| 77 Sunset Strip: Girl on the Run [TV Series Pilot] (1958) | 5 | 46 | Con Moto | 0m30s | | Howard Jackson | n/k | BI |
| 77 Sunset Strip: Girl on the Run [TV Series Pilot] (1958) | 9 | 75 | Con Moto | 0m35s | | Howard Jackson | n/k | BI |
| 77 Sunset Strip: Girl on the Run [TV Series Pilot] [Second Cue Sheet] (1958) | 5 | 46 | Con Moto | 0m30s | | Howard Jackson | n/k | BI |
| 77 Sunset Strip: Girl on the Run [TV Series Pilot] [Second Cue Sheet] (1958) | 9 | 75 | Con Moto | 0m35s | | Howard Jackson | n/k | BI |
| Boy From Oklahoma, The (1954) | 1 & 2 | 3c | Con Moto | 0m08s | Medley 3 | Max Steiner | Entire | BI |
| Boy From Oklahoma, The (1954) | 1 & 2 | 9a | Con Moto | 0m09s | Medley 5 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The (1954) | 3 & 4 | 15 | Con Moto | 0m11s | | Max Steiner | Partial | BI |
| Boy From Oklahoma, The (1954) | 3 & 4 | 17a | Con Moto | 0m20s | Medley 7 | Max Steiner | Entire | BI |
| Boy From Oklahoma, The (1954) | 5 & 6 | 25b | Con Moto | 0m13s | Medley 11 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The (1954) | 9 & 10 | 42b | Con Moto | 0m15s | Medley 19 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The (1954) | 9 & 10 | 44b | Con Moto | 0m12s | Medley 20 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The (1954) | 9 & 10 | 44e | Con Moto | 0m10s | Medley 20 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 1 & 2 | 3c | Con Moto | 0m08s | Medley 3 | Max Steiner | Entire | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 1 & 2 | 9a | Con Moto | 0m09s | Medley 5 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 3 & 4 | 15 | Con Moto | 0m11s | | Max Steiner | Partial | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 3 & 4 | 17a | Con Moto | 0m20s | Medley 7 | Max Steiner | Entire | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 5 & 6 | 25b | Con Moto | 0m13s | Medley 11 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 9 & 10 | 42b | Con Moto | 0m15s | Medley 19 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 9 & 10 | 44b | Con Moto | 0m12s | Medley 20 | Max Steiner | Partial | BI |
| Boy From Oklahoma, The [Second Cue Sheet] (1954) | 9 & 10 | 44e | Con Moto | 0m10s | Medley 20 | Max Steiner | Partial | BI |
| Casablanca (1942) | 9 | 32a | Con Moto | 0m14s | Medley 13 | Max Steiner | Entire | BI |
| Desperate Journey (1942) | 9 | 31b | Misterioso Con Moto | 0m08s | Medley 25 | Max Steiner | Entire | BI |
| Dispatch From Reuters, A (1940) | 9 & 10 | 23a | Con Moto | 0m36s | Medley 14 | Max Steiner | Entire | BI |
| Flame & the Arrow, The (1950) | 5 | 13a | Con Moto | 0m10s | Medley 10 | Max Steiner | Partial | BI |
| Flame & the Arrow, The [Revised Cue Sheet] (1950) | 5 | 13a | Con Moto | 0m10s | Medley 10 | Max Steiner | Partial | BI |
| Four Wives (1939) | 3 & 4 | 8i | Con Moto | 0m23s | Medley 6 | Max Steiner | Partial | BI |
| Four Wives (1939) | 7 & 8 | 21e | Con Moto | 0m08s | Medley 11 | Max Steiner | Partial | BI |
| Great Lie, The (1941) | 4 | 14e | Con Moto | 0m30s | Medley 7 | Max Steiner | Entire | BI |
| Great Lie, The [Incomplete] (1941) | 4 | 13d | Con Moto | 0m30s | Medley 6 | Max Steiner | Entire | BI |
| Kisses For Breakfast (1941) | 5 | 17 | Allegro Con Moto | 0m06s | | Adolph Deutsch | Partial | BI |
| Letter, The (1940) | 5 | 11b | Con Moto | 0m12s | Medley 8 | Max Steiner | Entire | BI |
| My Wild Irish Rose (1947) | 2 | 4a | Con Moto | 0m05s | Medley 2 | Max Steiner | Entire | BI |
| My Wild Irish Rose (1947) | 5 | 15a | Con Moto No.2 | 0m08s | Medley 7 | Max Steiner | Entire | BI |
| Raton Pass (1951) | 9 | 24c | Con Moto | 0m26s | Medley 15 | Max Steiner | Partial | BI |
| Rocky Mountain (1950) | 5 & 6 | 6d | Con Moto | 0m23s | Medley 5 | Max Steiner | Partial | BI |
| So This is Love aka The Grace Moore Story (1953) | 4 | 11b | Con Moto | 0m12s | Medley 8 | Max Steiner | Entire | BI |
| We Are Not Alone (1939) | 1 & 2 | 2d | Allegretto con Moto | 0m34s | Medley 2 | Max Steiner | Entire | BI |