| Adventures of Tom Sawyer, The (1938) | 1 | 1 | Merry Little Prelude, A | n/k | | Samuel Kaylin | Entire | n/k |
| Adventures of Tom Sawyer, The (1938) | 10 | 22 | Boomerang, The | n/k | | Samuel Kaylin | Partial | n/k |
| Adventures of Tom Sawyer, The (1938) | I | 2 | Merry Little Prelude, A | 0m42s | Medley 1 | Samuel Kaylin | Entire | BI |
| Adventures of Tom Sawyer, The (1938) | X | 68 | Boomerang, The | 0m05s | Medley 15 | Samuel Kaylin | Partial | BI |
| Backfire (1950) | 6 | 15b | Can't We Be Friends | 0m44s | Medley 7 | Kay Swift - Paul James | Partial | VI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 3 | 20 | Kay | 0m45s | | Max Steiner | Entire | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 67 | Kay | 0m15s | | Max Steiner | Partial | BI |
| Flamingo Road (1949) | 2 | 3b | Can't We Be Friends | 1m40s | Medley 2 | Kay Swift - Paul James | Entire | BI |
| Gun Law (1938) | IV | 44 | Alarm | 1m25s | | Kay, Arthur | Partial | BI |
| Hell on Frisco Bay (1955) | 3 | 20 | Kay | 0m45s | | Max Steiner | n/k | BI |
| Hell on Frisco Bay (1955) | 12 | 67 | Kay | 0m15s | | Max Steiner | n/k | BI |
| Lucky Me (1954) | 10 | 23b | Can't We Be Friends | 0m24s | Medley 11 | Kay Swift - Paul James | Partial | VI |
| Man I Love, The (1947) | 8 | 27 | Can't We Be Friends | 3m46s | | Kay Swift - Paul James | Entire | BI |
| Mildred Pierce (1945) | 3 | 7b | Kay | 1m03s | Medley 3 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 11b | Kay | 0m43s | Medley 4 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 11c | Kay | 1m35s | Medley 4 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 5 | 14d | Kay | 0m14s | Medley 6 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 19a | Kay | 0m14s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 19d | Kay | 0m24s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 20b | Kay | 0m47s | Medley 12 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 8 | 25a | Kay | 1m17s | Medley 16 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 27c | Kay | 0m06s | Medley 18 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 28a | Kay | 1m26s | Medley 19 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34b | Kay | 0m48s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34e | Kay | 0m23s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 36a | Kay | 0m15s | Medley 23 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 37a | Kay | 0m37s | Medley 24 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38b | Kay | 0m38s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38d | Kay | 0m18s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38f | Kay | 0m10s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 39a | Kay | 0m29s | Medley 26 | Max Steiner | Partial | BI |
| Nitwits (1935) | VIII | 21 | The Alarm | 1m 28s | Medley | Kay, A | Entire | BI |
| Room For One More (1952) | 9 & 10 | 32 | Can't We Be Friends | 1m09s | | Kay Swift - Paul James | Partial | VI |
| Room For One More [Second Cue Sheet] (1952) | 9 & 10 | 32 | Can't We Be Friends | 1m09s | | Kay Swift - Paul James | Partial | VI |
| Silly Billies (1936) | VII | 60 | Alarm | 3m20s | Medley 9 | Arthur Kay | Partial | BI |
| Silly Billies (1936) | VII | 65 | Alarm | 3m20s | Medley 9 | Arthur Kay | Partial | BI |
| Women Are Like That (1938) | 1 | 1b | Kay Theme | 0m45s | Medley 1 | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 1 | 2 | Kay Theme | 2m51s | | Heinz Roemheld | Entire | V-Organ |
| Women Are Like That (1938) | 1 | 6 | Kay Theme | 0m36s | | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 3 | 9b | Kay Theme | 1m05s | Medley 3 | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 3 | 10 | Kay Theme (Paraphrase) | 0m39s | | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 4 | 11 | Kay Theme (Paraphrase) | 0m40s | | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 8 | 25 | Kay Theme | 2m27s | | Heinz Roemheld | Entire | BI |
| Women Are Like That (1938) | 9 | 26a | Kay Theme | 2m00s | Medley 4 | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 9 | 26c | Kay Theme | 0m19s | Medley 4 | Heinz Roemheld | Partial | BI |
| Women Are Like That (1938) | 9 | 27 | Kay Theme | 0m25s | | Heinz Roemheld | Partial | BI |
| Young Man With a Horn aka Young Man of Music (1950) | 8 | 33d | Can't We Be Friends | 0m22s | Medley 14 | Kay Swift - Paul James | Partial | VI |