| Cloak & Dagger (1946) | 7 | 14d | Cat | 0m24s | Medley 11 | Max Steiner | Entire | BI |
| Dallas (1950) | 8 | 24k | Cat, The | 0m43s | Medley 17 | Max Steiner | Partial | BI |
| F.B.I. Code 98 [Second Cue Sheet] (1964) | 11 | 63 | America the Beautiful | 0m08s | | Catherine Lee Bates - Samuel A. Ward | n/k | BI |
| Fighter Squadron (1948) | 1 & 2 | 4a | Cats | 0m33s | Medley 2 | Max Steiner | Partial | BI |
| Fighter Squadron (1948) | 3 & 4 | 13c | Cats | 0m30s | Medley 6 | Max Steiner | Partial | BI |
| Fighter Squadron (1948) | 5 & 6 | 14a | Cats | 0m54s | Medley 7 | Max Steiner | Partial | BI |
| Fighter Squadron (1948) | 9 & 10 | 25a | Cats | 1m25s | Medley 14 | Max Steiner | Partial | BI |
| Force in Readiness, A (1961) | 3 | 20 | America the Beautiful | 1m00s | | Catherine Lee Bates - Samuel A. Ward
[Howard Jackson arr.] | Partial | BI |
| Four Wives (1939) | 3 & 4 | 9f | Cath Waltz | 0m37s | Medley 7 | Max Steiner | Partial | BI |
| Green Light (1937) | 3 & 4 | 10 | Cathedral Echoes | 1m10s | | Max Steiner | Entire | Orchestra |
| House of Women (1962) | 6 | 37 | Catnap | 1m47s | | Howard Jackson | n/k | BI |
| John Paul Jones (1959) | 1 & 2 | 4c | Scipio & Cato | 1m00s | Medley 4 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 3 & 4 | 9a | Scipio & Cato | 1m35s | Medley 6 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 5 & 6 | 17c | Scipio & Cato | 0m33s | Medley 12 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 11 & 12 | 33e | Scipio & Cato | 0m11s | Medley 20 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 11 & 12 | 36b | Catherine | 0m32s | Medley 23 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 11 & 12 | 36d | Catherine | 0m54s | Medley 23 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 13 | 37b | Catherine (Dance Pt.2) | 0m38s | Medley 24 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 13 | 38a | Catherine | 0m15s | Medley 25 | Max Steiner | n/k | BI |
| John Paul Jones (1959) | 13 | 39g | Catherine | 0m13s | Medley 25 | Max Steiner | n/k | BI |
| Made For Each Other (1939) | X | 51 | Plane Catches Fire | 0m43s | Medley 10 | Hugo W. Friedhofer | Entire | BI |
| Marjorie Morningstar (1958) | 11 & 12 | 82 | Amour Toujours l'Amour, L' | 1m55s | | Catherine Chisholm Cushing - Rudolf Friml | Entire | BI |
| Mission to Moscow (1943) | 5 & 6 | 14f | Amour Toujours L'Amour, L' | 0m25s | Medley 9 | Rudolf Friml - Catherine Chisholm Cushing | Partial | BI |
| Mission to Moscow [Incomplete] (1943) | 5 & 6 | 14f | Amour Toujours L'Amour, L' | 0m25s | Medley 9 | Rudolf Friml - Catherine Chisholm Cushing | Partial | BI |
| My Girl Tisa [Cue Sheet 1] (1948) | 5 | 15a | America the Beautiful | 1m55s | Medley 4 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Entire | BV |
| My Girl Tisa [Cue Sheet 1] (1948) | 10 | 27 | America the Beautiful | 0m04s | | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | VV |
| My Girl Tisa [Cue Sheet 1] (1948) | 11 | 28g | America the Beautiful | 0m43s | Medley 10 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | BI |
| My Girl Tisa [Cue Sheet 1] (1948) | 11 | 30a | America the Beautiful | 0m25s | Medley 11 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | BI |
| My Girl Tisa [Cue Sheet 2] (1948) | 5 | 15a | America the Beautiful | 1m55s | Medley 4 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Entire | BV |
| My Girl Tisa [Cue Sheet 2] (1948) | 10 | 26 | America the Beautiful | 0m04s | | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | VV |
| My Girl Tisa [Cue Sheet 2] (1948) | 11 | 27g | America the Beautiful | 0m43s | Medley 10 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | BI |
| My Girl Tisa [Cue Sheet 2] (1948) | 11 | 29a | America the Beautiful | 0m25s | Medley 11 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | BI |
| Room For One More (1952) | 3 & 4 | 14f | Cats | 0m16s | Medley 9 | Max Steiner | Entire | BI |
| Room For One More [Second Cue Sheet] (1952) | 3 & 4 | 14f | Cats | 0m16s | Medley 9 | Max Steiner | Entire | BI |
| San Antonio (1945) | 1 & 2 | 1d | Cattle | 0m12s | Medley 1 | Max Steiner | Entire | BI |
| Saratoga Trunk (1945) | 2 | 3e | Cathedral | 0m06s | Medley 2 | Max Steiner | Entire | BI |
| Saratoga Trunk (1945) | 10 | 27 | Cats | 0m42s | | Max Steiner | Partial | BI |
| Saratoga Trunk (1945) | 11 | 30a | Cats | 0m14s | Medley 23 | Max Steiner | Partial | BI |
| Sea Power (1964) | 3 | 5j | America the Beautiful | 0m29s | Medley 5 | Catherine Lee Bates - Samuel A. Ward | n/k | BI |
| Since You Went Away (1944) | 10 | 74 | America the Beautiful | 0m59s | | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Entire | VV |
| Since You Went Away (1944) | 17 | 141 | America the Beautiful | 0m05s | Medley 17 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Partial | BI |
| Since You Went Away (1944) | 19 | 167 | America the Beautiful | 1m01s | Medley 19 | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Entire | BI |
| Up Periscope (1959) | 3 & 4 | 13 | With Cat-Like Tread Upon Our Prey We Steal | 1m00s | | W.S. Gilbert-Arthur Sullivan | Partial | BI |
| Watch on the Rhine (1943) | 1 | 2 | America the Beautiful | 1m36s | | Catherine Lee Bates - Samuel A. Ward
[Max Steiner arr.] | Entire | BI |
| Wonders of Araby, [The] (1956) | 2 | 9 | Cathedral | 1m05s | | William Lava | Entire | BI |