| Anthony Adverse (1936) | 12 | 52 | Arrest | 0m53s | | Korngold, Erich Wolfgang | Entire | BI |
| Black Gold (1962) | 9 & 10 | 52 | Chick's Arrest | 2m22s | | Howard Jackson | n/k | BI |
| Black Gold [Second Cue Sheet] (1962) | 9 & 10 | 52 | Chick's Arrest | 2m22s | | Howard Jackson | n/k | BI |
| Confessions of a Nazi Spy (1939) | 9 & 10 | 20a | Arrest, The | 0m48s | Medley 11 | Staff
[Max Steiner] | Partial | BI |
| F.B.I. Story, The (1959) | 15 & 16 | 170 | Arrest | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Story, The [Second Cue Sheet] (1959) | 15 & 16 | 170 | Arrest | 0m20s | | Max Steiner | n/k | BI |
| Last Command, The (1955) | 3 | 16 | Mexican Soldiers Arrest Bowie | 0m41s | | Max Steiner | Entire | BI |
| Last Command, The (1955) | 9 | 44 | Mexican Soldiers Arrest Bowie | 0m12s | | Max Steiner | Partial | BI |
| Miracle of Our Lady of Fatima, The (1952) | 5 & 6 | 9m | Arrest, The | 0m34s | Medley 8 | Max Steiner | Entire | BI |
| Miracle of Our Lady of Fatima, The [Second Cue Sheet] (1952) | 5 & 6 | 9m | Arrest, The | 0m34s | Medley 8 | Max Steiner | Entire | BI |
| Passage to Marseille (1944) | 9 & 10 | 15g | Arrest | 1m14s | Medley 14 | Max Steiner | Entire | BI |
| San Antonio (1945) | 11 & 12 | 29a | Arrest | 0m21s | Medley 16 | Max Steiner | Entire | BI |
| Song of Bernadette [Incomplete] (1943) | 3 | 56 | Arrest, The | 0m42s | | Alfred Newman | Entire | BI |
| Treasure of the Sierra Madre, The (1948) | 13 | 39a | Arrest | 0m19s | Medley 25 | Max Steiner | Entire | BI |
| We Are Not Alone (1939) | 9 & 10 | 37c | Arrest | 0m3?s | Medley 15 | Max Steiner | Entire | BI |