| Big Sleep, The (1946) | 3 | 11c | Code | 0m21s | Medley 7 | Max Steiner | Entire | BI |
| Code of the Secret Service (1939) | 1 | 1a | Signature | 0m06s | Medley 1 | Max Steiner | Partial | BI |
| Code of the Secret Service (1939) | 1 | 1b | Secret Service | 0m49s | Medley 1 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 1 | 1c | Government Buildings | 0m25s | Medley 1 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 1 | 2a | Theme 1 | 0m07s | Medley 2 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 1 | 2b | Airplane | 0m33s | Medley 2 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 1 | 3 | You Must Have Been a Beautiful Baby | 0m05s | | Harry Warren - Johnny Mercer | Partial | VV |
| Code of the Secret Service (1939) | 1 | 4 | Ad Lib | 0m04s | | n/k | n/k | VV |
| Code of the Secret Service (1939) | 1 | 5 | Ad Lib | 0m08s | | n/k | n/k | VV |
| Code of the Secret Service (1939) | 2 | 6a | You Can't Stop Me From Dreaming | 0m18s | Medley 3 | Friend - Franklyn | Partial | BI |
| Code of the Secret Service (1939) | 2 | 6a | Sweet Georgia Brown | n/k | | Pinkard
[other composers in pencil - illegible] | Partial | BI |
| Code of the Secret Service (1939) | 2 | 6b | Morenita | 0m20s | Medley 3 | Lorenzo R. Felix | Partial | BV |
| Code of the Secret Service (1939) | 2 | 7a | Piccolina Nina | 1m17s | Medley 4 | Jack Carroll
[other composers in pencil - illegible] | Partial | BI |
| Code of the Secret Service (1939) | 2 | 7b | Con Fuoco | 2m02s | Medley 4 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 2 | 7c | Wagon | 0m19s | Medley 4 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 2 | 8 | Feroce | 0m16s | | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 3 | 9a | Rock Country | 0m13s | Medley 5 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 3 | 9b | Police, The | 1m21s | Medley 5 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 3 | 9c | Monk, The | 0m15s | Medley 5 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 3 | 10 | Agitato Misterioso | 3m10s | | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 4 | 11a | Search, The | 0m55s | Medley 6 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 4 | 11b | Escape, The | 0m32s | Medley 6 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 4 | 11c | Police, The | 0m54s | Medley 6 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 4 | 12 | Yankee Doodle | 0m15s | | n/k | Partial | V-Whistled |
| Code of the Secret Service (1939) | 4 | 13a | Jarabe Tapatio | 0m54s | Medley 7 | n/k | Partial | VI |
| Code of the Secret Service (1939) | 4 | 13b | Theme 1 | 0m05s | Medley 7 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 4 | 13c | Comic Serenade | 1m08s | Medley 7 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 4 | 14 | Comic Serenade | 0m29s | | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15a | Escape, The | 0m17s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15b | Comic Serenade | 1m31s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15c | Dog, The | 0m34s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15d | Comic Serenade | 0m10s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15e | Dog, The | 0m27s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15f | Comic Serenade | 0m36s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 15g | Handcuffs, The | 0m20s | Medley 8 | Bernhard Kaun | Partial | BI |
| Code of the Secret Service (1939) | 5 | 16 | Bell Tower, The | 1m04s | | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 6 | 17a | Misterioso | 2m50s | Medley 9 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 6 | 17b | Get-Away, The | 2m10s | Medley 9 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 6 | 17c | Furioso | 2m12s | Medley 9 | Bernhard Kaun | Entire | BI |
| Code of the Secret Service (1939) | 6 | 17d | Reward, The | 0m55s | Medley 9 | Bernhard Kaun | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 1 | Fanfare | 0m10s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 2 | F.B.I. March | 1m24s | | Max Steiner | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 3 | F.B.I. March | 1m13s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 4 | Roy's Car | 0m25s | | David Buttolph | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 1 | 5 | Pete in Car | 0m51s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 6 | Mrs. Nichols | 0m25s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 7 | Basement, The | 2m10s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 8 | Laundryman, The | 1m45s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 9 | Roy's Car | 0m45s | | David Buttolph | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 2 | 10 | Roy's Car | 0m35s | | David Buttolph | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 11 | Mrs. Nichols | 0m08s | | Howard Jackson | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 12 | F.B.I. March | 0m40s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 13 | Bureau, The | 0m29s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 3 | 14 | Suitcase, The | 3m40s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 15 | Bureau, The | 0m20s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 16 | F.B.I. March | 0m10s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 17 | Yacht Club, The | 1m17s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 18 | F.B.I. March | 1m04s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 19 | F.B.I. March | 0m15s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 20 | Typing Test | 0m27s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 4 | 21 | F.B.I. March | 0m33s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 5 | 22 | Kid Runs | 0m15s | | Howard Jackson | Entire | BI |
| F.B.I. Code 98 [Incomplete] (1964) | 5 | 23 | F.B.I. March | 0m17s | | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 1 | Fanfare | 0m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 2 | F.B.I. March | 1m24s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 3 | F.B.I. March | 1m13s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 4 | Roy's Car | 0m25s | | David Buttolph | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 1 | 5 | Pete in Car | 0m51s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 6 | Mrs. Nichols | 0m25s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 7 | Basement, The | 2m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 8 | Laundryman, The | 1m45s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 9 | Roy's Car | 0m45s | | David Buttolph | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 2 | 10 | Roy's Car | 0m35s | | David Buttolph | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 11 | Mrs. Nichols | 0m08s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 12 | F.B.I. March | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 13 | Bureau, The | 0m29s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 3 | 14 | Suitcase, The | 3m40s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 15 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 16 | F.B.I. March | 0m10s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 17 | Yacht Club, The | 1m17s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 18 | F.B.I. March | 1m04s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 19 | F.B.I. March | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 20 | Typing Test | 0m27s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 4 | 21 | F.B.I. March | 0m33s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 22 | Kid Runs | 0m15s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 23 | F.B.I. March | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 24 | Interview, The | 0m08s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 25 | F.B.I. March | 0m24s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 26 | Symbol | 0m11s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 5 | 27 | Interview, The | 0m23s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 28 | Dead | 0m05s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 29 | Bureau, The | 0m19s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 30 | F.B.I. March | 1m06s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 31 | Bureau, The | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 6 | 32 | F.B.I. March | 0m17s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 33 | Anita | 0m41s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 34 | F.B.I. March | 0m40s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 35 | Interview, The | 0m30s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 36 | San Jose | 0m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 37 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 7 | 38 | Anita | 0m26s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 39 | Exit | 0m23s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 40 | Bureau, The | 0m07s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 41 | Exit | 0m57s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 42 | F.B.I. March | 0m22s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 8 | 43 | Anita | 0m12s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 44 | Peterson | 1m21s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 45 | Goodbye | 0m15s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 46 | Bureau, The | 0m20s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 47 | Anita | 0m05s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 48 | Phone Call, The | 1m02s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 9 | 49 | Bureau, The | 0m50s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 10 | 50 | Anita | 0m10s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 10 | 51 | Nichols Mansion | 2m00s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 10 | 52 | Boat, The | 0m57s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 53 | Dock, The | 1m40s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 54 | Bureau, The | 0m12s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 55 | Dock, The | 0m42s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 56 | Mario at the Bridge | 0m57s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 57 | F.B.I. March | 0m33s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 58 | Surveillance | 1m07s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 59 | Bureau, The | 0m13s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 60 | Surveillance | 0m31s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 61 | Airport, The | 1m20s | | Howard Jackson | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 62 | F.B.I. March | 0m15s | | Max Steiner | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 63 | America the Beautiful | 0m08s | | Catherine Lee Bates - Samuel A. Ward | n/k | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 64 | F.B.I. March | 0m50s | | Max Steiner | n/k | BI |