| All This, and Heaven Too (1940) | The Duchess | 0:00:15 - Title of film | cast list | common-tone diminished 7th | enharmonic modulation | foreign key modulation | hopeful | opening title sequence | romantic | sequential modulation | title of film |
All This, and Heaven Too (1940) | Underscoring (Tense) | NIF - not in film | advance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring |
All This, and Heaven Too (1940) | Rubato | NIF - not in film | 9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense |
All This, and Heaven Too (1940) | Desperation (Very Dramatic) | NIF - not in film | advance plot | altered dominant | arguing | child | cut from film | duchess | governess | leading lady | room | tense |
All This, and Heaven Too (1940) | Rubato (Carriage) | NIF - not in film | 9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street |
All This, and Heaven Too (1940) | Desperation (Carriage Starts) | NIF - not in film | added-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street |
| The Amazing Dr. Clitterhouse (1938) | Cauldron 1 | 0:00:15 - Title of film | beaker | bubbling | chromatic scale | dramatic | half-diminished 7th chord | main title | ominous | opening title sequence | parallelism | starring list | title of film |
The Amazing Dr. Clitterhouse (1938) | Cauldron 2 | 0:00:27 - Cast list | 9th chord | beaker | bubbling | cast list | chromatic parallelism | dramatic | main title | ominous | opening title sequence | ostinato | title of film |
The Amazing Dr. Clitterhouse (1938) | The Printing Press + Cauldron 1 (Not in Film) + The Amazing Doctor (Not in Film) | NIF - not in film | combination of themes | common-tone diminished 7th | cut from film | layering | ostinato | step modulation |
| Angels With Dirty Faces (1938) | The Gangster | 0:00:15 - Main title | bold | cast list | dark | foreign key modulation | main title | opening title sequence | sequence | title of film |
Angels With Dirty Faces (1938) | Rocky and Laury (Not In Film 1) | NIF - not in film | added-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking |
Angels With Dirty Faces (1938) | Rocky and Laury (Not In Film 2) | NIF - not in film | added-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | NIF - not in film | chromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | NIF - not in film | advance plot | altered dominant | chromatic scale | cut from film |
| Are These Our Children? (1931) | Dreams | 0:00:15 - Title of the film and opening credits | 11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film |
Are These Our Children? (1931) | Dreams (Coney Island) | NIF - not in film | chromatic mediant | chromatic parallelism | cut from film | foreign key modulation | joyful |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Alternate Version) | NIF - not in film | 9th chord | AABA structure | cheerful | cut from film | dance hall |
Are These Our Children? (1931) | Dreams + Makes You Forget Your Troubles (Allegro) | NIF - not in film | cut from film | mysterious | octatonic | somber | whole-tone chord | whole-tone scale |
Are These Our Children? (1931) | Dreams (Washroom Sequence Bridge) | NIF - not in film | cut from film |
Are These Our Children? (1931) | Dreams (Washroom Sequence Coda) | NIF - not in film | chromatic parallelism | cut from film |
Are These Our Children? (1931) | Flapper and Eddie Waltz | NIF - not in film | added-note chord | altered dominant | cut from film | linear chromaticism | parallel double period | waltz |
Are These Our Children? (1931) | Dreams (Con Espressione) | NIF - not in film | cut from film | diminished 7th chord | enharmonic modulation | fragmentation | thematic transformation |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Moderato 2) | NIF - not in film | cut from film |
Are These Our Children? (1931) | Dreams (Newspaper Montage 2) | NIF - not in film | cut from film | dissonant bass | fragmentation | sequence | thematic transformation |
Are These Our Children? (1931) | Dreams (Andante) | NIF - not in film | added-note chord | cut from film | mode mixture | parallelism | quartal chord | tense | whole-tone chord |
Are These Our Children? (1931) | Dreams (Transition 8B) | NIF - not in film | added-note chord | altered dominant | augmented triad | chromatic mediant | common-tone diminished 7th | cut from film | foreign key modulation | pedal tone | tense | turbulent |
Are These Our Children? (1931) | Dreams (Transition 9) | NIF - not in film | 9th chord | altered dominant | cut from film | dark | mysterious | pc set | tragic | whole-tone | whole-tone chord |
Are These Our Children? (1931) | Lascia ch'io pianga | NIF - not in film | ABA structure | classical music | common-chord modulation | cut from film | da capo | solemn | ternary form |
Are These Our Children? (1931) | Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13) | NIF - not in film | 9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber |
Are These Our Children? (1931) | Dreams (End Title) | NIF - not in film | bold | cut from film | mode mixture | plagal cadence |
Are These Our Children? (1931) | Dreams (Meno) | NIF - not in film | added-note chord | chromatic parallelism | common-tone dominant 7th | cut from film | half-diminished 7th chord | peaceful |
Are These Our Children? (1931) | Dreams (Dark Introduction) | NIF - not in film | added-note chord | cut from film | dark |
Are These Our Children? (1931) | Foxtrot | NIF - not in film | AABA structure | common-chord modulation | cut from film | happy | plagal cadence | sentence form | ternary form |
Are These Our Children? (1931) | Incidental Music | NIF - not in film | ABAC structure | added-note chord | altered dominant | common-tone diminished 7th | cut from film | upbeat |
Are These Our Children? (1931) | Dance Tune | NIF - not in film | augmented triad | bluesy | common-tone diminished 7th | cut from film | mode mixture |
| Arsenic and Old Lace (1944) | Happy Land (Allegretto) | 0:00:13 - Main title | 11th chord | cast list | familiar tune | foreign key modulation | opening title sequence | sequence | starring list | title of film |
Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating 2) | NIF - not in film | added-note chord | cut from film | deceptive resolution | familiar tune | fragmentation | love scene | pump-up modulation | sequence |
Arsenic and Old Lace (1944) | The Aunts | NIF - not in film | cut from film | foreign key modulation | harmonic sequence |
Arsenic and Old Lace (1944) | Happy Land (Lento) | NIF - not in film | added-note chord | cut from film | suspension |
Arsenic and Old Lace (1944) | Mysterioso Pizzicato | 0:42:41 - Martha talks about scary movies | aunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music |
| Beyond the Forest (1949) | Beyond the Forest | 0:00:12 - Title of the film | cast list | dark | opening title sequence | title of film | turbulent |
Beyond the Forest (1949) | Rosa (Slowly) | 0:47:08 - Rosa reads a magazine | advance plot | cut from film | leading lady | office | reading | receptionist | solemn | waiting |
Beyond the Forest (1949) | Rosa (Not in Film) | NIF - not in film | advance plot | cut from film |
Beyond the Forest (1949) | Underscoring (Tense) | NIF - not in film | cut from film | cut from film | underscoring |
Beyond the Forest (1949) | Lewis (Dolce) | NIF - not in film | cut from film | cut from film |
Beyond the Forest (1949) | Lewis (Moderato Quasi Rubato) | NIF - not in film | cut from film | cut from film |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:02 - The maid makes a phone call | agitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect |
Beyond the Forest (1949) | Train | 1:30:52 - A locomotive | agitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train + Chicago (Shrill) | 1:30:54 - Rosa stumbles towards the train | agitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking |
| The Big Sleep (1946) | Vivian + Marlowe (Ear Business) | NIF - not in film | advance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone |
The Big Sleep (1946) | Marlowe (Phone Call) | NIF - not in film | advance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord |
The Big Sleep (1946) | Carmen | NIF - not in film | advance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord |
The Big Sleep (1946) | Carmen (Clues) | NIF - not in film | advance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord |
The Big Sleep (1946) | Marlowe (Not in Film) | NIF - not in film | 9th chord | 11th chord | advance plot | conversing | cut from film | femme fatale | leading man | private eye | room |
The Big Sleep (1946) | Drops hat | NIF - not in film | 9th chord | advance plot | cut from film | dropping | femme fatale | hat | leading man | mickey-mousing | private eye | room |
The Big Sleep (1946) | Sternwood (Extended) | NIF - not in film | added-note chord | advance plot | altered dominant | chromatic scale | conversing | cut from film | femme fatale | leading man | private eye | room | whole-tone chord |
The Big Sleep (1946) | Underscoring (Tense) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | diminished 7th chord | femme fatale | leading man | oscillation | private eye | room | tritone | underscoring | whole-tone chord |
The Big Sleep (1946) | You! | NIF - not in film | advance plot | chromatic scale | conversing | cut from film | femme fatale | fragmentation | leading man | private eye | room | tone cluster |
The Big Sleep (1946) | Marlowe (Major) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | femme fatale | leading man | mode mixture | pc set | private eye | room |
The Big Sleep (1946) | Bites hand | NIF - not in film | advance plot | biting | chromatic parallelism | cut from film | femme fatale | leading man | mickey-mousing | pc set | private eye | room | stinger |
The Big Sleep (1946) | Carmen (Not in Film) | NIF - not in film | advance plot | conversing | cut from film | femme fatale | leading man | oscillation | private eye | room | whole-tone chord |
| The Breaking Point (1950) | The Breaking Point | 0:00:25 - Title of the film | boat | calm | cast list | conductor score | gentle | harbor | mixed meter | mode mixture | opening title sequence | tender | title of film |
The Breaking Point (1950) | Waves | NIF - not in film | chromatic mediant | cut from film | oscillation |
| Caged (1950) | Signature | NIF - not in film | added-note chord | bold | chromatic mediant | chromatic scale | cut from film | dissonant bass | fragmentation | opening title sequence | oscillation |
Caged (1950) | Caged (Main Title) | NIF - not in film | car | chromatic scale | cut from film | dark | dissonant bass | driving | guard | opening title sequence | oscillation | police car | prisoner | riding | sigh gesture | title of film |
Caged (1950) | Police Van | NIF - not in film | car | cut from film | dark | diminished 7th chord | dissonant bass | driving | guard | opening title sequence | oscillation | point-of-view shot | police car | polychord | prisoner | riding | siren effect | tense | whole-tone chord |
Caged (1950) | Caged (Van Stops) | NIF - not in film | car | chromatic parallelism | cut from film | dark | dissonant bass | driving | guard | opening title sequence | police car | prisoner | riding | tense |
Caged (1950) | Prisoners get out | NIF - not in film | car | cut from film | exiting | guard | opening title sequence | pc set | police car | prisoner | quartal chord | tense | whole-tone chord |
Caged (1950) | Marie (Main Title) | NIF - not in film | augmented sixth chord | car | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense |
Caged (1950) | Prison | NIF - not in film | 9th chord | augmented sixth chord | conversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | suspension | underscoring |
Caged (1950) | Caged | 0:00:08 - Title of film | car | cast list | chromatic scale | dark | dissonant bass | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film |
Caged (1950) | Marie (Tragic) | NIF - not in film | advance plot | augmented sixth chord | cut from film | dissonant bass | foreign key modulation | guard | leading lady | pc set | prison | prisoner | standing | uneasy |
Caged (1950) | Swimmy | NIF - not in film | advance plot | chromatic parallelism | chromatic scale | cut from film | disbelief | dissonant bass | fragmentation | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense |
Caged (1950) | Molto Expressivo | NIF - not in film | 9th chord | advance plot | arriving | cut from film | disbelief | foreign key modulation | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking |
Caged (1950) | Mrs. Benton (Not in Film) | NIF - not in film | 9th chord | added-note chord | altered dominant | augmented sixth chord | comforting | common-tone modulation | crying | cut from film | disbelief | establish character | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | realization | warden |
Caged (1950) | Crying | NIF - not in film | comforting | crying | cut from film | deceptive resolution | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 2) | NIF - not in film | comforting | crying | cut from film | establish character | foreign key modulation | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Marie 2 (Not in Film) | NIF - not in film | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Lullaby | NIF - not in film | 9th chord | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 3) | NIF - not in film | altered dominant | chromatic mediant | conversing | cut from film | establish character | gentle | guard | leading lady | mode mixture | office | pregnancy | prison | prisoner | reading | room | sigh gesture | warden |
Caged (1950) | Underscoring (Tense) | NIF - not in film | bed | crazy person | crying | cut from film | leading lady | mad scene | oscillation | prison | prisoner | sleeping | tense | underscoring |
Caged (1950) | Madness | NIF - not in film | agitated | bed | chromatic scale | crazy person | crying | cut from film | leading lady | mad scene | ostinato | prison | prisoner | sleeping | standing |
Caged (1950) | Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | breaking | chromatic parallelism | chromatic scale | crazy person | crying | cut from film | diminished 7th chord | dramatic | glass | hallucinating | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | screaming | smashing |
Caged (1950) | Caged (Not in Film) | NIF - not in film | bed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | pc set | prison | prisoner |
Caged (1950) | Wailing | NIF - not in film | agitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | ostinato | pc set | prison | prisoner | wailing |
Caged (1950) | Wailing + Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | chromatic parallelism | chromatic scale | combination of themes | crazy person | crying | crying effect | cut from film | diminished 7th chord | dramatic | glass | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | rushing | unlocking | wailing |
Caged (1950) | Wailing (Ominous) | NIF - not in film | bed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | ostinato | prison | prisoner | tritone | wailing | whole-tone chord |
Caged (1950) | Agitato | NIF - not in film | agitated | chromatic parallelism | chromatic scale | cut from film | fragmentation | mad scene | ostinato | pc set | prison | whole-tone chord |
Caged (1950) | June (Triste) | 0:38:14 - June and Marie talk | common-tone diminished 7th | conversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber |
Caged (1950) | Swimmy (Party) | NIF - not in film | advance plot | chromatic parallelism | cut from film | pedal tone | syncopation |
Caged (1950) | Underscoring (Dark) | NIF - not in film | cut from film | cut scene | dark | underscoring |
Caged (1950) | She Runs | NIF - not in film | added-note chord | agitated | chromatic scale | cut from film | cut scene | dissonant bass | sequence | tritone oscillation |
Caged (1950) | Underscoring (Dramatic) | NIF - not in film | cut from film | cut scene | dramatic | underscoring |
| His Greatest Gamble (1934) | Morning Glory Fanfare | 0:00:12 - Title of film; starring list | fanfare | noble | opening title sequence | pedal tone | starring list | title of film | transcribed by ear |
| City for Conquest (1940) | Tone Poem Introduction (Main Title) | 0:00:12 - Title of film over a city skyline | bold | cast list | city | common-tone dominant 7th | Gershwinesque | opening title sequence | skyline | title of film |
City for Conquest (1940) | Tone Poem A (Very Broad) | 0:12:16 - Eddie plays the piano | 13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem C | NIF - not in film | 9th chord | bluesy | concert scene | countermelody | cut from film | enharmonic modulation | enharmonic respelling | mode mixture | sus chord |
City for Conquest (1940) | Tone Poem Transition 3 | NIF - not in film | acceleration | bold | chromatic parallelism | chromatic sequence | concert scene | cut from film | diminution | dominant 7th chord | exciting | foreign key modulation | fragmentation | polyrhythm |
City for Conquest (1940) | Tone Poem D | NIF - not in film | 9th chord | AABA structure | added-note chord | altered dominant | blue note | bluesy | chromatic parallelism | chromatic sequence | concert scene | countermelody | cut from film | mode mixture | parallelism |
City for Conquest (1940) | Tone Poem A (Tag) | NIF - not in film | 64 chord | cut from film | plagal cadence |
| Crime School (1938) | Transition | 0:00:08 - Starring and cast list | 9th chord | cast list | dissonant bass | dominant pedal | dramatic | main title | opening title sequence | parallelism | starring list | tense | title of film |
Crime School (1938) | Gangster Blues | 0:01:16 - New York City streets | 13th chord | added-note chord | altered dominant | blues | cut from film | establish setting | fun | Gershwinesque | main title | setting | street | upbeat |
Crime School (1938) | The Courthouse | NIF - not in film | cut from film | deceptive resolution | noble | parallelism |
Crime School (1938) | The Patrol Wagon | 0:21:41 - Boys get loaded into the patrol wagon | car | chromatic parallelism | cut from film | dissonant bass | pedal tone | police car | traveling |
Crime School (1938) | Reform School Drill | 0:33:18 - Reform school boys exercise outside | comedy | cut from film | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | split-third chord | teenager | upbeat | warden |
Crime School (1938) | The Courthouse (Judge) | 1:22:53 - Door to the judge's chambers | courthouse | cut from film | entering | judge | noble | resolution |
| They Made Me a Criminal (1939) | Transition | 0:00:07 - Starring list | added-note chord | chromatic parallelism | dissonant bass | dramatic | main title | opening title sequence | pedal tone | starring list | tense | title of film |
| Deep Valley (1947) | Homestead | 0:00:11 - A farmhouse | calm | cast list | opening title sequence | peaceful | relaxed | starring list | title of film |
Deep Valley (1947) | Libby 2 | NIF - not in film | cut from film | establish character |
Deep Valley (1947) | Joe (Not in Film) | NIF - not in film | cut from film | establish character |
Deep Valley (1947) | Woods | 0:09:57 - Libby walks in the woods | cheerful | cut from film | dog | establish character | forest | leading lady | upbeat | walking |
Deep Valley (1947) | Woods (Misterioso) | NIF - not in film | cut from film | establish character |
Deep Valley (1947) | Joe | NIF - not in film | advance plot | cut from film |
Deep Valley (1947) | Underscoring (Mysterious) | NIF - not in film | cut from film |
Deep Valley (1947) | Joe (Calm) | NIF - not in film | cut from film |
Deep Valley (1947) | Deep Valley | NIF - not in film | cut from film |
Deep Valley (1947) | Barry | NIF - not in film | cut from film |
Deep Valley (1947) | Barry (Broad) | NIF - not in film | cut from film |
Deep Valley (1947) | Molto Expressivo | NIF - not in film | cut from film | underscoring |
Deep Valley (1947) | Barry (Dolce) | NIF - not in film | cut from film |
Deep Valley (1947) | Deep Valley (Delicato) | NIF - not in film | cut from film |
Deep Valley (1947) | Joe (Misterioso) | NIF - not in film | cut from film |
Deep Valley (1947) | Sneaking | NIF - not in film | cut from film |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Opening A) | 0:00:21 - Main title | 64 chord | chromatic mediant | dissonant bass | dust | main title | mickey-mousing | opening title sequence | romantic | title of film |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | NIF - not in film | barn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Not In Film) | NIF - not in film | 9th chord | common-tone diminished 7th | conflict | cut from film | sequence |
| Each Dawn I Die (1939) | Each Dawn A | 0:00:14 - Title of film | augmented triad | cast list | dark | diminished 7th chord | main title | opening title sequence | parallelism | prison | title of film |
Each Dawn I Die (1939) | Wings Over the Navy | 0:28:04 - Prisoners watch a movie | dying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching |
| Flamingo Road (1949) | Flamingo Road | 0:00:18 - Book cover for Flamingo Road | blues | bluesy | book cover | cast list | establish setting | Gershwinesque | mode mixture | parallelism | self-borrowing | title of film |
Flamingo Road (1949) | Lane (Moderato Grazioso) | NIF - not in film | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | picardy third | police | room |
Flamingo Road (1949) | Underscoring (Lyrical) | NIF - not in film | 9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring |
Flamingo Road (1949) | Lane (Poco Con Moto) | NIF - not in film | conversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room |
Flamingo Road (1949) | Arabian Riff (Not in Film) | NIF - not in film | conversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score |
Flamingo Road (1949) | Underscoring (Lyrical) | NIF - not in film | chromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring |
Flamingo Road (1949) | Lane | NIF - not in film | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room |
Flamingo Road (1949) | If I Could Be With You (Timidly) | NIF - not in film | chromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score |
Flamingo Road (1949) | If I Could Be With You (Lightly) | NIF - not in film | altered dominant | common-tone diminished 7th | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room |
Flamingo Road (1949) | Lane (Not in Film) | NIF - not in film | conversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room |
Flamingo Road (1949) | Traveling | NIF - not in film | added-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room |
Flamingo Road (1949) | Lane (Sentimentale) | NIF - not in film | 9th chord | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police |
Flamingo Road (1949) | Lane (Molto Expressivo) | NIF - not in film | 11th chord | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police |
Flamingo Road (1949) | Driving | NIF - not in film | car | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene |
Flamingo Road (1949) | Titus (Ostinato) | NIF - not in film | advance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress |
Flamingo Road (1949) | Lane (Not in Film 2) | NIF - not in film | 9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord |
Flamingo Road (1949) | Titus 2 (Not in Film) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing |
Flamingo Road (1949) | Lute Mae (Not in Film) | NIF - not in film | 13th chord | added-note chord | altered dominant | common-chord modulation | countermelody | cut from film | cut from film | deceptive resolution | lovers meet | self-borrowing |
Flamingo Road (1949) | Flamingo Road (Expressivo) | NIF - not in film | altered dominant | cut from film | cut from film | self-borrowing | transition |
Flamingo Road (1949) | Underscoring (Mysterious) | NIF - not in film | added-note chord | cut from film | cut from film | transition | underscoring |
Flamingo Road (1949) | Titus 2 (Triste) | NIF - not in film | cut from film | cut from film | police station | resolution | self-borrowing |
Flamingo Road (1949) | Lane (Not in Film 3) | NIF - not in film | cut from film | cut from film | foreign key modulation | mode mixture | police station | resolution |
| Hell on Frisco Bay (1955) | Menace | 0:00:00 - Starring list | conductor score | dark | menacing | opening title sequence | starring list | title of film |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Menace | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Menace | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | I'm Off | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Steve | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Amato | 1:20:16 - News of Mario's death | brash | cut from film | death | montage | montage | murder | suicide | typing |
Hell on Frisco Bay (1955) | The Wreath | NIF - not in film | cut from film |
Hell on Frisco Bay (1955) | | NIF - not in film | cut from film |
| Her Kind of Man (1946) | It Had to Be You (Main Title) | 0:00:16 - Main title | cards | cast list | dramatic | gambling | opening title sequence | poker | romantic | roulette | sequence | title of film |
| I Was a Communist for the FBI (1951) | Communist | 0:00:09 - Title of film | bold | chromatic parallelism | chromatic scale | dark | dramatic | half-diminished 7th chord | hallway | march | opening title sequence | oscillation | parallelism | stranger | title of film | tritone oscillation | zoom in |
I Was a Communist for the FBI (1951) | Communist (Alternate) | NIF - not in film | alternate music | cast list | chromatic parallelism | chromatic scale | half-diminished 7th chord | opening title sequence | oscillation | parallelism | starring list | title of film | tritone oscillation | zoom in |
| In This Our Life (1942) | Our Life | 0:00:17 - Title of the film | 9th chord | cast list | dissonant bass | dramatic | opening title sequence | sequence | title of film |
In This Our Life (1942) | Stanley (Something Screwy) | NIF - not in film | conflict | cut from film |
In This Our Life (1942) | Stanley | NIF - not in film | 9th chord | appoggiatura | circle of fifths | cut from film | resolution |
In This Our Life (1942) | The End | NIF - not in film | appoggiatura | cut from film | resolution |
| The Informer (1935) | The Informer | 0:00:14 - Shadows move across the screen behind the cast list | cast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film |
| Key Largo (1948) | Key Largo | 0:00:15 - Main title | dark | main theme | opening title sequence | title of film | tragic |
Key Largo (1948) | Rocco (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 3 (Cut from Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Tension | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco (Tense 2) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Misterioso) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 3 (Cut From Film 2) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | McCloud (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
| The Letter (1940) | Leslie | 0:00:11 - The Letter | 9th chord | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | suspension | tense | title of film |
The Letter (1940) | Native (Uncut) | NIF - not in film | cut from film | Dorian mode | exoticism | melodic cell | ostinato | pentatonic | quintal chord | setting |
The Letter (1940) | Leslie (Not in Film) | NIF - not in film | advance plot | cut from film | deceptive resolution | suspension |
| Lightning Strikes Twice (1951) | Lightning | 0:00:24 - Title card, cast list and prison | cast list | dramatic | lightning effect | opening title sequence | prison | self-borrowing | title of film | transition |
Lightning Strikes Twice (1951) | Shelly and Trev | NIF - not in film | actor | blowing | candle | cut from film | establish character | leading lady | leading man | light | room | suspect | tense | turning off |
Lightning Strikes Twice (1951) | Shelly (Traveling) + Shelly 2 (Allegretto) | 0:23:40 - Shelly travels to Tumblewood Ranch | actor | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ranch | suspect | transition | traveling | walking |
Lightning Strikes Twice (1951) | Mournful | 1:18:16 - Shelly is worried | actor | concern | cut from film | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying |
Lightning Strikes Twice (1951) | Shelly (Molto Agitato) | NIF - not in film | actor | agitated | arriving | car | cut from film | dark | driving | leading lady | ranch | tense | turning point |
Lightning Strikes Twice (1951) | Shelly (Frantic) | NIF - not in film | actor | conflict | crying | cut from film | dark | frantic | leading lady | murderer | rancher | room |
Lightning Strikes Twice (1951) | Menace (Frantic) | NIF - not in film | actor | arguing | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room |
Lightning Strikes Twice (1951) | Menace (Attack) | NIF - not in film | actor | attacking | attempted murder | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room | strangling |
Lightning Strikes Twice (1951) | Shelly (Attack) | NIF - not in film | actor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling |
Lightning Strikes Twice (1951) | Shelly 2 (Attack) | NIF - not in film | actor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling |
Lightning Strikes Twice (1951) | Shelly 3 (Attack) | NIF - not in film | actor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling |
| Mildred Pierce (1945) | Transition | 0:00:10 - Starring list and wave effect | 9th chord | bold | chromatic scale | dissonant bass | fanfare | mickey-mousing | opening title sequence | tense | title of film | water | wave |
Mildred Pierce (1945) | Kay and Veda (Troubled) | NIF - not in film | altered dominant | chromatic mediant | chromatic scale | common-chord modulation | cut from film | dissonant | dramatic | foreign key modulation | fragmentation | hopeful | mode mixture | sequence | tender | tense | tragic | turbulent | whole-tone chord | whole-tone scale |
Mildred Pierce (1945) | Mildred (Not in Film) | NIF - not in film | added-note chord | chromatic parallelism | cut from film | tender |
Mildred Pierce (1945) | Mazurka in B-Flat Major + Mildred | NIF - not in film | added-note chord | classical music | combination of themes | cut from film | familiar tune | on-screen music | scored source music | source music | three-phrase period |
Mildred Pierce (1945) | Allegretto | NIF - not in film | cut from film | self-borrowing |
Mildred Pierce (1945) | It Can't Be Wrong (Not in Film) | NIF - not in film | 9th chord | cut from film | familiar tune | mickey-mousing | popular music | source to score |
| The Life of Vergie Winters (1934) | Lullaby | 0:00:09 - Starring cast list | AABA structure | calm | cast list | common-chord modulation | lullaby | opening title sequence | pleasant | starring list | title of film |
The Life of Vergie Winters (1934) | Lullaby (Resolution Not in Film) | NIF - not in film | added-note chord | cut from film |
| Rockabye (1932) | Sleep, My Sweet | 0:00:14 - Title of film and cast list | calm | cast list | deceptive resolution | lullaby | mode mixture | opening title sequence | peaceful | starring list | title of film |
| Out of the Fog (1941) | Russian Barcarolle | 0:00:14 - Title of the film | added-note chord | augmented sixth chord | cast list | folk-like | harbor | opening title sequence | peaceful | pedal tone | title of film |
| The Unfaithful (1947) | Unfaithful | 0:00:07 - Title of the film | altered dominant | Beverly Hills | cast list | common-chord modulation | house | main title | mode mixture | Neapolitan | opening title sequence | ostinato | pedal tone | serious | starring list | title of film |
The Unfaithful (1947) | Unfaithful (Not in Film) | NIF - not in film | acceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife |
| We Are Not Alone (1939) | Surprise Symphony (Foreboding) | 0:00:09 - Main title | classical music | dark | familiar tune | Haydn | main title | mode change | opening title sequence | quotation | title of film |
We Are Not Alone (1939) | Surprise Symphony (Not in film) | NIF - not in film | classical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | pedal tone | quotation | room |
We Are Not Alone (1939) | Birds | NIF - not in film | augmentation | birds | chromatic mediant | cut from film | inversion | layering | pastoral | pentatonic |
We Are Not Alone (1939) | Surprise Symphony (Dolcissimo) | NIF - not in film | altered dominant | classical music | cut from film | familiar tune | foreign key modulation | Haydn | playful | quotation |
We Are Not Alone (1939) | Birds (Extended) | NIF - not in film | augmentation | birds | chromatic mediant | chromatic parallelism | cut from film | inversion | pastoral | pentatonic |
We Are Not Alone (1939) | Birds | NIF - not in film | chromatic parallelism | cut from film | pastoral | pentatonic |
We Are Not Alone (1939) | Execution | 1:38:10 - Leni talks to David | comforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber |
We Are Not Alone (1939) | Frohe Botschaft (6th chime) | NIF - not in film | conclusion | cut from film | eerie | familiar tune | folk song | fragmentation | German | ominous | quotation | tone cluster |
| White Heat (1949) | White Heat | 0:00:16 - Main title over an approaching train | cast list | countryside | dark | dramatic | opening title sequence | starring list | title of film | train | tunnel |
White Heat (1949) | Cody (Molto Marcato) | NIF - not in film | cut from film | room |
White Heat (1949) | Agents (Misterioso) | NIF - not in film | cut from film |
White Heat (1949) | Cody 3 | NIF - not in film | cut from film |
White Heat (1949) | Danger (Marcato) | NIF - not in film | cut from film |
White Heat (1949) | Agents (Cut From Film) | NIF - not in film | cut from film |
White Heat (1949) | Pursuit (Cut From Film) | NIF - not in film | cut from film |
White Heat (1949) | T-Men (Cut From Film) | NIF - not in film | cut from film |
White Heat (1949) | Cody (Cut From Film) | NIF - not in film | cut from film |
White Heat (1949) | Agents + Pursuit (Antenna) | 1:37:59 - | agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense |
| The Woman in White (1948) | Signature | NIF - not in film | cut from film | fanfare |
The Woman in White (1948) | Pavan | 0:00:08 - Title of the film | book | cast list | opening title sequence | Renaissance music | somber | starring list | title of film |
The Woman in White (1948) | Fairlie (Gentle) | NIF - not in film | cut from film |
The Woman in White (1948) | Laura | NIF - not in film | cut from film |
The Woman in White (1948) | Fosco (Cut from Film) | NIF - not in film | cut from film |
| High Stakes (1931) | Impish Elves | 0:00:00 - Title of film and cast list | AABA structure | cast list | cheerful | jaunty | opening title sequence | starring list | title of film | transcribed by ear |
| Three Who Loved (1931) | Impromptu | 0:00:16 - Title of film, starring list, cast list | ABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Transition | 0:00:45 - Cast list | cast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
| Hold ‘Em Jail (1932) | The Prisoner's Song | 0:00:15 - Title of film, starring list, cast list | altered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
| Ladies of the Jury (1932) | Lady | 0:00:15 - Title of film, starring list, cast list | ABA structure | cast list | common-tone diminished 7th | mode mixture | opening title sequence | sentimental | starring list | title of film | transcribed by ear |
| Men of America (1932) | Cimarron A | 0:00:14 - Title of film and starring list | American Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear |
| Penguin Pool Murder (1932) | Penguin Pool Murder | 0:00:23 - Main title, starring list, and cast list | cast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord |
| Secrets of the French Police (1932) | La Marseillaise | 0:00:30 - The title of the film, superimposed on a newspaper illustration | familiar tune | France | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film |
Secrets of the French Police (1932) | You're In the Army Now | 0:00:35 - The title of the film | familiar tune | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film |
Secrets of the French Police (1932) | Drumroll | 0:00:38 - The title of the film | drumroll | newspaper | opening title sequence | patriotic | self-borrowing | title of film |
| State’s Attorney (1932) | The Sidewalks of New York | 0:00:15 - Title and starring list | familiar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat |
State’s Attorney (1932) | Transition | 0:00:20 - Title and starring list | blues | bluesy | fanfare | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues | 0:00:29 - Title and starring list, cast list | altered dominant | blue note | blues | bluesy | cast list | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues (Double Time) | 0:01:04 - Cast list | blue note | blues | bluesy | cast list | diminution | exciting | Gershwinesque | opening title sequence | parallelism | starring list | title of film | transcribed by ear |
| The Phantom of Crestwood (1932) | Crestwood A | 0:01:51 - Title over the image of a dark seascape | diminished 7th chord | mickey-mousing | mysterious | opening title sequence | title of film | transcribed by ear |
| The Roadhouse Murder (1932) | Storm Music | 0:00:14 - Main title and cast list | cast list | not by Steiner | opening title sequence | parallelism | storm | title of film | tremolo | wind |
| Thirteen Women (1932) | The Star | 0:00:15 - Book cover of the novel Thirteen Women | book | dark | opening title sequence | suspension | title of film | tragic | transcribed by ear |
Thirteen Women (1932) | Thirteen Women | 0:00:34 - Cast list on the pages of a book | book | cast list | common-chord modulation | funeral march | funereal | harmonic sequence | opening title sequence | relative key | somber | title of film | transcribed by ear |
| Before Dawn (1933) | Before Dawn A | 0:00:15 - Title over the image of hands grasping money | coin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear |
| Blind Adventure (1933) | Opening Fanfare | 0:00:16 - Title of film and starring list | cast list | chromatic mediant | cloud | exciting | fanfare | opening title sequence | pedal tone | title of film | transcribed by ear |
| Headline Shooter (1933) | You Bunch of Fun (Introduction) | 0:00:15 - Title and starring list over camera lens montage | 9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear |
Headline Shooter (1933) | He's Not the Marrying Kind | 0:02:32 - Radio announcer talking | announcing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music |
Headline Shooter (1933) | You Can Depend on Me | 0:05:21 - Bathing beauties walk past | AABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music |
| Dangerous Corner (1934) | Introduction | 0:00:05 - Beeping RKO radio tower | opening title sequence | pedal tone | romantic | title of film | transcribed by ear |
| Sing and Like It (1934) | Introduction | 0:00:10 - Title of the film | added-note chord | foreign key modulation | introduction | jazz | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
| Gridiron Flash (1934) | Fanfare | 0:00:16 - Title of the film | fanfare | opening title sequence | pedal tone | starring list | title of film | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:00:24 - Cast list | added-note chord | cast list | countermelody | march | opening title sequence | starring list | title of film | upbeat |
| Hat, Coat, and Glove (1934) | Transient Love | 0:00:12 - Title of film; starring list; cast list | AABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
| Murder on the Blackboard (1934) | Murder Fanfare | 0:00:23 - Film title zooming out from a blackboard | blackboard | dark | fanfare | opening title sequence | parallelism | pedal tone | title of film | transcribed by ear |
| Star of Midnight (1935) | Midnight in Manhattan (Fanfare) | 0:00:12 - Title of film; starring list | bold | linear chromaticism | marquee | mode mixture | opening title sequence | starring list | title of film | transcribed by ear |
| Don’t Turn ‘em Loose (1936) | Crestwood A | 0:00:00 - RKO radio tower | dark | diminished 7th chord | mysterious | opening title sequence | radio tower | title of film | transcribed by ear |
| We're Only Human (1935) | Crestwood A | 0:00:13 - Title of the film | dark | diminished 7th chord | mysterious | opening title sequence | starring list | title of film | transcribed by ear |
| Another Face (1935) | Success at any Price | 0:00:00 - Beeping RKO radio tower | bold | cast list | common-chord modulation | fanfare | lyrical | opening title sequence | radio tower | RKO tower | title of film | transcribed by ear |
| Girl of the Rio (1932) | Paso Doble | 0:00:00 - Title of the film | 9th chord | cast list | common-tone diminished 7th | opening title sequence | Spanish | starring list | title of film | upbeat |
| Without Honor (1949) | Twilight | 0:00:00 - Main titles over the shot of a valley | calm | cast list | dramatic | heavy | opening title sequene | starring list | title of film | valley |
Without Honor (1949) | Misterioso | NIF - not in film | cut from film |
Without Honor (1949) | Twilight (Triste) | NIF - not in film | adulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room |
Without Honor (1949) | Appassionato 2 (Molto Agitato) | NIF - not in film | adulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room |
Without Honor (1949) | Twilight (Poco Agitato) | NIF - not in film | adulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room |
Without Honor (1949) | Molto Expressivo | NIF - not in film | adulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room |
Without Honor (1949) | Twilight (Misterioso) | NIF - not in film | adulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room |
Without Honor (1949) | Twilight (Cello Solo) | NIF - not in film | cut from film | cut from film |
Without Honor (1949) | Twilight (Molto Expressivo) | NIF - not in film | cut from film | cut from film |
Without Honor (1949) | Underscoring (Tense) | NIF - not in film | cut from film | cut from film | underscoring |
Without Honor (1949) | Twilight (English Horn Solo) | NIF - not in film | cut from film | cut from film |
Without Honor (1949) | Chromatic Clarinet | NIF - not in film | cut from film | cut from film | underscoring |
Without Honor (1949) | Valse Triste (Misterioso) | NIF - not in film | antagonist | brother | conflict | cut from film | kitchen | leading lady | leading man |
Without Honor (1949) | Twilight (Poco Agitato 2) | NIF - not in film | cut from film |
Without Honor (1949) | Molto Expressivo | NIF - not in film | cut from film |
Without Honor (1949) | Twilight (Morendo) | NIF - not in film | ambulance | cut from film | driving | resolution | street |
| The Most Dangerous Game (1932) | The Iron Door | 0:00:14 - Large iron door | castle | cast list | door | door knocker | knocking | mysterious | opening | opening title sequence | statue | tense | title of film | zoom in | zoom out |
The Most Dangerous Game (1932) | Russian Waltz (Cut from Film) | NIF - not in film | cut from film |
The Most Dangerous Game (1932) | Russian Waltz (Stabbed in Back) | NIF - not in film | arrow | castle | corpse | count | cut from film | death | dying | killing | leading man | servant | stabbing | victim | villain |
| Caged (1950) | Marie 2 (Molto Appassionato) | NIF - not in film | 9th chord | cut from film | cut scene | foreign key modulation | passionate |
Caged (1950) | Mrs. Benton (Not in Film 4) | NIF - not in film | augmented sixth chord | chromatic mediant | cut from film | cut scene | foreign key modulation | solemn |
Caged (1950) | Water Dripping + Caged (Tense) | NIF - not in film | 9th chord | chromatic parallelism | chromatic sequence | combination of themes | cut from film | dark | dissonant bass | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | ostinato | prison | prisoner | sigh gesture | tense | uneasy | water effect |
Caged (1950) | Water Dripping + Foxtrot | NIF - not in film | 11th chord | combination of themes | cut from film | deceptive resolution | eerie | foxtrot | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | uneasy | water effect |
Caged (1950) | Water Dripping | NIF - not in film | cut from film | dark | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect |
Caged (1950) | Water Dripping + Marie 2 | NIF - not in film | combination of themes | cut from film | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tender | uneasy | water effect |
Caged (1950) | Water Dripping (Frantic) | NIF - not in film | chromatic parallelism | chromatic scale | cut from film | dark | dissonant bass | frantic | hysteria | isolation | mad scene | mickey-mousing | mysterious | parallel 63s | pc set | prison | tense | uneasy | water effect |
Caged (1950) | Molto Expressivo (Not in Film) | NIF - not in film | advance plot | chromatic parallelism | cut from film | prison | solemn | whole-tone chord |
Caged (1950) | Molto Expressivo (Timidly) | NIF - not in film | climax | cut from film | mode mixture | somber |
Caged (1950) | Isolation Ward (The End) | NIF - not in film | chromatic parallelism | climax | cut from film | dramatic | pc set | uneasy |
| Mara Maru (1952) | Gregory | 0:00:26 - Title of film | boat | cast list | fanfare | grand | heroic | ocean | opening title sequence | title of film |
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