| Black Gold (1962) | 1 & 2 | 5 | Hold the Fort | 1m05s | | P.P. Bliss | n/k | VV |
| Black Gold [Second Cue Sheet] (1962) | 1 & 2 | 5 | Hold the Fort | 1m05s | | P.P. Bliss | n/k | VV |
| Charge at Feather River, The (1953) | 7 | 18 | Fort, The | 2m28s | Medley 8 | Max Steiner | Entire | BI |
| Charge of the Light Brigade, The (1936) | 4B | 34 | Fort, The | 1m05s | | Max Steiner | Entire | BI |
| Charge of the Light Brigade, The (1936) | 6B | 49 | Fortunate Blunder | 0m56s | | Max Steiner | Entire | BI |
| City For Conquest (1940) | 5 & 6 | 18b | Forty Second Street | 0m07s | Medley 5 | Harry Warren | Partial | BI |
| City For Conquest (1940) | 7 & 8 | 27 | Forty Second Street | 1m00s | | Harry Warren | Partial | VI |
| Distant Drums (1951) | 5 | 10f | Fort | 0m08s | Medley 8 | Max Steiner | Entire | BI |
| Fort Dobbs (1958) | 1 & 2 | 1 | Opening | 0m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 2 | Celia | 0m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 3 | Fort Dobbs | 0m50s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 4 | Cindy | 0m50s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 5 | Slow Walk | 0m45s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 6 | Riding Fast | 1m30s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 7 | Smoke Signal | 0m17s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 8 | Posse | 0m07s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 9 | Smoke Signal | 0m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 10 | Posse | 0m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 11 | Smoke Signal | 0m17s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 12 | Dead Man | 2m00s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 13 | Sheriff | 0m35s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 14 | Ominous | 0m40s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 15 | Smoke Signal | 1m00s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 16 | Car | 1m50s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 17 | Cautious | 0m52s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 18 | Yard, The | 0m35s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 1 & 2 | 19 | Chad | 0m32s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 20 | Smoke Signal | 0m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 21 | Indians | 1m05s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 22 | House, The | 0m50s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 23 | Corral, The | 2m05s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 24 | Slow Walk | 0m45s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 25 | Slow Walk | 1m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 26 | Indians | 0m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 27 | Ranch on Fire | 1m00s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 28 | Car | 0m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 29 | Slow Walk | 0m20s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 30 | Smoke Signal | 0m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 31 | Car | 0m17s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 32 | Open Country | 0m52s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 33 | River, The | 2m40s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 34 | Celia | 1m30s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 3 & 4 | 35 | Car | 0m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 36 | Car | 0m40s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 37 | Indians | 1m00s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 38 | Menace | 0m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 39 | Tranquil | 0m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 40 | Car | 0m35s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 41 | Celia | 0m30s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 42 | Slow Walk | 0m38s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 43 | Car | 0m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 44 | Investigation | 0m20s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 45 | Open Country | 0m50s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 46 | Slow Walk | 1m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 47 | Indians | 0m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 48 | Riding Fast | 0m22s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 49 | Indians | 2m35s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 50 | Weary | 0m45s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 51 | Open Country | 0m20s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 5 & 6 | 52 | Car | 0m30s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 53 | My Husband | 0m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 54 | Camp, The | 1m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 55 | Menace | 0m35s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 56 | Menace | 0m45s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 57 | Menace | 0m07s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 58 | Menace | 0m30s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 59 | Car | 0m55s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 60 | Menace | 0m40s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 61 | Celia | 0m35s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 62 | Car | 0m20s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 63 | Celia | 1m32s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 64 | Fort Dobbs | 0m12s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 65 | Dead Guard | 0m40s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 66 | Riding Fast | 0m10s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 67 | Wagon Chase | 1m05s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 68 | Fort Dobbs | 0m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 69 | Indian Chase | 1m00s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 7 & 8 | 70 | House, The | 1m05s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 71 | Car | 1m23s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 72 | Celia | 1m25s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 73 | Indian Chase | 1m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 74 | Slow Walk | 0m40s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 75 | Clett | 0m23s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 76 | Corral, The | 2m20s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 77 | Indians | 5m15s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 78 | Wagons | 0m20s | | Max Steiner | n/k | BI |
| Fort Dobbs (1958) | 9 & 10 | 79 | Celia | 0m30s | | Max Steiner | n/k | BI |
| Forty Naughty Girls (1937) | I | 1 | Eeny Meeny Miney Mo | 1m05s (medley) | | Mercer, Johnny - Malneck, Matt | Entire | BI |
| Forty Naughty Girls (1937) | I | 2 | If You Were Mine | | | Mercer, Johnny - Malneck, Matt | Entire | BI |
| Forty Naughty Girls (1937) | I | 3 | Scenes Metropolitaine | 0m17s | | Max Steiner | Entire | BI |
| Forty Naughty Girls (1937) | II | 4 | Theatre Overture | 0m13s | | Webb, Roy | Partial | VI |
| Forty Naughty Girls (1937) | II | 5 | Widow in Lace | 3m00s (medley) | | Spinna, H. - Bullock, Walter | Partial | BI |
| Forty Naughty Girls (1937) | II | 6 | Love is Never Out of Season | | | Fain, Sammy - Brown, Lew | Partial | BI |
| Forty Naughty Girls (1937) | II | 7 | Our Penthouse on Third Avenue | | | Fain, Sammy - Brown, Lew | Partial | BI |
| Forty Naughty Girls (1937) | II | 8 | New Faces | | | Henderson, Charles | Partial | BI |
| Forty Naughty Girls (1937) | II | 9 | Love is Never Out of Season | | | Fain, Sammy - Brown, Lew | Partial | BI |
| Forty Naughty Girls (1937) | II | 10 | Our Penthouse on Third Avenue | | | Fain, Sammy - Brown, Lew | Partial | BI |
| Forty Naughty Girls (1937) | II | 11 | Forty Naughty Girls | 2m47s | | Ruby, Herman - Dreyer, Dave | Entire | VV |
| Forty Naughty Girls (1937) | II | 12 | It Goes to Your Feet | 1m10s | | Fain, Sammy - Brown, Lew | Entire | BI |
| Forty Naughty Girls (1937) | III | 13 | What a Day | 2m30s | | Ruby, Herman - Dreyer, Dave | Entire | BI |
| Forty Naughty Girls (1937) | III | 14 | For You Are Love | 1m30s | | Shilkret, Nathaniel | Entire | BI |
| Forty Naughty Girls (1937) | III | 15 | Old Man Rhythm | 1m38s | | Mercer, Johnny - Gensler, Lewis E. | Entire | BI |
| Forty Naughty Girls (1937) | IV | 16 | Midnight in Manhattan | 2m00s | | Max Steiner | Entire | BI |
| Forty Naughty Girls (1937) | IV | 17 | It Goes to Your Feet | 0m25s | | Fain, Sammy - Brown, Lew | Partial | BI |
| Forty Naughty Girls (1937) | IV | 18 | Widow in Lace | 0m50s | | Spinna, H. - Bullock, Walter | Entire | BI |
| Forty Naughty Girls (1937) | IV | 19 | Widow in Lace | 0m17s | | Spinna, H. - Bullock, Walter | Partial | BV |
| Forty Naughty Girls (1937) | IV | 20 | Eeny Meeny Miney Mo | 2m11s (medley) | | Mercer, Johnny - Malneck, Matt | Partial | BI |
| Forty Naughty Girls (1937) | IV | 21 | If You Were Mine | | | Mercer, Johnny - Malneck, Matt | Entire | BI |
| Forty Naughty Girls (1937) | IV | 22 | Ray's Delight | | | Webb, Roy | Entire | BI |
| Forty Naughty Girls (1937) | IV | 23 | Noodlin' | 1m32s | | Webb, Roy | Entire | BI |
| Forty Naughty Girls (1937) | VI | 24 | Gambarelli Ballet | 5m55s (medley) | | Colombo, Alberto | Entire | BI |
| Forty Naughty Girls (1937) | VI | 25 | Love is Never Out of Season | | | Fain, Sammy - Brown, Lew | Entire | VI |
| Forty Naughty Girls (1937) | VII | 26 | I'm Living in a Great Big Way | 1m20s | | Fields, Dorothy - McHugh, Jimmy | Entire | BI |
| Forty Naughty Girls (1937) | VII | 27 | Hooray For Love | 1m10s | | Fields, Dorothy - McHugh, Jimmy | Entire | BV |
| Forty Naughty Girls (1937) | VII | 28 | If You Were Mine | 0m20s | | Mercer, Johnny - Malneck, Matt | Partial | BI |
| Forty Naughty Girls (1937) | VII | 29 | Trailer #2 | 1m48s | | Webb, Roy | Entire | BI |
| Forty Naughty Girls (1937) | VII | 30 | Speakeasy, The | 0m14s | | Max Steiner | Partial | BI |
| Garden of Allah, The (1936) | IV | 27 | Fortune Teller, The | 0m55s | Medley 5 | Max Steiner | Partial | BI |
| Jezebel (1938) | 2 & 2 | 1b | Fortitude | 0m15s | Medley 1 | Max Steiner | Partial | BI |
| Jezebel (1938) | 9 & 10 | 37a | Fortitude | 1m48s | Medley 27 | Max Steiner | Entire | BI |
| Jezebel (1938) | 9 & 10 | 37e | Fortitude | 0m20s | Medley 27 | Max Steiner | Partial | BV |
| John Paul Jones (1959) | 9 & 10 | 24b | English Forts | 0m12s | Medley 17 | Max Steiner | n/k | BI |
| King Richard & the Crusaders (1954) | 13 | 49c | Fortress | 0m05s | Medley 21 | Max Steiner | Entire | BI |
| Last Days of Pompeii, The (1935) | IV | 72 | Fortune Teller | | | Webb, Roy | Partial | BI |
| Last Days of Pompeii, The (1935) | IV | 79 | Fortune Teller | | | Webb, Roy | Partial | BI |
| Last Days of Pompeii, The (1935) | VIII | 124 | Fortune Teller | | | Webb, Roy | Partial | BI |
| Portrait of a Mobster (1961) | 9 & 10 | 69 | Forty Second Street | 0m20s | | Harry Warren | Partial | BI |
| Prince & the Pauper, The (1937) | 4A | 33 | Soldier of Fortune | 0m53s | | Korngold, Erich Wolfgang | Entire | BI |
| Three Who Loved (checked from picture revised cue sheet) (1931) | | 6 | Forty-Nine Bottles | n/k | | Unknown | Entire | |
| Three Who Loved (checked from picture revised cue sheet) (1931) | | 7 | Forty-Nine Bottles | n/k | | Unknown | Entire | |