| Daughters Courageous (1939) | 7 & 8 | 20 | Happy Birthday to You | 0m12s | | Mildred J. Hill - Patty S. Hill | Partial | VV |
| Girl, A Guy and a Gob. A (1941) | IV | 22 | Happy Birthday | 0m32s | | Hill, Mildred | Entire | VV |
| Is My Face Red? [Domestic] (1932) | | 9 | Mildred Waltz | n/k (medley) | | Max Steiner | Entire | n/k |
| Is My Face Red? [Domestic] (1932) | | 12 | Mildred Waltz | | | Max Steiner | Entire | n/k |
| Is My Face Red? [Domestic] (1932) | | 14 | Mildred Waltz | | | Max Steiner | Partial | n/k |
| Is My Face Red? [Domestic] (1932) | | 16 | Mildred Waltz | | | Max Steiner | Partial | n/k |
| Is My Face Red? [Domestic] (1932) | | 18 | Mildred Waltz | n/k | | Max Steiner | Entire | n/k |
| Lucky Me (1954) | 13 | 39 | Good Morning to All | 0m27s | | Mildred J. Hill - Patty S. Hill | Partial | BI |
| Made For Each Other (1939) | I | 7 | Happy Birthday to You | 0m10s | | Mildred J. Hill | Partial | VV |
| Mildred Pierce (1945) | 1 | 1a | Signature | 0m08s | Medley 1 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 1 | 1b | Credits | 0m13s | Medley 1 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 1 | 1c | Mildred | 2m54s | Medley 1 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 1 | 2 | You Must Have Been a Beautiful Baby | 1m56s | | Harry Warren - Johnny Mercer | Partial | VV |
| Mildred Pierce (1945) | 1 | 3 | Fear | 1m23s | | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 2 | 4a | Fear | 1m31s | Medley 2 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 2 | 4b | Mildred | 1m18s | Medley 2 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 2 | 4c | Exit | 0m31s | Medley 2 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 2 | 4d | Hall of Justice | 0m52s | Medley 2 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 2 | 5 | Drink to Me Only With Thine Eyes | 0m15s | | Wolfgang Amadeus Mozart | Entire | VW |
| Mildred Pierce (1945) | 3 | 6 | Bert | 1m03s | | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 3 | 7a | Bert | 0m37s | Medley 3 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 3 | 7b | Kay | 1m03s | Medley 3 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 3 | 8 | Waltz Brilliante | 0m14s | | Frederic Chopin | Partial | VI |
| Mildred Pierce (1945) | 3 | 9 | Waltz Brilliante | 0m16s | | Frederic Chopin | Partial | VI |
| Mildred Pierce (1945) | 3 | 10 | Mildred | 0m50s | | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 11a | Mildred | 0m10s | Medley 4 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 11b | Kay | 0m43s | Medley 4 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 11c | Mildred | 0m10s | Medley 4 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 11c | Kay | 1m35s | Medley 4 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 12a | Work | 0m35s | Medley 5 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 12b | Mildred | 0m29s | Medley 5 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 12c | Work | 0m04s | Medley 5 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 4 | 12d | Ad-Lib Singing | 0m09s | Medley 5 | n/k | Entire | VV |
| Mildred Pierce (1945) | 4 | 12e | Dance | 0m09s | Medley 5 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 4 | 12f | South American Way | 0m35s | Medley 5 | Jimmy McHugh | Partial | VV |
| Mildred Pierce (1945) | 4 | 13 | South American Way | 0m05s | | Jimmy McHugh | Partial | VV |
| Mildred Pierce (1945) | 5 | 14a | Chopin's Fifth Mazurka | 0m28s | Medley 6 | Frederic Chopin | Entire | BI |
| Mildred Pierce (1945) | 5 | 14b | Insult | 0m08s | Medley 6 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 5 | 14c | Mildred | 0m45s | Medley 6 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 5 | 14d | Kay | 0m14s | Medley 6 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 5 | 15a | Excitement | 0m08s | Medley 7 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 5 | 15b | Work | 0m14s | Medley 7 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 5 | 15c | Beach House | 0m31s | Medley 7 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 16a | Bert | 0m14s | Medley 8 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 16b | Work | 0m08s | Medley 8 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 17a | Decision | 0m07s | Medley 9 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 6 | 17b | Beach House | 0m12s | Medley 9 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 18a | Disclosed | 0m14s | Medley 10 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 6 | 18b | Mildred | 0m15s | Medley 10 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 18c | It Can't Be Wrong | 1m45s | Medley 10 | Kim Gannon - Max Steiner | Partial | VI |
| Mildred Pierce (1945) | 6 | 19a | Kay | 0m14s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 19b | Bert | 0m09s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 19c | Pneumonia | 0m39s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 19d | Kay | 0m24s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 6 | 19e | Pneumonia | 0m30s | Medley 11 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 20a | Mildred | 0m30s | Medley 12 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 20b | Kay | 0m47s | Medley 12 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 20c | Work | 0m09s | Medley 12 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 21 | T'Ain't No Good | 1m31s | | Roy Jacobs - Leo Wood | Entire | BI |
| Mildred Pierce (1945) | 7 | 22a | While You're Away | 1m58s | Medley 13 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 7 | 22b | Work | 0m09s | Medley 13 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 22c | Please Think of Me | 0m55s | Medley 13 | Murray Mencher - Russ Morgan | Entire | VV |
| Mildred Pierce (1945) | 7 | 23a | Mildred | 0m28s | Medley 14 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 23b | It Can't Be Wrong | 0m33s | Medley 14 | Kim Gannon - Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 23c | Bert | 0m56s | Medley 14 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 7 | 23d | It Can't Be Wrong | 0m10s | Medley 14 | Kim Gannon - Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 8 | 24a | Work | 0m15s | Medley 15 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 8 | 24b | Polo | 0m14s | Medley 15 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 8 | 24c | How Sweet You Are | 0m58s | Medley 15 | Frank Loesser - Arthur Schwartz | Entire | VI |
| Mildred Pierce (1945) | 8 | 24d | Bills | 0m12s | Medley 15 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 8 | 25a | Kay | 1m17s | Medley 16 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 8 | 25b | Mildred | 0m22s | Medley 16 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 8 | 25c | Split | 0m24s | Medley 16 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 8 | 25d | It Can't Be Wrong | 0m28s | Medley 16 | Kim Gannon - Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 26a | It Can't Be Wrong | 0m08s | Medley 17 | Kim Gannon - Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 26b | You Must Have Been a Beautiful Baby | 0m47s | Medley 17 | Harry Warren - Johnny Mercer | Partial | VI |
| Mildred Pierce (1945) | 9 | 27a | Mildred | 0m10s | Medley 18 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 27b | Mistake | 0m39s | Medley 18 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 9 | 27c | Kay | 0m06s | Medley 18 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 27d | Mildred | 0m29s | Medley 18 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 28a | Kay | 1m26s | Medley 19 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 28b | Mildred | 1m26s | Medley 19 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 9 | 30c? | Ad-Lib Singing | 0m04s | Medley 19 | n/k | Entire | BV |
| Mildred Pierce (1945) | 10 | 31 | Oceana Roll | 1m12s | | Denni - Lewis | Entire | VI |
| Mildred Pierce (1945) | 10 | 32a | Sweet Georgia Brown | 1m20s | Medley 20 | Ben Bernie - Maceo Pinkard | Entire | BI |
| Mildred Pierce (1945) | 10 | 32b | It Had to Be You | 1m40s | Medley 20 | Isham Jones - Gus Kahn | Partial | BI |
| Mildred Pierce (1945) | 10 | 33 | Work | 0m19s | | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34a | Bert | 0m54s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34b | Kay | 0m48s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34c | Mildred | 0m42s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34d | Bert | 0m15s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 34e | Kay | 0m23s | Medley 21 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 35a | It Can't Be Wrong | 0m35s | Medley 22 | Kim Gannon - Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 35b | Mildred | 0m21s | Medley 22 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 35c | Determination | 0m22s | Medley 22 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 11 | 35d | Mildred | 0m11s | Medley 22 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 36a | Kay | 0m15s | Medley 23 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 36b | Mildred | 0m48s | Medley 23 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 36c | Fragmentary | 0m18s | Medley 23 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 11 | 37a | Kay | 0m37s | Medley 24 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 11 | 37b | Mildred | 0m05s | Medley 24 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38a | Mildred | 0m40s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38b | Kay | 0m38s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38c | Molto Agitato | 0m14s | Medley 25 | Max Steiner | Entire | BI |
| Mildred Pierce (1945) | 12 | 38d | Kay | 0m18s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38e | Mildred | 0m35s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 38f | Kay | 0m10s | Medley 25 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 39a | Kay | 0m29s | Medley 26 | Max Steiner | Partial | BI |
| Mildred Pierce (1945) | 12 | 39b | Mildred | 0m32s | Medley 26 | Max Steiner | Partial | BI |
| Of Human Bondage (1934) | 2 | 5b | Mildred | 0m29s | Medley 3 | Korngold, Erich Wolfgang | Entire | BI |
| Of Human Bondage (1934) | 5 | 18 | Mildred Stays | 3m41s | | Korngold, Erich Wolfgang | Entire | BI |
| Of Human Bondage (1934) | 12 | 42 | Mildred's Death | 3m03s | | Korngold, Erich Wolfgang | Entire | BI |
| One More Tomorrow (1946) | 1 | 3a | Happy Birthday to You | 0m10s | Medley 3 | Mildred J. Hill - Patty S. Hill | Partial | VV |
| One More Tomorrow (1946) | 2 | 4a | Happy Birthday to You | 0m05s | Medley 4 | Mildred J. Hill - Patty S. Hill | Partial | BI |
| Sisters, The (1938) | 9 & 10 | 28b | Good Morning to You | 0m15s | Medley 15 | Mildred J. Hill | Partial | VV |
| Stage Door (1937) | VII | 21 | Happy Birthday to You | 0m30s | | Mildred Hill | Entire | VV |