| All Mine to Give aka The Day They Gave Babies Away (1957) | II | 4 | Building Cabin Montage | 2m30s | | Max Steiner | Entire | BI |
| Angels With Dirty Faces (1938) | 8 | 12a | Montage | 1m41s | Medley 8 | Max Steiner | Entire | BI |
| Army Surgeon (1942) | II | 8 | Hospital Montage | 1m06s (medley) | | Webb, Roy | Entire | BI |
| Bright Leaf (1951) | 4 | 12a | Machine Montage | 1m25s | Medley 5 | Victor Young | Partial | BI |
| Bright Leaf (1951) | 4 | 12c | Machine Montage | 0m40s | Medley 5 | Victor Young | Partial | BI |
| Bright Leaf (1951) | 7 | 19 | Tobacco Montage | 0m55s | | Victor Young | Partial | BI |
| By the Light of the Silvery Moon (1953) | 11 & 12 | 32a | Gossip Montage | 0m32s | Medley 15 | Max Steiner | Entire | BI |
| By the Light of the Silvery Moon [Corrected Cue Sheet] (1953) | 11 & 12 | 32a | Gossip Montage | 0m32s | Medley 15 | Max Steiner | Entire | BI |
| Caged (1950) | 4 | 6 | Prison Montage | 1m02s | | Max Steiner | Partial | BI |
| Come Fill the Cup (1951) | 10 | 20 | Montage | 0m37s | | Max Steiner | Entire | BI |
| Come Next Spring (1955) | 4 | 23 | Farm Montage | 0m32s [and 2/3] | | Max Steiner | Entire | BI |
| Confessions of a Nazi Spy (1939) | 3 & 4 | 12c | Montage | 0m43s | Medley 5 | Staff
[Max Steiner] | Entire | BI |
| Confessions of a Nazi Spy (1939) | 11 | 26e | Montage | 0m11s | Medley 14 | Staff
[Max Steiner] | Partial | BI |
| Damned Don’t Cry, The (1950) | 1 | 1d | Job Hunting Montage | 0m19s | Medley 1 | Daniele Amfitheatrof | Partial | BI |
| Dark Passage (1947) | 5 | 10 | Operation Montage | 1m09s | | Franz Waxman | Entire | BI |
| Dark Passage (1947) | 7 | 15b | Search Montage | 1m53s | Medley 5 | Franz Waxman | Entire | BI |
| Dark Passage (1947) | 8 | 16 | Search Montage | 1m09s | | Franz Waxman | Entire | BI |
| Dust Be My Destiny (1939) | 9 | 17d | Montage | 0m20s | Medley 13 | Max Steiner | Entire | BI |
| Each Dawn I Die (1939) | 3 | 4b | Montage | 0m15s | Medley 3 | Max Steiner | Partial | BI |
| Girl He Left Behind, The (1956) | 10 | 65 | Jack Hammer Montage | 1m00s | | Roy Webb | n/k | BI |
| Girl He Left Behind, The [Second Cue Sheet] (1956) | 10 | 65 | Jack Hammer Montage | 1m00s | | Roy Webb | n/k | BI |
| Home Before Dark (1958) | 1 & 2 | 8 | Montage | 1m12s | | Franz Waxman | n/k | BI |
| Home Before Dark (1958) | 1 & 2 | 9 | Montage | 0m45s | | Franz Waxman | n/k | BI |
| Home Before Dark (1958) | 7 & 8 | 43 | Montage | 0m55s | | Franz Waxman | n/k | BI |
| House of Women (1962) | 1 | 3 | Prison Montage | 0m18s | | Max Steiner | n/k | BI |
| Ice Palace (1960) | 9 | 85 | Montage | 0m15s | | Max Steiner | Entire | BI |
| Ice Palace [Second Cue Sheet] (1960) | 9 | 85 | Montage | 0m15s | | Max Steiner | n/k | BI |
| Intermezzo: A Love Story (1939) | 1 | 3 | Montage (Swedish National Anthem) | 0m34s | Medley 2 | n/k
[Max Steiner arr.] | Partial | BI |
| Intermezzo: A Love Story (1939) | 5 | 43 | Travel Montage | 0m30s | Medley 7 | Russell Bennett | Entire | VI |
| Intermezzo: A Love Story (1939) | 7 | 77 | Wandering Montage (Andre's Apartment) [previously used in the MGM film Dramatic School] | 0m04s | Medley 13 | Franz Waxman - Max Steiner | Partial | BI |
| Juarez (1939) | 3 & 4 | 10a | French Battle Montage | 1m07s | Medley 4 | Korngold, Erich Wolfgang | Entire | BI |
| King of the Lumberjacks (1940) | 1 | 4 | Dress Montage | 0m18s | | William Lava | Entire | BI |
| King of the Lumberjacks (1940) | 4 | 19c | Logging Montage | 1m20s | Medley 3 | William Lava | Entire | BI |
| King of the Lumberjacks (1940) | 4 | 20d | Logging Montage | 0m30s | Medley 4 | William Lava | Partial | BI |
| King of the Lumberjacks (1940) | 5 | 21a | Logging Montage | 1m42s | Medley 5 | William Lava | Entire | BI |
| Larceny, Inc. (1942) | 6 | 11b | Hotchkiss Montage | 1m01s | Medley 3 | Adolph Deutsch | Entire | BI |
| Larceny, Inc. [Trailer] (1942) | n/k | 1a | Hotchkiss Montage | 0m30s | Medley 1 | Adolph Deutsch | Partial | BI |
| Larceny, Inc. [Trailer] (1942) | n/k | 2a | Hotchkiss Montage | 0m38s | Medley 2 | Adolph Deutsch | Partial | BI |
| Larceny, Inc. [Trailer] (1942) | n/k | 1a | Hotchkiss Montage | 0m30s | Medley 1 | Adolph Deutsch | Partial | BI |
| Larceny, Inc. [Trailer] (1942) | n/k | 2a | Hotchkiss Montage | 0m38s | Medley 2 | Adolph Deutsch | Partial | BI |
| Made For Each Other (1939) | VII | 29 | Bill Montage (Made For Each Other paraphrase) | 0m22s | Medley 7 | Oscar Levant | Partial | BI |
| Made For Each Other (1939) | IX | 43 | Radio Montage | 0m25s | Medley 9 | Hugo W. Friedhofer | Partial | BI |
| Made For Each Other (1939) | IX | 44 | Radio Montage (Made For Each Other paraphrase) | 0m05s | Medley 9 | Oscar Levant | Partial | BI |
| Made For Each Other (1939) | IX | 45 | Radio Montage | 0m15s | Medley 9 | Hugo W. Friedhofer | Partial | BI |
| Made For Each Other (1939) | IX | 46 | Radio Montage (Made For Each Other paraphrase) | 0m05s | Medley 9 | Oscar Levant | Partial | BI |
| Made For Each Other (1939) | IX | 47 | Radio Montage | 0m18s | Medley 9 | Hugo W. Friedhofer | Partial | BI |
| Made For Each Other (1939) | X | 55 | Serum Montage | 0m37s | Medley 10 | Hugo W. Friedhofer | Entire | BI |
| Murder in the Air (1940) | 1 & 2 | 1d | Explosion Montage | 0m39s | Medley 1 | William Lava | Entire | BI |
| My Dream is Yours (1949) | 2 | 4a | Statue of Liberty Montage | 0m22s | Medley 3 | Ray Heindorf - Howard Jackson | Entire | BI |
| My Wild Irish Rose (1947) | 9 | 27b | Montage | 0m10s | Medley 12 | Max Steiner | Entire | BI |
| My Wild Irish Rose (1947) | 9 | 27e | Montage | 0m10s | Medley 12 | Max Steiner | Entire | BI |
| Oklahoma Kid, The (1939) | 8 | 29a | Montage | 0m03s | Medley 14 | Max Steiner | Partial | BI |
| Old Maid, The (1939) | 3 | 9f | Civil War Montage | 0m15s | Medley 4 | Max Steiner | Partial | BI |
| Old Maid, The (1939) | 3 | 9h | Civil War Montage | 0m08s | Medley 4 | Max Steiner | Partial | BI |
| Portrait of a Mobster (1961) | 9 & 10 | 83 | Prison Montage | 0m30s | | Max Steiner | Partial | BI |
| Rebecca (1940) | II | 11 | First Tennis Montage | 1m25s | Medley 2 | Franz Waxman | Entire | BI |
| Rebecca (1940) | II | 13 | Second Tennis Montage | 3m04s | Medley 2 | Franz Waxman | Entire | BI |
| Rebecca (1940) | V | 39 | First Tennis Montage | 0m14s | Medley 5 | Franz Waxman | Partial | BI |
| Roaring Twenties, The (1939) | 1 & 2 | 2 | Retrospect Montage | 0m38s | | Ray Heindorf | Entire | BI |
| Roaring Twenties, The (1939) | 1 & 2 | 6c | Armistice Montage | 0m17s | Medley 2 | Ray Heindorf | Partial | BI |
| Roaring Twenties, The (1939) | 1 & 2 | 8 | No Help Wanted Montage | 0m50s | | Ray Heindorf | Entire | BI |
| Roaring Twenties, The (1939) | 7 & 8 | 26 | Bootlegging Montage | 0m34s | | Ray Heindorf | Entire | BI |
| Sea Power (1964) | 3 | 5i | Tank Montage | 0m38s | Medley 5 | William Lava | n/k | BI |
| Sisters, The (1938) | 3 & 4 | 8b | Montage | 0m07s | Medley 5 | Max Steiner | Partial | BI |
| Spy Ship (1942) | 5 & 6 | 11k | Montage | 0m19s | Medley 5 | Max Steiner | Entire | BI |
| Stage Door (1937) | X | 30 | Theatre Montage | 0m28s | | Roy Webb | Entire | BI |
| Tugboat Annie Sails Again (1940) | 3 | 7c | Ballast Montage | 0m30s | Medley 5 | Adolph Deutsch | Entire | BI |
| Tugboat Annie Sails Again (1940) | 4 | 8b | Ballast Montage | 0m40s | Medley 6 | Adolph Deutsch | Entire | BI |
| Virginia City (1940) | 1 | 1e | Montage | 0m08s | Medley 1 | Max Steiner | Partial | BI |
| Virginia City [Incomplete] (1940) | 1 | 1d | Montage | 0m08s | Medley 1 | Max Steiner | Partial | BI |
| Women Are Like That (1938) | 6 | 16 | Montage | 0m54s | | Heinz Roemheld | Entire | BI |