| Air Force (1943) | 1 & 2 | 1a | Maestoso | 0m10s | Medley 1 | Franz Waxman | Entire | BI |
| Air Force (1943) | 1 & 2 | 1b | Army Air Corps March | 0m54s | Medley 1 | Robert Crawford | Partial | BI |
| Air Force (1943) | 1 & 2 | 1c | Battle Hymn of the Republic | 0m32s | Medley 1 | Julia Ward Howe - William Steffe | Partial | BI |
| Air Force (1943) | 1 & 2 | 1d | Teletype | 1m22s | Medley 1 | Franz Waxman | Entire | BI |
| Air Force (1943) | 1 & 2 | 2a | Andantino | 2m55s | Medley 2 | Franz Waxman | Entire | BI |
| Air Force (1943) | 1 & 2 | 2b | Charm, The | 0m27s | Medley 2 | Franz Waxman | Entire | BI |
| Air Force (1943) | 3 & 4 | 3 | It Don’t Mean a Thing (If it Ain't Got That Swing) | 0m41s | | Irving Mills - Duke Ellington | Partial | VV |
| Air Force (1943) | 3 & 4 | 4 | Repairs | 0m53s | | Franz Waxman | Entire | BI |
| Air Force (1943) | 3 & 4 | 5a | Japs | 1m22s | Medley 3 | Franz Waxman | Entire | BI |
| Air Force (1943) | 3 & 4 | 5b | Army Air Corps March | 0m15s | Medley 3 | Robert Crawford | Partial | BI |
| Air Force (1943) | 5 & 6 | 6a | Hospital | 1m36s | Medley 4 | Franz Waxman | Entire | BI |
| Air Force (1943) | 5 & 6 | 6b | Army Air Corps March | 0m08s | Medley 4 | Robert Crawford | Partial | BI |
| Air Force (1943) | 5 & 6 | 6c | Rader | 0m15s | Medley 4 | Franz Waxman | Entire | BI |
| Air Force (1943) | 5 & 6 | 7 | Wake Island | 1m00s | | Franz Waxman | Entire | BI |
| Air Force (1943) | 7 & 8 | 8 | Map | 0m29s | | Franz Waxman | Entire | BI |
| Air Force (1943) | 7 & 8 | 9a | Taps | 0m47s | Medley 5 | n/k | n/k | n/k |
| Air Force (1943) | 7 & 8 | 9b | Army Air Corps March | 0m30s | Medley 5 | Robert Crawford | Partial | BI |
| Air Force (1943) | 7 & 8 | 9c | Allegro | 1m05s | Medley 5 | Franz Waxman | Entire | BI |
| Air Force (1943) | 9 & 10 | 10 | Adagio | 3m30s | | Franz Waxman | Entire | BI |
| Air Force (1943) | 11 & 12 | 11 | Bucket Brigade | 0m32s | | Franz Waxman | Partial | BI |
| Air Force (1943) | 11 & 12 | 12 | Bucket Brigade | 2m30s | | Franz Waxman | Partial | BI |
| Air Force (1943) | 13 & 14 | 13a | Jap Fleet | 1m55s | Medley 6 | Franz Waxman | Entire | BI |
| Air Force (1943) | 13 & 14 | 13b | Signals | 0m30s | Medley 6 | Franz Waxman | Partial | BI |
| Air Force (1943) | 13 & 14 | 13c | Army Air Corps March | 0m14s | Medley 6 | Robert Crawford | Partial | BI |
| Air Force (1943) | 13 & 14 | 13d | Signals | 0m41s | Medley 6 | Franz Waxman | Partial | BI |
| Air Force (1943) | 13 & 14 | 13e | Eyes of the Fleet | 0m22s | Medley 6 | Lt. Com. J.V. McElduff | Partial | BI |
| Air Force (1943) | 13 & 14 | 13f | Marine's Hymn, The | 0m13s | Medley 6 | L.Z. Phillips | Partial | BI |
| Air Force (1943) | 13 & 14 | 13g | Alarm | 1m15s | Medley 6 | Franz Waxman | Partial | BI |
| Air Force (1943) | 13 & 14 | 13h | Mary Ann | 0m23s | Medley 6 | Franz Waxman | Entire | BI |
| Air Force (1943) | 13 & 14 | 14a | Sinking Flag | 0m48s | Medley 7 | Franz Waxman | Entire | BI |
| Air Force (1943) | 13 & 14 | 14b | Introduction | 0m20s | Medley 7 | Franz Waxman | Entire | BI |
| Air Force (1943) | 13 & 14 | 14c | I Get a Kick Out of You | 0m15s | Medley 7 | Cole Porter | Partial | BI |
| Air Force (1943) | 13 & 14 | 15a | Pilots | 0m23s | Medley 8 | Franz Waxman | Entire | BI |
| Air Force (1943) | 13 & 14 | 15b | Army Air Corps March | 0m10s | Medley 8 | Robert Crawford | Partial | BI |
| Air Force (1943) | 13 & 14 | 15c | Battle Hymn of the Republic | 0m25s | Medley 8 | Julia Ward Howe - William Steffe | Partial | BV |
| Air Force (1943) | 13 & 14 | 15d | Army Air Corps March | 0m24s | Medley 8 | Robert Crawford | Partial | BI |
| Force in Readiness, A (1961) | 1 | 1 | Marines' Hymn, The | 0m37s | | Jacques Offenbach - Hector Cremieux - Etienne Trefeu | Partial | BI |
| Force in Readiness, A (1961) | 1 | 2 | Marine Mood | 0m20s | | William Lava | Entire | BI |
| Force in Readiness, A (1961) | 1 | 3 | Drums | 0m07s | | Ray Heindorf | Partial | BI |
| Force in Readiness, A (1961) | 1 | 4 | Battle Fanfare | 2m07s | | William Lava | Entire | BI |
| Force in Readiness, A (1961) | 1 | 5 | Battle Fleet | 0m54s | | William Lava | Entire | BI |
| Force in Readiness, A (1961) | 1 | 6 | Marines' Hymn, The | 0m10s | | Jacques Offenbach - Hector Cremieux - Etienne Trefeu | Partial | BI |
| Force in Readiness, A (1961) | 1 | 7 | Navy | 4m54s | | David Buttolph | Entire | BI |
| Force in Readiness, A (1961) | 1 | 8 | On the Way | 0m48s | | William Lava | Partial | BI |
| Force in Readiness, A (1961) | 1 | 9 | Blue Bonnets Over the Border | 1m26s | | n/k
[Max Steiner arr.] | Partial | BI |
| Force in Readiness, A (1961) | 2 | 10 | Marines' Hymn, The | 0m22s | | Jacques Offenbach - Hector Cremieux - Etienne Trefeu | Partial | BI |
| Force in Readiness, A (1961) | 2 | 11 | Feeding Grounds, The | 1m15s | | Franz Waxman | Partial | BI |
| Force in Readiness, A (1961) | 2 | 12 | Anchors Aweigh | 0m04s | | Charles A. Zimmerman | Partial | BI |
| Force in Readiness, A (1961) | 2 | 13 | Dawn of Freedom, The | 1m11s | | Franz Waxman | Partial | BI |
| Force in Readiness, A (1961) | 2 | 14 | Navy | 2m44s | | David Buttolph | Entire | BI |
| Force in Readiness, A (1961) | 2 | 15 | Marines' Hymn, The | 1m12s | | Jacques Offenbach - Hector Cremieux - Etienne Trefeu | Partial | BI |
| Force in Readiness, A (1961) | 2 | 16 | Radio Beam | 1m20s | | Franz Waxman | Entire | BI |
| Force in Readiness, A (1961) | 3 | 17 | Hero | 1m26s | | David Buttolph | Partial | BI |
| Force in Readiness, A (1961) | 3 | 18 | Landing | 2m28s | | Franz Waxman | Entire | BI |
| Force in Readiness, A (1961) | 3 | 19 | Semper Fidelis | 0m46s | | John Philip Sousa | Partial | BI |
| Force in Readiness, A (1961) | 3 | 20 | America the Beautiful | 1m00s | | Catherine Lee Bates - Samuel A. Ward
[Howard Jackson arr.] | Partial | BI |
| Force in Readiness, A (1961) | 3 | 21 | Stars & Stripes Forever | 1m08s | | John Philip Sousa | Partial | BI |
| Force in Readiness, A (1961) | 3 | 22 | Marines' Hymn, The | 0m47s | | Jacques Offenbach - Hector Cremieux - Etienne Trefeu | Partial | BI |
| Force in Readiness, A (1961) | 3 | 23 | Return | 0m06s | | Max Steiner | Partial | BI |
| Force of Arms (1951) | 1 | 1a | Force of Arms | 0m19s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 1 | 1b | Cara Mia | 0m55s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 1 | 1c | Ominous | 0m30s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 2 | 2a | Wacht am Rhein, Die | 0m05s | Medley 2 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 2 | 2b | Tired | 0m30s | Medley 2 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 2 | 2c | My Buddy | 0m28s | Medley 2 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms (1951) | 2 | 2d | Danza, La | 0m52s | Medley 2 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 2 | 3a | Taps | 1m32s | Medley 3 | n/k
[Max Steiner arr.] | Entire | BI |
| Force of Arms (1951) | 2 | 3b | Meeting, The | 0m28s | Medley 3 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 2 | 3c | Cara Mia | 0m22s | Medley 3 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 3 | 4a | Cara Mia | 1m20s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 3 | 4b | Authority | 0m14s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 3 | 4c | Cara Mia | 0m12s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 3 | 5 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms (1951) | 3 | 6 | Ad-Lib Singing | 0m04s | | n/k | n/k | n/k |
| Force of Arms (1951) | 3 | 7 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms (1951) | 3 | 8a | Caissons Go Rolling Along, The | 0m26s | Medley 5 | n/k
[Max Steiner arr.] | Partial | VI |
| Force of Arms (1951) | 3 | 8b | Ain't We Got Fun | 0m25s | Medley 5 | Richard Whiting - Gus Kahn - Raymond B. Egan | Partial | BI |
| Force of Arms (1951) | 3 | 9a | Ain't She Sweet | 1m05s | Medley 6 | Jack Yellen - Milton Ager | Partial | VI |
| Force of Arms (1951) | 3 | 9b | Avalon | 1m05s | Medley 6 | Al Jolson | Partial | BI |
| Force of Arms (1951) | 3 | 9c | Sweet Georgia Brown | 0m58s | Medley 6 | Maceo Pinkard - Kenneth Casey - Ben Bernie | Partial | BI |
| Force of Arms (1951) | 4 | 10a | Baby Face | 0m54s | Medley 7 | Benny Davis - Harry Akst | Partial | BI |
| Force of Arms (1951) | 4 | 10b | Avalon | 0m45s | Medley 7 | Al Jolson | Partial | BI |
| Force of Arms (1951) | 4 | 11 | Addio a Napoli | 2m05s | | n/k | Entire | VI |
| Force of Arms (1951) | 4 | 12 | Vieni Sul Mar | 0m25s | | n/k
[Max Steiner arr.] | Partial | VI |
| Force of Arms (1951) | 5 | 13a | Force of Arms | 0m50s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 5 | 13b | Cara Mia | 0m24s | Medley 8 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 5 | 13c | Wacht am Rhein, Die | 0m12s | Medley 8 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 5 | 13d | Bombing | 0m42s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 5 | 13e | Cara Mia | 0m15s | Medley 8 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 5 | 13f | Wacht am Rhein, Die | 0m10s | Medley 8 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 5 | 13g | Cara Mia | 2m24s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 6 | 14 | It Had to Be You | 2m20s | | Gus Kahn - Isham Jones | Entire | VV |
| Force of Arms (1951) | 6 | 15 | Avalon | 1m14s | | Al Jolson | Partial | VV |
| Force of Arms (1951) | 6 | 16a | Force of Arms | 0m42s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 6 | 16b | Cara Mia | 1m25s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 6 | 16c | Force of Arms | 0m16s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 6 | 16d | Militaire | 0m13s | Medley 9 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 8 | 17 | Pete Injured | 2m00s | | Max Steiner | Entire | BI |
| Force of Arms (1951) | 8 | 18a | Hospital | 0m14s | Medley 10 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 8 | 18b | My Buddy | 0m45s | Medley 10 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms (1951) | 8 | 18c | Cara Mia | 1m12s | Medley 10 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 8 | 18d | Convalescent | 0m45s | Medley 10 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 9 | 19 | Force of Arms | 0m17s | | Max Steiner | Partial | BI |
| Force of Arms (1951) | 9 | 20a | Cara Mia | 1m41s | Medley 11 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 9 | 20b | Plaisir d'Amour | 1m55s | Medley 11 | Jean-Paul Egide Martini
[Max Steiner arr.] | Entire | VI |
| Force of Arms (1951) | 9 | 21a | Nightmare | 2m09s | Medley 12 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 9 | 21b | Taps | 0m20s | Medley 12 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 10 | 22a | Taps | 0m21s | Medley 13 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 10 | 22b | My Buddy | 0m37s | Medley 13 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms (1951) | 10 | 22c | Cara Mia | 1m10s | Medley 13 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 10 | 22d | Force of Arms | 0m09s | Medley 13 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 10 | 23 | Marcia Pomposo | 1m54s | | Max Steiner | Entire | BI |
| Force of Arms (1951) | 10 | 24a | Explosion | 0m15s | Medley 14 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 10 | 24b | Wacht am Rhein, Die | 0m12s | Medley 14 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 11 | 25a | Search | 1m50s | Medley 15 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 11 | 25b | Taps | 0m20s | Medley 15 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 11 | 26 | Cara Mia | 0m46s | | Max Steiner | Partial | BI |
| Force of Arms (1951) | 11 | 27a | Agitato | 0m05s | Medley 16 | Max Steiner | Entire | BI |
| Force of Arms (1951) | 11 | 27b | Symphony No.5 | 0m07s | Medley 16 | Ludwig van Beethoven
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 11 | 27c | Danza, La | 0m49s | Medley 16 | Giaochino Rossini
[Max Steiner arr.] | Partial | BI |
| Force of Arms (1951) | 11 | 27d | Semper Fidelis | 1m44s | Medley 16 | John Philip Sousa
[Max Steiner arr.] | Partial | VI |
| Force of Arms (1951) | 11 | 27e | Pack Up Your Troubles in Your Old Kit Bag | 0m50s | Medley 16 | George Asaf - Felix Powell | Partial | BI |
| Force of Arms (1951) | 11 | 27f | Cara Mia | 1m20s | Medley 16 | Max Steiner | Partial | BI |
| Force of Arms (1951) | 11 | 27g | Semper Fidelis | 0m15s | Medley 16 | John Philip Sousa
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 1 | 1a | Force of Arms | 0m19s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 1 | 1b | Cara Mia | 0m55s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 1 | 1c | Ominous | 0m30s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2a | Wacht am Rhein, Die | 0m05s | Medley 2 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2b | Tired | 0m30s | Medley 2 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2c | My Buddy | 0m28s | Medley 2 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2d | Danza, La | 0m52s | Medley 2 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 3a | Taps | 1m32s | Medley 3 | n/k
[Max Steiner arr.] | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 3b | Meeting, The | 0m28s | Medley 3 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 3c | Cara Mia | 0m22s | Medley 3 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 4a | Cara Mia | 1m20s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 4b | Authority | 0m14s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 4c | Cara Mia | 0m12s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 5 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 6 | Ad-Lib Singing | 0m04s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 7 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 8a | Caissons Go Rolling Along, The | 0m26s | Medley 5 | n/k
[Max Steiner arr.] | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 8b | Ain't We Got Fun | 0m25s | Medley 5 | Richard Whiting - Gus Kahn - Raymond B. Egan | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 9a | Ain't She Sweet | 1m05s | Medley 6 | Jack Yellen - Milton Ager | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 9b | Avalon | 1m05s | Medley 6 | Al Jolson | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 9c | Sweet Georgia Brown | 0m58s | Medley 6 | Maceo Pinkard - Kenneth Casey - Ben Bernie | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 10a | Baby Face | 0m54s | Medley 7 | Benny Davis - Harry Akst | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 10b | Avalon | 0m45s | Medley 7 | Al Jolson | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 11 | Addio a Napoli | 2m05s | | n/k | Entire | VI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 12 | Vieni Sul Mar | 0m25s | | n/k
[Max Steiner arr.] | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13a | Force of Arms | 0m50s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13b | Cara Mia | 0m24s | Medley 8 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13c | Wacht am Rhein, Die | 0m12s | Medley 8 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13d | Bombing | 0m42s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13e | Cara Mia | 0m15s | Medley 8 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13f | Wacht am Rhein, Die | 0m10s | Medley 8 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13g | Cara Mia | 2m24s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 14 | It Had to Be You | 2m20s | | Gus Kahn - Isham Jones | Entire | VV |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 15 | Avalon | 1m14s | | Al Jolson | Partial | VV |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16a | Force of Arms | 0m42s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16b | Cara Mia | 1m25s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16c | Force of Arms | 0m16s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16d | Militaire | 0m13s | Medley 9 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 17 | Pete Injured | 2m00s | | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18a | Hospital | 0m14s | Medley 10 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18b | My Buddy | 0m45s | Medley 10 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18c | Cara Mia | 1m12s | Medley 10 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18d | Convalescent | 0m45s | Medley 10 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 19 | Force of Arms | 0m17s | | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 20a | Cara Mia | 1m41s | Medley 11 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 20b | Plaisir d'Amour | 1m55s | Medley 11 | Jean-Paul Egide Martini
[Max Steiner arr.] | Entire | VI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 21a | Nightmare | 2m09s | Medley 12 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 21b | Taps | 0m20s | Medley 12 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22a | Taps | 0m21s | Medley 13 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22b | My Buddy | 0m37s | Medley 13 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22c | Cara Mia | 1m10s | Medley 13 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22d | Force of Arms | 0m09s | Medley 13 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 23 | Marcia Pomposo | 1m54s | | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 24a | Explosion | 0m15s | Medley 14 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 24b | Wacht am Rhein, Die | 0m12s | Medley 14 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 25a | Search | 1m50s | Medley 15 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 25b | Taps | 0m20s | Medley 15 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 26 | Cara Mia | 0m46s | | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27a | Agitato | 0m05s | Medley 16 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27b | Symphony No.5 | 0m07s | Medley 16 | Ludwig van Beethoven
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27c | Danza, La | 0m49s | Medley 16 | Giaochino Rossini
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27d | Semper Fidelis | 1m44s | Medley 16 | John Philip Sousa
[Max Steiner arr.] | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27e | Pack Up Your Troubles in Your Old Kit Bag | 0m50s | Medley 16 | George Asaf - Felix Powell | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27f | Cara Mia | 1m20s | Medley 16 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27g | Semper Fidelis | 0m15s | Medley 16 | John Philip Sousa
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1a | Marcia Pomposo | 0m54s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1b | Force of Arms | 0m17s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1c | Cara Mia | 0m25s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1d | Avalon | 0m15s | Medley 1 | Al Jolson | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1e | Plaisir d'Amour | 0m12s | Medley 1 | Jean-Paul Egide Martini
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1f | Search | 0m10s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1g | Nightmare | 0m10s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1h | Fifth Symphony [sic] | 0m05s | Medley 1 | Ludwig van Beethoven
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Trailer] (1951) | 1 | 1g | Danza, La | 0m15s | Medley 1 | Giaochino Rossini
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1a | Marcia Pomposo | 0m54s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1b | Force of Arms | 0m17s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1c | Cara Mia | 0m25s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1d | Avalon | 0m15s | Medley 1 | Al Jolson | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1e | Plaisir d'Amour | 0m12s | Medley 1 | Jean-Paul Egide Martini
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1f | Search | 0m10s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1g | Nightmare | 0m10s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1h | Fifth Symphony [sic] | 0m05s | Medley 1 | Ludwig van Beethoven
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Trailer] [Second Cue Sheet] (1951) | 1 | 1g | Danza, La | 0m15s | Medley 1 | Giaochino Rossini
[Max Steiner arr.] | Partial | BI |
| Joan of Paris (1942) | I | 4 | Forced Landing | 0m35s | | Webb, Roy | Entire | BI |
| Joan of Paris (1942) | I | 5 | Forced Landing | 4m01s (medley) | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | I | 8 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | IV | 31 | Forced Landing | 4m13s (medley) | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | IV | 36 | Forced Landing | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | IV | 39 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | V | 45 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VI | 48 | Forced Landing | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VI | 54 | Forced Landing | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VI | 59 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VI | 61 | Forced Landing | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VII | 63 | Forced Landing | 0m39s (medley) | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VII | 75 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VII | 77 | Forced Landing | 1m05s (medley) | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VII | 80 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | VIII | 85 | Forced Landing (paraphrased) | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | IX | 92 | Forced Landing | | | Webb, Roy | Partial | BI |
| Joan of Paris (1942) | IX | 94 | Forced Landing (paraphrased) | 2m25s (medley) | | Webb, Roy | Entire | BI |
| Joan of Paris (1942) | IX | 103 | Forced Landing (paraphrased) (contra.) | | | Webb, Roy | Entire | BI |
| Mary of Scotland (1936) | VI | 40 | Forced Excitement | 2m20s | | Shilkret, Nathaniel | Entire | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 1 | 1 | U.S. Air Force | 0m08s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 6 | 34 | U.S. Air Force | 0m25s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 6 | 39 | U.S. Air Force | 0m12s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 7 | 42 | U.S. Air Force | 0m07s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 8 | 49 | U.S. Air Force | 0m10s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 9 | 51 | U.S. Air Force | 0m05s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 9 | 54 | U.S. Air Force | 0m30s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 12 | 62 | U.S. Air Force | 0m25s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 12 | 64 | U.S. Air Force | 0m35s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 13 | 67 | U.S. Air Force | 0m18s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky (1955) | 15 | 78 | U.S. Air Force | 0m20s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky [Incomplete] (1955) | 1 | 1 | U.S. Air Force | 0m08s | | Robert MacArthur Crawford | Partial | BI |
| McConnell Story, The aka Tiger in the Sky [Incomplete] (1955) | 15 | 78 | U.S. Air Force | 0m20s | | Robert MacArthur Crawford | Partial | BI |
| Passage to Marseille (1944) | 9 & 10 | 15i | Force | 0m12s | Medley 14 | Max Steiner | Entire | BI |
| Sea Power (1964) | 1 | 1a | Task Force | 0m54s | Medley 1 | Franz Waxman | n/k | BI |
| Sea Power (1964) | 1 | 1h | Task Force | 1m02s | Medley 1 | Franz Waxman | n/k | BI |
| Up Periscope (1959) | 1 & 2 | 1 | Task Force | 0m15s | | Franz Waxman | Partial | BI |
| Up Periscope (1959) | 3 & 4 | 15 | Task Force | 0m25s | | Franz Waxman | Partial | BI |