| All This, and Heaven Too (1940) | Dying | 2:13:46 - The Duke in his death bed | chromatic scale | conversing | death bed | death scene | detective | dissonant bass | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect |
All This, and Heaven Too (1940) | Henriette (Duet) | 2:14:06 - A close-up on Henriette | appoggiatura | chromatic parallelism | conversing | death bed | death scene | deceptive resolution | detective | duke | dying | leading lady | leading man | mode mixture | prisoner | questioning | room | sad | soldier | suspect | tender |
All This, and Heaven Too (1940) | Henriette (Funereal) | 2:14:27 - Henriette leaves the Duke | conversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect |
All This, and Heaven Too (1940) | Dying (Molto Expressivo) | 2:14:46 - The Duke talks to Pierre | caretaker | chromatic parallelism | confessing | conversing | death bed | death scene | diminished 7th chord | duke | dying | leading man | love | pedal tone | room | sigh gesture | somber |
All This, and Heaven Too (1940) | Henriette (Confession of Love) | 2:15:34 - The Duke confesses his love | added-note chord | caretaker | chromatic mediant | common-tone modulation | confessing | conversing | death bed | death scene | duke | dying | foreign key modulation | leading man | love | mode mixture | room | somber |
| The Amazing Dr. Clitterhouse (1938) | Cauldron 1 | 0:00:15 - Title of film | beaker | bubbling | chromatic scale | dramatic | half-diminished 7th chord | main title | ominous | opening title sequence | parallelism | starring list | title of film |
The Amazing Dr. Clitterhouse (1938) | Cauldron 2 | 0:00:27 - Cast list | 9th chord | beaker | bubbling | cast list | chromatic parallelism | dramatic | main title | ominous | opening title sequence | ostinato | title of film |
The Amazing Dr. Clitterhouse (1938) | Cauldron 1 (End title) | 1:26:33 - The End | beaker | bubbling | chromatic mediant | chromatic scale | closing credits | doctor | end title | foreign key modulation | leading man | mode mixture | ominous | plagal cadence |
The Amazing Dr. Clitterhouse (1938) | Jo (End Cast) | 1:26:42 - Cast list | 13th chord | added-note chord | beaker | bubbling | chromatic mediant | closing credits | end title | triadic transformation |
| Angels With Dirty Faces (1938) | Shuffle Off to Buffalo | 0:58:27 - Boys in pool hall | betting | develop character | gambling | gang | playful | pool hall | ragtime | source music | teenager |
Angels With Dirty Faces (1938) | From Me to You | 0:58:56 - Boys in pool hall | betting | develop character | gambling | gang | leading man | playful | playing | pool | pool hall | priest | ragtime | source music | teenager |
Angels With Dirty Faces (1938) | Underscoring (Tense) | 1:33:36 - Rocky pleads for his life | begging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing |
| Are These Our Children? (1931) | RKO Tower | 0:00:00 - RKO logo | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Beyond the Forest (1949) | Sawmill (Agitato) | 0:39:25 - Fire from the sawmill | advance plot | agitated | bedroom | factory | fire | leading lady | leading man | restlessness | wife | yelling |
Beyond the Forest (1949) | Rosa (Molto Misterioso) | 0:41:50 - Rosa smokes in bed | advance plot | bedroom | contemplating | leading lady | leading man | mysterious | smoking | wife |
| Caged (1950) | Bird in a Cage | 0:30:00 - Inmates sleeping | advance plot | bed | crazy person | folk song | gentle | humming | leading lady | on-screen music | prison | prisoner | singing | source music |
Caged (1950) | Underscoring (Tense) | NIF - not in film | bed | crazy person | crying | cut from film | leading lady | mad scene | oscillation | prison | prisoner | sleeping | tense | underscoring |
Caged (1950) | Madness | NIF - not in film | agitated | bed | chromatic scale | crazy person | crying | cut from film | leading lady | mad scene | ostinato | prison | prisoner | sleeping | standing |
Caged (1950) | Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | breaking | chromatic parallelism | chromatic scale | crazy person | crying | cut from film | diminished 7th chord | dramatic | glass | hallucinating | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | screaming | smashing |
Caged (1950) | Caged (Not in Film) | NIF - not in film | bed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | pc set | prison | prisoner |
Caged (1950) | Wailing | NIF - not in film | agitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | ostinato | pc set | prison | prisoner | wailing |
Caged (1950) | Wailing + Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | chromatic parallelism | chromatic scale | combination of themes | crazy person | crying | crying effect | cut from film | diminished 7th chord | dramatic | glass | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | rushing | unlocking | wailing |
Caged (1950) | Wailing (Ominous) | NIF - not in film | bed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | ostinato | prison | prisoner | tritone | wailing | whole-tone chord |
Caged (1950) | Prison Alarm | 0:32:00 - Ringing prison alarm | agitated | alarm | alarm effect | bell | double exposure | dramatic | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking | whole-tone chord | whole-tone scale | yelling |
Caged (1950) | Marie (Expressivo) | 0:32:12 - The prison laundry | alarm | augmented sixth chord | augmented triad | bell | double exposure | dramatic | guard | leading lady | metric displacement | montage | montage | prison | prisoner | ringing | roll call | working |
Caged (1950) | Prison Alarm | 0:32:22 - Ringing prison alarm | agitated | alarm | alarm effect | bell | double exposure | dramatic | eating | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking | whole-tone chord |
Caged (1950) | Underscoring (Dramatic) | 0:32:30 - Marie in the prison cafeteria | alarm | alarm effect | bell | chromatic parallelism | double exposure | dramatic | eating | fanning | guard | heat | leading lady | mickey-mousing | montage | montage | pc set | prison | prisoner | underscoring | whole-tone scale |
Caged (1950) | Underscoring (Dramatic) | 0:32:47 - Marie working in the prison laundry | alarm | alarm effect | augmented sixth chord | bell | chromatic scale | double exposure | dramatic | leading lady | mickey-mousing | montage | montage | pain | prison | prisoner | quick cuts | underscoring | working |
| His Greatest Gamble (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
His Greatest Gamble (1934) | Bavardage | 0:01:10 - The beach | AABA structure | beach | casino | establish character | establish place | establish setting | gambler | gambling | leading man | luggage | pleasant | roulette wheel | transcribed by ear | upbeat |
| City for Conquest (1940) | Googi (Hysterical) | 1:14:42 - Cobb pleads for mercy | augmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense |
| Crime School (1938) | Underscoring (Dramatic) | 0:30:08 - Guards take Frankie inside | begging | chromatic scale | dissonant bass | dragging | dramatic | escape | fear | reformatory | teenager | tense | warden |
Crime School (1938) | The Whip | 0:30:15 - The warden uses his whip | begging | dramatic | escape | fear | reformatory | teenager | tense | warden | whip | whipping |
| Death of a Scoundrel (1956) | Death 2 | 0:25:31 - People gather around dead man who was just hit by the truck | church bell | death | flashback |
Death of a Scoundrel (1956) | Clementi's Mother (Peaceful) | 1:45:16 - Clementi talks to his mother | bedroom | ethnic | flashback | gentle | mother | peaceful |
| Deep Valley (1947) | Libby 2 (Frantic) | 1:36:05 - Ellie calls after Libby | barn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense |
Deep Valley (1947) | Libby (Running) | 1:36:13 - Libby and Barry run out of the barn | barn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard |
| The FBI Story (1959) | Conveyor Belt | 0:01:08 - Man asks his mother to buy insurance for her flight | airport | conveyer belt | insurance | machine | tense |
The FBI Story (1959) | Chip tosses hat | 1:24:46 - Chip tosses the beanie hat onto the window sill | beanie | flashback | hat | mickey-mousing | tossing |
The FBI Story (1959) | Yankee Doodle | 1:24:48 - Close up of the propeller hat as the seasons change outside the window | beanie | familiar tune | flashback | hat | mickey-mousing | snow | source music | wind |
| Hell on Frisco Bay (1955) | Amato | 1:25:21 - Amato sets up Lye and Kay | advance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense |
Hell on Frisco Bay (1955) | Anna | 1:30:35 - Anna tells Steve where to find Amato | advance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife |
| Her Kind of Man (1946) | Gambling | 0:18:58 - Miami | beach | casino | conversing | croupier | crowd | excited | gambler | gambling | gentle | grand | jockey | leading man | montage | montage | racetrack | racing | riding |
| Illegal (1955) | Morning | 0:00:08 - Point of view of a mysterious person opens a bedroom door and looks around a bedroom | bedroom | door | morning | point of view |
| The Informer (1935) | Katie (Fateful Decision) | 0:13:48 - Gypo heads towards the British headquarters | American | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense |
The Informer (1935) | Katie (Begging) | 1:24:42 - Katie pleads for Gypo | 64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense |
The Informer (1935) | Begging | 1:25:13 - Katie pleads for Gypo | advance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense |
The Informer (1935) | The Informer (Begging) | 1:25:50 - Katie pleads for Gypo | advance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room |
The Informer (1935) | Dan and Mary (Begging) | 1:25:53 - Katie talks to Mary about loving Gypo | advance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender |
The Informer (1935) | Begging 2 | 1:26:41 - Katie begs for Gypo's life | advance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense |
The Informer (1935) | Katie (Furioso) | 1:26:55 - Katie becomes desperate | advance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord |
| Key Largo (1948) | Storm | 1:06:07 - Tree crashes through window | beach | blowing | crashing | dramatic | hurricane | raining | storm | storm scene | tense |
Key Largo (1948) | Tree falls | 1:06:28 - Stormy weather outside | beach | dramatic | falling | hurricane | mickey-mousing | storm | storm scene | tense | tree |
Key Largo (1948) | Shelter in the Storm | 1:06:41 - Storm continues outside | beach | blowing | crashing | dramatic | hurricane | Indian | raining | sheltering | storm | storm scene | tense |
Key Largo (1948) | Storm Subsides | 1:07:15 - Storm starts to die down | beach | blowing | calming | dramatic | hurricane | raining | storm | storm scene | tense |
| Mildred Pierce (1945) | Mildred (Somber) | 0:01:37 - A house on the beach | added-note chord | beach | establish setting | mickey-mousing | mode mixture | optimistic | pedal tone | somber | water | wave |
Mildred Pierce (1945) | Wally runs | 0:11:01 - Wally runs out of the house | action scene | beach | chromatic scale | chromatic wedge | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim |
Mildred Pierce (1945) | Cops walk | 0:11:08 - The cops walk down the hill | action scene | beach | dramatic | lumbering | mickey-mousing | police | walking |
Mildred Pierce (1945) | Opens coat | 0:11:12 - Policeman opens Wally's coat to frisk him | action scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim |
Mildred Pierce (1945) | Underscoring (Tense) | 0:11:13 - Policemen investigate the scene | action scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim |
Mildred Pierce (1945) | Beach House | 0:42:49 - Mildred and Wally drive up to the beach house | 9th chord | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave |
Mildred Pierce (1945) | Walking | 0:42:58 - Mildred and Wally walk to the house | added-note chord | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | parallelism | transition | walking |
Mildred Pierce (1945) | Walking | 0:49:48 - Driving to the beach house | 9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking |
Mildred Pierce (1945) | Disrobes | 0:50:47 - Monte takes off Mildred's robe | beach house | cheerful | disrobing | dissonant bass | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe |
Mildred Pierce (1945) | Bathing Suit | 0:50:49 - Monte looks at Mildred in her bathing suit | 9th chord | attraction | beach house | cheerful | dissonant bass | falling in love scene | flirting | foreign key modulation | heroine | leading lady | love interest | mickey-mousing |
Mildred Pierce (1945) | Mildred (Frolicking) | 0:51:01 - Mildred runs to the beach | 9th chord | beach | cheerful | falling in love scene | flirting | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | running | tritone |
Mildred Pierce (1945) | Frolicking in the Surf | 0:51:05 - Monte and Mildred run to the water | 9th chord | 64 chord | beach | falling in love scene | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves |
Mildred Pierce (1945) | Waves | 0:51:11 - Waves crash onto the beach | 64 chord | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves |
Mildred Pierce (1945) | It Can't Be Wrong (Molto Misterioso) | 1:42:42 - Mildred learns that Monte has betrayed her | 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord |
Mildred Pierce (1945) | Kay and Veda (Agitato) | 1:46:05 - Veda reveals that she is in love with Monte | antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense |
Mildred Pierce (1945) | Kay and Veda (Very Slow) | 1:46:22 - Mildred reacts to Veda's betrayal | antagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | parallel 63s | room |
Mildred Pierce (1945) | Mildred (Tragic) | 1:46:43 - Mildred runs away | altered dominant | antagonist | arguing | betrayal | chromatic scale | climax | daughter | dramatic | emotional | half-diminished 7th chord | heroine | leading lady | room | running | sequence |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:48:22 - Veda pleads for help to escape | antagonist | begging | chromatic scale | confessing | daughter | distressed | fragmentation | frantic | heroine | leading lady | murderer | murder scene | room | sequence | whole-tone chord |
Mildred Pierce (1945) | Mildred (Ominous) | 1:48:41 - Mildred calls the police | antagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:48:54 - Veda asks her mother not to turn her in | antagonist | begging | daughter | foreign key modulation | heroine | leading lady | murderer | murder scene | room | tense | underscoring |
| The Life of Vergie Winters (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Rockabye (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Out of the Fog (1941) | Beating | 0:50:17 - Goff beats Jonah | beating | conflict | criminal | dark | dissonant bass | dramatic | extortion | father | fisherman | leading man | mickey-mousing | street | violence | weapon |
| Traveling Husbands (1931) | Chimes | 0:49:36 - A tune is played on church bells | advance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting |
Traveling Husbands (1931) | Chimes 2 | 0:51:50 - A tune is played on church bells | advance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting |
| The Unfaithful (1947) | Unfaithful | 0:00:07 - Title of the film | altered dominant | Beverly Hills | cast list | common-chord modulation | house | main title | mode mixture | Neapolitan | opening title sequence | ostinato | pedal tone | serious | starring list | title of film |
The Unfaithful (1947) | Beverly Hills | 0:01:00 - Cars driving down road in Beverly Hills | Beverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over |
The Unfaithful (1947) | Beverly Hills (Leggiero) | 0:01:10 - A car pulls into the driveway | Beverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over |
The Unfaithful (1947) | Chris | 0:01:26 - Chris arrives at home | 9th chord | arriving | Beverly Hills | calm | establish character | foreign key modulation | house | leading lady |
| White Heat (1949) | Verna (Slowly) | 0:43:41 - Verna kisses Big Ed | betrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry |
White Heat (1949) | Panning | 1:19:32 - Camera pans to the group | beans | dramatic | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | panning shot | room | throwing | transition | undercover agent | waiting |
| Three Who Loved (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Transgression (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Hell’s Highway (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | main title | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Hold ‘Em Jail (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Is My Face Red? (1932) | RKO Tower | 0:00:00 - Beeping radio tower | beeping | main title | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Ladies of the Jury (1932) | RKO Tower | 0:00:00 - RKO beeping radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Men of America (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Penguin Pool Murder (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Secrets of the French Police (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| State’s Attorney (1932) | RKO Tower | 0:00:00 - RKO beeping radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| The Phantom of Crestwood (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| The Roadhouse Murder (1932) | RKO Tower | 0:00:00 - RKO beeping radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Thirteen Women (1932) | RKO Tower | 0:00:00 - RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Before Dawn (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Blind Adventure (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Emergency Call (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Headline Shooter (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Headline Shooter (1933) | He's Not the Marrying Kind | 0:02:32 - Radio announcer talking | announcing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music |
Headline Shooter (1933) | You Can Depend on Me | 0:05:21 - Bathing beauties walk past | AABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music |
| Dangerous Corner (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Sing and Like It (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Gridiron Flash (1934) | RKO Tower | 0:00:07 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Hat, Coat, and Glove (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Murder on the Blackboard (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Star of Midnight (1935) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| We're Only Human (1935) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| The Most Dangerous Game (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
The Most Dangerous Game (1932) | Swimming | 0:07:56 - Bob swims away | action scene | beach | dramatic | escaping | leading man | mickey-mousing | ocean | ship wreck | swimming | tense |
The Most Dangerous Game (1932) | The Beach | 0:08:11 - Bob walks onto the beach | action scene | beach | calm | leading man | ship wreck | stumbling | walking | wave effect |
The Most Dangerous Game (1932) | The Iron Door (Collapsing) | 0:08:23 - Bob collapses on the beach | action scene | beach | calm | collapsing | falling | foreshadowing | leading man | mysterious | ship wreck |
The Most Dangerous Game (1932) | The Iron Door (Waking) | 0:08:31 - Bob slowly wakes | barking | beach | establish setting | leading man | mysterious | rising | screaming | waking |
The Most Dangerous Game (1932) | Getting up | 0:08:51 - Bob rises to his feet | barking | beach | establish setting | leading man | looking | mickey-mousing | mysterious | rising | standing | tense |
The Most Dangerous Game (1932) | Climbing | 0:08:58 - Bob climbs the rocks | beach | climbing | establish setting | leading man | mickey-mousing | tense |
The Most Dangerous Game (1932) | Russian Waltz (The Sea) | 0:09:15 - The ocean | beach | dramatic | establish setting | leading man | looking | ocean | wave effect |
The Most Dangerous Game (1932) | Russian Waltz (Whole Tone) + The Iron Door | 0:29:10 - Bob wakes up | barking | bed | castle | combination of themes | door | knocking | leading lady | leading man | mysterious | opening | sleeping | turning point | waking |
| Lightning Strikes Twice (1951) | Father Paul (Slow) | 1:29:00 - Shelly and Myra wait for the news | actor | bell effect | car crash | countryside | death | funereal | leading lady | mother | owner | police | resolution | somber | waiting |
| Mara Maru (1952) | Beam falling | 1:15:57 - A beam collapses | action scene | beam | boat | captain | collapsing | dark | descending | diver | diving | diving suit | dramatic | falling | leading man | lighting | mickey-mousing | ocean | ship | underwater | working |
Mara Maru (1952) | Beam falling 2 | 1:16:34 - A beam collapses on the air hose | action scene | beam | boat | captain | collapsing | dark | descending | diver | diving | diving suit | dramatic | falling | hose | leading man | mickey-mousing | ocean | ship | treasure | underwater | working |
Mara Maru (1952) | Tugging | 1:16:39 - Gregory tugs at the air hose | action scene | antogonist | beam | boat | captain | dark | diver | diving | diving suit | dramatic | hose | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | pulling | rain | raining | ship | storm | treasure | tugging | underwater | worker | working | yelling |
Mara Maru (1952) | Gregory + Struggling | 1:16:57 - Gregory tries to free himself | action scene | beam | boat | captain | close-up | combination of themes | dark | digging | diver | diving | diving suit | dramatic | fanfare | frantic | heroic | hose | leading man | mickey-mousing | ocean | rushing | ship | struggling | treasure | tugging | underwater | working |
Mara Maru (1952) | Struggling 2 | 1:17:23 - Gregory tries to free himself | action scene | beam | boat | captain | dark | diver | diving | diving suit | dramatic | frantic | hose | leading man | ocean | rushing | ship | struggling | treasure | tugging | underwater | working |
| Bachelor Apartment (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| The Animal Kingdom (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Christopher Strong (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Friends and Lovers (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Half Shot at Sunrise (1930) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Lucky Devils (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Too Many Cooks (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Roar of the Dragon (1932) | Manchuria (Marcia) | 0:01:12 - map of Manchuria with a zoom-in effect on city of Yolung; message being printed: "Voronsky Tartar bandit raids riverboat Sungari" | dramatic | exotic | in China's Heilongjiang Province. It borders the Songhua River. In Russian | newspaper office | The city of Yolung is probably based on what is now known as Yilan | the Songhua River is called the Sungari | which happens to be the name of the paddleboat that gets attacked by Voronsky's bandits. The Russian translation of Sungari also fits with Voronsky's and Natascha's assumed Russian origins. |
| Melody Cruise (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Tag Search Results