April Showers (1948) | 1 | 1f | Moonlight Bay | 1m24s | Medley 1 | Percy Wenrich - Edward Madden | Entire | VV |
April Showers (1948) | 1 | 2b | Moonlight Bay | 0m04s | Medley 2 | Percy Wenrich - Edward Madden | Partial | VI |
April Showers (1948) | 5 | 17c | Moonlight Bay | 0m35s | Medley 10 | Percy Wenrich - Edward Madden | Partial | BI |
April Showers [Trailer] (1948) | n/k | 1f | Moonlight Bay | 0m08s | Medley 1 | Percy Wenrich - Edward Madden | Partial | VV |
April Showers [Version 2] (1948) | 1 | 1f | Moonlight Bay | 1m24s | Medley 1 | Percy Wenrich - Edward Madden | Entire | VV |
April Showers [Version 2] (1948) | 1 | 2b | Moonlight Bay | 0m04s | Medley 2 | Percy Wenrich - Edward Madden | Partial | VI |
April Showers [Version 2] (1948) | 5 | 17c | Moonlight Bay | 0m35s | Medley 10 | Percy Wenrich - Edward Madden | Partial | BI |
By the Light of the Silvery Moon (1953) | 7 & 8 | 18b | Moonlight Bay | 0m50s | Medley 9 | Percy Wenrich - Edward Madden | Partial | BI |
By the Light of the Silvery Moon (1953) | 7 & 8 | 20 | Moonlight Bay | 0m10s | | Percy Wenrich - Edward Madden | Partial | VV |
By the Light of the Silvery Moon (1953) | 7 & 8 | 24b | Moonlight Bay | 0m24s | Medley 12 | Percy Wenrich - Edward Madden | Partial | BI |
By the Light of the Silvery Moon [Corrected Cue Sheet] (1953) | 7 & 8 | 18b | Moonlight Bay | 0m50s | Medley 9 | Percy Wenrich - Edward Madden | Partial | BI |
By the Light of the Silvery Moon [Corrected Cue Sheet] (1953) | 7 & 8 | 20 | Moonlight Bay | 0m10s | | Percy Wenrich - Edward Madden | Partial | VV |
By the Light of the Silvery Moon [Corrected Cue Sheet] (1953) | 7 & 8 | 24b | Moonlight Bay | 0m24s | Medley 12 | Percy Wenrich - Edward Madden | Partial | BI |
By the Light of the Silvery Moon [Revised Trailer] (1953) | 1 | 1c | Moonlight Bay | 0m11s | Medley 1 | Percy Wenrich - Edward Madden | Partial | BI |
By the Light of the Silvery Moon [Trailer] (1953) | 1 | 1c | Moonlight Bay | 0m11s | Medley 1 | Percy Wenrich - Edward Madden | Partial | BI |
Conquerors, The (1932) | | 3 | Long, Long Ago | | | Thomas Haynes Bayly | Partial | n/k |
Conquerors, The (1932) | | 4 | Long, Long Ago (paraphrased) | n/k | | Thomas Haynes Bayly | Entire | n/k |
Conquerors, The (1932) | | 25 | Long, Long Ago | | | Thomas Haynes Bayly | Partial | n/k |
Conquerors, The (1932) | | 58 | Long, Long Ago | | | Thomas Haynes Bayly | Partial | n/k |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 1 | Menace | 0m23s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 2 | Theme [later re-named 'Hell on Frisco Bay'] | 1m00s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 3 | Prison Gate | 0m36s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 4 | Theme [later re-named 'Hell on Frisco Bay'] | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 5 | Disappointment | 0m40s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 6 | Menace | 0m12s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 7 | Steve | 0m55s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 1 | 8 | Church, The | 0m10s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 2 | 9 | Steve | 0m35s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 2 | 10 | Amato | 0m26s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 11 | Amato | 0m12s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 12 | Spring Song | 0m30s | | Felix Mendelssohn-Bartholdy [Max Steiner arr.] | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 13 | Amato | 1m20s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 14 | Lye | 0m20s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 15 | Menace | 0m32s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 16 | Amato | 0m11s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 17 | Ominous | 0m55s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 18 | Menace | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 19 | Amato | 0m08s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 20 | Kay | 0m45s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 21 | Theme [later re-named 'Hell on Frisco Bay'] | 0m18s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 22 | Very Thought of You, The | 1m30s | | Ray Noble | Entire | VV |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 4 | 23 | Theme [later re-named 'Hell on Frisco Bay'] | 3m10s | | Max Steiner | Entire | VI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 4 | 24 | Hammy Beaten Up | 0m52s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 4 | 25 | Theme [later re-named 'Hell on Frisco Bay'] | 0m17s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 4 | 26 | Menace | 0m08s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 5 | 27 | Menace | 0m55s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 5 | 28 | Steve | 0m52s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 5 | 29 | Georgie | 0m50s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 6 | 30 | Steve | 0m30s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 6 | 31 | Adoramis te Christe | 1m50s | | Giovanni Pierluigi da Palestrina [Max Steiner arr.] | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 6 | 32 | Put 'Em in a Box, Tie 'Em With Ribbon (And Throw 'Em in the Deep Blue Sea) | 0m52s | | Sammy Cahn - Jule Styne | Partial | VI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 6 | 33 | How Many Hearts Have You Broken (With Those Great Big Beautiful Eyes) | 1m55s | | Marty Symes - Al Kaufman | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 34 | Anna | 1m05s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 35 | Amato | 0m30s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 36 | Lye | 0m20s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 37 | Amato | 0m33s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 38 | Anna | 0m25s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 39 | Menace | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 40 | Amato | 0m38s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 41 | Misterioso [sic] | 0m08s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 42 | Steve | 0m30s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 43 | Hammy | 0m20s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 44 | Steve | 0m12s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 45 | Hammy's Death | 1m42s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 8 | 46 | Menace | 1m05s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 8 | 47 | Steve | 0m22s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 8 | 48 | Leaving | 0m30s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 49 | Living Room | 0m35s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 50 | Menace | 0m18s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 51 | Theme [later re-named 'Hell on Frisco Bay'] | 1m25s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 52 | Menace | 0m15s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 53 | Steve | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 54 | Anna | 0m30s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 55 | Menace | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 56 | Amato | 0m18s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 57 | Lye | 0m30s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 58 | It Can't Be Wrong | 0m18s | | Kim Gannon - Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 10 | 59 | It Had to Be You | 0m40s | | Gus Kahn - Isham Jones | Partial | VV |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 10 | 60 | Hell on Frisco Bay | 2m20s | | Max Steiner | Entire | VI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 10 | 61 | Amato | 0m42s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 62 | Statue, The | 0m25s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 63 | Anna | 0m07s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 64 | Menace | 0m32s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 65 | Amato | 0m30s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 66 | Anna | 0m08s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 67 | Kay | 0m15s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 68 | Theme [later re-named 'Hell on Frisco Bay'] | 0m20s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 69 | Agitato | 0m55s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 70 | Agitato | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 71 | Anna | 0m22s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 72 | Menace | 0m55s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 73 | Lye | 0m25s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 74 | Amato | 0m22s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 75 | Dead | 0m12s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 76 | Menace | 0m10s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 77 | Amato | 0m55s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 78 | Boat Chase | 1m20s | | Max Steiner | Entire | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 79 | Amato | 0m40s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 80 | Steve | 0m08s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 81 | Boat Chase | 0m50s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 82 | Steve | 0m07s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 13 | 83 | Theme [later re-named 'Hell on Frisco Bay'] | 0m50s | | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] [Trailer] (1955) | 1 | 1 | Menace | 0m23s | Medley 1 | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] [Trailer] (1955) | 1 | 2 | Theme [later re-named 'Hell on Frisco Bay'] | 0m11s | Medley 1 | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] [Trailer] (1955) | 1 | 3 | Amato | 0m35s | Medley 1 | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] [Trailer] (1955) | 1 | 4 | Theme [later re-named 'Hell on Frisco Bay'] | 0m13s | Medley 1 | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] [Trailer] (1955) | 1 | 5 | Amato | 0m11s | Medley 1 | Max Steiner | Partial | BI |
Darkest Hour, The [re-named Hell on Frisco Bay] [Trailer] (1955) | 1 | 6 | Menace | 0m37s | Medley 1 | Max Steiner | Partial | BI |
Hell on Frisco Bay (1955) | 1 | 1 | Menace | 0m23s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 2 | Hell on Frisco Bay | 1m00s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 3 | Prison Gate | 0m36s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 4 | Hell on Frisco Bay | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 5 | Disappointment | 0m40s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 6 | Menace | 0m12s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 7 | Steve | 0m55s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 1 | 8 | Church, The | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 2 | 9 | Steve | 0m35s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 2 | 10 | Amato | 0m26s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 11 | Amato | 0m12s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 12 | Spring Song | 0m30s | | Felix Mendelssohn-Bartholdy [Max Steiner arr.] | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 13 | Amato | 1m20s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 14 | Lye | 0m20s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 15 | Menace | 0m32s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 16 | Amato | 0m11s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 17 | Ominous | 0m55s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 18 | Menace | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 19 | Amato | 0m08s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 20 | Kay | 0m45s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 21 | Hell on Frisco Bay | 0m18s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 3 | 22 | Very Thought of You, The | 1m30s | | Ray Noble | n/k | VV |
Hell on Frisco Bay (1955) | 4 | 23 | Hell on Frisco Bay | 3m10s | | Max Steiner | n/k | VI |
Hell on Frisco Bay (1955) | 4 | 24 | Hammy Beaten Up | 0m52s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 4 | 25 | Hell on Frisco Bay | 0m17s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 4 | 26 | Menace | 0m08s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 5 | 27 | Menace | 0m55s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 5 | 28 | Steve | 0m52s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 5 | 29 | Georgie | 0m50s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 6 | 30 | Steve | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 6 | 31 | Adoramis te Christe | 1m50s | | Giovanni Pierluigi da Palestrina [Max Steiner arr.] | n/k | BI |
Hell on Frisco Bay (1955) | 6 | 32 | Put 'Em in a Box, Tie 'Em With Ribbon (And Throw 'Em in the Deep Blue Sea) | 0m52s | | Sammy Cahn - Jule Styne | n/k | VI |
Hell on Frisco Bay (1955) | 6 | 33 | How Many Hearts Have You Broken (With Those Great Big Beautiful Eyes) | 1m55s | | Marty Symes - Al Kaufman | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 34 | Anna | 1m05s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 35 | Amato | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 36 | Lye | 0m20s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 37 | Amato | 0m33s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 38 | Anna | 0m25s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 39 | Menace | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 40 | Amato | 0m38s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 41 | Misterioso [sic] | 0m08s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 42 | Steve | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 43 | Hammy | 0m20s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 44 | Steve | 0m12s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 7 | 45 | Hammy's Death | 1m42s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 8 | 46 | Menace | 1m05s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 8 | 47 | Steve | 0m22s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 8 | 48 | Leaving | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 49 | Living Room | 0m35s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 50 | Menace | 0m18s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 51 | Hell on Frisco Bay | 1m25s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 52 | Menace | 0m15s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 53 | Steve | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 54 | Anna | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 55 | Menace | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 56 | Amato | 0m18s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 57 | Lye | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 9 | 58 | It Can't Be Wrong | 0m18s | | Kim Gannon - Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 10 | 59 | It Had to Be You | 0m40s | | Gus Kahn - Isham Jones | n/k | VV |
Hell on Frisco Bay (1955) | 10 | 60 | Hell on Frisco Bay | 2m20s | | Max Steiner | n/k | VI |
Hell on Frisco Bay (1955) | 10 | 61 | Amato | 0m42s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 11 | 62 | Statue, The | 0m25s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 11 | 63 | Anna | 0m07s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 11 | 64 | Menace | 0m32s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 11 | 65 | Amato | 0m30s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 11 | 66 | Anna | 0m08s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 12 | 67 | Kay | 0m15s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 12 | 68 | Hell on Frisco Bay | 0m20s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 12 | 69 | Agitato | 0m55s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 12 | 70 | Agitato | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 12 | 71 | Anna | 0m22s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 72 | Menace | 0m55s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 73 | Lye | 0m25s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 74 | Amato | 0m22s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 75 | Dead | 0m12s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 76 | Menace | 0m10s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 77 | Amato | 0m55s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 78 | Boat Chase | 1m20s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 79 | Amato | 0m40s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 80 | Steve | 0m08s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 81 | Boat Chase | 0m50s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 82 | Steve | 0m07s | | Max Steiner | n/k | BI |
Hell on Frisco Bay (1955) | 13 | 83 | Hell on Frisco Bay | 0m50s | | Max Steiner | n/k | BI |
Hell on Frisco Bay [Trailer] (1955) | 1 | 1 | Menace | 0m23s | Medley 1 | Max Steiner | Partial | BI |
Hell on Frisco Bay [Trailer] (1955) | 1 | 2 | Hell on Frisco Bay | 0m11s | Medley 1 | Max Steiner | Partial | BI |
Hell on Frisco Bay [Trailer] (1955) | 1 | 3 | Amato | 0m35s | Medley 1 | Max Steiner | Partial | BI |
Hell on Frisco Bay [Trailer] (1955) | 1 | 4 | Hell on Frisco Bay | 0m13s | Medley 1 | Max Steiner | Partial | BI |
Hell on Frisco Bay [Trailer] (1955) | 1 | 5 | Amato | 0m11s | Medley 1 | Max Steiner | Partial | BI |
Hell on Frisco Bay [Trailer] (1955) | 1 | 6 | Menace | 0m37s | Medley 1 | Max Steiner | Partial | BI |
I'll See You in My Dreams (1952) | 1 | 1i | Shine on Harvest Moon | 0m31s | Medley 1 | Jack Norworth - Nora Bayes | Partial | VV |
Iron Mistress, The (1952) | 3 & 4 | 10d | Bayou | 0m32s | Medley 6 | Max Steiner | Entire | BI |
Jezebel (1938) | 9 & 10 | 34b | Bayou, The | 0m45s | Medley 24 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 1 | 1a | Signature | 0m07s | Medley 1 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 1 | 1b | Moonlight Bay | 1m18s | Medley 1 | Percy Wenrich - Edward Madden | Partial | BV |
On Moonlight Bay (1951) | 1 | 1c | New Home | 0m17s | Medley 1 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 1 | 1d | Father | 1m10s | Medley 1 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 1 | 2 | Injured Dignity | 0m10s | | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 2 | 3a | Injured Dignity | 0m20s | Medley 2 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 2 | 3b | Bashful Caller | 0m10s | Medley 2 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 2 | 3c | Father | 0m50s | Medley 2 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 2 | 3d | Subterfuge | 0m36s | Medley 2 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 2 | 3e | Father | 1m00s | Medley 2 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 2 | 3f | Moonlight Bay | 1m50s | Medley 2 | Percy Wenrich - Edward Madden | Entire | VV |
On Moonlight Bay (1951) | 2 | 3g | Yoo-Hoo | 1m00s | Medley 2 | Al Jolson | Partial | VI |
On Moonlight Bay (1951) | 2 | 4 | Ain't We Got Fun | 0m30s | | Richard Whiting - Gus Kahn - Raymond B. Egan | Partial | BI |
On Moonlight Bay (1951) | 2 | 5a | Oh You Beautiful Doll | 1m25s | Medley 3 | Nat D. Ayer | Partial | BI |
On Moonlight Bay (1951) | 2 | 5b | Ain't We Got Fun | 1m25s | Medley 3 | Richard Whiting - Gus Kahn - Raymond B. Egan | Partial | BI |
On Moonlight Bay (1951) | 3 | 6a | Moonlight Bay | 0m20s | Medley 4 | Percy Wenrich - Edward Madden | Partial | V-Hummed |
On Moonlight Bay (1951) | 3 | 6b | Buttermilk | 1m05s | Medley 4 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 3 | 6c | Father | 0m15s | Medley 4 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 3 | 6d | Moonlight Bay | 1m10s | Medley 4 | Percy Wenrich - Edward Madden | Partial | BI |
On Moonlight Bay (1951) | 3 | 6e | Pretty Baby | 0m32s | Medley 4 | Gus Kahn - Tony Jackson - Egbert van Alstyne | Partial | BI |
On Moonlight Bay (1951) | 3 | 7 | Cuddle Up a Little Closer | 0m45s | | Karl Hoschna - Otto Harbach | Partial | VV |
On Moonlight Bay (1951) | 3 | 8 | Cuddle Up a Little Closer | 1m40s | | Karl Hoschna - Otto Harbach | Entire | VV |
On Moonlight Bay (1951) | 3 | 9a | Moonlight Bay | 0m45s | Medley 5 | Percy Wenrich - Edward Madden | Partial | BI |
On Moonlight Bay (1951) | 3 | 9b | Tell Me | 1m50s | Medley 5 | Will Callahan - Max Kortlander | Entire | VV |
On Moonlight Bay (1951) | 4 | 10a | Letter, The | 0m08s | Medley 6 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 4 | 10b | Running | 0m24s | Medley 6 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 4 | 10c | Tell Me | 0m34s | Medley 6 | Will Callahan - Max Kortlander | Partial | BI |
On Moonlight Bay (1951) | 4 | 11 | I'm Forever Blowing Bubbles | 0m25s | | Jaan Kenbrovin | Partial | VV |
On Moonlight Bay (1951) | 4 | 12 | Love Ya' | 0m50s | | Peter DeRose - Charlie Tobias | Entire | VV |
On Moonlight Bay (1951) | 5 | 13 | Ad Lib Ukelele Chords | 0m03s | | n/k | n/k | n/k |
On Moonlight Bay (1951) | 5 | 14 | Ad Lib Ukelele Chords | 0m02s | | n/k | n/k | n/k |
On Moonlight Bay (1951) | 5 | 15 | Ad Lib Ukelele Chords | 0m15s | | n/k | n/k | n/k |
On Moonlight Bay (1951) | 5 | 16a | Wink | 0m10s | Medley 7 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 5 | 16b | Love Ya' | 0m24s | Medley 7 | Peter DeRose - Charlie Tobias | Partial | BI |
On Moonlight Bay (1951) | 5 | 16c | Father | 0m08s | Medley 7 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 5 | 16d | Walking | 0m09s | Medley 7 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 5 | 16e | Love Ya' | 0m55s | Medley 7 | Peter DeRose - Charlie Tobias | Entire | BI |
On Moonlight Bay (1951) | 5 | 16f | Tired | 0m24s | Medley 7 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 5 | 16g | Love Ya' | 0m15s | Medley 7 | Peter DeRose - Charlie Tobias | Partial | BI |
On Moonlight Bay (1951) | 5 | 16h | Father | 0m08s | Medley 7 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 5 | 16i | Love's Dream After the Ball | 0m45s | Medley 7 | Alphons Czibulka | Partial | VI |
On Moonlight Bay (1951) | 5 | 17 | Love's Dream After the Ball | 0m23s | | Alphons Czibulka | Partial | BI |
On Moonlight Bay (1951) | 5 | 18a | Tickle the Ivories | 0m20s | Medley 8 | Wallie Herzer | Partial | VI |
On Moonlight Bay (1951) | 5 | 18b | Love Ya' | 0m53s | Medley 8 | Peter DeRose - Charlie Tobias | Entire | VV |
On Moonlight Bay (1951) | 5 | 18c | Snow Fight | 0m42s | Medley 8 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 5 | 18d | Moonlight Bay | 0m08s | Medley 8 | Percy Wenrich - Edward Madden | Partial | BI |
On Moonlight Bay (1951) | 6 | 19a | Petticoat | 0m45s | Medley 9 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 6 | 19b | Maiden's Prayer | 0m47s | Medley 9 | Tekla Bardarzewska [Ray Heindorf arr.] | Partial | VI |
On Moonlight Bay (1951) | 6 | 19c | Bowery, The | 0m38s | Medley 9 | Gaunt, Percy | Partial | BI |
On Moonlight Bay (1951) | 6 | 19d | Oh You Beautiful Doll | 0m12s | Medley 9 | Nat D. Ayer | Partial | BI |
On Moonlight Bay (1951) | 6 | 19e | Hurry #1 | 0m28s | Medley 9 | J.S. Zamecnik | Partial | BI |
On Moonlight Bay (1951) | 6 | 19f | Wintermarchen | 0m20s | Medley 9 | Alphons Czibulka | Partial | BI |
On Moonlight Bay (1951) | 6 | 20 | Dream | 1m12s | | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 7 | 21a | Maiden's Prayer | 1m00s | Medley 10 | Tekla Bardarzewska [Ray Heindorf arr.] | Partial | BI |
On Moonlight Bay (1951) | 7 | 21b | Lie, The | 0m55s | Medley 10 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 7 | 22a | Wesley | 0m20s | Medley 11 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 7 | 22b | Moonlight Bay | 0m42s | Medley 11 | Percy Wenrich - Edward Madden | Partial | BI |
On Moonlight Bay (1951) | 7 | 22c | Wesley | 0m12s | Medley 11 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 8 | 23a | Wesley | 0m03s | Medley 12 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 8 | 23b | Hark the Herald Angels Sing | 0m40s | Medley 12 | n/k [Ray Heindorf arr.] | Partial | VV |
On Moonlight Bay (1951) | 8 | 23c | Christmas Story | 2m25s | Medley 12 | Pauline Walsh | Entire | VV |
On Moonlight Bay (1951) | 8 | 23d | Hail to Old I.U. | 0m50s | Medley 12 | n/k [Ray Heindorf arr.] | Partial | BV |
On Moonlight Bay (1951) | 8 | 24 | It's a Long Way to Tipperary | 0m32s | | Harry Willians - Jack Judge | Partial | BI |
On Moonlight Bay (1951) | 9 | 25a | It's a Long Way to Tipperary | 0m50s | Medley 13 | Harry Willians - Jack Judge | Partial | VI |
On Moonlight Bay (1951) | 9 | 25c | Pack Up Your Troubles in Your Old Kit Bag | 1m30s | Medley 13 | George Asaf - Felix Powell | Entire | VV |
On Moonlight Bay (1951) | 9 | 25d | Smiles | 1m10s | Medley 13 | Lee Roberts - J. Will Callahan | Partial | BI |
On Moonlight Bay (1951) | 9 | 25e | Tell Me | 0m55s | Medley 13 | Will Callahan - Max Kortlander | Partial | BI |
On Moonlight Bay (1951) | 9 | 25f | Father | 0m16s | Medley 13 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 9 | 26 | Every Little Movement | 1m10s | | Karl Hoschna - Otto Harbach | Partial | VV |
On Moonlight Bay (1951) | 10 | 27 | Love's Dream After the Ball | 1m55s | | Alphons Czibulka | Partial | BI |
On Moonlight Bay (1951) | 10 | 28 | Cuddle Up a Little Closer | 1m30s | | Karl Hoschna - Otto Harbach | Partial | BI |
On Moonlight Bay (1951) | 11 | 29a | Moonlight Bay | 0m14s | Medley 14 | Percy Wenrich - Edward Madden | Partial | BI |
On Moonlight Bay (1951) | 11 | 29b | Till We Meet Again | 1m45s | Medley 14 | Richard Whiting - Raymond Egan | Entire | VV |
On Moonlight Bay (1951) | 11 | 29c | There's a Long Long Trail | 1m33s | Medley 14 | Alonzo Elliott | Entire | VI |
On Moonlight Bay (1951) | 11 | 30a | Slingshot | 0m50s | Medley 15 | Max Steiner | Entire | BI |
On Moonlight Bay (1951) | 11 | 30b | Father | 0m20s | Medley 15 | Max Steiner | Partial | BI |
On Moonlight Bay (1951) | 11 | 30c | Moonlight Bay | 2m00s | Medley 15 | Percy Wenrich - Edward Madden | Entire | VV |
On Moonlight Bay [Trailer] (1951) | 1 | 1a | Moonlight Bay | 1m03s | Medley 1 | Percy Wenrich - Edward Madden | Partial | BI |
On Moonlight Bay [Trailer] (1951) | 1 | 1b | Love Ya' | 0m12s | Medley 1 | Peter DeRose - Charlie Tobias | Partial | BI |
On Moonlight Bay [Trailer] (1951) | 1 | 1c | Moonlight Bay | 0m27s | Medley 1 | Percy Wenrich - Edward Madden | Partial | BV |
On Moonlight Bay [Trailer] (1951) | 1 | 1d | Love Ya' | 0m06s | Medley 1 | Peter DeRose - Charlie Tobias | Partial | VV |
On Moonlight Bay [Trailer] (1951) | 1 | 1e | Christmas Story | 0m12s | Medley 1 | Pauline Walsh | Partial | VV |
On Moonlight Bay [Trailer] (1951) | 1 | 1f | Pack Up Your Troubles in Your Old Kit Bag | 0m05s | Medley 1 | George Asaf - Felix Powell | Partial | VV |
On Moonlight Bay [Trailer] (1951) | 1 | 1g | Moonlight Bay | 0m06s | Medley 1 | Percy Wenrich - Edward Madden | Partial | BI |
One Man's Journey (1933) | | 10 | Long, Long Ago | | | Thomas Haynes Bayly | Partial | |
Outcasts of Poker Flats (Superseded handwritten on top) (1937) | VIII-4B | 29 | Long, Long Ago | 0m10s | | Thomas Haynes Bayly | Partial | VV |
Outcasts of Poker Flats [Trailer Cue Sheet] (1937) | I | 3 | Long, Long Ago | | | Thomas Haynes Bayly | Entire | BI |
Two in Revolt (1936) | IV | 22 | In the Bay (From "The Pearl Divers") | 0m40s | | Max Steiner | Partial | BI |
Way Back Home (1931) | | 7 | Moonlight Bay | n/k | | Wenrich | Partial | |