| All Mine to Give aka The Day They Gave Babies Away (1957) | IX | 36 | Annabelle | 4m25s | | Max Steiner | Entire | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 34 | Anna | 1m05s | | Max Steiner | Entire | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 7 | 38 | Anna | 0m25s | | Max Steiner | Partial | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 9 | 54 | Anna | 0m30s | | Max Steiner | Partial | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 63 | Anna | 0m07s | | Max Steiner | Partial | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 11 | 66 | Anna | 0m08s | | Max Steiner | Partial | BI |
| Darkest Hour, The [re-named Hell on Frisco Bay] (1955) | 12 | 71 | Anna | 0m22s | | Max Steiner | Partial | BI |
| Gentleman Jim (1942) | 4 | 8b | Anna | 0m57s | Medley 4 | Johann Strauss | Partial | BI |
| Hell on Frisco Bay (1955) | 7 | 34 | Anna | 1m05s | | Max Steiner | n/k | BI |
| Hell on Frisco Bay (1955) | 7 | 38 | Anna | 0m25s | | Max Steiner | n/k | BI |
| Hell on Frisco Bay (1955) | 9 | 54 | Anna | 0m30s | | Max Steiner | n/k | BI |
| Hell on Frisco Bay (1955) | 11 | 63 | Anna | 0m07s | | Max Steiner | n/k | BI |
| Hell on Frisco Bay (1955) | 11 | 66 | Anna | 0m08s | | Max Steiner | n/k | BI |
| Hell on Frisco Bay (1955) | 12 | 71 | Anna | 0m22s | | Max Steiner | n/k | BI |
| Kings Row (1942) | 3 & 4 | 17a | Grandmother & Anna | 2m12s | Medley 6 | Korngold, Erich Wolfgang | Entire | BI |
| Last Command, The (1955) | 9 | 45 | Bowie & Santa Anna in Mexican Camp | 1m14s | | Max Steiner | Partial | BI |
| Last Command, The (1955) | 9 | 46 | Bowie & Santa Anna in Mexican Camp | 1m16s | Medley 10 | Max Steiner | Partial | BI |
| Room For One More (1952) | 7 & 8 | 25c | Anna | 0m11s | Medley 14 | Max Steiner | Entire | BI |
| Room For One More [Second Cue Sheet] (1952) | 7 & 8 | 25c | Anna | 0m11s | Medley 14 | Max Steiner | Entire | BI |