| Arsenic & Old Lace (1944) | 1 & 2 | 5c | Ad-Lib Bugle | 0m04s | Medley 3 | n/k | n/k | VI |
| Arsenic & Old Lace (1944) | 9 & 10 | 28g | Bugle (Ad-Lib) | 0m04s | Medley 16 | n/k | Entire | VI |
| Arsenic & Old Lace (1944) | 11 & 12 | 29 | Bugle (Ad-Lib) | 0m03s | | n/k | Entire | VI |
| Arsenic & Old Lace (1944) | 11 & 12 | 30 | Ad-Lib Humming | 0m02s | | n/k | Entire | VV |
| Breaking Point, The (1950) | 5 & 6 | 11 | Ad-Lib Humming | 0m15s | | n/k | Entire | V-Humming |
| Caged (1950) | 10 | 20 | Ad-Lib Whistling | 0m03s | | n/k | Entire | V-Whistle |
| Captains of the Clouds (1942) | 3 & 4 | 6g | Ad-Lib | 0m03s | Medley 6 | n/k | Entire | Whistling |
| Captains of the Clouds (1942) | 7 & 8 | 17a | Ad-Lib | 0m02s | Medley 12 | n/k | Entire | Whistling |
| Cloak & Dagger (1946) | 2 | 4 | Ad-Lib Orchestra Tuning | 0m15s | | Max Steiner | Entire | BI |
| Fighter Squadron (1948) | 3 & 4 | 6b | Ad-Lib Humming Over Above | 0m16s | Medley 4 | n/k | Entire | VV |
| Force of Arms (1951) | 3 | 5 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms (1951) | 3 | 6 | Ad-Lib Singing | 0m04s | | n/k | n/k | n/k |
| Force of Arms (1951) | 3 | 7 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 5 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 6 | Ad-Lib Singing | 0m04s | | n/k | n/k | n/k |
| Force of Arms [Second Cue Sheet] (1951) | 3 | 7 | Ad-Lib Singing | 0m03s | | n/k | n/k | n/k |
| King Richard & the Crusaders (1954) | 8 | 21 | Ad-Lib | 0m05s | | Max Steiner | Entire | BI |
| Love & Learn [Trailer] (1947) | n/k | 1b | Ad-Lib Humming Over Above | 0m03s | Medley 1 | n/k | Entire | VV |
| Mildred Pierce (1945) | 4 | 12d | Ad-Lib Singing | 0m09s | Medley 5 | n/k | Entire | VV |
| Mildred Pierce (1945) | 9 | 30c? | Ad-Lib Singing | 0m04s | Medley 19 | n/k | Entire | BV |
| Night & Day (1946) | 13 | 36 | Vocal Bit (ad-lib) | 0m14s | | Ray Heindorf | Partial | VV |
| Night & Day (1946) | 13 | 37 | Vocal Bit (ad-lib) | 0m09s | | Ray Heindorf | Partial | VV |
| Passage to Marseille (1944) | 7 & 8 | 12d | Ad-Lib Humming (Over Above Number) | 0m03s | Medley 12 | n/k | Entire | VV |
| Roughly Speaking (1945) | 3 | 10 | Ad-Lib Piano | 0m04s | | Staff | Entire | BI |
| Roughly Speaking (1945) | 12 | 34 | Ad-Lib Singing (Humming) | 0m03s | | n/k | Partial | VV |
| Roughly Speaking [Revised Reels] (1945) | 3 | 9b | Ad-Lib Piano | 0m06s | Medley 5 | Staff | Entire | BI |
| So Big (1953) | 11 & 12 | 34e | Ad-Lib Humming | 0m24s | Medley 22 | n/k | n/k | n/k |
| So Big [Second Cue Sheet] (1953) | 11 & 12 | 34e | Ad-Lib Humming | 0m24s | Medley 22 | n/k | n/k | n/k |
| So This is Love aka The Grace Moore Story (1953) | 3 | 9f | Ad-Lib Humming | 0m05s | Medley 7 | n/k | Entire | VV |