| All This, and Heaven Too (1940) | Falling Snow | 1:12:39 - Henriette watches the falling snow | advance plot | conversing | duke | governess | leading lady | leading man | mickey-mousing | point-of-view shot | room | snow | snow globe | snowing | uneasy |
All This, and Heaven Too (1940) | Henriette (Sad Waltz) | 1:12:55 - Henriette watches the people dancing | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | point-of-view shot | room | somber | watching |
All This, and Heaven Too (1940) | Underscoring (Dramatic) | 1:13:19 - Henriette watches the falling snow | advance plot | arriving | butler | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | point-of-view shot | room | underscoring | watching |
All This, and Heaven Too (1940) | The Duchess (Con Moto) | 1:13:45 - Henriette watches the Duke and Duchess | advance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | watching |
All This, and Heaven Too (1940) | Desperation (Dark) | 1:13:56 - Henriette watches the Duke leaving | advance plot | dark | duke | leading man | leaving | point-of-view shot | room | watching |
All This, and Heaven Too (1940) | Desperation (Sempre Accelerando | 1:20:39 - The Duke and Duchess argue | arguing | conflict | desperate | duchess | duke | leading lady | leading man | panning shot | room | screaming | tense | threatening |
| The Amazing Dr. Clitterhouse (1938) | Camera panning | 0:51:39 - Camera pans to the watchman | anxious | dramatic | guard | mickey-mousing | panning shot | robbery | store | tense | waking |
The Amazing Dr. Clitterhouse (1938) | Rocks (Dead) | 1:11:10 - Rocks's mugshot and fingerprints | dark | fingerprints | investigating | montage | morgue | mortician | mug shot | murder | police | tense |
| Angels With Dirty Faces (1938) | The Gangster (Fingerprints) | 0:06:17 - Montage of juvenile detention and prison life | digging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working |
| Beyond the Forest (1949) | Rosa (Slower) | 0:39:05 - Rosa in bed | advance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife |
| City for Conquest (1940) | Sidewalks of New York (Montage) | 0:02:18 - A montage of New York City scenes | added-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train |
City for Conquest (1940) | Tone Poem A (Tutti) | 1:33:02 - Peggy watches from the audience | 9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in |
| Crime School (1938) | Sue | 0:00:37 - Mugshots of main characters | blues | bluesy | main title | mode mixture | mug shot | opening title sequence | parallelism | starring list |
| Each Dawn I Die (1939) | Each Dawn B (Montage) | 1:03:40 - Newspaper headlines are shown | artwork in score | common-tone diminished 7th | dissonant bass | mickey-mousing | montage | montage | newspaper | panning shot | tragic |
| Her Kind of Man (1946) | Water | 1:17:41 - Steve's corpse | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife |
| The Informer (1935) | The Wearin' o' the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | 64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
| The Letter (1940) | Native | 0:01:21 - Men sleeping in hammocks | Dorian mode | dripping | establish location | exoticism | gamelan | gunshot | Indonesian music | melodic cell | mysterious | native | on-screen music | panning shot | pentatonic | plantation | playing music | quintal chord | setting | Singapore | sleeping |
The Letter (1940) | Leslie (Guilty) | 1:19:41 - The full moon on a dark night | dramatic | moon | oscillation | panning shot | pedal tone | plantation | suspension | transition |
The Letter (1940) | Native (Climactic) | 1:30:42 - Leslie walks through her garden | climax | crying | Dorian mode | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking |
| Out of the Fog (1941) | Underscoring (Dramatic) | 0:49:39 - Goff stops Jonah | conflict | conversing | criminal | dark | dramatic | extortion | father | fisherman | leading man | mickey-mousing | panning shot | stinger | street | threatening | underscoring | violence | walking | weapon |
Out of the Fog (1941) | Father and Daughter (Tender) | 0:51:32 - Maps of Cuba | advance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense |
Out of the Fog (1941) | Speeding Car | 1:12:30 - A car racing down the street | action scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense |
Out of the Fog (1941) | Speeding Car | 1:13:32 - A car racing down the street | action scene | car | crowd | double exposure | dramatic | driving | leading lady | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense |
| The Unfaithful (1947) | Beverly Hills | 0:01:00 - Cars driving down road in Beverly Hills | Beverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over |
The Unfaithful (1947) | Beverly Hills (Leggiero) | 0:01:10 - Focus on one car as it pulls into a driveway | Beverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over |
| The Woman in White (1948) | Fosco (Spying) | 0:31:31 - Fosco spies on Laura and Walter | advance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching |
The Woman in White (1948) | Asylum (Dolce) | 1:09:46 - Laura senses someone in the room | advance plot | appearing | calm | conversing | headache | illness | leading lady | pain | room | superimposed shot | victim |
The Woman in White (1948) | Ann (Poco Agitato) | 1:09:55 - The woman in white talks to Laura | advance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim |
The Woman in White (1948) | Appearing | 1:10:28 - The woman in white disappears | advance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim |
| Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles (Dream Sequence) | 0:39:59 - Bob (Bat) pulls a gun on Grace | augmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:40:17 - Grace is shot | AABA structure | cheerful | common-tone diminished 7th | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim |
| Without Honor (1949) | Tragic (Lento) | 0:01:23 - Shot of a valley | establish setting | panning shot | peaceful | valley | voice-over |
| The Most Dangerous Game (1932) | The Chase (Running) + The Iron Door | 0:54:08 - Bob runs through the jungle | chase scene | chasing | close-up | combination of themes | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Running) | 0:54:15 - A close-up on Zaroff | chase scene | chasing | close-up | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
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