| All This, and Heaven Too (1940) | The Duchess | 0:00:15 - Title of film | cast list | common-tone diminished 7th | enharmonic modulation | foreign key modulation | hopeful | opening title sequence | romantic | sequential modulation | title of film |
All This, and Heaven Too (1940) | Henriette | 0:00:28 - Cast list | 64 chord | added-note chord | cast list | chromatic mediant | countermelody | deceptive resolution | diminished third chord | foreign key modulation | mode mixture | opening title sequence | pedal tone | pleasant | romantic | sentence form | suspension |
| The Amazing Dr. Clitterhouse (1938) | Cauldron 2 | 0:00:27 - Cast list | 9th chord | beaker | bubbling | cast list | chromatic parallelism | dramatic | main title | ominous | opening title sequence | ostinato | title of film |
| Angels With Dirty Faces (1938) | The Gangster | 0:00:15 - Main title | bold | cast list | dark | foreign key modulation | main title | opening title sequence | sequence | title of film |
| Are These Our Children? (1931) | Dreams | 0:00:15 - Title of the film and opening credits | 11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film |
| Arsenic and Old Lace (1944) | Happy Land (Allegretto) | 0:00:13 - Main title | 11th chord | cast list | familiar tune | foreign key modulation | opening title sequence | sequence | starring list | title of film |
Arsenic and Old Lace (1944) | Happy Land (Chromatic) | 0:00:21 - Cast list | 64 chord | cast list | chromatic mediant | chromatic scale | dramatic | familiar tune | foreign key modulation | opening title sequence |
Arsenic and Old Lace (1944) | Transition | 0:00:29 - Cast list | cast list | common-chord modulation | dissonant bass | ominous | opening title sequence | sinister | tritone |
Arsenic and Old Lace (1944) | Happy Land (Screwy Gavotte) | 0:00:39 - Cast list | 9th chord | 64 chord | added-note chord | cast list | happy | opening title sequence | ostinato | pedal tone | upbeat |
Arsenic and Old Lace (1944) | Happy Land (Gospel) | 0:00:47 - Cast list | cast list | hymn | opening title sequence | parallel period | upbeat |
Arsenic and Old Lace (1944) | Happy Land (Marcato) | 0:00:54 - Cast list | appoggiatura | cast list | dramatic | opening title sequence | sequence |
Arsenic and Old Lace (1944) | Chromatic Fall | 0:00:58 - Max Steiner's name | 42 chord | cast list | chromatic parallelism | chromatic scale | dramatic | opening title sequence | pedal tone |
Arsenic and Old Lace (1944) | Happy Land (March) | 1:57:20 - Cast list | cast list | countermelody | end title sequence | transcribed by ear | upbeat |
| Beyond the Forest (1949) | Beyond the Forest | 0:00:12 - Title of the film | cast list | dark | opening title sequence | title of film | turbulent |
Beyond the Forest (1949) | Rosa (Meno) | 0:00:25 - Cast list | cast list | dark | dramatic | opening title sequence |
Beyond the Forest (1949) | Rosa (Maestoso) | 0:00:45 - Director of the film | cast list | dark | dramatic | opening title sequence |
| The Big Sleep (1946) | The Big Sleep | 0:00:13 - Starring actors and main title | 9th chord | ABA structure | cast list | chromatic mediant | chromatic sequence | dark | heavy | leading lady | leading man | Neapolitan | opening title sequence | silhouette | smoke | smoking | starring list |
| The Breaking Point (1950) | The Breaking Point | 0:00:25 - Title of the film | boat | calm | cast list | conductor score | gentle | harbor | mixed meter | mode mixture | opening title sequence | tender | title of film |
The Breaking Point (1950) | The Breaking Point (Cellos) | 0:00:48 - Opening credits | boat | calm | cast list | chromatic mediant | conductor score | foreign key modulation | harbor | mixed meter | opening title sequence |
| Caged (1950) | Caged | 0:00:08 - Title of film | car | cast list | chromatic scale | dark | dissonant bass | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film |
| His Greatest Gamble (1934) | Morning Glory Waltz | 0:00:28 - Cast list | cast list | gentle | mode mixture | opening title sequence | transcribed by ear | waltz |
| City for Conquest (1940) | Tone Poem Introduction (Main Title) | 0:00:12 - Title of film over a city skyline | bold | cast list | city | common-tone dominant 7th | Gershwinesque | opening title sequence | skyline | title of film |
City for Conquest (1940) | Transition | 0:00:25 - Credits over a city skyline | 64 chord | calm | cast list | chromatic sequence | city | opening title sequence | skyline | suspension |
City for Conquest (1940) | Tone Poem A (Main Title) | 0:00:36 - Credits over a city skyline | 13th chord | added-note chord | bold | cast list | chromatic sequence | city | Gershwinesque | opening title sequence | skyline |
City for Conquest (1940) | Tone Poem D (Main Title) | 0:01:00 - Credits over a city skyline | 9th chord | 64 chord | added-note chord | blue note | bluesy | cast list | city | countermelody | mode mixture | opening title sequence | sentimental | skyline |
| Crime School (1938) | Transition | 0:00:08 - Starring and cast list | 9th chord | cast list | dissonant bass | dominant pedal | dramatic | main title | opening title sequence | parallelism | starring list | tense | title of film |
| They Made Me a Criminal (1939) | Peggy | 0:00:25 - Director credit | 9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution |
| Deep Valley (1947) | Homestead | 0:00:11 - A farmhouse | calm | cast list | opening title sequence | peaceful | relaxed | starring list | title of film |
Deep Valley (1947) | Homestead (Dramatic) | 0:00:37 - A farmhouse | barnyard | calm | cast list | farmhouse | opening title sequence | tense |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Opening B) | 0:00:49 - Cast list | 9th chord | augmented sixth chord | blues | bluesy | cast list | dust | main title | mode mixture | opening title sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Opening B2) | 0:01:18 - Cast list | cast list | main title | mode mixture | opening title sequence | romantic |
| Each Dawn I Die (1939) | Each Dawn A | 0:00:14 - Title of film | augmented triad | cast list | dark | diminished 7th chord | main title | opening title sequence | parallelism | prison | title of film |
Each Dawn I Die (1939) | Each Dawn B | 0:00:29 - Cast list | cast list | main title | opening title sequence | prison | tragic |
Each Dawn I Die (1939) | Each Dawn B (Augmented) | 0:00:36 - Cast list | augmentation | bleak | cast list | countermelody | dark | diminished 7th chord | main title | opening title sequence | prison |
| The FBI Story (1959) | FBI March A | 0:04:33 - Film title, main cast | bold | cast list | FBI | heroic | main title | march |
The FBI Story (1959) | FBI March B | 0:04:51 - Cast list | cast list | FBI | lyrical | march | noble |
The FBI Story (1959) | FBI March A (Noble) | 0:05:08 - Cast list | cast list | FBI | march |
| Flamingo Road (1949) | Flamingo Road | 0:00:18 - Book cover for Flamingo Road | blues | bluesy | book cover | cast list | establish setting | Gershwinesque | mode mixture | parallelism | self-borrowing | title of film |
| Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:00:24 - Title of film and cast list | cast list | conductor score | gentle | lyrical | opening title sequence |
| Her Kind of Man (1946) | It Had to Be You (Main Title) | 0:00:16 - Main title | cards | cast list | dramatic | gambling | opening title sequence | poker | romantic | roulette | sequence | title of film |
Her Kind of Man (1946) | It Had to Be You (Jazz Trumpet) | 0:00:44 - Music by Franz Waxman | 9th chord | bluesy | cast list | gambling | jazz | mode mixture | opening title sequence | roulette |
| I Was a Communist for the FBI (1951) | Undercover Agent | 0:00:26 - Starring list | approaching | bold | cast list | dark | dramatic | fanfare | hallway | march | mickey-mousing | opening title sequence | ostinato | polychord | sequence | starring list | stranger | tone cluster | tritone oscillation | walking |
I Was a Communist for the FBI (1951) | Communist (Alternate) | NIF - not in film | alternate music | cast list | chromatic parallelism | chromatic scale | half-diminished 7th chord | opening title sequence | oscillation | parallelism | starring list | title of film | tritone oscillation | zoom in |
| Illegal (1955) | Police Car | 0:00:54 - Police car speeds out of the station; cast list | cast list | irregular meter | main title | police car | speeding |
| In This Our Life (1942) | Our Life | 0:00:17 - Title of the film | 9th chord | cast list | dissonant bass | dramatic | opening title sequence | sequence | title of film |
In This Our Life (1942) | Meno | 0:00:34 - Cast list | 64 chord | cast list | chromatic parallelism | deceptive resolution | dramatic | fanfare | opening title sequence | pedal tone | tritone |
| The Informer (1935) | The Informer | 0:00:14 - Shadows move across the screen behind the cast list | cast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film |
The Informer (1935) | The Informer (Bridge) | 0:00:46 - Shadows move across the screen behind the cast list | 9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street |
| Key Largo (1948) | Rocco (Main Title) | 0:00:30 - Cast list | cast list | dark | opening title sequence | tragic |
Key Largo (1948) | Rocco (Augmented) | 0:00:44 - Cast list | cast list | dark | opening title sequence | tragic |
Key Largo (1948) | Key Largo | 0:00:59 - Cast list | cast list | dark | opening title sequence | tragic |
| The Letter (1940) | Leslie B | 0:00:25 - Cast list | cast list | changing meter | chromatic scale | chromatic sequence | harmonic sequence | main title | opening title sequence | romantic |
The Letter (1940) | Leslie (Rubato) | 0:00:44 - Cast list | 9th chord | cast list | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | sequential modulation | suspension | tense |
| Lightning Strikes Twice (1951) | Lightning | 0:00:24 - Title card, cast list and prison | cast list | dramatic | lightning effect | opening title sequence | prison | self-borrowing | title of film | transition |
Lightning Strikes Twice (1951) | Lightning 2 | 0:00:41 - Title card, cast list and prison | cast list | dark | opening title sequence | self-borrowing | thunder effect |
Lightning Strikes Twice (1951) | Lightning 3 | 0:01:02 - Title card, cast list and prison | cast list | conversing | dark | guard | opening title sequence | priest | prison | somber | warden |
| Mildred Pierce (1945) | Mildred | 0:00:23 - Main title, cast list, and wave effect | AABA structure | cast list | foreign key modulation | mickey-mousing | mode mixture | opening title sequence | optimistic | romantic | triumphant | water | wave |
Mildred Pierce (1945) | Mildred B | 0:00:52 - Cast list and wave effect | 9th chord | appoggiatura | cast list | chromatic mediant | deceptive resolution | enharmonic modulation | foreign key modulation | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | sequential modulation | water | wave |
Mildred Pierce (1945) | Mildred | 0:01:23 - Cast list and wave effect | cast list | mickey-mousing | opening title sequence | optimistic | pedal tone | romantic | triumphant | water | wave |
| The Life of Vergie Winters (1934) | Lullaby | 0:00:09 - Starring cast list | AABA structure | calm | cast list | common-chord modulation | lullaby | opening title sequence | pleasant | starring list | title of film |
| Rockabye (1932) | Sleep, My Sweet | 0:00:14 - Title of film and cast list | calm | cast list | deceptive resolution | lullaby | mode mixture | opening title sequence | peaceful | starring list | title of film |
| Out of the Fog (1941) | Russian Barcarolle | 0:00:14 - Title of the film | added-note chord | augmented sixth chord | cast list | folk-like | harbor | opening title sequence | peaceful | pedal tone | title of film |
Out of the Fog (1941) | Russian Barcarolle (Risoluto) | 0:00:27 - Cast list | cast list | chromatic scale | chromatic sequence | dark | enharmonic respelling | folk-like | harbor | opening title sequence | sequence | tense |
Out of the Fog (1941) | Russian Barcarolle (Expressivo) | 0:00:49 - Cast list | cast list | folk-like | gentle | harbor | opening title sequence | peaceful | pedal tone |
Out of the Fog (1941) | The Merry-Go-Round Broke Down (Cast List) | 1:24:39 - Cast list | cast list | end title sequence | upbeat |
| Kid Galahad (1937) | Kid Galahad | 0:00:09 - Title of the film | 9th chord | appoggiatura | cast list | common-tone diminished 7th | fanfare | jaunty | march-like | opening title sequence | parallel period |
| The Unfaithful (1947) | Unfaithful | 0:00:07 - Title of the film | altered dominant | Beverly Hills | cast list | common-chord modulation | house | main title | mode mixture | Neapolitan | opening title sequence | ostinato | pedal tone | serious | starring list | title of film |
| We Are Not Alone (1939) | Transition | 0:00:18 - Book pages showing main cast | augmented sixth chord | cast list | chromatic scale | linear chromaticism | main title | opening title sequence | tense |
We Are Not Alone (1939) | Frohe Botschaft (Grandioso) | 0:00:26 - Book pages showing main cast | altered dominant | cast list | familiar tune | folk song | German | hopeful | main title | mode mixture | opening title sequence | parallel period | quotation | suspension |
We Are Not Alone (1939) | Max Steiner | 0:00:53 - Max Steiner's name | augmented sixth chord | bold | cast list | common-chord modulation | deceptive resolution | foreign key modulation | main title | opening title sequence |
| White Heat (1949) | White Heat | 0:00:16 - Main title over an approaching train | cast list | countryside | dark | dramatic | opening title sequence | starring list | title of film | train | tunnel |
White Heat (1949) | White Heat (Maestoso) | 0:00:48 - Cast list and an aerial view of the city | cast list | countryside | dark | dramatic | opening title sequence |
| The Woman in White (1948) | Pavan | 0:00:08 - Title of the film | book | cast list | opening title sequence | Renaissance music | somber | starring list | title of film |
The Woman in White (1948) | Pavan B | 0:00:37 - Cast list | book | cast list | grand | opening title sequence | Renaissance music |
The Woman in White (1948) | Pavan (End Cast) | 1:48:25 - End credits | cast list | dramatic | end title sequence |
| High Stakes (1931) | Impish Elves | 0:00:00 - Title of film and cast list | AABA structure | cast list | cheerful | jaunty | opening title sequence | starring list | title of film | transcribed by ear |
| The Public Defender (1931) | Violence | 0:00:41 - Cast list and balancing scales | balancing | cast list | diminished 7th chord | dramatic | main title | opening title sequence | tense | transcribed by ear | violence |
The Public Defender (1931) | Mystery | 0:00:45 - Cast list and balancing scales | augmented triad | balancing | cast list | chromaticism | main title | mysterious | mystery | opening title sequence | pc set | transcribed by ear | whole-tone chord |
| Three Who Loved (1931) | Impromptu | 0:00:16 - Title of film, starring list, cast list | ABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Transition | 0:00:45 - Cast list | cast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
| Hold ‘Em Jail (1932) | The Prisoner's Song | 0:00:15 - Title of film, starring list, cast list | altered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 0:00:46 - Cast list and prison sign | cast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat |
| Ladies of the Jury (1932) | Lady | 0:00:15 - Title of film, starring list, cast list | ABA structure | cast list | common-tone diminished 7th | mode mixture | opening title sequence | sentimental | starring list | title of film | transcribed by ear |
| Men of America (1932) | Cimarron B | 0:00:43 - Cast list | cast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat |
| Penguin Pool Murder (1932) | Penguin Pool Murder | 0:00:23 - Main title, starring list, and cast list | cast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord |
| Secrets of the French Police (1932) | Beau Ideal | 0:00:15 - A newspaper is opened to a detective story | cast list | march | newspaper | opening title sequence | self-borrowing | upbeat |
Secrets of the French Police (1932) | Page turn | 0:00:44 - The page turns and the cast list is revealed | cast list | mickey-mousing | newspaper | opening title sequence | page turn | romantic | self-borrowing | turning |
Secrets of the French Police (1932) | Romance | 0:00:46 - Cast list | cast list | dissonant bass | hemiola | newspaper | opening title sequence | page turn | romantic | self-borrowing |
Secrets of the French Police (1932) | La marseillaise (Distressed) | 0:01:00 - Cast list | cast list | diminished 7th chord | drumroll | France | newspaper | on-screen music | opening title sequence | page turn | patriotic tune | source music | tense |
| State’s Attorney (1932) | Blues | 0:00:29 - Title and starring list, cast list | altered dominant | blue note | blues | bluesy | cast list | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues (Double Time) | 0:01:04 - Cast list | blue note | blues | bluesy | cast list | diminution | exciting | Gershwinesque | opening title sequence | parallelism | starring list | title of film | transcribed by ear |
| The Phantom of Crestwood (1932) | Crestwood B | 0:02:08 - Title and Cast list | cast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear |
The Phantom of Crestwood (1932) | Crestwood C | 0:02:18 - Cast list and the first scene | cast list | Lydian mode | mysterious | opening title sequence | parallelism | transcribed by ear |
| The Roadhouse Murder (1932) | Storm Music | 0:00:14 - Main title and cast list | cast list | not by Steiner | opening title sequence | parallelism | storm | title of film | tremolo | wind |
| Thirteen Women (1932) | Thirteen Women | 0:00:34 - Cast list on the pages of a book | book | cast list | common-chord modulation | funeral march | funereal | harmonic sequence | opening title sequence | relative key | somber | title of film | transcribed by ear |
| Before Dawn (1933) | Before Dawn B | 0:00:32 - Title and Cast list over a skull | cast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear |
Before Dawn (1933) | Before Dawn C | 0:00:44 - Cast list over walking feet | cast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking |
| Blind Adventure (1933) | Opening Fanfare | 0:00:16 - Title of film and starring list | cast list | chromatic mediant | cloud | exciting | fanfare | opening title sequence | pedal tone | title of film | transcribed by ear |
Blind Adventure (1933) | My Imaginary Sweetheart | 0:00:32 - Credits over a foggy background | AABA structure | cast list | cheerful | chromatic parallelism | mode mixture | opening title sequence | popular music | secondary dominant | transcribed by ear | video cast list |
| Headline Shooter (1933) | You Bunch of Fun (Introduction) | 0:00:15 - Title and starring list over camera lens montage | 9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear |
Headline Shooter (1933) | You Bunch of Fun | 0:00:44 - Cast list over racing vehicles | ABAA structure | added-note chord | cheerful | common-tone diminished 7th | opening title sequence | reused recording | split screen | transcribed by ear | video cast list |
Headline Shooter (1933) | You Bunch of Fun (Transition) | 0:01:08 - Video cast list | augmented triad | chromatic parallelism | excited | opening title sequence | parallelism | pedal tone | reused recording | transcribed by ear | video cast list |
| Dangerous Corner (1934) | Finishing School | 0:00:17 - Title of the film | altered dominant | cast list | common-tone diminished 7th | mode mixture | opening title sequence | parallel double period | pedal tone | romantic | transcribed by ear |
Dangerous Corner (1934) | Finishing School B | 0:01:05 - Video snapshots of the actors | 64 chord | common-tone diminished 7th | common-tone modulation | opening title sequence | pedal tone | phrase extension | pleasant | transcribed by ear | upbeat | video cast list |
| Sing and Like It (1934) | Your Mother (Opening Title) | 0:00:21 - Cast list | AABA structure | added-note chord | augmented sixth chord | cast list | jazz | mode mixture | opening title sequence | radio | room | secondary dominant | source music | transcribed by ear | upbeat |
| Gridiron Flash (1934) | Gridiron Flash | 0:00:24 - Cast list | added-note chord | cast list | countermelody | march | opening title sequence | starring list | title of film | upbeat |
| Hat, Coat, and Glove (1934) | Transient Love | 0:00:12 - Title of film; starring list; cast list | AABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
| Murder on the Blackboard (1934) | Blackboard Murder (Lyrical) | 0:00:51 - Video cast list | appoggiatura | augmented triad | blackboard | opening title sequence | ostinato | pleasant | retardation | sequence | transcribed by ear | video cast list |
| Star of Midnight (1935) | Midnight in Manhattan | 0:00:34 - Cast list | added-note chord | altered dominant | cast list | chromatic scale | mode mixture | mysterious | opening title sequence | sentimental | transcribed by ear |
| Don’t Turn ‘em Loose (1936) | Crestwood B | 0:00:17 - Cast list | cast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear |
Don’t Turn ‘em Loose (1936) | Crestwood C | 0:00:27 - Cast list | cast list | guard | Lydian mode | mysterious | opening title sequence | parallelism | prison | prisoner | transcribed by ear |
| Another Face (1935) | Success at any Price | 0:00:00 - Beeping RKO radio tower | bold | cast list | common-chord modulation | fanfare | lyrical | opening title sequence | radio tower | RKO tower | title of film | transcribed by ear |
| Girl of the Rio (1932) | Paso Doble | 0:00:00 - Title of the film | 9th chord | cast list | common-tone diminished 7th | opening title sequence | Spanish | starring list | title of film | upbeat |
| Without Honor (1949) | Twilight | 0:00:00 - Main titles over the shot of a valley | calm | cast list | dramatic | heavy | opening title sequene | starring list | title of film | valley |
Without Honor (1949) | Valse Triste | 0:00:48 - Main titles over the shot of a valley | cast list | opening title sequene | tragic | valley |
Without Honor (1949) | Appassionato | 0:01:06 - Main titles over the shot of a valley | cast list | opening title sequene | tragic | valley |
Without Honor (1949) | Twilight (Slower) | 0:01:15 - Main titles over the shot of a valley | cast list | opening title sequene | tragic | valley |
| The Most Dangerous Game (1932) | The Iron Door | 0:00:14 - Large iron door | castle | cast list | door | door knocker | knocking | mysterious | opening | opening title sequence | statue | tense | title of film | zoom in | zoom out |
The Most Dangerous Game (1932) | Russian Waltz (Main Title) | 0:01:06 - The iron door opens | candle | castle | cast list | door | door knocker | grand | opening | opening title sequence | statue |
| All This, and Heaven Too (1940) | Henriette (End Credits) | 2:22:42 - Closing credits | 9th chord | cast list | end title sequence | happy | upbeat |
| In This Our Life (1942) | Love Theme (End Title) | 1:36:17 - End title credits | cast list | cheerful | end title sequence | transcribed by ear | waltz |
| Mara Maru (1952) | Gregory | 0:00:26 - Title of film | boat | cast list | fanfare | grand | heroic | ocean | opening title sequence | title of film |
Mara Maru (1952) | Gregory (Diving) | 0:00:40 - Cast list | boat | cast list | descending | diver | diving | diving suit | fanfare | leading man | ocean | opening title sequence | point-of-view shot | sailor | somber | underwater | uneasy | working |
Tag Search Results