robbery | street | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Brass) + The Motor | 0:51:00 - Dr. Clitterhouse in the safe | anxious | combination of themes | criminal | dramatic | gangster | knocking | motor | panicking | robbery | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Butch Lights the Torch | 0:51:05 - Butch prepares the torch | anxious | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | preparing | rescuing | robbery | store | tense | thief | torch | working |
The Amazing Dr. Clitterhouse (1938) | The Torch (Off) + The Motor | 0:52:24 - Butch finishes opening safe | anxious | burning | combination of themes | criminal | cutting | dramatic | fire | flame | gangster | hero | motor | rescuing | robbery | sparks | store | tense | thief | torch | turning off |
| Angels With Dirty Faces (1938) | Jerry (Tear Gas) | 1:21:14 - Rocky staggers through tear gas and Jerry arrives | agitated | arriving | building | combination of themes | conflict | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | smoke | staggering | street | tear gas |
Angels With Dirty Faces (1938) | Tear Gas (Jerry) | 1:21:14 - Rocky staggers through tear gas and Jerry arrives | agitated | arriving | building | combination of themes | conflict | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | smoke | staggering | street | tear gas |
| The Big Sleep (1946) | Running out | 0:56:36 - Marlowe runs after the killer | assassin | chase scene | chasing | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger |
The Big Sleep (1946) | Vivian + Marlowe (Ear Business) | NIF - not in film | advance plot | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking |
| The FBI Story (1959) | Communists (Surveillance 2) | 2:13:36 - FBI agents follow communist | combination of themes | communist | flashback | tritone |
The FBI Story (1959) | Symbol (Pursuit) | 2:22:26 - Car chase continues | combination of themes | FBI | flashback |
The FBI Story (1959) | The Marines' Hymn (Con Moto) | 2:28:15 - Chip's family drives around Washington DC | car | combination of themes | driving | family | memorial | soldier | Washington DC |
| The Informer (1935) | Blood Money + Blind Man | 0:20:27 - Gypo looks at Frankie's poster again | advance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone |
The Informer (1935) | Blind Man + Blood Money | 0:24:45 - Blind man wanders in and Gypo gives him money | advance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking |
The Informer (1935) | The Informer (Burning Poster) + Blood Money | 0:32:03 - Gypo in rebel headquarters | advance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
The Informer (1935) | Blood Money (The Trial) + Blind Man (The Trial) | 1:15:13 - The rebels ask Gypo where he got the money | antagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect |
The Informer (1935) | Blood Money (The Trial) + The Informer (The Trial) | 1:15:40 - Dan asks "Who was the informer?" | antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone |
| The Letter (1940) | Hammond A (Deception) | 0:13:28 - Leslie gets emotional and talks about the struggle | advance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | passionate | recounting | sequence |
The Letter (1940) | Hammond A (Deception) | 0:34:47 - Leslie starts to worry about the letter | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | pivotal scene | prison | reading | sequence | tense |
The Letter (1940) | Hammond A (Deception) | 0:40:57 - Howard says he doesn't despise Leslie | advance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense |
The Letter (1940) | Mrs. Hammond (Glass Curtains) | 1:00:13 - Leslie pays Mrs. Hammond | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | paying | pentatonic | polyrhythm | shop | staring | tense | tinkling | waiting |
The Letter (1940) | Hammond A (Glass Curtains) | 1:01:27 - Leslie removes the shawl from her head | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | oscillation | ostinato | polyrhythm | sequence | shop | staring | tense | tinkling | waiting |
The Letter (1940) | Hammond B (Glass Curtains) | 1:01:57 - Leslie approaches Mrs. Hammond with the money | antagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | walking |
The Letter (1940) | Hammond B (Glass Curtains: Dark) | 1:02:50 - Leslie faces Mrs. Hammond again and looks at the letter | antagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | staring | tense | tinkling |
The Letter (1940) | Mrs. Hammond (Solemn) | 1:03:08 - Leslie and Howard leave | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | solemn | staring | tinkling |
The Letter (1940) | Mrs. Hammond (Foxtrot) | 1:20:02 - Ong is seen in the mirror dropping something | advance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallelism | pentatonic | source music |
The Letter (1940) | Mrs. Hammond (Foxtrot 2) | 1:21:15 - Leslie looks around to see who left the knife | advance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | polytonality | source music | tense |
The Letter (1940) | Hammond A (Foxtrot No.3) | 1:25:08 - Leslie leaves the party, stares at the moon, and is worried | climax | combination of themes | dance music | foxtrot | home | lacework | leading lady | obsession | obsessive | oscillation | sequence | source music | tense | thinking |
The Letter (1940) | Hammond A (Foxtrot No.3B) | 1:34:18 - Leslie's lacework | calm | combination of themes | dance music | lacework | plantation | resolution | source music |
| Lightning Strikes Twice (1951) | Trev (Appassionato) | 0:38:59 - Trev enters the store and everyone notices him | combination of themes | hero | romance | store |
Lightning Strikes Twice (1951) | Trev + Shelly | 0:39:51 - Shelly watches as Trev leaves the store | combination of themes | hero | heroine | store |
Lightning Strikes Twice (1951) | Trev + Shelly | 0:47:16 - Trev helps Shelly climb to safety | cliff | combination of themes | danger | hero | heroine | resue | romance |
| Mildred Pierce (1945) | Mazurka in B-Flat Major + Mildred | NIF - not in film | classical music | combination of themes | cut from film | familiar tune | on-screen music | scored source music | source music |
| We Are Not Alone (1939) | Surprise Symphony (Frohe Botschaft) | 1:50:50 - Gerald sings in the tub | boy | child | classical music | combination of themes | conclusion | death | familiar tune | Haydn | home | on-screen music | quotation | room | source music | whistling |
We Are Not Alone (1939) | Frohe Botschaft (Surprise Symphony) | 1:50:50 - Gerald sings in the tub | boy | child | combination of themes | conclusion | death | familiar tune | folk song | German | home | quotation | room |
| White Heat (1949) | Agents (Pursuit 2) | 0:24:58 - Car chase continues | car | chasing | combination of themes | speeding |
| The Amazing Dr. Clitterhouse (1938) | Rocks (Jo) + Jo (At the Phone) | 0:59:24 - Rocks takes the phone apart | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense |
The Amazing Dr. Clitterhouse (1938) | The Printing Press + Cauldron 1 | 1:21:08 - Newspaper presses rolling | combination of themes | headlines | montage | newspaper | obsessive | printing press |
The Amazing Dr. Clitterhouse (1938) | The Printing Press + Cauldron 1 (Not in Film) + The Amazing Doctor (Not in Film) | NIF - not in film | combination of themes | cut from film |
| Thirteen Women (1932) | Ursula (Exotic) + The Train | 0:23:07 - Helen points the gun at herself and cries | antagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim |
| Flamingo Road (1949) | Titus + Agitato (Extended) | 0:39:55 - Police take Lane away | arresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent |
Flamingo Road (1949) | Train + Titus (Rising) | 0:42:43 - Field and Annabelle in a train car | combination of themes | dark | dramatic | fiancée | leading man | montage | montage | self-borrowing | train | train | traveling |
Flamingo Road (1949) | Flamingo Road (Tense) + Titus | 1:04:16 - Titus enters the room | advance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense |
Flamingo Road (1949) | Flamingo Road (Misterioso) + Titus | 1:04:33 - Titus talks to Dan | advance plot | combination of themes | conversing | leading lady | leading man | mysterious | politician | room | self-borrowing | sheriff |
Flamingo Road (1949) | Titus + Titus 2 | 1:09:43 - Titus bullies Field | advance plot | bullying | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street |
Flamingo Road (1949) | Titus (Fragmented) + Titus 2 (Fragmented) | 1:29:47 - Lane confronts Titus | arguing | climax | club | combination of themes | dark | leading lady | mysterious | ominous | self-borrowing | sheriff |
| Are These Our Children? (1931) | Dreams (Minor) + Makes You Forget Your Troubles (Minor) | 1:15:51 - Newspaper headlines | combination of themes | conversing | double exposure | headline | montage | newspaper | police | preaching | priest | source to score | spinning | tense |
