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47 results for "whole-tone chord" — see also whole-tone | whole-tone scale

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Flashlight0:48:20 - Doctor shines flashlight on Rocksanger | annoyance | criminal | doctor | flashlight | gangster | leading man | mickey-mousing | ominous | robbery | shining | store | tense | thief | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Rocks (Annoyed)0:48:25 - Rocks is annoyed by flashlightanger | angry | annoyance | criminal | doctor | flashlight | gangster | leading man | ominous | robbery | shining | store | tense | thief | tritone | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord
Angels With Dirty Faces (1938)The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Rocky runs1:25:13 - Rocky makes a run for itagitated | chromatic scale | conflict | falling | gangster | gun | gunshot | hostage | leading man | octatonic | priest | running | sequence | shooting | street | whole-tone chord
Are These Our Children? (1931)Dreams + Makes You Forget Your Troubles (Allegro)NIF - not in filmcut from film | mysterious | octatonic | somber | whole-tone chord | whole-tone scale

Are These Our Children? (1931)

Dreams (Andante)NIF - not in filmadded-note chord | cut from film | mode mixture | parallelism | quartal chord | tense | whole-tone chord

Are These Our Children? (1931)

Dreams (Transition 9)NIF - not in film9th chord | altered dominant | cut from film | dark | mysterious | pc set | tragic | whole-tone | whole-tone chord

Are These Our Children? (1931)

Dreams (Allegro)1:15:33 - Newspaper headlinesaugmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

The Warden0:23:15 - Warden stands up to face the boysantagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord

Crime School (1938)

The Warden (Punishment)0:36:22 - Warden defends his punishmentadvance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord

Crime School (1938)

Paint slap0:48:32 - Boys hit each other with paint brushescomedy | gang | mickey-mousing | paint | paintbrush | painting | playful | reformatory | slapping | teasing | teenager | whole-tone chord

Crime School (1938)

Underscoring (Gentle)0:49:47 - Mark talks about making this room their homecomedy | deceptive resolution | gang | gentle | hero | leading man | leaving | pedal tone | reformatory | teasing | teenager | underscoring | whole-tone chord

Crime School (1938)

The Escape1:12:03 - Boys escapedown | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager | whole-tone chord

Crime School (1938)

Peeking1:12:11 - Cooper peeks out from the window antagonist | authority | escape | mickey-mousing | mysterious | peeking | police | reformatory | whole-tone chord

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord
They Made Me a Criminal (1939)The Awakening0:14:48 - Johnnie wakes upadvance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord

They Made Me a Criminal (1939)

Reading0:15:29 - Johnnie reads a newspaperadvance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord

They Made Me a Criminal (1939)

The Fugitive (Traveling)0:22:51 - Johnnie's plodding feetchromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Mysterious)0:23:21 - Men at the diner stand upadded-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord
Dust Be My Destiny (1939)Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord
Each Dawn I Die (1939)Underscoring (Tense)0:05:11 - Newspaper on the sidewalkconflict | dissonant bass | gangster | newspaper | reading | street | tense | underscoring | whole-tone | whole-tone chord

Each Dawn I Die (1939)

Montage0:22:54 - Montage showing the passing of timechromatic parallelism | clock | dramatic | linear chromaticism | mickey-mousing | montage | montage | prison | prisoner | tense | waiting | whole-tone chord
Flamingo Road (1949)Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord
The Informer (1935)Throwing man down0:05:31 - Gypo picks the man up and throws him in the streetangry | down | establish character | falling | leading man | mickey-mousing | street | throwing | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Drinking)0:21:23 - Gypo takes a drinkadvance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

The Escape1:19:46 - Gypo escapes and a chase ensuesadvance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Risoluto)1:20:12 - Rebels plan to catch Gypoadvance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord
The Letter (1940)Hammond A (The Story)0:22:26 - Leslie speaks with Howardadvance plot | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone chord

The Letter (1940)

Waiting0:31:24 - Howard waits for Leslieadvance plot | lawyer | pacing | prison | tense | waiting | whole-tone chord

The Letter (1940)

Hammond A (The Story)0:36:42 - Leslie tells Howard more lies about the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Hammond A (Uneasy)0:49:41 - They discuss the trialdinner | home | husband | lawyer | leading lady | planning | tense | tone cluster | trial | whole-tone chord
We Are Not Alone (1939)Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Celebre Romance (Agitato)1:01:40 - News of the warchaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord
The Public Defender (1931)Mystery0:00:45 - Cast list and balancing scalesaugmented triad | balancing | cast list | chromaticism | main title | mysterious | mystery | opening title sequence | pc set | transcribed by ear | whole-tone chord
Penguin Pool Murder (1932)Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord

Penguin Pool Murder (1932)

Fish0:01:32 - Fishaugmented triad | chromatic parallelism | dramatic | establish setting | fish | fluttering | stinger | transcribed by ear | underwater | whole-tone chord
Thirteen Women (1932)The Swami (Sleeping)0:10:46 - Ursula leaves the swamiantagonist | establish character | fortune teller | leading lady | mysterious | room | sleeping | swami | transcribed by ear | whole-tone | whole-tone chord
Hat, Coat, and Glove (1934)Newspaper Montage0:32:22 - Newspaper headlinesdark | headline | montage | newspaper | ominous | tragic | transcribed by ear | whole-tone chord | whole-tone scale