| Dixiana (1930) | Luther Reed | Director | | [none] |
| Dixiana (1930) | Victor Baravalle | Musical Director | | [none] |
| Half Shot at Sunrise (1930) | Paul Sloane | director | | [none] |
| Half Shot at Sunrise (1930) | Max Steiner | musical director | | [none] |
| Hook, Line and Sinker (1930) | Edward F. Cline | director | | [none] |
| Hook, Line and Sinker (1930) | Max Steiner | musical director | | [none] |
| Check and Double Check (1930) | Melville W. Brown | Director | | [none] |
| Check and Double Check (1930) | Max Steiner | Musical Director | | [none] |
| Are These Our Children? (1931) | Wesley Ruggles | director | | [none] |
| Traveling Husbands (1931) | Paul Sloane | director | | [none] |
| Traveling Husbands (1931) | Max Steiner | musical director | | [none] |
| The Royal Bed (1931) | Max Steiner | Musical Director | | [none] |
| Beau Ideal (1931) | Herbert Brenon | Director | | [none] |
| Beau Ideal (1931) | Max Steiner | Musical Director | | [none] |
| Cimarron (1931) | Wesley Ruggles | Director | | [none] |
| Bachelor Apartment (1931) | Lowell Sherman | director | | [none] |
| Bachelor Apartment (1931) | Max Steiner | musical director | | [none] |
| Behind Office Doors (1931) | Melville W. Brown | Director | | [none] |
| Behind Office Doors (1931) | Max Steiner | Musical Director | | [none] |
| Caught Plastered (1931) | William A. Seiter | Director | | [none] |
| Caught Plastered (1931) | Max Steiner | Musical Director | | [none] |
| Consolation Marriage (1931) | Paul Sloane | Director | | [none] |
| Consolation Marriage (1931) | Max Steiner | Musical Director | | [none] |
| Cracked Nuts (1931) | Edward F. Cline | Director | | [none] |
| Cracked Nuts (1931) | Max Steiner | Musical DIrector | | [none] |
| Everything’s Rosie (1931) | Clyde Bruckman | Director | | [none] |
| Everything’s Rosie (1931) | Max Steiner | Musical Director | | [none] |
| High Stakes (1931) | Lowell Sherman | director | | [none] |
| High Stakes (1931) | Max Steiner | musical director | | [none] |
| Kept Husbands (1931) | Lloyd Bacon | Director | | [none] |
| Kept Husbands (1931) | Max Steiner | Musical Director | | [none] |
| Laugh and Get Rich (1931) | Gregory La Cava | Director | | [none] |
| Peach O'Reno (1931) | William A. Seiter | Director | | [none] |
| Peach O'Reno (1931) | Max Steiner | Musical Director | | [none] |
| Secret Service (1931) | J. Walter Ruben | Director | | [none] |
| Smart Woman (1931) | Gregory La Cava | Director | | [none] |
| The Gay Diplomat (1931) | Richard Boleslawsky | Director | | [none] |
| The Gay Diplomat (1931) | Max Steiner | Musical Director | | [none] |
| The Lady Refuses (1931) | George Archainbaud | Director | | [none] |
| The Lady Refuses (1931) | Max Steiner | Musical Director | | [none] |
| The Public Defender (1931) | J. Walter Ruben | director | | [none] |
| The Sin Ship (1931) | Louis Wolheim | Director / Sam McVey | leading man | [none] |
| The Sin Ship (1931) | Max Steiner | Musical Director | | [none] |
| Three Who Loved (1931) | George Archainbaud | director | | [none] |
| Three Who Loved (1931) | Max Steiner | musical director | | [none] |
| Too Many Cooks (1931) | William A. Seiter | director | | [none] |
| Too Many Cooks (1931) | Max Steiner | musical director | | [none] |
| Transgression (1931) | Herbert Brenon | director | | [none] |
| Way Back Home (1931) | William A. Seiter | Director | | [none] |
| Rockabye (1932) | George Cukor | director | | [none] |
| Rockabye (1932) | George Fitzmaurice | director | | [none] |
| Rockabye (1932) | Max Steiner | musical director | | [none] |
| Carnival Boat (1932) | Albert S. Rogell | Director | | [none] |
| Carnival Boat (1932) | Max Steiner | Musical Director | | [none] |
| Girl Crazy (1932) | Max Steiner | Musical Director | | [none] |
| Girl Crazy (1932) | William A. Seiter | Director | | [none] |
| Girl of the Rio (1932) | Herbert Brenon | director | | [none] |
| Girl of the Rio (1932) | Max Steiner | musical director | | [none] |
| Hell’s Highway (1932) | Rowland Brown | director | | [none] |
| Hell’s Highway (1932) | Max Steiner | musical director | | [none] |
| Hold ‘Em Jail (1932) | Norman Taurog | director | | [none] |
| Hold ‘Em Jail (1932) | Max Steiner | musical director | | [none] |
| Is My Face Red? (1932) | William A. Seiter | director | | [none] |
| Ladies of the Jury (1932) | Lowell Sherman | director | | [none] |
| Ladies of the Jury (1932) | Max Steiner | musical director | | [none] |
| Lady With a Past (1932) | Edward H. Griffith | Director | | [none] |
| Lady With a Past (1932) | Max Steiner | Musical Director | | [none] |
| Little Orphan Annie (1932) | John S. Robertson | Director | | [none] |
| Little Orphan Annie (1932) | Max Steiner | Musical Director | | [none] |
| Men of America (1932) | Ralph Ince | director | | [none] |
| Men of America (1932) | William Boyd | director | | [none] |
| Men of America (1932) | Max Steiner | musical director | | [none] |
| Men of Chance (1932) | George Archainbaud | Director | | [none] |
| Men of Chance (1932) | Max Steiner | Musical Director | | [none] |
| Penguin Pool Murder (1932) | George Archainbaud | director | | [none] |
| Penguin Pool Murder (1932) | Max Steiner | musical director | | [none] |
| Renegades of the West (1932) | Casey Robinson | Director | | [none] |
| Renegades of the West (1932) | Max Steiner | Musical Director | | [none] |
| Roar of the Dragon (1932) | Wesley Ruggles | Director | | [none] |
| Roar of the Dragon (1932) | Max Steiner | musical director | | [none] |
| Secrets of the French Police (1932) | A. Edward Sutherland | director | | [none] |
| Secrets of the French Police (1932) | Max Steiner | musical director | | [none] |
| State’s Attorney (1932) | George Archainbaud | director | | [none] |
| The Age of Consent (1932) | Gregory La Cava | Director | | [none] |
| The Age of Consent (1932) | Max Steiner | Musical Director | | [none] |
| The Half-Naked Truth (1932) | Gregory La Cava | Director | | [none] |
| The Half-Naked Truth (1932) | Max Steiner | Musical Director | | [none] |
| The Phantom of Crestwood (1932) | J. Walter Ruben | director | | [none] |
| The Phantom of Crestwood (1932) | Max Steiner | musical director | | [none] |
| The Roadhouse Murder (1932) | J. Walter Ruben | director | | [none] |
| The Sport Parade (1932) | Dudley Murphy | Director | | [none] |
| The Sport Parade (1932) | Max Steiner | Musical Director | | [none] |
| Thirteen Women (1932) | George Archainbaud | director | | [none] |
| Westward Passage (1932) | Robert Milton | Director | | [none] |
| Westward Passage (1932) | Max Steiner | Musical Director | | [none] |
| Before Dawn (1933) | Merian C. Cooper | director | | [none] |
| Before Dawn (1933) | Max Steiner | musical director | | [none] |
| Blind Adventure (1933) | Ernest B. Schoedsack | director | | [none] |
| Blind Adventure (1933) | Max Steiner | musical director | | [none] |
| Emergency Call (1933) | Edward L. Cahn | director | | [none] |
| Emergency Call (1933) | Max Steiner | musical director | | [none] |
| Headline Shooter (1933) | Otto Brower | director | | [none] |
| Headline Shooter (1933) | Max Steiner | musical director | | [none] |
| Headline Shooter (1933) | Merian C. Cooper | director | | [none] |
| No Other Woman (1933) | J. Walter Ruben | Director | | [none] |
| No Other Woman (1933) | Max Steiner | Musical Director | | [none] |
| The Life of Vergie Winters (1934) | Alfred Santell | director | | [none] |
| Dangerous Corner (1934) | Phil Rosen | director | | [none] |
| Dangerous Corner (1934) | Max Steiner | musical director | | [none] |
| Gridiron Flash (1934) | Glenn Tryon | director | | [none] |
| Gridiron Flash (1934) | Max Steiner | musical director | | [none] |
| Hat, Coat, and Glove (1934) | Worthington Miner | director | | [none] |
| Hat, Coat, and Glove (1934) | Max Steiner | musical director | | [none] |
| His Greatest Gamble (1934) | John S. Robertson | director | | [none] |
| His Greatest Gamble (1934) | Max Steiner | musical director | | [none] |
| Murder on the Blackboard (1934) | George Archainbaud | director | | [none] |
| Murder on the Blackboard (1934) | Max Steiner | musical director | | [none] |
| Sing and Like It (1934) | Grace Hayle | Miss Fishbeck | director | [none] |
| Sing and Like It (1934) | Max Steiner | musical director | | [none] |
| The Informer (1935) | John Ford | director | | [none] |
| Star of Midnight (1935) | Stephen Roberts | director | | [none] |
| Star of Midnight (1935) | Max Steiner | musical director | | [none] |
| We're Only Human (1935) | James Flood | director | | [none] |
| We're Only Human (1935) | Roy Webb | musical director | | [none] |
| Another Face (1935) | Erik Rhodes | Grimm | director | [none] |
| Another Face (1935) | Paul Stanton | Bill Branch | director | [none] |
| Another Face (1935) | Christy Cabanne | director | | [none] |
| Another Face (1935) | Roy Webb | musical director | | [none] |
| Don’t Turn ‘em Loose (1936) | Benjamin Stoloff | director | | [none] |
| Kid Galahad (1937) | Michael Curtiz | director | | [none] |
| Kid Galahad (1937) | Leo F. Forbstein | musical director | | [none] |
| The Amazing Dr. Clitterhouse (1938) | Anatole Litvak | director | | [none] |
| The Amazing Dr. Clitterhouse (1938) | Leo F. Forbstein | musical director | | [none] |
| Angels With Dirty Faces (1938) | Michael Curtiz | director | | [none] |
| Angels With Dirty Faces (1938) | Leo F. Forbstein | musical director | | [none] |
| Crime School (1938) | Lewis Seiler | director | | [none] |
| Crime School (1938) | Leo F. Forbstein | musical director | | [none] |
| They Made Me a Criminal (1939) | Busby Berkeley | director | | [none] |
| They Made Me a Criminal (1939) | Leo F. Forbstein | musical director | | [none] |
| Dust Be My Destiny (1939) | Lewis Seiler | director | | [none] |
| Dust Be My Destiny (1939) | Leo F. Forbstein | musical director | | [none] |
| Each Dawn I Die (1939) | William Keighley | director | | [none] |
| Each Dawn I Die (1939) | Leo F. Forbstein | musical director | | [none] |
| We Are Not Alone (1939) | Edmund Goulding | director | | [none] |
| We Are Not Alone (1939) | Leo F. Forbstein | musical director | | [none] |
| All This, and Heaven Too (1940) | Anatole Litvak | director | | [none] |
| All This, and Heaven Too (1940) | Leo F. Forbstein | musical director | | [none] |
| City for Conquest (1940) | Anatole Litvak | director | | [none] |
| City for Conquest (1940) | Jean Negulesco | director | | [none] |
| City for Conquest (1940) | Leo F. Forbstein | musical director | | [none] |
| The Letter (1940) | William Wyler | director | | [none] |
| The Letter (1940) | Leo F. Forbstein | musical director | | [none] |
| In This Our Life (1942) | John Huston | director | | [none] |
| In This Our Life (1942) | Raoul Walsh | director | | [none] |
| In This Our Life (1942) | Leo F. Forbstein | musical director | | [none] |
| Arsenic and Old Lace (1944) | Frank Capra | director | | [none] |
| Arsenic and Old Lace (1944) | Leo F. Forbstein | musical director | | [none] |
| Mildred Pierce (1945) | Michael Curtiz | director | | [none] |
| Mildred Pierce (1945) | Leo F. Forbstein | musical director | | [none] |
| The Big Sleep (1946) | Howard Hawks | director | | [none] |
| The Big Sleep (1946) | Leo F. Forbstein | musical director | | [none] |
| Her Kind of Man (1946) | Frederick De Cordova | director | | [none] |
| Her Kind of Man (1946) | Leo F. Forbstein | musical director | | [none] |
| Deep Valley (1947) | Jean Negulesco | director | | [none] |
| Deep Valley (1947) | Leo F. Forbstein | musical director | | [none] |
| The Unfaithful (1947) | Vincent Sherman | director | | [none] |
| The Unfaithful (1947) | Leo F. Forbstein | musical director | | [none] |
| Key Largo (1948) | John Huston | director | | [none] |
| The Woman in White (1948) | Peter Godfrey | director | | [none] |
| The Woman in White (1948) | Leo F. Forbstein | musical director | | [none] |
| Beyond the Forest (1949) | King Vidor | director | | [none] |
| Flamingo Road (1949) | Michael Curtiz | director | | [none] |
| Flamingo Road (1949) | Ray Heindorf | musical director | | [none] |
| White Heat (1949) | Raoul Walsh | director | | [none] |
| Without Honor (1949) | Irving Pichel | director | | [none] |
| The Breaking Point (1950) | Michael Curtiz | director | | [none] |
| The Breaking Point (1950) | Ray Heindorf | musical director | | [none] |
| Caged (1950) | John Cromwell | director | | [none] |
| I Was a Communist for the FBI (1951) | Gordon Douglas | director | | [none] |
| Lightning Strikes Twice (1951) | King Vidor | director | | [none] |
| Lightning Strikes Twice (1951) | Max Steiner | musical director | | [none] |
| Mara Maru (1952) | Gordon Douglas | director | | [none] |
| Hell on Frisco Bay (1955) | Frank Tuttle | director | | [none] |