| Force of Arms [Second Cue Sheet] (1951) | 1 | 1a | Force of Arms | 0m19s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 1 | 1b | Cara Mia | 0m55s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 1 | 1c | Ominous | 0m30s | Medley 1 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2a | Wacht am Rhein, Die | 0m05s | Medley 2 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2b | Tired | 0m30s | Medley 2 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2c | My Buddy | 0m28s | Medley 2 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 2d | Danza, La | 0m52s | Medley 2 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 3a | Taps | 1m32s | Medley 3 | n/k
[Max Steiner arr.] | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 3b | Meeting, The | 0m28s | Medley 3 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 2 | 3c | Cara Mia | 0m22s | Medley 3 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 4a | Cara Mia | 1m20s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 4b | Authority | 0m14s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 4c | Cara Mia | 0m12s | Medley 4 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 5 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 6 | Ad-Lib Singing | 0m04s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 7 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 8a | Caissons Go Rolling Along, The | 0m26s | Medley 5 | n/k
[Max Steiner arr.] | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 8b | Ain't We Got Fun | 0m25s | Medley 5 | Richard Whiting - Gus Kahn - Raymond B. Egan | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 9a | Ain't She Sweet | 1m05s | Medley 6 | Jack Yellen - Milton Ager | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 9b | Avalon | 1m05s | Medley 6 | Al Jolson | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 9c | Sweet Georgia Brown | 0m58s | Medley 6 | Maceo Pinkard - Kenneth Casey - Ben Bernie | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 10a | Baby Face | 0m54s | Medley 7 | Benny Davis - Harry Akst | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 10b | Avalon | 0m45s | Medley 7 | Al Jolson | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 11 | Addio a Napoli | 2m05s | | n/k | Entire | VI |
| Force of Arms [Second Cue Sheet] (1951) | 4 | 12 | Vieni Sul Mar | 0m25s | | n/k
[Max Steiner arr.] | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13a | Force of Arms | 0m50s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13b | Cara Mia | 0m24s | Medley 8 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13c | Wacht am Rhein, Die | 0m12s | Medley 8 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13d | Bombing | 0m42s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13e | Cara Mia | 0m15s | Medley 8 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13f | Wacht am Rhein, Die | 0m10s | Medley 8 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 5 | 13g | Cara Mia | 2m24s | Medley 8 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 14 | It Had to Be You | 2m20s | | Gus Kahn - Isham Jones | Entire | VV |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 15 | Avalon | 1m14s | | Al Jolson | Partial | VV |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16a | Force of Arms | 0m42s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16b | Cara Mia | 1m25s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16c | Force of Arms | 0m16s | Medley 9 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 6 | 16d | Militaire | 0m13s | Medley 9 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 17 | Pete Injured | 2m00s | | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18a | Hospital | 0m14s | Medley 10 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18b | My Buddy | 0m45s | Medley 10 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18c | Cara Mia | 1m12s | Medley 10 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 8 | 18d | Convalescent | 0m45s | Medley 10 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 19 | Force of Arms | 0m17s | | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 20a | Cara Mia | 1m41s | Medley 11 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 20b | Plaisir d'Amour | 1m55s | Medley 11 | Jean-Paul Egide Martini
[Max Steiner arr.] | Entire | VI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 21a | Nightmare | 2m09s | Medley 12 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 9 | 21b | Taps | 0m20s | Medley 12 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22a | Taps | 0m21s | Medley 13 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22b | My Buddy | 0m37s | Medley 13 | Walter Donaldson - Gus Kahn | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22c | Cara Mia | 1m10s | Medley 13 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 22d | Force of Arms | 0m09s | Medley 13 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 23 | Marcia Pomposo | 1m54s | | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 24a | Explosion | 0m15s | Medley 14 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 10 | 24b | Wacht am Rhein, Die | 0m12s | Medley 14 | Carl Wilhelm - Max Scheckenburger
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 25a | Search | 1m50s | Medley 15 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 25b | Taps | 0m20s | Medley 15 | n/k
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 26 | Cara Mia | 0m46s | | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27a | Agitato | 0m05s | Medley 16 | Max Steiner | Entire | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27b | Symphony No.5 | 0m07s | Medley 16 | Ludwig van Beethoven
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27c | Danza, La | 0m49s | Medley 16 | Giaochino Rossini
[Max Steiner arr.] | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27d | Semper Fidelis | 1m44s | Medley 16 | John Philip Sousa
[Max Steiner arr.] | Partial | VI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27e | Pack Up Your Troubles in Your Old Kit Bag | 0m50s | Medley 16 | George Asaf - Felix Powell | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27f | Cara Mia | 1m20s | Medley 16 | Max Steiner | Partial | BI |
| Force of Arms [Second Cue Sheet] (1951) | 11 | 27g | Semper Fidelis | 0m15s | Medley 16 | John Philip Sousa
[Max Steiner arr.] | Partial | BI |