Are These Our Children? (1931) | Dreams (Whistling) | 0:03:29 - Eddie walks home | cheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:49:45 - Jonathan follows Dr. Einstein | advance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling |
Arsenic and Old Lace (1944) | When Johnny Comes Marching Home | 0:49:45 - Dr. Einstein spies on Teddy | advance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | Scar (Dark) | 0:50:14 - Jonathan and Dr. Einstein watch Teddy dig | advance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:50:20 - Jonathan and Dr. Einstein talk | advance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling |
City for Conquest (1940) | Peggy runs | 0:47:31 - Peggy runs down the stairs | boxer | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense |
City for Conquest (1940) | Underscoring (Gentle) | 0:55:19 - A taxi approaches | arriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring |
Flamingo Road (1949) | Agitato (Angry) | 1:29:00 - Lane goes to confront Titus | advance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense |
Flamingo Road (1949) | The Girl With the Spanish Drawl | 1:29:10 - Lane arrives at Lute Mae's | arriving | climax | club | dancer | dancing | leady lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat |
In This Our Life (1942) | Underscoring (Tense) + South American Way | 1:25:34 - Stanley reacts | accusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring |
Out of the Fog (1941) | Concert in the Park | 0:01:57 - Goff walks along the dock | arriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker |
The Public Defender (1931) | An Armchair With An Armful of You | 0:15:33 - Waiter takes sandwich to man | advance plot | banker | cheerful | dance music | party | serving | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | Mystery (Note) | 0:16:14 - Man discovers mysterious note in sandwich | advance plot | augmented triad | banker | chromaticism | discovery | dramatic | eating | mysterious | mystery | party | pc set | sandwich | source and scoring overlap | transcribed by ear | waiter |
The Public Defender (1931) | An Armchair With An Armful of You | 0:16:29 - Dance music played at a dinner party | advance plot | banker | cheerful | dance music | discovery | mystery | party | reacting | source and scoring overlap | source music | transcribed by ear | waiter |
Beyond the Forest (1949) | Lewis (Moderato Quasi Rubato) | 0:42:23 - Lewis talks to some men | advance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm |
Beyond the Forest (1949) | Chicago | 0:43:37 - Rosa sews | advance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife |
Her Kind of Man (1946) | Bulletin Board | 0:32:45 - Don leaves | bluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat |