| "F.B.I. Documentary" (1963) | 1 | 1a | Surveillance | 1m36s | Medley 1 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 1b | Surveillance | 2m23s | Medley 1 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 2 | Closing In | 0m07s | | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 3a | Disaster | 0m30s | Medley 2 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 3b | Surveillance | 0m12s | Medley 2 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 3c | Kelly | 0m16s | Medley 2 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 3d | Bureau, The | 0m11s | Medley 2 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 1 | 3e | F.B.I. March | 1m28s | Medley 2 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4a | Sight | 2m59s | Medley 3 | William Lava | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4b | F.B.I. March | 0m13s | Medley 3 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4c | Main Title & Opening Sequence | 0m11s | Medley 3 | William Lava | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4d | Folsom | 0m20s | Medley 3 | William Lava | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4e | Dillinger Departs | 0m35s | Medley 3 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4f | Shooting, The | 0m42s | Medley 3 | Leonard Rosenman | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4g | Ad Lib Drums | 0m08s | Medley 3 | n/k | n/k | VI |
| "F.B.I. Documentary" (1963) | 2 | 4h | Return With a Surprising Prisoner | 0m08s | Medley 3 | Howard Jackson | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4i | Dillinger Departs | 0m17s | Medley 3 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4j | Other Gal, The | 0m08s | Medley 3 | William Lava | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4k | Bureau, The | 1m25s | Medley 3 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 2 | 4l | Marines' Hymn, The | 0m19s | Medley 3 | Jacques Offenbach | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 5a | F.B.I. March | 0m56s | Medley 4 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 5b | Outrage | 0m08s | Medley 4 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 5c | Bureau, The | 0m22s | Medley 4 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 5d | Microfilm | 0m08s | Medley 4 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 5e | Checking | 0m18s | Medley 4 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 5f | Bureau, The | 0m15s | Medley 4 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 6a | Acreage & Transportation | 1m49s | Medley 5 | William Lava | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 6b | F.B.I. March | 0m38s | Medley 5 | Max Steiner | n/k | BI |
| "F.B.I. Documentary" (1963) | 3 | 6c | Rangers | 1m00s | Medley 5 | Max Steiner | n/k | BI |
| Big Jim McLain (1952) | 1 & 2 | 1d | F.B.I. | 0m04s | Medley 1 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 1 & 2 | 1i | F.B.I. | 0m09s | Medley 1 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 1 & 2 | 1k | F.B.I. | 0m10s | Medley 1 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 1 & 2 | 1m | F.B.I. | 0m14s | Medley 1 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 1 & 2 | 1o | F.B.I. | 0m37s | Medley 1 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 1 & 2 | 3a | F.B.I. | 0m25s | Medley 2 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 1 & 2 | 3g | F.B.I. | 0m50s | Medley 2 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 3 & 4 | 14b | F.B.I. | 0m12s | Medley 5 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 3 & 4 | 15b | F.B.I. | 1m00s | Medley 6 | Emil Newman | Entire | BI |
| Big Jim McLain (1952) | 5 & 6 | 17 | F.B.I. | 0m40s | | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 5 & 6 | 19b | F.B.I. | 0m25s | Medley 7 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 7 & 8 | 25a | F.B.I. | 0m20s | Medley 11 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 7 & 8 | 26b | F.B.I. | 0m10s | Medley 12 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 7 & 8 | 26d | F.B.I. | 0m07s | Medley 12 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 9 | 27a | F.B.I. | 0m10s | Medley 13 | Emil Newman | Partial | BI |
| Big Jim McLain (1952) | 9 | 27c | F.B.I. | 0m35s | Medley 13 | Emil Newman | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 1 | Fanfare | 0m10s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 2 | F.B.I. March | 1m24s | | Max Steiner | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 3 | F.B.I. March | 1m13s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 4 | Roy's Car | 0m25s | | David Buttolph | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 5 | Pete in Car | 0m51s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 6 | Mrs. Nichols | 0m25s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 7 | Basement, The | 2m10s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 8 | Laundryman, The | 1m45s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 9 | Roy's Car | 0m45s | | David Buttolph | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 10 | Roy's Car | 0m35s | | David Buttolph | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 11 | Mrs. Nichols | 0m08s | | Howard Jackson | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 12 | F.B.I. March | 0m40s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 13 | Bureau, The | 0m29s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 14 | Suitcase, The | 3m40s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 15 | Bureau, The | 0m20s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 16 | F.B.I. March | 0m10s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 17 | Yacht Club, The | 1m17s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 18 | F.B.I. March | 1m04s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 19 | F.B.I. March | 0m15s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 20 | Typing Test | 0m27s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 21 | F.B.I. March | 0m33s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 5 | 22 | Kid Runs | 0m15s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 5 | 23 | F.B.I. March | 0m17s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 1 | Fanfare | 0m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 2 | F.B.I. March | 1m24s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 3 | F.B.I. March | 1m13s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 4 | Roy's Car | 0m25s | | David Buttolph | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 5 | Pete in Car | 0m51s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 6 | Mrs. Nichols | 0m25s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 7 | Basement, The | 2m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 8 | Laundryman, The | 1m45s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 9 | Roy's Car | 0m45s | | David Buttolph | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 10 | Roy's Car | 0m35s | | David Buttolph | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 11 | Mrs. Nichols | 0m08s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 12 | F.B.I. March | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 13 | Bureau, The | 0m29s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 14 | Suitcase, The | 3m40s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 15 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 16 | F.B.I. March | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 17 | Yacht Club, The | 1m17s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 18 | F.B.I. March | 1m04s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 19 | F.B.I. March | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 20 | Typing Test | 0m27s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 21 | F.B.I. March | 0m33s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 22 | Kid Runs | 0m15s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 23 | F.B.I. March | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 24 | Interview, The | 0m08s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 25 | F.B.I. March | 0m24s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 26 | Symbol | 0m11s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 27 | Interview, The | 0m23s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 28 | Dead | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 29 | Bureau, The | 0m19s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 30 | F.B.I. March | 1m06s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 31 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 32 | F.B.I. March | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 33 | Anita | 0m41s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 34 | F.B.I. March | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 35 | Interview, The | 0m30s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 36 | San Jose | 0m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 37 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 38 | Anita | 0m26s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 39 | Exit | 0m23s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 40 | Bureau, The | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 41 | Exit | 0m57s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 42 | F.B.I. March | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 43 | Anita | 0m12s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 44 | Peterson | 1m21s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 45 | Goodbye | 0m15s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 46 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 47 | Anita | 0m05s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 48 | Phone Call, The | 1m02s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 49 | Bureau, The | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 10 | 50 | Anita | 0m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 10 | 51 | Nichols Mansion | 2m00s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 10 | 52 | Boat, The | 0m57s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 53 | Dock, The | 1m40s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 54 | Bureau, The | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 55 | Dock, The | 0m42s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 56 | Mario at the Bridge | 0m57s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 57 | F.B.I. March | 0m33s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 58 | Surveillance | 1m07s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 59 | Bureau, The | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 60 | Surveillance | 0m31s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 61 | Airport, The | 1m20s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 62 | F.B.I. March | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 63 | America the Beautiful | 0m08s | | Catherine Lee Bates - Samuel A. Ward | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 64 | F.B.I. March | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 1 | Symbol | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 2 | Insurance | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 3 | Embrace | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 4 | Disaster | 1m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 5 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 6 | Symbol | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 7 | F B I March | 1m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 8 | Wreckage | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 9 | Bureau, The | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 10 | Investigation | 0m38s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 11 | Bureau, The | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 12 | Investigation | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 13 | Baby Face Nelson | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 14 | Questions | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 15 | Questions | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 16 | Bureau, The | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 17 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 18 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 19 | Yankee Doodle | 0m08s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 1 & 2 | 20 | Lucy | 1m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 21 | Lucy | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 22 | Liebestraum | 0m50s | | Franz Liszt
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 23 | Wedding March [from A Midsummer Night's Dream] | 0m30s | | Felix Mendelssohn-Bartholdy
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 24 | Lucy | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 25 | Love Nest, The | 0m15s | | Louis A. Hirsch - Otto Harbach | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 26 | Lucy | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 27 | Train | 0m16s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 28 | F B I March | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 29 | F B I March | 0m21s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 30 | F B I March | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 31 | News | 0m09s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 32 | Love Nest, The | 0m36s | | Louis A. Hirsch - Otto Harbach | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 33 | Lucy | 0m41s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 34 | Trouble | 0m26s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 35 | Kol Nidre | 0m11s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 36 | Klansmen | 1m28s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 37 | Outrage | 1m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 38 | Symbol | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 39 | Assignment | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 40 | Coming Thru the Rye | 0m12s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 41 | Lucy | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 42 | Indians | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 43 | Ten Little Indians | 0m10s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 44 | Indians | 0m26s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 45 | One Dead Indian | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 3 & 4 | 46 | Bye Bye Blackbird | 0m30s | | Ray Henderson - Mort Dixon | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 47 | Three Dead Indians | 0m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 48 | Symbol | 0m16s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 49 | Indians | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 50 | Lucy | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 51 | Bureau, The | 1m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 52 | Pretty Baby | 0m55s | | Egbert van Alstyne - Gus Kahn - Tony Jackson | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 53 | I'm Just Wild About Harry | 0m45s | | Noble Sissle - Eubie Blake | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 54 | Cheyenne | 2m18s | | Egbert van Alstyne - Harry Williams | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 55 | I May Be Wrong (But I Think You're Wonderful) | 2m32s | | Harry Ruskin - Henry Sullivan | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 56 | Please Don’t Talk About Me When I'm Gone | 1m15s | | Sam Stept - Sidney Clare | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 57 | F B I March | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 58 | Little Brown Jug | 0m17s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 59 | Agitato | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 5 & 6 | 60 | Lucy | 1m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 61 | Lucy | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 62 | Scolding | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 63 | F B I March | 0m38s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 64 | Bureau, The | 0m42s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 65 | Mobsters | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 66 | Bureau, The | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 67 | Jingle Bells | 0m50s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 68 | Lucy | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 69 | Bureau, The | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 70 | F B I March | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 71 | F B I March | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 72 | Taps | 0m32s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 73 | Bureau, The | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 7 & 8 | 74 | Dillinger Departs | 1m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 75 | Symbol | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 76 | Dead | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 77 | Lucy | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 78 | Baby Face Exits | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 79 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 80 | Symbol | 0m03s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 81 | Floyd | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 82 | Floyd | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 83 | Yankee Doodle | 0m15s | | Traditional | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 84 | Yankee Doodle | 0m06s | | Traditional | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 85 | Yankee Doodle | 0m03s | | Traditional | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 86 | F B I March | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 87 | Lucy | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 88 | Yankee Doodle | 0m30s | | Traditional | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 89 | Lucy | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 90 | Egg Hunt | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 91 | Egg Hunt | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 92 | Lucy | 0m21s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 93 | Lucy | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 94 | Surprise Move | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 95 | F B I March | 1m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 96 | Bureau, The | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 97 | Ma Barker | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 98 | Karpis | 0m27s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 9 & 10 | 99 | Kelly | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 100 | I'll String Along With You | 1m40s | | Harry Warren | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 101 | Symbol | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 102 | F B I March | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 103 | Japs | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 104 | Watch on the Rhine | 0m11s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 105 | Too Marvelous For Words | 1m10s | | Johnny Mercer - Richard Whiting | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 106 | Marines' Hymn, The | 0m16s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 107 | Honey-Babe | 0m11s | | Paul Francis Webster - Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 108 | F B I March | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 109 | Marines' Hymn, The | 0m10s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 110 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 111 | Watch on the Rhine | 0m10s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 112 | Gun Boat | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 113 | Police | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 114 | Plane | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 115 | F B I March | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 116 | Watch on the Rhine | 0m08s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 117 | Flight | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 11 & 12 | 118 | Message | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 119 | Message | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 120 | Federales | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 121 | Message | 0m31s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 122 | Warning | 0m24s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 123 | Federales | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 124 | Message | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 125 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 126 | Exit | 1m00s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 127 | Federales | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 128 | Exit | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 129 | Bureau, The | 0m11s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 130 | Mario at the Bridge | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 131 | Federales | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 132 | Mario at the Bridge | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 133 | Federales | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 134 | Mario at the Bridge | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 135 | Mario | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 136 | Jeepers Creepers | 0m20s | | Johnny Mercer - Harry Warren | n/k | VI |
| F.B.I. Story, The (1959) | 13 & 14 | 137 | Oh You Beautiful Doll | 1m30s | | Nat D. Ayer | n/k | VV |
| F.B.I. Story, The (1959) | 13 & 14 | 138 | Telegram | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 139 | Egg Hunt | 0m58s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 140 | Prayer | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 141 | Lucy | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 142 | Marines' Hymn, The | 0m52s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 143 | Symphony No.5 | 0m10s | | Ludwig van Beethoven
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 144 | Gaudeamus Igatur | 0m05s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 145 | Church | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 146 | Tenement | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 147 | Bureau, The | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 148 | Microfilm | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 149 | Bureau, The | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 150 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 151 | Checking | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 152 | Bureau [sic] | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 153 | While Strolling Through the Park One Day | 0m20s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 154 | Meeting, The | 0m18s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 13 & 14 | 155 | Bureau, The | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 156 | Surveillance | 1m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 157 | Symbol | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 158 | Surveillance | 0m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 159 | Bureau, The | 0m11s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 160 | Symbol, The [sic] | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 161 | Bureau, The | 0m42s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 162 | Truck | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 163 | Symbol, The [sic] | 0m06s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 164 | Bureau, The | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 165 | Santa Lucia | 0m18s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 166 | Closing In | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 167 | Santa Lucia | 0m22s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 168 | Closing In | 0m18s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 169 | Santa Lucia | 0m30s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 170 | Arrest | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 171 | Lucy | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 172 | Yankee Doodle | 0m10s | | Traditional | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 173 | Marines' Hymn, The | 0m07s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 174 | F B I March | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 175 | Symbol | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 1 | Symbol | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 2 | Insurance | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 3 | Embrace | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 4 | Disaster | 1m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 5 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 6 | Symbol | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 7 | F B I March | 1m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 8 | Wreckage | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 9 | Bureau, The | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 10 | Investigation | 0m38s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 11 | Bureau, The | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 12 | Investigation | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 13 | Baby Face Nelson | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 14 | Questions | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 15 | Questions | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 16 | Bureau, The | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 17 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 18 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 19 | Yankee Doodle | 0m08s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 1 & 2 | 20 | Lucy | 1m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 21 | Lucy | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 22 | Liebestraum | 0m50s | | Franz Liszt
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 23 | Wedding March [from A Midsummer Night's Dream] | 0m30s | | Felix Mendelssohn-Bartholdy
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 24 | Lucy | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 25 | Love Nest, The | 0m15s | | Louis A. Hirsch - Otto Harbach | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 26 | Lucy | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 27 | Train | 0m16s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 28 | F B I March | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 29 | F B I March | 0m21s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 30 | F B I March | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 31 | News | 0m09s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 32 | Love Nest, The | 0m36s | | Louis A. Hirsch - Otto Harbach | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 33 | Lucy | 0m41s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 34 | Trouble | 0m26s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 35 | Kol Nidre | 0m11s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 36 | Klansmen | 1m28s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 37 | Outrage | 1m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 38 | Symbol | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 39 | Assignment | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 40 | Coming Thru the Rye | 0m12s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 41 | Lucy | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 42 | Indians | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 43 | Ten Little Indians | 0m10s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 44 | Indians | 0m26s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 45 | One Dead Indian | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 3 & 4 | 46 | Bye Bye Blackbird | 0m30s | | Ray Henderson - Mort Dixon | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 47 | Three Dead Indians | 0m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 48 | Symbol | 0m16s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 49 | Indians | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 50 | Lucy | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 51 | Bureau, The | 1m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 52 | Pretty Baby | 0m55s | | Egbert van Alstyne - Gus Kahn - Tony Jackson | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 53 | I'm Just Wild About Harry | 0m45s | | Noble Sissle - Eubie Blake | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 54 | Cheyenne | 2m18s | | Egbert van Alstyne - Harry Williams | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 55 | I May Be Wrong (But I Think You're Wonderful) | 2m32s | | Harry Ruskin - Henry Sullivan | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 56 | Please Don’t Talk About Me When I'm Gone | 1m15s | | Sam Stept - Sidney Clare | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 57 | F B I March | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 58 | Little Brown Jug | 0m17s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 59 | Agitato | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 5 & 6 | 60 | Lucy | 1m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 61 | Lucy | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 62 | Scolding | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 63 | F B I March | 0m38s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 64 | Bureau, The | 0m42s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 65 | Mobsters | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 66 | Bureau, The | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 67 | Jingle Bells | 0m50s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 68 | Lucy | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 69 | Bureau, The | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 70 | F B I March | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 71 | F B I March | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 72 | Taps | 0m32s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 73 | Bureau, The | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 7 & 8 | 74 | Dillinger Departs | 1m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 75 | Symbol | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 76 | Dead | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 77 | Lucy | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 78 | Baby Face Exits | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 79 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 80 | Symbol | 0m03s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 81 | Floyd | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 82 | Floyd | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 83 | Yankee Doodle | 0m15s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 84 | Yankee Doodle | 0m06s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 85 | Yankee Doodle | 0m03s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 86 | F B I March | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 87 | Lucy | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 88 | Yankee Doodle | 0m30s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 89 | Lucy | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 90 | Egg Hunt | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 91 | Egg Hunt | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 92 | Lucy | 0m21s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 93 | Lucy | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 94 | Surprise Move | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 95 | F B I March | 1m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 96 | Bureau, The | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 97 | Ma Barker | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 98 | Karpis | 0m27s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 9 & 10 | 99 | Kelly | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 100 | I'll String Along With You | 1m40s | | Harry Warren | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 101 | Symbol | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 102 | F B I March | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 103 | Japs | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 104 | Watch on the Rhine | 0m11s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 105 | Too Marvelous For Words | 1m10s | | Johnny Mercer - Richard Whiting | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 106 | Marines' Hymn, The | 0m16s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 107 | Honey-Babe | 0m11s | | Paul Francis Webster - Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 108 | F B I March | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 109 | Marines' Hymn, The | 0m10s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 110 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 111 | Watch on the Rhine | 0m10s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 112 | Gun Boat | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 113 | Police | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 114 | Plane | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 115 | F B I March | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 116 | Watch on the Rhine | 0m08s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 117 | Flight | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 11 & 12 | 118 | Message | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 119 | Message | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 120 | Federales | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 121 | Message | 0m31s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 122 | Warning | 0m24s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 123 | Federales | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 124 | Message | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 125 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 126 | Exit | 1m00s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 127 | Federales | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 128 | Exit | 0m08s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 129 | Bureau, The | 0m11s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 130 | Mario at the Bridge | 0m32s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 131 | Federales | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 132 | Mario at the Bridge | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 133 | Federales | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 134 | Mario at the Bridge | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 135 | Mario | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 136 | Jeepers Creepers | 0m20s | | Johnny Mercer - Harry Warren | n/k | VI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 137 | Oh You Beautiful Doll | 1m30s | | Nat D. Ayer | n/k | VV |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 138 | Telegram | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 139 | Egg Hunt | 0m58s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 140 | Prayer | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 141 | Lucy | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 142 | Marines' Hymn, The | 0m52s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 143 | Symphony No.5 | 0m10s | | Ludwig van Beethoven
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 144 | Gaudeamus Igatur | 0m05s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 145 | Church | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 146 | Tenement | 0m30s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 147 | Bureau, The | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 148 | Microfilm | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 149 | Bureau, The | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 150 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 151 | Checking | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 152 | Bureau [sic] | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 153 | While Strolling Through the Park One Day | 0m20s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 154 | Meeting, The | 0m18s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 13 & 14 | 155 | Bureau, The | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 156 | Surveillance | 1m05s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 157 | Symbol | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 158 | Surveillance | 0m45s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 159 | Bureau, The | 0m11s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 160 | Symbol, The [sic] | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 161 | Bureau, The | 0m42s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 162 | Truck | 0m35s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 163 | Symbol, The [sic] | 0m06s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 164 | Bureau, The | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 165 | Santa Lucia | 0m18s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 166 | Closing In | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 167 | Santa Lucia | 0m22s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 168 | Closing In | 0m18s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 169 | Santa Lucia | 0m30s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 170 | Arrest | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 171 | Lucy | 0m25s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 172 | Yankee Doodle | 0m10s | | n/k
[Max Steiner arr.] | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 173 | Marines' Hymn, The | 0m07s | | Jacques Offenbach - Henry Cremieux - Etienne Trefeu | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 174 | F B I March | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 175 | Symbol | 0m10s | | Max Steiner | n/k | BI |
| I Was a Communist For the F.B.I. (1951) | 1 & 2 | 1a | Signature | 0m06s | Medley 1 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 1 & 2 | 1b | Communist | 0m56s | Medley 1 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 1 & 2 | 1c | Metropolis | 0m14s | Medley 1 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 1 & 2 | 1d | Foreign Agent | 2m27s | Medley 1 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 1 & 2 | 1e | Pittsburg [sic] | 0m15s | Medley 1 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 1 & 2 | 2 | I'm in a Jam With Baby | 1m39s | | Ted Koehler - Ray Heindorf - M.K. Jerome | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 3 & 4 | 3a | Insult | 0m23s | Medley 2 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 3 & 4 | 3b | Letter, The | 2m15s | Medley 2 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 3 & 4 | 4a | Letter, The | 0m29s | Medley 3 | Max Steiner | Partial | BI |
| I Was a Communist For the F.B.I. (1951) | 3 & 4 | 4b | Loss | 0m33s | Medley 3 | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 5 & 6 | 5 | (I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine) | 2m10s | | Chummy MacGregor | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 5 & 6 | 6 | Don'Cha Go 'Way Mad | 0m40s | | Jimmy Mundy - Al Stillman - Illinois Jacquet | Partial | BI |
| I Was a Communist For the F.B.I. (1951) | 5 & 6 | 7 | Strike | 0m07s | | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 5 & 6 | 8 | Ice Cold Katy | 0m24s | | Arthur Schwartz | Partial | BI |
| I Was a Communist For the F.B.I. (1951) | 5 & 6 | 9 | Misterioso [sic] | 1m34s | | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 7 & 8 | 10 | Escape | 0m54s | | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 7 & 8 | 11 | Tunnel Death | 0m52s | | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 7 & 8 | 12 | Cross Examination | 1m37s | | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 7 & 8 | 13 | Riot | 0m54s | | Max Steiner | Entire | BI |
| I Was a Communist For the F.B.I. (1951) | 9 | 14a | Letter, The | 0m30s | Medley 4 | Max Steiner | Partial | BI |
| I Was a Communist For the F.B.I. (1951) | 9 | 14b | Battle Hymn of the Republic | 0m25s | Medley 4 | Julia Ward Howe - William Steffe
[Max Steiner arr.] | Partial | BI |
| Rise & Fall of Legs Diamond, The (1960) | 9 & 10 | 61 | F.B.I. March | 0m40s | | Max Steiner | n/k | BI |
| This Woman is Dangerous (1952) | 5 & 6 | 8b | F.B.I. | 0m33s | Medley 3 | David Buttolph | Partial | BI |
| This Woman is Dangerous (1952) | 7 & 8 | 15a | F.B.I. | 0m50s | Medley 7 | David Buttolph | Entire | BI |