Tag Search

279 results for "tune" in 22 films — see also melody | music | pitch | set

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	La Parisienne	0:12:55 - A shot of Paris	64 chord \| augmented sixth chord \| enharmonic modulation \| establish place \| establish time \| fanfare \| foreign key modulation \| noble \| on-screen text \| patriotic tune \| street \| transition
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic tune \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	1:06:08 - The children watch from the balcony	advance plot \| arriving \| ballroom \| child \| crowd \| governess \| king \| leading lady \| march \| patriotic tune \| regal \| simulated source music
Arsenic and Old Lace (1944)	Happy Land (Allegretto)	0:00:13 - Main title	11th chord \| cast list \| familiar tune \| foreign key modulation \| opening title sequence \| sequence \| starring list \| title of film
Arsenic and Old Lace (1944)	Happy Land (Chromatic)	0:00:21 - Cast list	64 chord \| cast list \| chromatic mediant \| chromatic scale \| dramatic \| familiar tune \| foreign key modulation \| opening title sequence
Arsenic and Old Lace (1944)	Sidewalks of New York (Misterioso)	0:01:10 - New York City	64 chord \| added-note chord \| card \| city \| establish place \| familiar tune \| mysterious \| New York City \| opening title sequence \| tense
Arsenic and Old Lace (1944)	Take Me Out to the Ball Game	0:01:20 - Fans yelling at a ball game	augmented sixth chord \| baseball \| baseball player \| bass drum \| cheering \| crowd \| enharmonic modulation \| establish place \| evaded cadence \| falling \| familiar tune \| field \| fighting \| musician \| parallel double period \| pep band \| playing \| popular song \| punching \| rushed \| saxophone \| simulated source music \| source music \| sporting event \| trombone \| umpire \| upbeat \| yelling
Arsenic and Old Lace (1944)	Sidewalks of New York (Expressivo)	0:01:53 - A ship sailing under a bridge	64 chord \| boat \| bridge \| calm \| card \| city \| establish place \| familiar tune \| pedal tone \| sailing \| transition
Arsenic and Old Lace (1944)	Here Comes the Bride (Marriage License Bureau)	0:01:59 - "Marriage License Bureau" sign	64 chord \| arriving \| calm \| conversing \| crowd \| direct modulation \| establish character \| familiar tune \| marriage \| office \| parallelism \| reporter \| romantic \| sequence \| spouse
Arsenic and Old Lace (1944)	Here Comes the Bride (Wow Wow Trumpet)	0:02:42 - Reporters talk	64 chord \| chromatic mediant \| comical \| conversing \| establish character \| familiar tune \| foreign key modulation \| marriage \| office \| reporter
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Sidewalks of New York (Quasi Barcarolle)	0:05:13 - The Brewster home	64 chord \| calm \| card \| cemetery \| chromatic mediant \| common-tone diminished 7th \| enharmonic modulation \| establish setting \| familiar tune \| gravestone \| ominous \| stinger \| street \| wind \| wind effect
Arsenic and Old Lace (1944)	Sidewalks of New York (Walking)	0:05:30 - Cops patrol the neighborhood	64 chord \| calm \| establish setting \| familiar tune \| fragmentation \| police \| street \| walking
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:12:31 - The aunts talk	advance plot \| aunt \| brother \| conversing \| crazy person \| familiar tune \| foreign key modulation \| gentle \| leading lady \| mysterious \| plotting \| room \| sequence \| tender \| whole-tone chord \| whole-tone scale
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:25 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| conversing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:16:10 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| embracing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating 2)	NIF - not in film	added-note chord \| cut from film \| deceptive resolution \| familiar tune \| fragmentation \| love scene \| pump-up modulation \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Here Comes the Bride	0:19:52 - Mortimer at the window seat	advance plot \| familiar tune \| groom \| leading man \| on-screen music \| room \| source music \| upbeat \| whistling
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:29:30 - Mortimer listens to Teddy sing	advance plot \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading man \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Happy Land (Screwyoso)	0:39:06 - The aunts talk	added-note chord \| advance plot \| altered dominant \| aunt \| calm \| cleaning \| conversing \| crazy person \| familiar tune \| hat \| leading lady \| murderer \| ominous \| room \| stinger \| suspension
Arsenic and Old Lace (1944)	Happy Land (String Quartet)	0:39:28 - The aunts set the table	advance plot \| aunt \| cleaning \| conversing \| crazy person \| direct modulation \| evaded cadence \| familiar tune \| hymn-like \| leading lady \| murderer \| peaceful \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:41:03 - Jonathan looks around the house	added-note chord \| augmented triad \| brother \| conversing \| crazy person \| criminal \| dark \| dissonant bass \| distortion \| doctor \| establish character \| familiar tune \| leading man \| observing \| ominous \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Happy Land (Dirge)	0:54:54 - Teddy looks for the body in the dark	advance plot \| brother \| corpse \| crazy person \| creaking \| darkness \| dirge \| familiar tune \| mysterious \| opening \| pc set \| room \| sneaking \| tense \| walking \| whole-tone chord
Arsenic and Old Lace (1944)	Funeral March	0:55:21 - Teddy carries the body down the stairs	advance plot \| brother \| carrying \| chromatic scale \| corpse \| crazy person \| darkness \| diminution \| dirge \| familiar tune \| foreign key modulation \| funeral march \| linear chromaticism \| ominous \| ostinato \| room \| tritone \| walking
Arsenic and Old Lace (1944)	Here Comes the Bride (Tense)	0:58:28 - Elaine comes in the door	advance plot \| bride \| calling \| darkness \| entering \| familiar tune \| half-diminished 7th chord \| leading lady \| room \| sequence \| sneaking \| tense
Arsenic and Old Lace (1944)	Symphony No. 5: I	1:27:02 - Teddy plays the bugle	advance plot \| crazy person \| familiar tune \| groom \| leading man \| playing \| room \| singing \| startled
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
Beyond the Forest (1949)	Train + Chicago	0:03:20 - A departing train	accompanied dialogue \| combination of themes \| departing \| establish setting \| familiar tune \| mysterious \| popular tune \| tense \| train \| train effect \| train station \| voice-over
Beyond the Forest (1949)	Chicago (Mink Coat)	0:29:01 - Rosa sees Carol's mink coat	advance plot \| conversing \| familiar tune \| jealousy \| leading lady \| popular tune \| sentimental \| train station
Beyond the Forest (1949)	Chicago (Carol)	0:29:17 - Rosa meets Carol	advance plot \| conversing \| familiar tune \| gentle \| jealousy \| leading lady \| popular tune \| train station
Beyond the Forest (1949)	Chicago (Jealous)	0:29:33 - Rosa glares at Carol	advance plot \| conversing \| dark \| familiar tune \| jealousy \| leading lady \| popular tune \| sentimental \| train station
Beyond the Forest (1949)	Chicago (Mail)	0:30:30 - Rosa reads her mail	advance plot \| familiar tune \| hurried \| leading lady \| mail \| optimistic \| popular tune \| post office \| reading
Beyond the Forest (1949)	Chicago (Molto Expressivo)	0:37:20 - Rosa sees the mink coat	advance plot \| coat \| contemplating \| expressive \| familiar tune \| jealousy \| leading lady \| popular tune \| room \| wife
Beyond the Forest (1949)	Chicago (Misterioso)	0:38:47 - Rosa lights a match	advance plot \| contemplating \| dramatic \| familiar tune \| jealousy \| leading lady \| obsession \| obsessive \| passage of time \| popular tune \| room \| smoking \| tense \| wife
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	Train (Whistle) + Chicago	0:44:23 - A speeding train	combination of themes \| familiar tune \| hurried \| popular tune \| train \| train \| train effect \| transition \| traveling
Beyond the Forest (1949)	Chicago (City)	0:44:28 - Downtown Chicago	arriving \| bright \| calling \| calm \| city \| familiar tune \| hotel \| leading lady \| phone book \| popular tune \| telephone \| transition \| traveling
Beyond the Forest (1949)	Chicago (Somber)	0:48:32 - Rosa sits in a coffee shop	advance plot \| angry \| audible thoughts \| cafe \| familiar tune \| leading lady \| popular tune \| somber \| thinking
Beyond the Forest (1949)	Chicago (Tense)	0:49:00 - Rosa drinks coffee	advance plot \| angry \| audible thoughts \| cafe \| familiar tune \| leading lady \| popular tune \| tense \| thinking
Beyond the Forest (1949)	Chicago (Agitato Molto Marcato)	0:55:48 - Rosa runs through the streets	agitated \| crazy person \| crying \| familiar tune \| laughing \| leading lady \| mad scene \| manic \| popular tune \| running \| rushing \| scaring \| stranger \| street \| tense
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	Chicago (Harmonics)	1:08:31 - Rosa reacts to Moose's warning	anger \| angry \| contemplating \| familiar tune \| harsh \| leading lady \| ominous \| popular tune \| reacting \| room \| turning point
Beyond the Forest (1949)	Rosa (Violent) + Chicago	1:09:01 - Rosa heads outside	anger \| angry \| combination of themes \| contemplating \| departing \| familiar tune \| harsh \| leading lady \| ominous \| popular tune \| reacting \| room \| turning point
Beyond the Forest (1949)	Chicago (Ominous)	1:10:01 - Rosa puts down the binoculars	aiming \| anger \| dark \| familiar tune \| forest \| friend \| husband \| leading lady \| leading man \| murder scene \| ominous \| popular tune \| victim
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Chicago (Dark)	1:19:25 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| familiar tune \| leading lady \| leading man \| murderer \| ominous \| popular tune
Beyond the Forest (1949)	Chicago (Molto Tranquillo)	1:20:35 - Rosa in bed	advance plot \| banging \| calm \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness
Beyond the Forest (1949)	Chicago (Molto Expressivo)	1:20:43 - The maid in the kitchen	advance plot \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness \| upbeat
Beyond the Forest (1949)	Chicago	1:27:10 - Rosa sings to herself	delirious \| familiar tune \| fever \| illness scene \| leading lady \| maid \| murderer \| on-screen music \| popular tune \| room \| score to source \| sickness \| singing \| source music
Beyond the Forest (1949)	Chicago (Echo Chambre)	1:28:20 - Rosa prepares to leave	angry \| arguing \| climax \| crazed \| delirious \| eerie \| familiar tune \| leading lady \| mad \| madness \| mad scene \| maid \| murderer \| popular tune \| preparing \| room \| stumbling \| unsettling \| yelling
Beyond the Forest (1949)	Chicago (She Walks Down)	1:29:25 - Rosa walks down the stairs	climax \| dark \| descending \| familiar tune \| leading lady \| madness \| mad scene \| maid \| mickey-mousing \| murderer \| popular tune \| room \| solemn \| stairs \| stumbling
Beyond the Forest (1949)	Train + Chicago (Shrill)	1:30:54 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| cut from film \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| shrill \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train (Heating Up) + Chicago (Fragmented)	1:31:05 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:21 - Rosa stumbles towards the train	climax \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:26 - The train leaves the station	agitated \| climax \| departing \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| obsessive \| popular tune \| shrill \| tense \| train \| train station
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Advertisement)	0:31:07 - A marquee advertising "Marriage on Stage Tonite"	common-chord modulation \| crowd \| familiar tune \| foreign key modulation \| happy \| love scene \| marriage \| street \| theater
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	My Wild Irish Rose (Goodbye)	0:51:35 - Joe and Mabel say goodbye to Nick	9th chord \| escape \| familiar tune \| foreign key modulation \| friend \| leading lady \| leading man \| linear chromaticism \| mode mixture \| popular song \| shopkeeper \| tender \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
The FBI Story (1959)	Yankee Doodle	0:13:51 - Chip walks into the original FBI building	familiar tune \| FBI \| flashback \| patriotic
The FBI Story (1959)	Liebesträume	0:21:33 - Chip and Lucy get married	church \| classical music \| familiar tune \| flashback \| organ \| source music \| wedding
The FBI Story (1959)	Wedding March	0:22:25 - Chip and Lucy leave the chapel, now married	church \| classical music \| familiar tune \| flashback \| organ \| source music \| wedding
The FBI Story (1959)	The Love Nest	0:23:51 - Tent in the rain and mud	familiar tune \| flashback \| rain \| tent
The FBI Story (1959)	Coming Thru the Rye	0:36:58 - Chip's son plays in a field of rye	familiar tune \| field \| flashback \| playing \| rye
The FBI Story (1959)	Ten Little Indians	0:38:09 - Indian business men and the comical things they do with their new wealth	familiar tune \| flashback \| Indian
The FBI Story (1959)	Bye Bye Blackbird	0:39:13 - Chip walks down the street of the western town	familiar tune \| flashback \| source music
The FBI Story (1959)	Street Music	0:51:13 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Pretty Baby	0:51:13 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	I'm Just Wild About Harry	0:51:22 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Cheyenne	0:52:08 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	I May Be Wrong (But I Think You're Wonderful)	0:52:07 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Please Don’t Talk About Me When I'm Gone	0:54:29 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Little Brown Jug	0:56:24 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Jingle Bells	1:03:00 - Chip works on the Christmas tree	Christmas \| familiar tune \| flashback \| record \| record player \| source music \| tree
The FBI Story (1959)	Yankee Doodle	1:21:55 - Chip puts on a music-playing beanie hat	familiar tune \| flashback \| hat \| patriotic tune \| source music
The FBI Story (1959)	Yankee Doodle	1:22:44 - Chip spins a music-playing beanie hat	familiar tune \| flashback \| hat \| patriotic tune \| source music
The FBI Story (1959)	Yankee Doodle	1:24:48 - Close up of the propeller hat as the seasons change outside the window	beanie \| familiar tune \| flashback \| hat \| mickey-mousing \| snow \| source music \| wind
The FBI Story (1959)	Too Marvelous For Words	1:44:51 - Music playing at a backyard barbecue	familiar tune \| flashback \| record player \| source music
The FBI Story (1959)	The Marines' Hymn	1:46:14 - Music playing at a backyard barbecue	familiar tune \| flashback \| patriotic tune \| record player \| source music
The FBI Story (1959)	Honey-Babe	1:48:14 - Jenny goes off to nursing school	familiar tune \| flashback
The FBI Story (1959)	The Marines' Hymn	1:48:38 - Mike leaves on a train for the war	anxiety \| familiar tune \| flashback \| patriotic tune \| worry
The FBI Story (1959)	The Marines' Hymn (Religioso)	2:06:21 - Chip and Lucy look at Michael's military picture	angelic \| familiar tune \| flashback \| heaven \| marine \| military \| mourning \| patriotic tune \| picture \| popular music
The FBI Story (1959)	Gaudeamus Igitur	2:07:28 - View of a college campus	familiar tune \| flashback \| popular music \| university
The FBI Story (1959)	The Fountain in the Park	2:10:45 - Communist strolls through the park one day	bitonality \| comical \| familiar tune \| flashback \| park \| popular music \| strolling \| syrupy \| walking
The FBI Story (1959)	Santa Lucia	2:24:26 - Communist enters a restaurant	familiar tune \| flashback \| radio \| restaurant \| source music
The FBI Story (1959)	Santa Lucia	2:25:07 - Two communists meet in the restaurant	familiar tune \| flashback \| radio \| restaurant \| source music
The FBI Story (1959)	Santa Lucia	2:25:48 - FBI agents enter restaurant	familiar tune \| flashback \| radio \| restaurant \| source music
The FBI Story (1959)	Yankee Doodle	2:27:55 - Chip's family drives around	familiar tune \| flashback \| hat \| patriotic tune \| source music
Hell on Frisco Bay (1955)	Spring Song (Country Fiddler)	0:14:56 - Amato talks to Mario	antagonist \| boss \| conductor score \| conversing \| dark \| establish character \| gangster \| menacing \| office \| ominous \| out of tune \| tritone
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	applauding \| arriving \| bartender \| club \| detective \| establish character \| familiar tune \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| singing \| source music \| waiter
Her Kind of Man (1946)	Here Comes the Bride	0:49:40 - Steve proposes to Georgia	classical music \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| love interest \| love scene \| proposing \| reporter \| romantic \| room \| tense
Her Kind of Man (1946)	It Had to Be You (Sneaky)	1:05:51 - Georgia hides Candy	advance plot \| criminal \| familiar tune \| henchman \| leading lady \| leading man \| mysterious \| popular music \| reporter \| room \| singer \| sneaking \| sneaky \| source to score \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Tense)	1:11:43 - Steve talks to Candy	advance plot \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| tense \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tempo di Foxtrot)	1:11:50 - Steve talks to Candy	advance plot \| common-tone diminished 7th \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| remembered source music \| reminiscing \| upbeat \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
I Was a Communist for the FBI (1951)	Battle Hymn of the Republic (The End)	1:22:16 - Dick looks at his dad	brother \| conversing \| countermelody \| end title sequence \| leading man \| love \| patriotic \| patriotic tune \| plagal cadence \| resolution \| reuniting \| son \| The End \| undercover agent
In This Our Life (1942)	London Bridge is Falling Down (Molto Expressivo)	1:23:33 - Craig talks to Stanley	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| somber
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	9th chord \| car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
The Informer (1935)	Rule, Britannia!	0:02:32 - Close-up on the 20 pound reward on the poster	British \| dark \| establish character \| familiar tune \| leading man \| linear chromaticism \| looking \| mode change \| patriotic tune \| poster \| source music \| street \| tense
The Informer (1935)	The Rose of Tralee	0:02:54 - Man sings an Irish folk song by a lamp post	calm \| establish character \| familiar tune \| folk song \| Irish \| leading man \| on-screen music \| poster \| singing \| source music \| street \| walking
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	Running and hiding	0:07:54 - Frankie runs and hides in the shadows	chromatic scale \| establish character \| familiar tune \| folk song \| hero \| hiding \| mickey-mousing \| running \| soldier \| street \| tense
The Informer (1935)	The Wearin' o' the Green (Mysterious)	0:08:57 - Frankie enters the Dunboy house to join the rebels	arriving \| diminished 7th chord \| dissonant bass \| establish character \| familiar tune \| folk song \| hero \| Irish \| leading man \| mysterious \| parallelism \| room \| street \| tense
The Informer (1935)	Yankee Doodle (Fateful Decision)	0:12:56 - Gypo has a vision of the wanted poster	American \| contemplating \| deciding \| familiar tune \| flashback \| leading man \| linear chromaticism \| montage \| mysterious \| patriotic tune \| pedal tone \| pivotal scene \| room \| street \| tense \| vision
The Informer (1935)	Katie (Fateful Decision)	0:13:48 - Gypo heads towards the British headquarters	American \| church bell \| contemplating \| deciding \| diminished 7th chord \| familiar tune \| leading man \| mickey-mousing \| mysterious \| parallelism \| patriotic tune \| pedal tone \| pivotal scene \| police station \| street \| tense
The Informer (1935)	The Minstrel Boy	0:25:32 - Man sings a folk tune at the street corner	9th chord \| AABA structure \| advance plot \| angelic \| antagonist \| calm \| familiar tune \| folk song \| gentle \| leading man \| listening \| mode mixture \| mourner \| mourning \| on-screen music \| playing \| praying \| singer \| singing \| street \| violinist \| watching
The Informer (1935)	The Wearin' o' the Green (Headquarters)	0:31:29 - Irish rebel headquarters	64 chord \| advance plot \| deceptive resolution \| dissonant bass \| familiar tune \| folk song \| Irish \| rebel \| room \| tense \| waiting
The Informer (1935)	The Wearin' o' the Green (Bugle Call)	0:39:25 - Rebels plan to watch Gypo	advance plot \| conversing \| familiar tune \| folk song \| headquarters \| Irish \| parallelism \| rebel \| room \| tense
The Informer (1935)	The Irish Washerwoman	0:43:45 - People sing and dance in a pub	advance plot \| antagonist \| bar \| familiar tune \| folk song \| happy \| Irish \| leading man \| source music \| whistling
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	He Is Me Darling-O	0:47:03 - Gypo and another man sing drunkenly	advance plot \| Aeolian mode \| antagonist \| drunk \| familiar tune \| folk song \| Irish \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	Here Comes the Bride	0:49:55 - Dream sequence of a voyage to America	64 chord \| advance plot \| antagonist \| boat \| double exposure \| dreaming \| familiar tune \| leading lady \| leading man \| pedal tone \| romantic \| ship \| street \| vision \| wedding
The Informer (1935)	The Wearin' o' the Green (Somber)	0:57:08 - Dan and Mary talk about the rebel organization	64 chord \| conversing \| diminished 7th chord \| familiar tune \| folk song \| hero \| heroic \| love interest \| love scene \| room \| tense
The Informer (1935)	The Wearin' o' the Green (Fragment)	0:57:42 - Dan and Mary talk about a rebel meeting	conversing \| familiar tune \| folk song \| hero \| love interest \| love scene \| room \| sentimental
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:58:23 - Singing continues (from the previous scene)	advance plot \| antagonist \| crowd \| crying \| familiar tune \| folk song \| leading man \| on-screen music \| party \| sentimental \| singing
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	The Wearin' o' the Green (Rebel Jury)	1:05:48 - Camera pans to show all of the faces of the rebel jury	64 chord \| bold \| courtroom \| courtroom scene \| familiar tune \| fanfare \| folk song \| headquarters \| judging \| jury \| meter change \| mode mixture \| noble \| panning shot \| patriotic \| plagal cadence \| rebel \| room
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Moanin’ Low (Appassionato)	1:25:01 - Gaye pleads for Rocco to take her along	advance plot \| boss \| deceiving \| deception \| desperate \| desperation \| familiar tune \| gangster \| hotel \| moll \| pleading \| sentimental
Key Largo (1948)	Moanin’ Low (Ominous)	1:25:21 - Gaye hands Rocco's gun to McCloud	advance plot \| boss \| deceiving \| deception \| familiar tune \| gangster \| gun \| hotel \| moll \| ominous \| tense
Key Largo (1948)	Moanin’ Low (Triste)	1:38:30 - Gaye leaves	familiar tune \| father \| hotel \| leading lady \| moll \| resolution \| somber \| thinking \| waiting
Lightning Strikes Twice (1951)	Ave Maria (Religioso)	1:10:24 - Justice of the Peace sign	actor \| chapel \| classical \| familiar tune \| justice of the peace \| leading lady \| leading man \| love interest \| marrying \| religious \| ring \| Schubert \| source music \| suspect \| tender \| wedding \| wedding
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	0:03:59 - Wally sees Mildred from the window	conversing \| establish character \| familiar tune \| friend \| heroine \| jazz \| leading lady \| on-screen music \| restaurant \| source music \| upbeat
Mildred Pierce (1945)	Drink to Me Only With Thine Eyes	0:16:07 - Cop whistles to himself	advance plot \| detective \| familiar tune \| heroine \| leading lady \| on-screen music \| police \| police station \| source music \| tense \| ticking \| whistling
Mildred Pierce (1945)	Waltz Brillante	0:26:39 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| dancing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| parallel period \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Waltz Brillante	0:27:21 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Mazurka in B-Flat Major + Mildred	NIF - not in film	added-note chord \| classical music \| combination of themes \| cut from film \| familiar tune \| on-screen music \| scored source music \| source music \| three-phrase period
Mildred Pierce (1945)	It Can't Be Wrong (Romantic)	1:04:11 - Monte kisses Mildred	advance plot \| chromatic mediant \| door \| ex-husband \| familiar tune \| foreign key modulation \| heroine \| interrupting \| kissing \| leading lady \| love interest \| mode mixture \| popular music \| restaurant \| romantic \| slamming \| source to score \| stinger
Mildred Pierce (1945)	It Can't Be Wrong (Troubled)	1:04:30 - Bert interrupts Mildred and Monte's kiss	advance plot \| conversing \| dark \| ex-husband \| familiar tune \| heroine \| leading lady \| love interest \| popular music \| restaurant \| source to score \| suspension \| tense \| troubled
Mildred Pierce (1945)	It Can't Be Wrong (Uneasy)	1:05:36 - Bert stares angrily at Monte	advance plot \| dark \| ex-husband \| familiar tune \| glaring \| heroine \| leading lady \| leaving \| love interest \| pedal tone \| popular music \| restaurant \| source to score \| tense \| uneasy
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| dissonant bass \| familiar tune \| fragmentation \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	It Can't Be Wrong (Not in Film)	NIF - not in film	9th chord \| cut from film \| familiar tune \| mickey-mousing \| popular music \| source to score
Mildred Pierce (1945)	It Can't Be Wrong (Molto Misterioso)	1:42:42 - Mildred learns that Monte has betrayed her	9th chord \| bankruptcy \| betrayal \| dark \| familiar tune \| friend \| heroine \| leading lady \| love theme \| memory \| mysterious \| pc set \| popular music \| realizing \| room \| somber \| turning point \| whole-tone chord
The Life of Vergie Winters (1934)	Watch on the Rhine (Headlines)	0:28:39 - Montage of newspaper headlines	bold \| direct modulation \| headline \| montage \| newspaper \| patriotic \| patriotic tune \| quintal chord
The Life of Vergie Winters (1934)	Rule, Britannia! (Headlines) + La Marseillaise (Headlines)	0:28:45 - Montage of newspaper headlines	direct modulation \| headline \| montage \| newspaper \| patriotic \| patriotic tune \| pedal tone \| polytonality
The Life of Vergie Winters (1934)	La Marseillaise	0:28:48 - Montage of newspaper headlines	9th chord \| altered dominant \| dark \| headline \| montage \| newspaper \| patriotic \| patriotic tune
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Over There (Military Band)	0:45:52 - Newspaper montage	leading man \| love interest \| montage \| patriotic tune \| politician \| soldier \| triumphant
The Life of Vergie Winters (1934)	Stars and Stripes Forever (Military Band)	0:46:01 - Newspaper montage	leading man \| love interest \| montage \| patriotic tune \| politician \| soldier \| triumphant
The Life of Vergie Winters (1934)	Stars and Stripes Forever (Allegro)	0:46:04 - Newspaper montage	64 chord \| added-note chord \| gentle \| leading lady \| leading man \| love interest \| montage \| patriotic tune \| pedal tone \| politician \| soldier
The Life of Vergie Winters (1934)	Here Comes the Bride	1:00:46 - Joan and Ranny talk about marriage	common-chord modulation \| conversing \| daughter \| familiar tune \| gentle \| love interest \| love scene \| peaceful \| proposal \| proposing \| romantic \| room \| transcribed by ear
The Life of Vergie Winters (1934)	Here Comes the Bride (Slow)	1:05:05 - Ranny re-proposes to Joan	64 chord \| conflict \| daughter \| familiar tune \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Lullaby + Here Comes the Bride	1:10:07 - Vergie imagines the wedding	added-note chord \| bride \| calm \| chromatic mediant \| combination of themes \| common-chord modulation \| daughter \| double exposure \| familiar tune \| groom \| leading lady \| leading man \| peaceful \| secret lover \| ternary form \| transcribed by ear \| walking \| wedding \| wedding \| wedding music
We Are Not Alone (1939)	Surprise Symphony (Foreboding)	0:00:09 - Main title	classical music \| dark \| familiar tune \| Haydn \| main title \| mode change \| opening title sequence \| quotation \| title of film
We Are Not Alone (1939)	Frohe Botschaft (Grandioso)	0:00:26 - Book pages showing main cast	altered dominant \| cast list \| familiar tune \| folk song \| German \| hopeful \| main title \| mode mixture \| opening title sequence \| parallel period \| quotation \| suspension
We Are Not Alone (1939)	Heart of Oak	0:01:02 - View of London ("England, 1914")	64 chord \| added-note chord \| bold \| British \| card \| England \| establish location \| familiar tune \| folk song \| London \| march \| pedal tone \| setting
We Are Not Alone (1939)	Surprise Symphony (Glissando)	0:02:20 - David rides his bike home	bicycle \| classical music \| establish character \| familiar tune \| fragmentation \| glissando \| Haydn \| hero \| playful \| quotation \| score to source \| sequence \| source music \| street
We Are Not Alone (1939)	Surprise Symphony (Theme and Variations)	0:02:37 - David enters his home	augmented triad \| classical music \| deceptive resolution \| establish character \| familiar tune \| Haydn \| hero \| home \| playful \| quotation \| scored source music \| source music \| street \| whistling
We Are Not Alone (1939)	Surprise Symphony (Hushed)	0:04:59 - David talks to his son	boy \| child \| classical music \| establish character \| familiar tune \| father \| half-diminished 7th chord \| Haydn \| hero \| home \| hushed \| quotation \| subtle
We Are Not Alone (1939)	Surprise Symphony (Hug)	0:05:14 - David hugs his son	boy \| child \| classical music \| establish character \| familiar tune \| father \| gentle \| Haydn \| hero \| home \| mode mixture \| quotation
We Are Not Alone (1939)	Surprise Symphony (Innocent)	0:06:36 - Gerald runs inside	9th chord \| boy \| child \| classical music \| comforting \| common-tone diminished 7th \| establish character \| familiar tune \| father \| foreign key modulation \| fragmentation \| Haydn \| hero \| home \| innocent \| mode mixture \| nagging \| parallel fifths \| playful \| quotation \| step modulation \| tritone \| Wagner
We Are Not Alone (1939)	Surprise Symphony (Chromatic Shift)	0:09:49 - David puts the cat outside	cat \| classical music \| establish character \| familiar tune \| foreign key modulation \| Haydn \| hero \| office \| playful \| quotation \| step modulation
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:10:16 - Jessica rushes David away	antagonist \| chromatic parallelism \| classical music \| establish character \| familiar tune \| Haydn \| hero \| office \| playful \| quotation
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:10:56 - David visits an injured Leni	chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| gentle \| hero \| heroine \| mode mixture \| quotation \| room \| step modulation
We Are Not Alone (1939)	Surprise Symphony (Not Afraid)	0:11:24 - David sets Leni's wrist	chromatic scale \| classical music \| delicate \| doctor \| establish character \| familiar tune \| foreign key modulation \| fragmentation \| Haydn \| hero \| heroine \| quotation \| room \| somber
We Are Not Alone (1939)	Surprise Symphony (Calm)	0:12:01 - David's treatment is successful	calm \| classical music \| countermelody \| deceptive resolution \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Not in film)	NIF - not in film	classical music \| cut from film \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| pedal tone \| quotation \| room
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Peaceful)	0:12:13 - David's treatment is successful	calm \| chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| hero \| heroine \| mode mixture \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Quasi Rubato)	0:12:46 - David treats Leni's leg	classical music \| doctor \| establish character \| familiar tune \| fragmentation \| gentle \| Haydn \| hero \| heroine \| parallelism \| playful \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Humbly)	0:13:10 - David treats Leni's leg	classical music \| common-tone diminished 7th \| doctor \| establish character \| familiar tune \| fragmentation \| gentle \| Haydn \| hero \| heroine \| hymn-like \| quotation \| room \| sweet
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Tragico)	0:14:05 - Leni talks with David	doctor \| establish character \| familiar tune \| hero \| heroine \| minor-major 7th chord \| quotation \| room \| tragic
We Are Not Alone (1939)	Frohe Botschaft (Tenderly)	0:14:22 - Leni takes off her wig	64 chord \| doctor \| establish character \| familiar tune \| folk song \| German \| hero \| heroine \| pedal tone \| quotation \| room \| tender
We Are Not Alone (1939)	Blue Danube	0:14:52 - Leni says she is from Austria	classical music \| doctor \| establish character \| familiar tune \| hero \| heroine \| mode mixture \| peaceful \| quotation \| room \| Strauss
We Are Not Alone (1939)	Surprise Symphony (Gute Nacht)	0:15:00 - David says goodnight in German to Leni	classical music \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| peaceful \| perfect authentic cadence \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony	0:17:34 - David whistles while helping a patient	classical music \| comical \| diminution \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| office \| on-screen music \| quotation \| source music \| whistling
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:17:49 - Exterior of a British dance hall	ABAC structure \| conflict \| doctor \| familiar tune \| helping \| hero \| heroine \| score to source \| source music \| street \| tense
We Are Not Alone (1939)	As You Walk Down the Strand	0:19:59 - David helps Leni	AABC structure \| advance plot \| calm \| doctor \| familiar tune \| hero \| heroine \| source music \| street
We Are Not Alone (1939)	Poor Old Adam Was My Father	0:20:32 - David talks to Leni by the seaside	ABAC structure \| advance plot \| calm \| doctor \| familiar tune \| hero \| heroine \| source music \| street
We Are Not Alone (1939)	Surprise Symphony (Glissando)	0:22:35 - David rides home on his bike	advance plot \| bicycle \| classical music \| familiar tune \| fragmentation \| glissando \| happy \| Haydn \| hero \| home \| peaceful \| quotation \| sequence \| walking
We Are Not Alone (1939)	Surprise Symphony (Worried)	0:22:57 - David hears Gerald crying	advance plot \| boy \| child \| classical music \| dark \| familiar tune \| father \| fragmentation \| Haydn \| hero \| home \| hurrying \| mode mixture \| quotation \| tense
We Are Not Alone (1939)	Surprise Symphony (Fixing the Lights)	0:23:27 - David tries to fix the lights	11th chord \| advance plot \| boy \| child \| classical music \| familiar tune \| father \| foreign key modulation \| fragmentation \| Haydn \| helping \| hero \| home \| mysterious \| playful \| quotation \| working
We Are Not Alone (1939)	Surprise Symphony (Lighting the House)	0:23:40 - David lights candles in the house	advance plot \| boy \| candle \| child \| chromatic sequence \| classical music \| dissonant bass \| familiar tune \| father \| Haydn \| helping \| hero \| home \| lighting \| positive \| quotation \| working
We Are Not Alone (1939)	Surprise Symphony (Better)	0:23:55 - David puts his son in bed	9th chord \| advance plot \| boy \| calm \| child \| classical music \| conversing \| dark \| familiar tune \| father \| foreign key modulation \| Haydn \| hero \| home \| playing \| quotation \| warm
We Are Not Alone (1939)	Surprise Symphony (Death Bed)	0:24:11 - David discusses death with his son	advance plot \| augmentation \| boy \| child \| classical music \| conversing \| dark \| death \| familiar tune \| father \| Haydn \| hero \| home \| quotation
We Are Not Alone (1939)	Surprise Symphony (Dolce)	0:25:02 - Gerald asks to go with his father on a trip	advance plot \| boy \| child \| classical music \| conversing \| familiar tune \| father \| Haydn \| hero \| home \| mode mixture \| quotation \| sweet \| warm
We Are Not Alone (1939)	Frohe Botschaft (Ethereal)	0:25:12 - David tells his son about his patient, Leni	9th chord \| 64 chord \| advance plot \| boy \| child \| conversing \| familiar tune \| father \| folk song \| German \| hero \| home \| mode mixture \| pedal tone \| quotation \| sweet
We Are Not Alone (1939)	Surprise Symphony (Lullaby)	0:25:36 - David asks his son to help Leni	advance plot \| boy \| child \| classical music \| conversing \| familiar tune \| father \| Haydn \| hero \| home \| pedal tone \| quotation \| sweet
We Are Not Alone (1939)	It's Easy to Be a Lady if You Try	0:25:50 - Gerald and Leni ride a carousel	ABAC structure \| advance plot \| amusement park \| boy \| bright \| carnival \| carousel \| child \| conversing \| familiar tune \| father \| hero \| heroine \| playing \| source music
We Are Not Alone (1939)	Surprise Symphony	0:29:13 - David whistles	advance plot \| cheerful \| classical music \| familiar tune \| Haydn \| hero \| home \| quotation \| source music \| whistling \| wife
We Are Not Alone (1939)	Surprise Symphony (Newspaper)	0:31:52 - David sits and whistles	9th chord \| classical music \| deceptive resolution \| familiar tune \| foreshadowing \| happy \| Haydn \| hero \| home \| ominous \| quotation \| reveal \| transition \| whistling
We Are Not Alone (1939)	Surprise Symphony (Galloping)	0:32:07 - David arrives in a carriage	carriage \| classical music \| familiar tune \| galloping \| happy \| Haydn \| hero \| horse \| quotation \| street \| transition \| traveling
We Are Not Alone (1939)	Frohe Botschaft (Viennese)	0:32:51 - Gerald rushes in to see Leni	11th chord \| advance plot \| boy \| child \| familiar tune \| folk song \| foreign key modulation \| German \| greeting \| heroine \| home \| hugging \| joyful \| lifting \| mickey-mousing \| quotation
We Are Not Alone (1939)	Frohe Botschaft (At the Piano)	0:34:49 - Leni plays and sings	boy \| cheerful \| child \| establish character \| familiar tune \| father \| folk song \| foreign key modulation \| German \| hero \| heroine \| home \| on-screen music \| piano \| playing \| score to source \| singing \| source music \| transcribed by ear
We Are Not Alone (1939)	Frohe Botschaft	0:36:41 - Leni plays the piano	boy \| child \| establish character \| familiar tune \| folk song \| German \| heroine \| home \| on-screen music \| piano \| playing \| source music \| warm
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	0:38:09 - Jessica tells Leni to leave	altered dominant \| antagonist \| chromatic parallelism \| conflict \| conversing \| familiar tune \| folk song \| gentle \| German \| heroine \| home \| quotation \| sinister \| tense \| whole-tone chord
We Are Not Alone (1939)	Frohe Botschaft (Somber)	0:38:52 - Leni reacts	9th chord \| antagonist \| common-chord modulation \| conflict \| conversing \| evaded cadence \| familiar tune \| folk song \| garden \| German \| heroine \| mode mixture \| quotation \| sentimental \| sigh gesture \| somber
We Are Not Alone (1939)	Surprise Symphony (Dark)	0:39:33 - Leni thinks to herself	9th chord \| antagonist \| classical music \| conflict \| dark \| familiar tune \| garden \| Haydn \| heroine \| quotation \| suspension \| thinking
We Are Not Alone (1939)	Surprise Symphony (Expanded)	0:45:36 - Leni hugs Gerald	advance plot \| boy \| child \| chromatic parallelism \| classical music \| dissonant bass \| familiar tune \| Haydn \| heroine \| home \| hugging \| quotation \| room \| sweet
We Are Not Alone (1939)	Frohe Botschaft (Crying)	0:45:45 - Leni kisses Gerald	9th chord \| 64 chord \| advance plot \| antagonist \| boy \| child \| crying \| deceptive resolution \| familiar tune \| folk song \| fragmentation \| German \| heroine \| home \| leaving \| mode mixture \| mother \| quotation \| room \| sequence \| somber \| tritone
We Are Not Alone (1939)	Surprise Symphony (Tragico)	0:47:06 - Jessica gathers clothes for Gerald	advance plot \| antagonist \| boy \| child \| classical music \| conversing \| dark \| familiar tune \| Haydn \| home \| mother \| quotation \| room \| sad \| tragic
We Are Not Alone (1939)	Surprise Symphony (Turbulent)	0:50:14 - Jessica reacts to David's departure	11th chord \| angry \| antagonist \| chromatic parallelism \| classical music \| conflict \| crying \| dark \| familiar tune \| Haydn \| hero \| home \| husband \| leaving \| quotation \| room \| sad \| tragic \| wife
We Are Not Alone (1939)	Frohe Botschaft (Triste)	0:51:10 - David talks to Leni	9th chord \| added-note chord \| advance plot \| conversing \| deceptive resolution \| familiar tune \| folk song \| foreign key modulation \| fragmentation \| German \| hero \| heroine \| home \| quotation \| room \| somber
We Are Not Alone (1939)	Surprise Symphony (Sneaky)	0:51:52 - David goes to bed	added-note chord \| advance plot \| antagonist \| classical music \| cook \| diminution \| familiar tune \| Haydn \| hero \| heroine \| home \| mickey-mousing \| mysterious \| quotation \| room \| sneaking \| somber
We Are Not Alone (1939)	Eine kleine Nachtmusik	0:52:05 - Program for the concert at the party	advance plot \| classical music \| concert \| familiar tune \| home \| joyful \| Mozart \| room \| source music
We Are Not Alone (1939)	Die Krähe	0:52:36 - Leni asks David about his work	advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Schubert \| source music
We Are Not Alone (1939)	Celebre Romance	0:54:24 - Leni asks David for a reference	ABAC structure \| advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Rubinstein \| source music
We Are Not Alone (1939)	Surprise Symphony	0:56:18 - David whistles on his way to breakfast	advance plot \| calm \| classical music \| familiar tune \| Haydn \| hero \| home \| quotation \| room \| whistling
We Are Not Alone (1939)	Celebre Romance	1:01:03 - David plays the violin	advance plot \| antagonist \| classical music \| cook \| familiar tune \| hero \| heroine \| home \| on-screen music \| peaceful \| playing \| romantic \| room \| Rubinstein \| sentence form \| source music \| source to score \| violin
We Are Not Alone (1939)	Celebre Romance (Agitato)	1:01:40 - News of the war	chaotic \| classical music \| conflict \| crowd \| dramatic \| familiar tune \| riot \| Rubinstein \| running \| street \| whole-tone \| whole-tone chord
We Are Not Alone (1939)	Celebre Romance (Accompanied)	1:01:56 - Gerald sneaks inside	boy \| child \| classical music \| common-tone modulation \| familiar tune \| hero \| heroine \| home \| mode mixture \| on-screen music \| peaceful \| pivotal scene \| playing \| romantic \| room \| Rubinstein \| secondary dominant \| source music \| violin
We Are Not Alone (1939)	Agitato	1:02:31 - Crowd presses forward	11th chord \| chaotic \| classical music \| conflict \| conversing \| crowd \| dissonant bass \| dissonant bass \| dramatic \| familiar tune \| riot \| Rubinstein \| street
We Are Not Alone (1939)	Celebre Romance (Accompanied B)	1:02:47 - Gerald accidentally mixes up the contents of two bottles	boy \| child \| classical music \| deceptive resolution \| familiar tune \| hero \| heroine \| home \| linear chromaticism \| mode mixture \| on-screen music \| peaceful \| pivotal scene \| playing \| romantic \| room \| Rubinstein \| source music \| violin
We Are Not Alone (1939)	God Save the King (Violent)	1:05:00 - British mobs in the street	British \| chromatic scale \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Rule, Britannia	1:05:03 - Men attack a German shop	British \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	God Save the King (Angry)	1:05:06 - British mobs in the street	9th chord \| angry \| British \| conflict \| crowd \| diminished 7th chord \| familiar tune \| mode mixture \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Surprise Symphony (Window)	1:05:40 - Susan sees Leni and David in the window	antagonist \| classical music \| conflict \| familiar tune \| Haydn \| quotation \| spying \| street \| tense \| window
We Are Not Alone (1939)	God Save the King	1:09:06 - Mob sings "God Save the King" outside	advance plot \| antagonist \| British \| choral singing \| familiar tune \| home \| mob \| patriotic \| singing \| source music \| source to score \| street
We Are Not Alone (1939)	Surprise Symphony (Dolcissimo)	NIF - not in film	altered dominant \| classical music \| cut from film \| familiar tune \| foreign key modulation \| Haydn \| playful \| quotation
We Are Not Alone (1939)	Surprise Symphony (Allegretto)	1:14:16 - David helps Leni buy a ticket	advance plot \| classical music \| conversing \| familiar tune \| fragmentation \| gentle \| Haydn \| hero \| heroine \| optimistic \| pedal tone \| quotation \| sequence \| sweet \| train station
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
We Are Not Alone (1939)	La Marseillaise	1:15:41 - News bulletins in a window	advance plot \| announcing \| deceptive resolution \| familiar tune \| French \| patriotic \| shop \| sign \| street \| war \| window
We Are Not Alone (1939)	Frohe Botschaft (War Bulletin)	1:22:12 - News bulletins about the trial	advance plot \| announcing \| familiar tune \| fanfare \| folk song \| German \| news \| quotation \| shop \| sign \| street \| tense \| window
We Are Not Alone (1939)	Surprise Symphony (Tense)	1:31:42 - News bulletins about the trial	9th chord \| advance plot \| announcing \| classical music \| dark \| familiar tune \| Haydn \| main theme \| quotation \| shop \| sign \| street \| tense \| window
We Are Not Alone (1939)	Frohe Botschaft (Death Sentence)	1:33:07 - The judge sentences David and Leni to death	9th chord \| common-chord modulation \| conflict \| courtroom \| courtroom scene \| crowd \| dark \| familiar tune \| folk song \| German \| quotation \| reverse picardy \| sentencing \| verdict
We Are Not Alone (1939)	Celebre Romance (Love)	1:37:12 - David and Leni express their love for each other	classical music \| conversing \| familiar tune \| fragmentation \| guard \| hero \| heroine \| love scene \| prison \| quotation \| romantic \| Rubinstein
We Are Not Alone (1939)	Frohe Botschaft (Hopeful)	1:38:41 - David comforts Leni	9th chord \| comforting \| conversing \| familiar tune \| folk song \| German \| hero \| heroine \| love scene \| mode mixture \| pedal tone \| plagal cadence \| prison \| quotation \| somber
We Are Not Alone (1939)	Surprise Symphony (Someday)	1:39:55 - David is hopeful	64 chord \| classical music \| comforting \| conversing \| deceptive resolution \| dream-like \| familiar tune \| foreign key modulation \| gentle \| Haydn \| hero \| heroine \| imagining \| love scene \| prison \| quotation \| sweet
We Are Not Alone (1939)	Surprise Symphony (Semplice)	1:41:10 - Guards help Leni	advance plot \| augmented triad \| classical music \| conversing \| delicate \| familiar tune \| fragmentation \| Haydn \| helping \| hero \| heroine \| lullaby \| prison \| quotation
We Are Not Alone (1939)	Frohe Botschaft (Restful)	1:41:47 - David watches Leni sleep	9th chord \| advance plot \| delicate \| familiar tune \| folk song \| German \| hero \| heroine \| mode mixture \| plagal cadence \| prison \| quotation \| watching
We Are Not Alone (1939)	It's a Long Long Way to Tipperary	1:45:21 - David talks with the guards	advance plot \| familiar tune \| hero \| patriotic \| prison \| source music \| war
We Are Not Alone (1939)	Surprise Symphony (Acceptance)	1:47:27 - David talks to the prison guards	advance plot \| classical music \| familiar tune \| gentle \| Haydn \| hero \| mode mixture \| plagal cadence \| prison \| quotation \| reverse picardy \| sweet
We Are Not Alone (1939)	Surprise Symphony (Whistling)	1:48:34 - David whistles as he thinks	advance plot \| augmentation \| classical music \| deceptive resolution \| familiar tune \| gentle \| Haydn \| hero \| on-screen music \| pedal tone \| prison \| quotation \| score to source \| source music \| sweet \| whistling
We Are Not Alone (1939)	Frohe Botschaft (Ghostly)	1:49:22 - Gerald talks to Susan	antagonist \| boy \| child \| conclusion \| death \| eerie \| familiar tune \| folk song \| German \| home \| ominous \| quotation \| room \| tone cluster
We Are Not Alone (1939)	Surprise Symphony (Ghostly)	1:49:48 - Gerald talks to Susan	antagonist \| boy \| child \| classical music \| conclusion \| death \| eerie \| familiar tune \| Haydn \| home \| ominous \| on-screen music \| quotation \| remembered source music \| room \| source music \| tone cluster \| whistling
We Are Not Alone (1939)	Frohe Botschaft (6th chime)	NIF - not in film	conclusion \| cut from film \| eerie \| familiar tune \| folk song \| fragmentation \| German \| ominous \| quotation \| tone cluster
We Are Not Alone (1939)	Frohe Botschaft (Fading Away)	1:50:19 - Susan looks surprised	antagonist \| boy \| child \| conclusion \| death \| eerie \| familiar tune \| folk song \| fragmentation \| German \| home \| ominous \| quotation \| room \| tone cluster
We Are Not Alone (1939)	Frohe Botschaft (Singing)	1:50:32 - Gerald sings in the tub	9th chord \| 11th chord \| boy \| child \| conclusion \| death \| familiar tune \| folk song \| German \| home \| peaceful \| quotation \| room
We Are Not Alone (1939)	Frohe Botschaft (Singing) + Surprise Symphony	1:50:50 - Gerald sings in the tub	augmented triad \| boy \| child \| classical music \| combination of themes \| conclusion \| death \| familiar tune \| folk song \| German \| Haydn \| home \| mode mixture \| on-screen music \| peaceful \| quotation \| room \| source music \| whistling
We Are Not Alone (1939)	Frohe Botschaft (The End)	1:51:01 - The End	9th chord \| end title sequence \| familiar tune \| folk song \| German \| grand \| home \| mode mixture \| quotation \| room \| suspension \| The End
We Are Not Alone (1939)	Surprise Symphony (The End)	1:51:13 - Closing credits	bold \| classical music \| closing credits \| end title sequence \| familiar tune \| Haydn \| on-screen music \| quotation \| source music \| transcribed by ear \| whistling
High Stakes (1931)	Here Comes the Bride	0:04:05 - Bride walks down the aisle	advance plot \| bride \| calm \| crowd \| establish place \| familiar tune \| source music \| walking \| wedding
Secrets of the French Police (1932)	La Marseillaise	0:00:30 - The title of the film, superimposed on a newspaper illustration	familiar tune \| France \| newspaper \| opening title sequence \| patriotic \| patriotic tune \| self-borrowing \| title of film
Secrets of the French Police (1932)	You're In the Army Now	0:00:35 - The title of the film	familiar tune \| newspaper \| opening title sequence \| patriotic \| patriotic tune \| self-borrowing \| title of film
Secrets of the French Police (1932)	La marseillaise (Distressed)	0:01:00 - Cast list	cast list \| diminished 7th chord \| drumroll \| France \| newspaper \| on-screen music \| opening title sequence \| page turn \| patriotic tune \| source music \| tense
Secrets of the French Police (1932)	Taps	0:02:18 - Taps is played at a military funeral	bugle call \| familiar tune \| funeral \| funeral \| military \| on-screen music \| playing \| somber \| source music
Secrets of the French Police (1932)	Russian National Anthem	0:25:25 - A group of people sing the Russian national anthem	advance plot \| anthem \| balalaika \| familiar tune \| on-screen music \| patriotic \| patriotic tune \| playing \| room \| Russia \| singing
State’s Attorney (1932)	The Sidewalks of New York	0:00:15 - Title and starring list	familiar tune \| opening title sequence \| popular music \| starring list \| title of film \| transcribed by ear \| upbeat
The Phantom of Crestwood (1932)	Auld Lang Syne	0:19:50 - A man sings to himself at the party	advance plot \| drinking \| familiar tune \| on-screen music \| party \| peaceful \| singing \| source music \| transcribed by ear
Before Dawn (1933)	Wedding March	0:59:55 - Two lovers kissing and The End	detective \| familiar tune \| fanfare \| kissing \| leading lady \| leading man \| plagal cadence \| resolution \| romantic \| secondary dominant \| transcribed by ear \| triumphant
Mara Maru (1952)	Sailor's Hornpipe (Con Spirito)	0:55:41 - Gregory enters the boat	bodyguard \| conversing \| familiar tune \| leading man \| light \| preparing \| private eye \| sailor \| ship \| ship \| transition
Half Shot at Sunrise (1930)	You're in the Army Now	0:00:16 - The title of the film over a battlefield	cast list \| opening title sequence \| patriotic \| patriotic tune \| starring list \| title of film \| upbeat

Tag Search Results