Dallas (1950) | 1 | 3b | Reb | 0m25s | Medley 3 | Max Steiner | Partial | BI |
Dallas (1950) | 1 | 5b | Reb | 0m07s | Medley 5 | Max Steiner | Partial | BI |
Dallas (1950) | 2 | 8e | Reb | 0m10s | Medley 8 | Max Steiner | Partial | BI |
Dallas (1950) | 3 | 9a | Reb | 0m17s | Medley 9 | Max Steiner | Partial | BI |
Dallas (1950) | 5 | 18 | Reb | 0m06s | | Max Steiner | Partial | BI |
Dallas (1950) | 6 | 19a | Reb | 0m05s | Medley 13 | Max Steiner | Partial | BI |
Dallas (1950) | 6 | 19c | Reb | 0m10s | Medley 13 | Max Steiner | Partial | BI |
Dallas (1950) | 6 | 20b | Reb | 0m17s | Medley 14 | Max Steiner | Partial | BI |
Dallas (1950) | 6 | 20d | Reb | 0m15s | Medley 14 | Max Steiner | Partial | BI |
Dallas (1950) | 6 | 20h | Reb Rides | 0m06s | Medley 14 | Max Steiner | Partial | BI |
Dallas (1950) | 6 | 20k | Reb | 0m28s | Medley 14 | Max Steiner | Partial | BI |
Dallas (1950) | 7 | 22b | Reb | 0m07s | Medley 15 | Max Steiner | Partial | BI |
Dallas (1950) | 7 | 22d | Reb | 0m12s | Medley 15 | Max Steiner | Partial | BI |
Dallas (1950) | 7 | 23b | Reb | 0m13s | Medley 16 | Max Steiner | Partial | BI |
Dallas (1950) | 7 | 23e | Reb | 0m22s | Medley 16 | Max Steiner | Partial | BI |
Dallas (1950) | 8 | 24c | Reb | 1m26s | Medley 17 | Max Steiner | Partial | BI |
Dallas (1950) | 8 | 24j | Reb | 0m16s | Medley 17 | Max Steiner | Partial | BI |
Dallas (1950) | 9 | 27b | Reb's Escape | 0m44s | Medley 19 | Max Steiner | Partial | BI |
Dallas (1950) | 9 | 28a | Reb's Escape | 1m00s | Medley 20 | Max Steiner | Partial | BI |
Dallas (1950) | 9 | 28b | Reb | 0m15s | Medley 20 | Max Steiner | Partial | BI |
Dallas (1950) | 9 | 29c | Reb | 0m47s | Medley 21 | Max Steiner | Partial | BI |
Dallas (1950) | 10 | 30 | Reb | 0m08s | | Max Steiner | Partial | BI |
Dallas (1950) | 10 | 32b | Reb | 0m05s | Medley 22 | Max Steiner | Partial | BI |
Dallas (1950) | 10 | 32d | Reb | 0m05s | Medley 22 | Max Steiner | Partial | BI |
Dallas (1950) | 11 | 33b | Reb | 0m18s | Medley 23 | Max Steiner | Partial | BI |
Dallas (1950) | 11 | 34b | Reb | 0m14s | Medley 24 | Max Steiner | Partial | BI |
Dallas (1950) | 11 | 35b | Reb | 0m07s | Medley 25 | Max Steiner | Partial | BI |
Dallas (1950) | 11 | 35f | Reb | 0m04s | Medley 25 | Max Steiner | Partial | BI |
Dallas (1950) | 12 | 37a | Reb & Marlow | 0m25s | Medley 26 | Max Steiner | Partial | BI |
Dallas (1950) | 12 | 37b | Reb | 0m15s | Medley 26 | Max Steiner | Partial | BI |
Dallas (1950) | 12 | 37e | Reb | 0m14s | Medley 26 | Max Steiner | Partial | BI |
Dallas (1950) | 12 | 38b | Reb | 0m10s | Medley 27 | Max Steiner | Partial | BI |
Last Outlaw, The (1936) | IV | 5 | Rebellion | | | A.E. Cafarella | Partial | BI |
Now, Voyager (1942) | 1 & 2 | 5m | Rebuke | 0m14s | Medley 3 | Max Steiner | Entire | BI |
Now, Voyager [Incomplete] (1942) | 1 & 2 | 5h | Rebuke | 0m14s | Medley 3 | Max Steiner | Entire | BI |
Rebecca (1940) | I | 1 | Selznick Trademark [first used in The Prisoner of Zenda] | 0m12s | Medley 1 | Alfred Newman | Entire | BI |
Rebecca (1940) | I | 2 | Main Title | 1m29s | Medley 1 | Franz Waxman | Entire | BI |
Rebecca (1940) | I | 3 | Foreword | 1m52s | Medley 1 | Franz Waxman | Entire | BI |
Rebecca (1940) | I | 4 | Opening Scene | 1m13s | Medley 1 | Franz Waxman | Entire | BI |
Rebecca (1940) | I | 5 | Hotel Lobby [previously used in MGM film Lady of the Tropics] | 3m00s | Medley 1 | Franz Waxman | Entire | BI |
Rebecca (1940) | II | 6 | Die Pesther | om46s | Medley 2 | Joseph Lanner [Franz Waxman arr.] | Partial | BI |
Rebecca (1940) | II | 7 | Artists [sic] Life | 0m36s | Medley 2 | Johann Strauss [Franz Waxman arr.] | Partial | BI |
Rebecca (1940) | II | 8 | Roses From the South | 1m23s | Medley 2 | Johann Strauss [Franz Waxman arr.] | Partial | BI |
Rebecca (1940) | II | 9 | Terrace Scene | 2m28s | Medley 2 | Franz Waxman | Entire | BI |
Rebecca (1940) | II | 10 | Dreaming | 0m19s | Medley 2 | Franz Waxman | Entire | BI |
Rebecca (1940) | II | 11 | First Tennis Montage | 1m25s | Medley 2 | Franz Waxman | Entire | BI |
Rebecca (1940) | II | 12 | Yacht Club, The [previously used in The Young in Heart] | 0m33s | Medley 2 | Franz Waxman | Partial | BI |
Rebecca (1940) | II | 13 | Second Tennis Montage | 3m04s | Medley 2 | Franz Waxman | Entire | BI |
Rebecca (1940) | III | 14 | Love's Old Sweet Song | om13s | | J.L. Molloy [Franz Waxman arr.] | Partial | VV |
Rebecca (1940) | III | 15 | Departure, The | 1m10s | | Franz Waxman | Entire | BI |
Rebecca (1940) | III | 16 | False Phyllis | 0m04s | | n/k [Franz Waxman arr.] | Partial | BV |
Rebecca (1940) | III | 17 | Proposal | 1m56s | | Franz Waxman | Entire | BI |
Rebecca (1940) | III | 18 | Marriage | 1m31s | | Franz Waxman | Entire | BI |
Rebecca (1940) | IV | 19 | Arrival at Manderley [sic] | 2m42s | | Franz Waxman | Entire | BI |
Rebecca (1940) | IV | 20 | Take Me Back to Brighton | 0m21s | Medley 3 | Cyril J. Mockridge | Partial | BI |
Rebecca (1940) | IV | 21 | Mrs. Danvers | 0m55s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 22 | George Anne [previously used in The Young in Heart] | 0m26s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 23 | He Goes to Court [previously used in MGM film Suicide Club] | 0m41s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 24 | Mrs. Danvers | 0m12s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 25 | Brink is Back [previously used in MGM film On Borrowed Time] | 2m19s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 26 | Mrs. Danvers | 0m19s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 27 | Pomp & Pageantry [previously used in Little Lord Fauntleroy] | 0m40s | Medley 3 | Max Steiner | Partial | BI |
Rebecca (1940) | IV | 28 | Breakfast | 0m07s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | IV | 29 | Frank & I | om35s | Medley 3 | Max Steiner | Partial | BI |
Rebecca (1940) | IV | 30 | Norman's Theme [previously used in A Star is Born] | 0m53s | Medley 3 | Max Steiner | Entire | BI |
Rebecca (1940) | IV | 31 | Breakfast | 2m31s | Medley 3 | Franz Waxman | Partial | BI |
Rebecca (1940) | V | 32 | Morning Room | 0m46s | | Franz Waxman | Entire | BI |
Rebecca (1940) | V | 33 | Morning Room | 1m42s | | Franz Waxman | Entire | BI |
Rebecca (1940) | V | 34 | Rebecca | 0m05s | Medley 4 | Franz Waxman | Entire | BI |
Rebecca (1940) | V | 35 | Bridge Sequence Part One [previously used in The Young in Heart] | 1m05s | Medley 4 | Franz Waxman | Partial | BI |
Rebecca (1940) | V | 36 | Frank Crawley | 0m11s | Medley 5 | Franz Waxman | Partial | BI |
Rebecca (1940) | V | 37 | Janet Waltz [previously used in A Star is Born] | 0m54s | Medley 5 | Max Steiner | Partial | BI |
Rebecca (1940) | V | 38 | Beatrice | 0m33s | Medley 5 | Franz Waxman | Entire | BI |
Rebecca (1940) | V | 39 | First Tennis Montage | 0m14s | Medley 5 | Franz Waxman | Partial | BI |
Rebecca (1940) | V | 40 | Breakfast | 0m30s | Medley 5 | Franz Waxman | Partial | BI |
Rebecca (1940) | V | 41 | Walk to Beach | 1m47s | Medley 5 | Franz Waxman | Entire | BI |
Rebecca (1940) | VI | 42 | Boathouse, The | 0m52s | Medley 6 | Franz Waxman | Entire | BI |
Rebecca (1940) | VI | 43 | Coming Back From Boathouse | 1m53s | Medley 6 | Franz Waxman | Entire | BI |
Rebecca (1940) | VI | 44 | New Mrs. De Winter, The | 0m07s | Medley 6 | Franz Waxman | Partial | BI |
Rebecca (1940) | VI | 45 | Frank & I | 0m27s | Medley 6 | Max Steiner | Partial | BI |
Rebecca (1940) | VI | 46 | Norman's Theme [previously used in A Star is Born] | 0m14s | Medley 6 | Max Steiner | Partial | BI |
Rebecca (1940) | VI | 47 | Frank Crawley | 3m25s | Medley 6 | Franz Waxman | Entire | BI |
Rebecca (1940) | VI | 48 | New Dress, The | 1m08s | Medley 6 | Franz Waxman | Entire | BI |
Rebecca (1940) | VII | 49 | Coming Back From Boathouse | 0m13s | Medley 7 | Franz Waxman | Partial | BI |
Rebecca (1940) | VII | 50 | Julie's Confession [previously used in MGM film Strange Cargo] | 1m05s | Medley 7 | Franz Waxman | Partial | BI |
Rebecca (1940) | VII | 51 | Telephone Rings | 0m41s | Medley 7 | Franz Waxman | Partial | BI |
Rebecca (1940) | VIII | 52 | Rebecca's Room | 6m37s | Medley 8 | Franz Waxman | Entire | BI |
Rebecca (1940) | VIII | 53 | New Mrs. De Winter, The | 1m38s | Medley 8 | Franz Waxman | Entire | BI |
Rebecca (1940) | IX | 54 | Sketching Scene | 2m57s | Medley 9 | Franz Waxman | Entire | BI |
Rebecca (1940) | IX | 55 | Manderley [sic] Ball | 1m34s | Medley 9 | Franz Waxman | Entire | BI |
Rebecca (1940) | IX | 56 | Prima Donna, La | 2m10s | Medley 9 | Arthur Lange | Partial | BI |
Rebecca (1940) | IX | 57 | After the Ball | 0m27s | Medley 9 | Franz Waxman | Entire | BI |
Rebecca (1940) | IX | 58 | Regeneration [previously used in The Young in Heart] | 0m42s | Medley 9 | Franz Waxman | Partial | BI |
Rebecca (1940) | IX | 59 | After the Ball | 1m24s | Medley 9 | Franz Waxman | Entire | BI |
Rebecca (1940) | IX | 60 | Rockets | 0m42s | Medley 9 | Franz Waxman | Entire | BI |
Rebecca (1940) | X | 61 | At Dawn | 0m07s | | Franz Waxman | Entire | BI |
Rebecca (1940) | XI | 62 | Confession Scene | 6m40s | | Franz Waxman | Entire | BI |
Rebecca (1940) | XI | 63 | Telephone Rings | 0m26s | Medley 10 | Franz Waxman | Entire | BI |
Rebecca (1940) | XI | 64 | Regeneration [previously used in The Young in Heart] | 0m16s | Medley 10 | Franz Waxman | Partial | BI |
Rebecca (1940) | XI | 65 | Telephone Rings | 1m27s | Medley 10 | Franz Waxman | Entire | BI |
Rebecca (1940) | XI | 66 | Mortuary | 0m21s | Medley 10 | Franz Waxman | Entire | BI |
Rebecca (1940) | XI | 67 | Mortuary | 0m10s | | Franz Waxman | Entire | BI |
Rebecca (1940) | XII | 68 | Frank Crawley | 0m52s | Medley 11 | Franz Waxman | Partial | BI |
Rebecca (1940) | XII | 69 | Fireplace Tableau | 2m03s | Medley 11 | Franz Waxman | Entire | BI |
Rebecca (1940) | XIV | 70 | Dr. Baker | 2m48s | | Franz Waxman | Entire | BI |
Rebecca (1940) | XIV | 71 | Fire, The | 3m27s | | Franz Waxman | Entire | BI |
Rebecca [Long Trailer] (1940) | n/k | 1 | Main Title | 0m10s | Medley 1 | Alfred Newman | Partial | BI |
Rebecca [Long Trailer] (1940) | n/k | 2 | Star is Born, A | om16s | Medley 1 | Max Steiner | Partial | BI |
Rebecca [Long Trailer] (1940) | n/k | 3 | Janet Waltz | 0m55s | Medley 1 | Max Steiner | Partial | BI |
Rebecca [Long Trailer] (1940) | n/k | 4 | Rebecca's Room | 0m37s | Medley 1 | Franz Waxman | Partial | BI |
Rebecca [Long Trailer] (1940) | n/k | 5 | Janet Waltz | 0m16s | Medley 1 | Max Steiner | Partial | BI |
Rebecca [Long Trailer] (1940) | n/k | 6 | Fire, The | 0m30s | Medley 1 | Franz Waxman | Partial | BI |
Rebecca [Short Trailer] (1940) | n/k | 1 | Fire, The | 0m30s | | Franz Waxman | Partial | BI |
Sea Hawk, The (1940) | 11 & 12 | 31b | Rebellion | 1m06s | Medley 14 | Korngold, Erich Wolfgang | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 1 | Fidelity | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 2 | Flora | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 3 | Pamela | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 4 | Old England | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 5 | Prim Family, The | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 6 | Flora | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 7 | Father, The | 2m13s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 8 | Warming Pan, The | 0m45s | Medley 2 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | I-1A | 9 | Flora | 0m45s | Medley 2 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | II-IB | 10 | Bubbling Excitement | 2m22s | Medley 3 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | II-IB | 11 | Ball Room Echoes | 2m22s | Medley 3 | Nathaniel Shilkret | Entire | IV [VI?] |
Woman Rebels, A [Revised Cue Sheet] (1936) | II-IB | 12 | Irma Waltz | 3m20s | Medley 4 | W. Irving [Max Steiner arr.] | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | II-IB | 13 | Wax Works, The | 3m20s | Medley 4 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 14 | Night Love Invited (Romeo & Juliet) | 2m10s | Medley 5 | Charles Gounod | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 15 | Wedding March | 2m10s | Medley 5 | Felix Mendelssohn-BArtholdy [Roy Webb arr.] | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 16 | Reminiscences | 2m15s | Medley 6 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 17 | Pamela | 2m15s | Medley 6 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 18 | Hamlet | 2m15s | Medley 6 | Max Steiner | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 19 | Pamela | 2m15s | Medley 6 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 20 | Wax Works, The | 3m15s | Medley 7 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 21 | Lovers Meeting, The | 3m15s | Medley 7 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 22 | Hamlet | 3m15s | Medley 7 | Max Steiner | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 23 | Lovers Meeting, The | 3m15s | Medley 7 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 24 | Pamela | 3m15s | Medley 7 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | III-2A | 25 | Ricca-Ricca | 3m15s | Medley 7 | n/k [Nathaniel Shilkret arr.] | Entire | VV |
Woman Rebels, A [Revised Cue Sheet] (1936) | IV-2B | 26 | Ricca-Ricca | 0m30s | | n/k [Roy Webb arr.] | Partial | VI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IV-2B | 27 | Sunny Italy | 0m58s | Medley 8 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IV-2B | 28 | Flora | 0m58s | Medley 8 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IV-2B | 29 | Bella Sorrentina, La | 0m58s | Medley 8 | n/k [Nathaniel Shilkret arr.] | Partial | VV |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 30 | Prison Scene | 2m20s | Medley 9 | Nathaniel Shilkret | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 31 | Hamlet | 2m20s | Medley 9 | Max Steiner | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 32 | Flora | 2m20s | Medley 9 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 33 | French Waltz | 2m28s | Medley 10 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 34 | Pamela | 2m28s | Medley 10 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 35 | Fidelity | 2m28s | Medley 10 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 36 | London | 2m45s | Medley 11 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 37 | Pamela | 2m45s | Medley 11 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 38 | Letter, The | 2m45s | Medley 11 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 39 | Fidelity | 2m45s | Medley 11 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | V-3A | 40 | Baby, The | 2m45s | Medley 11 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 41 | Baby, The | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 42 | Flora | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 43 | Fidelity | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 44 | Pamela | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 45 | Flora | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 46 | Pamela | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 47 | Printer, The | 5m50s | Medley 12 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VI-3B | 48 | Forsaken | 5m50s | Medley 12 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 49 | Pamela | 3m12s | Medley 13 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 50 | Flora | 3m12s | Medley 13 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 51 | Fidelity | 3m12s | Medley 13 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 52 | Printer, The | 3m12s | Medley 13 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 53 | Forsaken | 3m12s | Medley 13 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 54 | Printing Press, The | 2m30s | Medley 14 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 55 | Baby, The | 2m30s | Medley 14 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 56 | Printing Press, The | 2m30s | Medley 14 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 57 | Family Waltz, The | 2m30s | Medley 14 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VII-4A | 58 | Pamela | 2m30s | Medley 14 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VIII-4B | 59 | Afternoon Tea, An | 2m20s | Medley 15 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VIII-4B | 60 | Recitative Dramatic | 2m20s | Medley 15 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VIII-4B | 61 | Fidelity | 2m20s | Medley 15 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VIII-4B | 62 | English Gaiety | 2m20s | Medley 15 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VIII-4B | 63 | Hamlet | 1m06s | Medley 16 | Max Steiner | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | VIII-4B | 64 | Afternoon Tea, An | 1m06s | Medley 16 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 65 | Emotions | 0m43s | Medley 17 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 66 | Flora | 0m43s | Medley 17 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 67 | Street, The | 0m43s | Medley 17 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 68 | Night Love Invited (Romeo & Juliet) | 4m05s | Medley 18 | Charles Gounod | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 69 | Gossips, The | 4m05s | Medley 18 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 70 | Pamela | 4m05s | Medley 18 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 71 | Flora | 4m05s | Medley 18 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 72 | Emotions | 4m05s | Medley 18 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 73 | Hamlet | 4m05s | Medley 18 | Max Steiner | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 74 | Pamela | 4m05s | Medley 18 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | IX-5A | 75 | Wind, The | 4m05s | Medley 18 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 76 | Gossip Transition, The | 1m00s | | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 77 | Gossip Transition, The | 0m23s | | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 78 | Daddy's Theme | 2m15s | Medley 19 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 79 | Lovers Meeting, The | 2m15s | Medley 19 | Roy Webb | n/k | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 80 | Flora | 2m15s | Medley 19 | Roy Webb | Partial | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 81 | Pamela | 2m15s | Medley 19 | Roy Webb | Entire | BI |
Woman Rebels, A [Revised Cue Sheet] (1936) | X-5B | 82 | Fidelity | 0m15s | | Roy Webb | Partial | BI |
Woman Rebels, A [Trailer] (1936) | n/k | 1 | Gossips, The | 2m23s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Trailer] (1936) | n/k | 2 | Flora | 2m23s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Trailer] (1936) | n/k | 3 | Sunny Italy | 2m23s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Trailer] (1936) | n/k | 4 | Pamela | 2m23s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Trailer] (1936) | n/k | 5 | Emotions | 2m23s | Medley 1 | Roy Webb | Partial | BI |
Woman Rebels, A [Trailer] (1936) | n/k | 6 | Pamela | 2m23s | Medley 1 | Roy Webb | Partial | BI |