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1119 results for "scene" in 45 films — see also exposure | photograph | picture | set | setting | shot | view

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Prayer0:36:36 - The Abbe prays for Raynaldchild | common-chord modulation | duke | governess | hymn-like | illness | leading lady | leading man | parallelism | praying | priest | religious scene | room | sequence | somber

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayeradded-note chord | child | chromatic scale | chromatic wedge | conversing | deceptive resolution | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | common-chord modulation | doctor | duchess | illness | leading lady | mode mixture | religious scene | room | syncopation | tense

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | chromatic sequence | crying | despair | duchess | foreign-key modulation | leading lady | mad scene | on-screen text | room | sequence | sequential modulation | writing

All This, and Heaven Too (1940)

Desperation0:39:54 - The Duchess writes a letterangry | chromatic scale | crying | despair | duchess | leading lady | mad scene | on-screen text | parallelism | room | writing

All This, and Heaven Too (1940)

Rushing0:40:15 - The Duchess rushes to the Abbeangry | arguing | augmented triad | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room | turn figure

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchess9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | chromatic scale | chromatic sequence | crying | despair | dissonant pass | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the window9th chord | bright | child | conversing | duke | foreign-key modulation | governess | half-diminished 7th chord | hopeful | illness | illness scene | leading lady | leading man | room | sequence | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the window64 chord | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Rushing 20:43:14 - The Duchess rushes into the roomarguing | child | duchess | duke | governess | half-diminished 7th chord | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing

All This, and Heaven Too (1940)

Desperation (Furioso)0:43:28 - The Duchess rushes out of the roomangry | child | despair | dissonant bass | duchess | duke | governess | hurrying | illness | illness scene | leading lady | leading man | leaving | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald (Carriage)0:46:53 - Horses pulling a carriage64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign-key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic music | regal | source music | theater | watching

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

Air pour La Jeunesse0:51:43 - A montage of people applaudingaudience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfduke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Triste1:28:51 - Henriette talks about a mysteryduke | falling in love scene | governess | leading lady | leading man | room | somber | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Dukeconversing | duke | falling in love scene | gentle | governess | leading lady | leading man | romantic | room | sweet

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Dukeconversing | duke | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henrietteconversing | duke | governess | leading lady | leading man | love scene | palace | reassuring | romantic | stinger | tender

All This, and Heaven Too (1940)

Henriette (Expressivo)1:32:32 - Henriette enters the palacegoverness | leading lady | love scene | ominous | palace | somber | walking

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukeconversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukeconversing | desperate | duke | governess | leading lady | leading man | love scene | romantic | room

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukeconversing | duke | gentle | governess | leading lady | leading man | love scene | room | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the childrenchild | conversing | farewell scene | gentle | governess | leading lady | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | conversing | crying | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the childrenarriving | child | duke | grand | greeting | leading lady | leading man | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henriettecheerful | child | conversing | leading lady | pleasant | reunion scene | room

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossipingduke | gossiper | gossiping | harsh | landlady | leading man | reunion scene | room | tense | watching

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

The Murder1:51:56 - The Duke advances towards the Duchessapproaching | blur | climax | dark | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | room | strangling

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Dying (Molto Expressivo)2:14:46 - The Duke talks to Pierrecaretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber

All This, and Heaven Too (1940)

Henriette (Confession of Love)2:15:34 - The Duke confesses his lovecaretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber
The Amazing Dr. Clitterhouse (1938)Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Sanctus0:09:13 - Church interior with boys singing in a choir loftboys choir | church | conducting | gangster | leading man | music scene | nun | on-screen music | organ | priest | religious | serious | singer | singing | solemn | source music

Angels With Dirty Faces (1938)

In My Merry Oldsmobile0:12:55 - Rocky and Jerry singingcheerful | church | gangster | hymn | laughing | leading man | music scene | on-screen music | popular music | priest | singing | source music

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

Foxtrot1:02:20 - Rocky and Laury look out the windowadded-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting

Are These Our Children? (1931)

Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Moonbeams0:25:39 - Eddie dances with Floadded-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:40:40 - The boys leave the scene of the crimefriend | leading man | murderer | murder scene | nervous | singing | source music | street | walking

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music
Arsenic and Old Lace (1944)Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineadded-note chord | aunt | bride | cemetery | conversing | deceptive resolution | driver | familiar tune | flirting | fragmentation | groom | hurrying | leading lady | leading man | love | love scene | pump-up modulation | rushed | rushing | sequence | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemetery64 chord | bride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious | suspension

Arsenic and Old Lace (1944)

Chasing0:14:48 - Mortimer chases Elaine around a treebride | cemetery | chasing | comical | flirting | groom | leading lady | leading man | love | love scene | mickey-mousing | secondary dominant

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the window64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elaine64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kiss64 chord | bride | cemetery | conversing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkadded-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kiss64 chord | bride | cemetery | embracing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talk64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Chasing0:16:31 - Elaine runs offbride | groom | hurrying | leading lady | leading man | light | love | love scene | running | secondary dominant | street

Arsenic and Old Lace (1944)

Here Comes the Bride0:16:37 - Elaine whistlesbride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating 2)NIF - not in filmadded-note chord | cut from film | deceptive resolution | familiar tune | fragmentation | love scene | pump-up modulation | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride0:17:02 - Mortimer whistlesaunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling
Beyond the Forest (1949)Chicago (Agitato Molto Marcato)0:55:48 - Rosa runs through the streetsagitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense

Beyond the Forest (1949)

Rosa (Molto Tranquillo)0:57:36 - Lewis opens the doorarriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife

Beyond the Forest (1949)

Lewis (Tender)0:58:28 - Lewis takes care of Rosacalm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife

Beyond the Forest (1949)

Whisper While You’re Waltzing1:01:34 - People at a partyconversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife

Beyond the Forest (1949)

For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

The Arkansas Traveler1:02:55 - Folk musicianscrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Portland Fancy1:03:11 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Devil’s Dream1:03:26 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Little Brown Jug1:03:57 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Chicago (Ominous)1:10:01 - Rosa puts down the binocularsaiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim

Beyond the Forest (1949)

Rosa (Ominous)1:10:14 - Rosa aims her gunaiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Hurrying (Fleeing)1:19:50 - Rosa leaps out of the caraction scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed

Beyond the Forest (1949)

Leaping1:19:56 - Rosa leaps off of a cliffaction scene | canyon | jumping | leading lady | murderer | runaway | rushed

Beyond the Forest (1949)

Rosa (Broadly)1:19:57 - Rosa rolls down a hillaction scene | canyon | dark | dramatic | falling | jumping | leading lady | leading man | murderer | runaway | tense

Beyond the Forest (1949)

Rosa (Agitato Misterioso)1:22:49 - Rosa in bedagitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Rosa (Fever)1:23:41 - The maid sweepingbleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking

Beyond the Forest (1949)

Chicago1:27:10 - Rosa sings to herselfdelirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music

Beyond the Forest (1949)

Chicago (Echo Chambre)1:28:20 - Rosa prepares to leaveangry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling

Beyond the Forest (1949)

Chicago (She Walks Down)1:29:25 - Rosa walks down the stairsclimax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling

Beyond the Forest (1949)

Sawmill1:29:51 - Rosa opens the dooragitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa (Stumbling)1:30:10 - Rosa struggles to her feetclimax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking

Beyond the Forest (1949)

Rosa (Fever 2)1:30:23 - Rosa stumbles forwardclimax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train1:30:52 - A locomotiveagitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Chicago1:31:21 - Rosa stumbles towards the trainclimax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking

Beyond the Forest (1949)

Chicago1:31:26 - The train leaves the stationagitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
The Big Sleep (1946)Waiting0:18:15 - Marlowe talks to lady in bookstoreadded-note chord | altered dominant | book shop | chromatic scale | conversing | leading man | love interest | love scene | mode mixture | mysterious | oscillation | private eye | romantic

The Big Sleep (1946)

Marlowe 20:19:47 - Marlowe spies on the housecar | chromatic scale | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | waiting

The Big Sleep (1946)

Running0:20:06 - Carmen runs to Geiger's housechromatic parallelism | dissonant bass | femme fatale | investigation scene | mysterious | rain | running | street | tense

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | pedal tone | private eye | rain | street | tense | walking

The Big Sleep (1946)

Carmen0:20:39 - Marlowe sees Carmen's name on the car registrationcar | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | name on screen | oscillation | private eye | rain | street | tense | whole-tone chord

The Big Sleep (1946)

Action0:21:04 - Marlowe runs to the houseaction scene | antagonist | chromatic parallelism | chromatic scale | chromatic sequence | chromatic wedge | diminished 7th chord | dramatic | hurrying | leading man | pc set | private eye | running | street | tense | underscoring

The Big Sleep (1946)

Running down0:21:13 - Feet running down the stairsaction scene | antagonist | chromatic parallelism | chromatic scale | descending | dramatic | half-diminished 7th chord | hurrying | mickey-mousing | running | street | tense

The Big Sleep (1946)

Marlowe (Heroic)0:21:28 - Marlowe enters the house9th chord | action scene | breaking in | heroic | inversion | leading man | private eye | running | street

The Big Sleep (1946)

Underscoring (Mysterious)0:23:44 - Marlowe investigates the crime scenechromatic scale | investigating | investigation scene | leading man | mysterious | private eye | room | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:23:56 - Marlowe investigates the crime scenealtered dominant | augmentation | investigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | snapping | thinking

The Big Sleep (1946)

Underscoring (Mysterious)0:24:05 - Marlowe advanceschromatic scale | investigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | searching | whole-tone chord

The Big Sleep (1946)

Underscoring (Mysterious)NIF - not in filmadded-note chord | alternation | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | leading man | mickey-mousing | mysterious | private eye | room | searching | underscoring | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Water runningNIF - not in filmdeleted scene | deleted scene | faucet | flowing | half-diminished 7th chord | investigating | investigation | leading man | mickey-mousing | mysterious | oscillation | private eye | room | searching | water

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmclue | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | key | leading man | mysterious | oscillation | private eye | room | searching | tense | whole-tone chord

The Big Sleep (1946)

Walking (Extended)NIF - not in filmdeleted scene | deleted scene | foreign key modulation | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)NIF - not in filmadded-note chord | deleted scene | deleted scene | dramatic | investigating | investigation | leading man | private eye | room | searching | sequential modulation | tense

The Big Sleep (1946)

Underscoring (Dramatic)NIF - not in filmdeleted scene | deleted scene | diminished 7th chord | dramatic | investigating | investigation | leading man | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Mysterious)0:24:09 - Marlowe searches for cluesinvestigating | investigation scene | leading man | mysterious | pc set | private eye | room | searching | secret code | whole-tone chord

The Big Sleep (1946)

Turning page0:24:20 - Marlowe turns the page in the code bookchromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | searching | secret code | turning | whole-tone chord

The Big Sleep (1946)

Carmen (Foreboding)0:24:22 - Marlowe sees the name Sternwood in a code bookadded-note chord | clue | foreboding | investigating | investigation scene | leading man | name on screen | private eye | room | searching | secret code

The Big Sleep (1946)

Marlowe (Thinking)0:24:26 - Marlowe tries to solve the mysteryadded-note chord | chromatic parallelism | chromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | secret code | thinking

The Big Sleep (1946)

Marlowe (Risoluto)0:24:39 - Marlowe searches for cluesadded-note chord | chromatic parallelism | fragmentation | investigating | investigation scene | leading man | private eye | resolved | room | searching

The Big Sleep (1946)

Underscoring (Dramatic)0:24:57 - Dead body on the floorcorpse | death | dramatic | femme fatale | investigating | investigation scene | leading man | private eye | room | searching | stinger | tense | underscoring

The Big Sleep (1946)

Carmen (Drugged)NIF - not in filmdeleted scene | femme fatale | helping | investigation | leading man | mysterious | oscillation | ostinato | private eye | room | tense | tritone oscillation | whole-tone chord

The Big Sleep (1946)

Turns light offNIF - not in filmdeleted scene | femme fatale | investigation | leading man | light | light switch | mysterious | private eye | room | tense | turning off | whole-tone chord

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | chromatic mediant | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe arrives at Carmen's housearriving | butler | departing | dissonant bass | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | parallelism | pedal tone | private eye | reused recording | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadded-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Hurrying0:27:25 - Marlowe goes back to Geiger's housechromatic sequence | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | parallelism | private eye | street | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:27:44 - Marlowe returns to the scene of the crimearriving | investigating | investigation scene | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe 2 (Blood Stain)0:27:54 - Marlowe discovers that the body is missing11th chord | chromatic scale | investigating | investigation scene | leading man | private eye | room | tense

The Big Sleep (1946)

Marlowe (Sneaking)0:28:16 - Marlowe investigates the crime scenedark | dissonant bass | investigating | investigation scene | leading man | mysterious | private eye | room | sneaking | tritone

The Big Sleep (1946)

EnteringNIF - not in filmarriving | augmented sixth chord | deleted scene | entering | gentle | leading man | not in score | parallel 63s | parallelism | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmadded-note chord | arriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Marlowe (Ear Music)0:38:26 - Marlowe talks with Agnesarguing | book shop | chromatic scale | fragmentation | investigation scene | leading man | private eye | secretary | tense | whole-tone chord

The Big Sleep (1946)

Hurrying0:38:45 - Marlowe walks to a cabcar | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab driver9th chord | car | car | chromatic scale | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Station Wagon0:39:16 - Marlowe follows a station wagoncar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Walking 20:39:25 - Marlowe walks to the househalf-diminished 7th chord | investigating | investigation scene | leading man | mysterious | pc set | private eye | street | tense | walking

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabfragmentation | hurrying | investigation scene | leading man | mysterious | parallelism | private eye | sequence | street | tense | walking

The Big Sleep (1946)

Girl Driver0:39:53 - Marlowe pays the lady cab driverbluesy | chromatic parallelism | chromatic sequence | flirting | investigation scene | leading man | love interest | private eye | seductive | street

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his car9th chord | car | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | ostinato | private eye | street | tense | waiting

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildingchromatic parallelism | dissonant bass | hurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | common-chord modulation | determined | fragmentation | heroic | investigating | investigation scene | leading lady | leading man | parallel 63s | parallelism | private eye | sequence | stairs | street | walking

The Big Sleep (1946)

Underscoring (Mysterious)0:48:15 - Marlowe talks to Joe Brodyblackmailer | chromatic parallelism | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:48:55 - Joe pulls a gun on Marlowealtered dominant | augmentation | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Running out0:56:36 - Marlowe runs after the killerassassin | chase scene | chasing | chromatic scale | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger

The Big Sleep (1946)

Down the Stairs + The Chase + Marlowe (Action)0:56:39 - Marlowe chases the killerassassin | chase scene | chasing | chromatic parallelism | chromatic scale | descending | dissonant bass | dramatic | gun | gunshot | heroic | layering | leading man | murderer | private eye | room | running | stairs | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:56:54 - Killer shoots at Marloweassassin | chase scene | chasing | chromatic scale | dramatic | leading man | murderer | pc set | private eye | running | shooting | street | tense | underscoring | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his car64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | chromatic scale | dissonant bass | driving | gun | hiding | leading man | murderer | ostinato | private eye | pursuing | street | syncopation | tense

The Big Sleep (1946)

Marlowe (Misterioso)0:59:14 - Marlowe ties up Carolassassin | corpse | dark | half-diminished 7th chord | investigating | investigation scene | leading man | murderer | mysterious | pc set | private eye | room | rope | stinger | tying up

The Big Sleep (1946)

Marlowe (Ear Business)0:59:42 - Marlowe pulls on his earadded-note chord | corpse | fragmentation | investigating | investigation scene | leading man | mysterious | private eye | room | thinking

The Big Sleep (1946)

Marlowe 2 (Dialing)0:59:47 - Marlowe walks to the phonecalling | chromatic scale | corpse | dialing | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | private eye | room | spinning | tense

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantABACA structure | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays MarloweAABA structure | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | chromatic parallelism | chromatic scale | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | fragmentation | half-diminished 7th chord | leading lady | leading man | love interest | love scene | private eye | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | chromatic parallelism | half-diminished 7th chord | leading lady | leading man | love interest | love scene | pedal tone | private eye | tense | underscoring

The Big Sleep (1946)

Walking (Interrupted)1:22:27 - Marlowe walks down the streetinvestigating | investigation scene | leading man | parallelism | pedal tone | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)1:22:38 - Marlowe looks at car registrationadded-note chord | investigating | investigation scene | leading man | mysterious | private eye | punching | sequence | street | tense

The Big Sleep (1946)

Walking (Hesitant)1:26:55 - Marlowe walks into a buildingfragmentation | hallway | investigation scene | leading man | neutral | pain | parallelism | pedal tone | private eye | sequential modulation | walking

The Big Sleep (1946)

Jones (Eavesdropping)1:27:22 - Marlowe hears Jones talking to someonechromatic parallelism | eavesdropping | hallway | investigation scene | leading man | mysterious | parallelism | pedal tone | private eye | sneaking | tense

The Big Sleep (1946)

Glass drops1:29:49 - Jones drops his glassbreaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent

The Big Sleep (1946)

Jones falls1:29:50 - Jones falls and dieschromatic parallelism | death | death scene | dying | falling | leading man | major 7th chord | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent

The Big Sleep (1946)

Underscoring (Tense)1:30:01 - Marlowe investigates the crime scenedark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone calladded-note chord | bold | conversing | death scene | fragmentation | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | pc set | phone call | private eye | room | tense | underscoring | victim | whole-tone chord

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone call9th chord | altered dominant | chromatic parallelism | conversing | death | death scene | half-diminished 7th chord | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Jones (Dolce)1:31:04 - Marlowe sits down on the couchchromatic parallelism | death | death scene | leading man | mourning | parallelism | pedal tone | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Marlowe gets up to answer the phoneadded-note chord | conversing | death scene | informer | leading man | mysterious | pedal tone | phone call | private eye | room

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | pc set | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Jones (Triste)1:32:02 - Marlowe leaves the officedeath scene | informer | leading man | mourning | mysterious | parallelism | pedal tone | private eye | room | somber

The Big Sleep (1946)

Door slam1:33:12 - Marlowe closes the car doorclosing | half-diminished 7th chord | hurried | informer | leading man | mickey-mousing | private eye | slamming | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a caradded-note chord | car | driving | hurried | leading man | parallelism | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:33:20 - Marlowe backs the car upcar | driving | leading man | private eye | street | tense | traveling scene | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingadded-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Dramatic)1:33:37 - Marlowe looks at sign9th chord | altered dominant | car | dramatic | investigating | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off the roadcar | chromatic scale | driving | fragmentation | hurried | leading man | private eye | sequence | street | tense | traveling scene

The Big Sleep (1946)

He skids1:33:53 - Marlowe's car skids to a stopcar | chromatic scale | leading man | mickey-mousing | private eye | skidding | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | half-diminished 7th chord | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room | whole-tone chord

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | chromatic parallelism | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | chromatic scale | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his car9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord

The Big Sleep (1946)

Marlowe (Hiding)1:41:50 - Marlowe crouches behind a caraction scene | criminal | hiding | leading man | mysterious | outside | private eye

The Big Sleep (1946)

Underscoring (Tense)1:41:55 - Thug looks for Marloweaction scene | criminal | diminished 7th chord | outside | sneaking | tense | underscoring

The Big Sleep (1946)

Marlowe (Shoots)1:42:07 - Marlowe shoots off to the sideaction scene | gun | gunshot | leading man | outside | private eye | shooting | tense

The Big Sleep (1946)

Running and jumping1:42:10 - Man runs awayaction scene | chromatic scale | criminal | fear | jumping | mickey-mousing | outside | running | tense

The Big Sleep (1946)

Marlowe (Echo)1:42:20 - Canino shoots at Marloweaction scene | criminal | gun | gunshot | half-diminished 7th chord | hiding | leading man | outside | private eye | shooting | tense

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostage64 chord | action scene | criminal | hostage | leading lady | leading man | love interest | ostinato | ostinato | outside | private eye | tense | tritone oscillation | walking

The Big Sleep (1946)

Underscoring (Dramatic)1:43:17 - Canino shootsaction scene | criminal | dramatic | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | shooting | underscoring

The Big Sleep (1946)

Marlowe rises1:43:19 - Marlowe risesaction scene | criminal | dramatic | hostage | leading lady | leading man | love interest | outside | pc set | private eye | rising

The Big Sleep (1946)

Canino's Death1:43:22 - Canino is shotaction scene | chromatic parallelism | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | mirroring | outside | pc set | private eye | retrograde | stumbling | tense

The Big Sleep (1946)

Underscoring (Tense)1:43:35 - Marlowe gets the keys to the handcuffsaction scene | chromatic parallelism | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | pc set | private eye | tense | underscoring | whole-tone | whole-tone chord

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | distortion | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense
Caged (1950)Underscoring (Tense)NIF - not in filmbed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | tense | underscoring

Caged (1950)

MadnessNIF - not in filmagitated | bed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | standing

Caged (1950)

Train Whistle HallucinationNIF - not in filmagitated | bed | breaking | crazy person | crying | cut from film | dramatic | glass | hallucinating | leading lady | mad scene | prison | prisoner | screaming | smashing

Caged (1950)

Caged (Not in Film)NIF - not in filmbed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | prison | prisoner

Caged (1950)

WailingNIF - not in filmagitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | prison | prisoner | wailing

Caged (1950)

Wailing + Train Whistle HallucinationNIF - not in filmagitated | bed | combination of themes | crazy person | crying | crying effect | cut from film | dramatic | glass | leading lady | mad scene | prison | prisoner | rushing | unlocking | wailing

Caged (1950)

Wailing (Ominous)NIF - not in filmbed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | prison | prisoner | wailing

Caged (1950)

AgitatoNIF - not in filmagitated | cut from film | mad scene | prison

Caged (1950)

June (Dead)0:43:38 - Shot of June's hanging bodydark | death | death scene | friend | hanging | harsh | leading lady | prison | prisoner | suicide

Caged (1950)

Crying (Poco Agitato)0:44:27 - Mrs. Benton pacesbaby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | pacing | prison | prisoner | tense | uneasy | walking | warden

Caged (1950)

Marie (Tragic)0:44:36 - Mrs. Benton pacesbaby | childbirth | doctor | infirmary | leading lady | operation scene | pacing | prison | prisoner | tense | uneasy | warden | worrying

Caged (1950)

Marie0:44:54 - The doctor washes upbaby | childbirth | cleaning | conversing | doctor | infirmary | leading lady | operation scene | prison | prisoner | solemn | warden
City for Conquest (1940)Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downAABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with MurrayAABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat

City for Conquest (1940)

Jalousie0:20:39 - Danny sitting at a tableABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:21:28 - Peggy dances with MurrayABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with MurrayABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Fanfare0:22:58 - A trophy is brought outaward | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:23:07 - Close-up of LilyABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Tone Poem A (Grazioso)0:30:04 - Danny shavesaltered dominant | common-chord modulation | conversing | delicate | fragmentation | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A (Dolce)0:30:28 - Peggy talks to Danny9th chord | 11th chord | arguing | chromatic parallelism | common-chord modulation | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Peggy pokes Danny0:30:47 - Peggy pokes Danny11th chord | flirting | leading lady | leading man | love scene | mickey-mousing | playful | room | shaving | teasing

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | common-tone modulation | conversing | diminished 7th chord | flirting | leading lady | leading man | love scene | parallelism | playful | room | shaving

City for Conquest (1940)

Tone Poem A (Expressivo)0:31:00 - Peggy apologizes to Danny9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boat9th chord | boat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Waltz)0:31:48 - Peggy and Danny talk about the future9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | chromatic sequence | conversing | dark | leading lady | leading man | love scene | major 7th chord | octatonic | somber

City for Conquest (1940)

I'm Just Wild About Harry (Foxtrot)0:33:35 - Peggy starts to leave9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Dolcissimo)0:34:02 - Danny talks with Peggy9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | chromatic parallelism | chromatic sequence | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A (Simplice)0:48:06 - Danny talks to Peggy9th chord | 13th chord | boxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A (Walking)0:48:32 - Danny and Peggy walk down the street11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Tone Poem A (Molto Expressivo)0:48:44 - Danny talks with Peggy9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approaches11th chord | appoggiatura | arriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street

City for Conquest (1940)

Mysterioso1:13:36 - Googi leaves augmented triad | chromatic parallelism | criminal | gangster | leaving | locker room | manager | murder scene | mysterious | parallelism | whole-tone

City for Conquest (1940)

Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill

City for Conquest (1940)

Tone Poem A (Ominous)1:14:02 - Googi talks with the boxing managers9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Shooting and dying1:14:23 - Googi shoots Dutchcar | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense

City for Conquest (1940)

Googi (The Car)1:14:32 - Googi threatens Cobbcar | car | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening | trill

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercyaugmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Underscoring (Tense)1:14:48 - Googi threatens Cobbcar | car | chromatic parallelism | chromatic scale | criminal | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Slap1:14:53 - Googi slaps Cobbcar | car | chromatic parallelism | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | pc set | slapping | tense

City for Conquest (1940)

Tone Poem A (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working

City for Conquest (1940)

Gun falls1:15:13 - A gun falls to the groundcar | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working

City for Conquest (1940)

Kicks body1:15:22 - Googi kicks the body into the waterchromatic scale | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Throws gun away1:15:30 - Googi throws a gun in the watercriminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing

City for Conquest (1940)

Googi dies1:15:34 - Googi is shotchromatic parallelism | criminal | dock | dying | falling | gangster | gun | gunshot | half-diminished 7th chord | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense

City for Conquest (1940)

Tone Poem A (Death)1:15:39 - Googi diescriminal | diminished 7th chord | dissonant bass | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense

City for Conquest (1940)

Tone Poem Introduction1:32:01 - Orchestra playing in a concert hall9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching

City for Conquest (1940)

Tone Poem A1:32:32 - Violins playing9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem Transition 11:33:15 - The conductor9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem B1:33:32 - The wind section plays9th chord | added-note chord | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Mixolydian mode | musician | on-screen music | orchestra | ostinato | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Train Whistle1:33:40 - The wind section playsadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Transition 21:33:48 - Orchestra playing9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Introduction (Abbreviated)1:34:01 - Orchestra playing9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching

City for Conquest (1940)

Tone Poem CNIF - not in film9th chord | bluesy | concert scene | countermelody | cut from film | enharmonic modulation | enharmonic respelling | mode mixture | sus chord

City for Conquest (1940)

Tone Poem Transition 3NIF - not in filmacceleration | bold | chromatic parallelism | chromatic sequence | concert scene | cut from film | diminution | dominant 7th chord | exciting | foreign key modulation | fragmentation | polyrhythm

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem DNIF - not in film9th chord | AABA structure | added-note chord | altered dominant | blue note | bluesy | chromatic parallelism | chromatic sequence | concert scene | countermelody | cut from film | mode mixture | parallelism

City for Conquest (1940)

Tone Poem Transition 1 (Abbreviated)1:35:34 - Harp playing in the orchestraadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | musician | on-screen music | orchestra | playing | source music

City for Conquest (1940)

Tone Poem B1:35:43 - Danny listens to the radio9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching

City for Conquest (1940)

Tone Poem Train Whistle1:35:50 - Danny listens to the radioadded-note chord | bold | concert | concert scene | dissonant bass | excited | fragmentation | Gershwinesque | leading man | listening | on-screen music | pc set | pump-up modulation | radio | source music | street

City for Conquest (1940)

Tone Poem Transition 2 (Allargando)1:35:58 - Orchestra playing in the concert hallaudience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem Introduction (Abbreviated 2)1:37:08 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Coda)1:37:16 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Beoootiful)1:40:11 - Danny working at his newsstand9th chord | 11th chord | blur | conversing | dissonant bass | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | tone cluster | victim | whole-tone chord

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim
Crime School (1938)The Boiler Room0:54:27 - Boys talk about stoking the boileraction scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working

Crime School (1938)

Gangster Blues (Mechanical)0:54:46 - Boys get to work13th chord | action scene | added-note chord | altered dominant | boiler room | coal | danger | fire | fire | frantic | gang | gauge | heat | hurrying | mechanical | reformatory | sequence | shoveling | smoke | teenager | temperature | temperature | working

Crime School (1938)

Temperature rising0:54:53 - Close up of rising temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | rising | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature stable0:55:07 - Close up of stable temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature oscillating0:55:28 - Close up of oscillating temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling

Crime School (1938)

Kids running down0:56:17 - Kids run down stairsaction scene | chromatic parallelism | down | dramatic | mickey-mousing | polychord | quartal chord | reformatory | running | stairs | teenager

Crime School (1938)

Whistle0:56:27 - Close up of whistleaction scene | alarm | blowing | dramatic | mickey-mousing | reformatory | sounding | tone cluster | whistle

Crime School (1938)

Running around0:56:37 - Boys run out of the buildingaction scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker

Crime School (1938)

Fireman0:56:46 - Boiler room worker orders kids backaction scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Going down0:57:05 - Mark descends into the boiler roomaction scene | descending | dramatic | hero | leading man | mickey-mousing | reformatory | stairs | teenager | tense

Crime School (1938)

Temperature rising 20:57:12 - The temperature gauge risesaction scene | altered dominant | boiler room | chromatic parallelism | danger | dramatic | gauge | heat | hero | leading man | mickey-mousing | reformatory | rising | teenager | temperature | tense

Crime School (1938)

Explosion0:57:21 - Mark pulls Squirt out of the boiler roomaction scene | ascending | boiler room | destruction | dissonant bass | dramatic | exploding | explosion | hero | leading man | mickey-mousing | reformatory | rising | stairs | teenager | tense | tone cluster

Crime School (1938)

Mark Saves Boy0:57:29 - Mark carries Squirt up the stairsaction scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking

Crime School (1938)

Sue (Whispering)1:10:38 - Frankie hears voicesanxious | fragmentation | gun | hearing voices | insanity | mad scene | mental breakdown | ostinato | pc set | reformatory | sequence | sound mass | teenager | tone cluster | whispering | worrying
They Made Me a Criminal (1939)So Help Me (If I Don't Love You)0:05:54 - Johnnie and Goldie relaxingdrinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music

They Made Me a Criminal (1939)

When a Prince of a Fella Meets a Cinderella0:06:23 - Johnnie talks to his managerdancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music

They Made Me a Criminal (1939)

Saving Myself For You (I've Been)0:08:02 - Johnnie at a partyAABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence

They Made Me a Criminal (1939)

They Say0:13:05 - Doc and Goldie in Johnnie's caraction scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

The Whip1:10:16 - People at the carnivalarena | boxer | cheerful | entering | excited | fighting | hero | leading man | march | sitting | source music | sport scene | teenager

They Made Me a Criminal (1939)

World's Record1:13:45 - Boxers prepare for the fightarena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene

They Made Me a Criminal (1939)

Spirit of Independence1:14:53 - Johnnie marches into the ringarena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager
Deep Valley (1947)Barry (Slowly)0:45:50 - Barry watches Libbycabin | convict | dog | falling in love scene | fugitive | leading lady | leading man | uneasy | watching

Deep Valley (1947)

Joe (Calm)0:46:14 - Joe comes incabin | calm | convict | dog | falling in love scene | fugitive | leading lady | leading man | watching

Deep Valley (1947)

Love Theme (Full)0:46:30 - Barry and Libby by the lakecalm | conversing | convict | falling in love scene | forest | fugitive | laughing | leading lady | leading man | working

Deep Valley (1947)

Love Theme (Memory)0:46:53 - Barry and Libby by the lakeconversing | convict | falling in love scene | forest | fugitive | leading lady | leading man | memory | uneasy

Deep Valley (1947)

Breeze0:48:03 - Libby talks to Barryconversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Breeze + Love Theme0:48:14 - Barry talks to Libbycombination of themes | conversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Barry (Drunk)0:50:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry0:50:33 - Barry talks to Libbyagitated | convict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling

Deep Valley (1947)

Barry (Drunk)0:51:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry (Dolce)0:51:17 - Barry talks to Libbyconvict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | sweet

Deep Valley (1947)

Kiss0:51:58 - Barry kisses Libbyconvict | dog | embracing | exciting | falling in love scene | forest | fugitive | kissing | leading lady | leading man | love interest | mickey-mousing | staring

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Misterioso)0:54:57 - Libby starts to leavecabin | calm | conversing | convict | dog | fugitive | leading lady | leading man | love interest | love scene | planning

Deep Valley (1947)

Barry (Tense)0:55:38 - Barry unloads his guncabin | convict | destroying | fugitive | leading lady | leading man | love interest | love scene | mysterious | tense

Deep Valley (1947)

Deep Valley (Appassionato)0:55:51 - Barry and Libby embracecabin | cheerful | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | love scene | romantic

Deep Valley (1947)

Deep Valley (Sostenuto)0:56:17 - Libby turns to leavecabin | convict | dog | fugitive | gentle | leading lady | leading man | leaving | love interest | love scene

Deep Valley (1947)

Libby (Molto Expressivo)0:57:13 - Libby looks at the homesteadleading lady | mother | mysterious | reconciliation scene | returning | room | somber | street

Deep Valley (1947)

Triste (Timidly)0:57:32 - Ellie leaves her roomcleaning | father | mother | reconciliation scene | room | somber | timid | walking

Deep Valley (1947)

Homestead (Dolce)0:57:50 - Ellie comes downstairsfather | gentle | mother | reconciliation scene | reuniting | room | sweet | timid

Deep Valley (1947)

Homestead (Gentle)1:01:50 - Ellie sits at the tablefather | gentle | mother | reconciliation scene | room | watching

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Law (Slowly)1:06:18 - Lawmen advanceaction scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking

Deep Valley (1947)

Underscoring (Dramatic)1:06:48 - Barry reacts to gunshotsaction scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring

Deep Valley (1947)

Law1:07:20 - Barry tries to escapeaction scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense

Deep Valley (1947)

Barry1:07:25 - Barry climbs out of a holeaction scene | cabin | climbing | convict | dramatic | escaping | fugitive | leading man | love interest | manhunt | police | tense

Deep Valley (1947)

Jumping down1:07:32 - Barry jumps off the roofaction scene | cabin | convict | dramatic | fugitive | jumping | leading man | love interest | manhunt | mickey-mousing | police | tense

Deep Valley (1947)

Law1:07:34 - Lawmen pursue after Barryaction scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense

Deep Valley (1947)

Sneaking (Molto Rubato)1:40:51 - Libby runs to find Barrydeath scene | forest | leading lady | mysterious | resolution | running | tense

Deep Valley (1947)

Barry (Appassionato)1:41:02 - Libby arrives at the cabincabin | calling | death scene | leading lady | passionate | resolution | searching

Deep Valley (1947)

Molto Expressivo1:41:09 - Libby looks for Barrycalling | death scene | forest | leading lady | passionate | resolution | searching

Deep Valley (1947)

Barry (Dolce)1:41:24 - Libby finds Barryconvict | death scene | finding | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | searching

Deep Valley (1947)

Deep Valley (Delicato 2)1:41:39 - Libby goes to Barrycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Deep Valley (Dying)1:42:30 - Barry talks to Libbycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Passing away1:43:19 - Barry diesconvict | death | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | mickey-mousing | resolution | tender

Deep Valley (1947)

Breeze1:43:22 - Libby looks at Barryconvict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Breeze + Love Theme1:43:32 - Libby embraces Barrycombination of themes | convict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect
Dust Be My Destiny (1939)Dust Be My Destiny (Dolceeessimo)NIF - not in filmbarn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet

Dust Be My Destiny (1939)

Underscoring (Romantic)0:21:46 - Mabel talks with Joebarn | leading lady | leading man | love scene | pedal tone | romantic | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Up and Down)0:30:12 - Man runs up the courthouse steps64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Got Each Other)0:30:49 - Mabel proclaims her love for Joecourthouse | leading lady | leading man | love scene | producer | romantic | street

Dust Be My Destiny (1939)

Fairy Music0:30:58 - Man takes their luggage64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street

Dust Be My Destiny (1939)

Here Comes the Bride (Advertisement)0:31:07 - A marquee advertising "Marriage on Stage Tonite"common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Whistling0:45:44 - Joe whistles as he walks64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling

Dust Be My Destiny (1939)

Patrol0:55:50 - Cop checks on a shopclock | crime scene | criminal | leading man | police | shopkeeper | street | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Cantor0:56:34 - Joe talks to a Jewish shopkeeper9th chord | crime scene | criminal | Gypsy minor scale | Jewish | kind | leading man | shop | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:15 - A bank alarm sounds42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring

Dust Be My Destiny (1939)

Alarm0:59:15 - Alarm soundsaction scene | alarm | bank | crowd | dramatic | leading man | mickey-mousing | photographer | robbery | shopkeeper | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)0:59:42 - Joe takes pictures of the robbery42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:53 - Police arrive at the scene64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring

Dust Be My Destiny (1939)

Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working

Dust Be My Destiny (1939)

Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)1:10:32 - Joe heroically wrestles away the steering wheelaction scene | chromatic scale | dramatic | fighting | fragmentation | gangster | hero | leading man | newspaper editor | retrograde | street

Dust Be My Destiny (1939)

Car crash1:10:55 - Gangsters crash the caraction scene | car | chromatic scale | crashing | dramatic | gangster | hero | leading man | mickey-mousing | newspaper editor | street
Each Dawn I Die (1939)Verdict0:08:19 - The verdict is deliveredbanging | courtroom | courtroom scene | gavel | hero | judge | justice | lawyer | leading man | noble | parallelism | reporter | verdict

Each Dawn I Die (1939)

Frank0:08:23 - Frank and Joyce embraceappoggiatura | courtroom | courtroom scene | embracing | girlfriend | handcuffs | hero | leading man | mother | reporter | reverse picardy | tender

Each Dawn I Die (1939)

Don’t Give Up the Ship0:26:47 - Prison orchestra playsarriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music

Each Dawn I Die (1939)

Wings Over the Navy0:28:04 - Prisoners watch a moviedying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching
Flamingo Road (1949)Lane (Sentimentale)NIF - not in film9th chords | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

If I Could Be With You0:26:58 - People gamble and danceclub | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesclub | conversing | dance scene | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hotelclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don't Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | club | conversing | dance scene | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I'll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableclub | conversing | dance scene | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Dead)1:24:41 - Lane sees Field has committed suicideaugmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent
Hell on Frisco Bay (1955)Underscoring (Dramatic)0:27:50 - Steve fights Hammyaction scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Menace0:49:04 - Amato pacesaction scene | conductor score | dark | gangster | leading man | menacing | pacing | room

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:51:36 - Amato yells at Steveaction scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling

Hell on Frisco Bay (1955)

Steve0:53:15 - Steve leavesaction scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking

Hell on Frisco Bay (1955)

Climbing and jumping0:53:27 - Steve runs from Hammyaction scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense

Hell on Frisco Bay (1955)

Menace0:53:30 - Hammy tries to escapeaction scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense

Hell on Frisco Bay (1955)

Hammy Is Shot0:53:37 - Hammy falls to the groundaction scene | conductor score | dramatic | dying | falling | gangster | investigator | leading man | mickey-mousing | street | tragic

Hell on Frisco Bay (1955)

Underscoring (Dark)0:53:50 - Steve questions Hammyaction scene | conductor score | dark | death | dying | gangster | investigator | leading man | questioning | stinger | street | underscoring

Hell on Frisco Bay (1955)

Menace0:58:13 - Bessie prepares to leavechase scene | conductor score | floozy | mysterious | preparing | room | tense | thinking

Hell on Frisco Bay (1955)

Sneaking and following0:58:30 - Bessie sneaks awaychase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense

Hell on Frisco Bay (1955)

Menace0:58:48 - Bessie walks through the market | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Menace1:31:01 - Amato prepares to leaveaction scene | agitated | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Menace 21:31:19 - Amato prepares to leaveaction scene | agitated | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Menace1:31:32 - Amato picks up his gunaction scene | conversing | dramatic | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy

Hell on Frisco Bay (1955)

Amato1:32:23 - Amato shoots Lyeaction scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling

Hell on Frisco Bay (1955)

Lye's Death1:32:58 - Lye is killedaction scene | brash | gangster | harsh | leading man | murder | murdering | shooting | street | violence

Hell on Frisco Bay (1955)

Menace1:33:12 - Amato hidesaction scene | fleeing | gangster | hiding | leading man | ominous | street

Hell on Frisco Bay (1955)

Steve1:33:17 - Marcia looks for Steveaction scene | dock | dramatic | leading lady | running | tense

Hell on Frisco Bay (1955)

Amato1:33:23 - Amato takes Marcia hostageaction scene | dock | gangster | inspector | kidnapping | leading lady | leading man | ominous | tense

Hell on Frisco Bay (1955)

Amato1:34:01 - Steve confronts Amatoaction scene | dock | dramatic | gangster | inspector | kidnapping | leading lady | leading man | tense

Hell on Frisco Bay (1955)

Amato1:34:08 - Steve confronts Amatoaction scene | dock | dramatic | gangster | gun | gunshot | inspector | kidnapping | leading lady | leading man | shooting | tense

Hell on Frisco Bay (1955)

Amato runs1:34:27 - Amato runs to his boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Boat Chase1:34:33 - Amato tries to escape in a boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Steve dives1:34:48 - Steve dives in the wateraction scene | agitated | diving | dock | dramatic | gangster | inspector | jumping | leading man | mickey-mousing | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:34:53 - Steve climbs in the boataction scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:34:57 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:35:21 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Police running1:35:32 - The policemen runaction scene | agitated | dock | down | dramatic | mickey-mousing | police | running | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:35:44 - The police boat leaves the dockaction scene | boat | departing | dock | dramatic | police | tense | underscoring

Hell on Frisco Bay (1955)

Amato1:35:47 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato1:35:56 - The police boat advancesaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Horn Call1:36:10 - The police boat advancesaction scene | battle call | boat | departing | dock | police | tense

Hell on Frisco Bay (1955)

Amato1:36:12 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato falls1:36:20 - Amato falls in the wateraction scene | boat | dock | dramatic | falling | fighting | gangster | inspector | leading man | mickey-mousing | punching | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Tense)1:36:23 - The boat approaches a wallaction scene | boat | dock | driving | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Steve dives 21:36:27 - Steve dives in the wateraction scene | boat | diving | dock | inspector | jumping | leading man | mickey-mousing | splashing | tense | water
Her Kind of Man (1946)Something to Remember You By0:06:59 - Floor show at a night clubclub | dancer | dancing | music scene | popular music | source music | stage | upbeat

Her Kind of Man (1946)

Sailor's Hornpipe0:07:02 - Dancing sailorsclub | dancer | dancing | music scene | popular music | source music | stage | upbeat

Her Kind of Man (1946)

Something to Remember You By0:07:16 - Georgia entersclub | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat

Her Kind of Man (1946)

Something to Remember You By0:08:02 - Georgia singsclub | dancer | dancing | leading lady | leading man | music scene | on-screen music | popular music | sentimental | singer | singing | source music | stage

Her Kind of Man (1946)

Lady Play Your Mandolin0:11:03 - Audience applaudingapplauding | applauding | club | crowd | dancing | leading man | music scene | popular music | source music | upbeat

Her Kind of Man (1946)

It Had to Be You0:11:33 - Steve whistlesestablish character | gambler | leading lady | leading man | love interest | love scene | on-screen music | room | sentimental | singer | source music | whistling

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomconversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

It Had to Be You (Kissing)0:18:22 - Steve kisses Georgiaaction scene | gambler | kissing | leading lady | leading man | love interest | room | singer | source to score | tense

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:18:32 - Candy entersaction scene | conversing | criminal | dark | gambler | henchman | leading man | owner | room | stinger | tense | underscoring

Her Kind of Man (1946)

Speak to Me of Love0:28:06 - City skyline at nightbalcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music

Her Kind of Man (1946)

It Had to Be You0:29:37 - Georgia and Donbalcony | cheery | conversing | gambler | leading lady | leading man | love interest | love scene | on-screen music | reporter | room | source music | whistling

Her Kind of Man (1946)

Underscoring (Tense [Waxman])0:40:34 - Don punches Steveaction scene | boxing ring | criminal | fighting | gambler | henchman | leading man | punching | reporter | tense | underscoring

Her Kind of Man (1946)

Underscoring (Dramatic [Waxman])0:42:19 - Approaching headlightsaction scene | criminal | dark | departing | dramatic | driving | henchman | leading man | leaving | reporter | street | stumbling | underscoring

Her Kind of Man (1946)

My Darling0:45:05 - Georgia and Don in a restaurantconversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | source to score | turbulent

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense

Her Kind of Man (1946)

Body and Soul (Intro)0:56:28 - Night club signarriving | crowd | dramatic | music scene | sign | street

Her Kind of Man (1946)

Body and Soul0:56:43 - Georgia singing in a night clubapplauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:03:37 - Steve shoots his sisteraction scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

Police Radio1:04:40 - Policeman on the radioaction scene | announcing | police | radio | radio effect | station | tense

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:04:46 - Montage of policemenaction scene | double exposure | dramatic | montage | police | searching | street | underscoring

Her Kind of Man (1946)

Headline1:04:52 - Newspaper headlineaction scene | double exposure | dramatic | headline | newspaper
I Was a Communist for the FBI (1951)FBI (Molto Marcato)0:59:03 - FBI man enters with a gunagent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Tense)0:59:26 - FBI man holds gun on commie agentsagent | arresting | communist | dark | dialing | gun | murder scene | room | spy | tense | tritone

I Was a Communist for the FBI (1951)

Throws lamp0:59:39 - Commie throws lamp at FBI managent | communist | dramatic | falling | lamp | mickey-mousing | murder scene | room | spy | throwing

I Was a Communist for the FBI (1951)

Agents Fight0:59:39 - Communists fight the FBI managent | attacking | communist | death | dramatic | fighting | knife | murder | murder scene | room | spy | stabbing | stinger
In This Our Life (1942)Java Jive0:32:41 - A dance halldance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

This Time the Dream's on Me0:33:03 - Stanley and Peter sit at a tableconversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes homearriving | car | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Cello Solo)0:37:11 - Peter sits on the couchcontemplating | leading man | love scene | room | sigh gesture | somber

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanleyconversing | flirting | happy | leading lady | leading man | love scene | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peterconversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | eerie | fire | leading lady | leading man | love interest | love scene | outdoors

In This Our Life (1942)

Love Theme (Molto Expressivo)0:40:44 - Roy and Craig sit on the groundartwork in score | calm | conversing | fire | leading lady | leading man | love interest | love scene | outdoors | romantic

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embracecalm | conversing | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncleconversing | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | stinger | street | turning

In This Our Life (1942)

Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | tense

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | driving | investigation scene | menacing | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | combination of themes | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic
The Informer (1935)Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Extended)0:18:55 - British officer tosses money down on the tableantagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone

The Informer (1935)

Blood Money (Delicato)0:28:43 - Gypo drops four coins on the floorantagonist | augmented triad | coin | dropping | leading man | mickey-mousing | money | mourner | pivotal scene | room | staring | tense | whole-tone

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wake64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin' o' the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin' o' the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

Peter Mulligan1:05:37 - Peter Mulligan sits and holds a crucifixcourtroom | courtroom scene | folk-like | headquarters | mode mixture | room | somber | suspect | waiting

The Informer (1935)

The Wearin' o' the Green (Rebel Jury)1:05:48 - Camera pans to show all of the faces of the rebel jury64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room

The Informer (1935)

Judges1:06:10 - Camera pans to the faces of the judgescourtroom | courtroom scene | deceptive resolution | headquarters | judge | judging | justice | noble | room

The Informer (1935)

Falling down the stairs1:06:19 - Gypo falls down the stairs9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect

The Informer (1935)

Peter Mulligan1:07:25 - Mulligan criescourtroom scene | headquarters | mode mixture | room | somber | suspect | waiting

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judges64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

Underscoring (Tense)1:08:34 - Gypo accuses Peter64 chord | accusing | courtroom | courtroom scene | headquarters | mickey-mousing | room | stinger | suspect | tense

The Informer (1935)

Pleading1:08:57 - Peter defends himselfadded-note chord | anxious | chromaticism | courtroom | courtroom scene | defending | headquarters | pleading | room | stinger | suspect

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect

The Informer (1935)

Blood Money (The Trial) + Blind Man (The Trial)1:15:13 - The rebels ask Gypo where he got the moneyantagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Katie (The Trial)1:15:36 - The rebels ask Gypo about Katieantagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Blood Money (The Trial) + The Informer (The Trial)1:15:40 - Dan asks "Who was the informer?"antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

By the Fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Dan and Mary (In Love)1:24:19 - Dan and Mary talk about lovelove | love interest | love scene | rebel | romantic | room | yearning
Key Largo (1948)Nora0:17:32 - Nora and Frank walk to the boatconversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind

Key Largo (1948)

Nora (Nervous)0:17:53 - Nora sees the gangstersconversing | dock | falling in love scene | gangster | leading lady | leading man | nervous | wind

Key Largo (1948)

Wind0:18:21 - Frank helps prepare for the stormconversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind

Key Largo (1948)

Tosses rope0:18:32 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | rope | tense | throwing

Key Largo (1948)

Nora (Con Moto)0:18:40 - Nora smiles at Frankdock | falling in love scene | leading lady | leading man | romantic | smiling | watching

Key Largo (1948)

Tosses rope 20:18:47 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | romantic | rope | throwing

Key Largo (1948)

Storm1:06:07 - Tree crashes through windowbeach | blowing | crashing | dramatic | hurricane | raining | storm | storm scene | tense

Key Largo (1948)

Tree falls1:06:28 - Stormy weather outsidebeach | dramatic | falling | hurricane | mickey-mousing | storm | storm scene | tense | tree

Key Largo (1948)

Shelter in the Storm1:06:41 - Storm continues outsidebeach | blowing | crashing | dramatic | hurricane | Indian | raining | sheltering | storm | storm scene | tense

Key Largo (1948)

Storm Subsides1:07:15 - Storm starts to die downbeach | blowing | calming | dramatic | hurricane | raining | storm | storm scene | tense

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

Underscoring (Tense)1:16:54 - Close-ups on McCloud and Roccoboss | gangster | hotel | investigation scene | leading man | staring | tense | underscoring

Key Largo (1948)

Rocco 31:17:07 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning

Key Largo (1948)

Rocco1:17:15 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning | tense

Key Largo (1948)

Rocco 31:17:30 - Sheriff questions Curlygangster | hotel | investigation scene | menacing | police | questioning

Key Largo (1948)

McCloud (Somber)1:17:43 - Sheriff questions McClouddetermined | hotel | investigation scene | leading man | police | questioning | somber

Key Largo (1948)

Rocco 3 (Tense)1:17:52 - Sheriff questions gangstergangster | hotel | investigation scene | police | questioning | tense

Key Largo (1948)

Underscoring (Tense)1:18:21 - Sheriff leavesboss | gangster | hotel | investigation scene | police | questioning | tense | underscoring

Key Largo (1948)

Rocco 21:18:34 - The policemen takes Sawyer's bodyboss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching

Key Largo (1948)

Underscoring (Tense)1:18:47 - They all walk to another roomboss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring

Key Largo (1948)

Rocco (Tense)1:19:02 - Rocco welcomes new gangstersboss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring
The Letter (1940)Leslie (Shimmery)0:02:57 - Leslie stands over the dead bodycloud | death | half-diminished 7th chord | home | leading lady | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching

The Letter (1940)

Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | leading lady | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks to the workersconversing | home | leading lady | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring

The Letter (1940)

Underscoring (Mysterious)0:04:29 - Leslie leaves the roomDorian mode | home | leaving | murder scene | mysterious | servant | underscoring

The Letter (1940)

Leslie (Mysterioissimo)0:04:42 - A shadow appearscircle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on

The Letter (1940)

Leslie (Lacework)0:04:55 - Worker picks up Leslie's laceworkchanging meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation

The Letter (1940)

Runners0:05:14 - Workers run through jungleaction scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense

The Letter (1940)

Mr. Hammond Has Been Shot0:05:45 - Worker runs in11th chord | action scene | altered dominant | dark | death | husband | ominous | reacting | servant | warehouse

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Robert leavesaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Leslie (Shimmery 2)0:18:55 - Leslie stares at the full moonchanging meter | home | leading lady | love scene | moon | mysterious | oscillation | sequence | sequential modulation | staring | suspension

The Letter (1940)

Leslie B (Appassionato)0:19:26 - Leslie closes the blindschanging meter | dramatic | emotional | home | leading lady | linear chromaticism | love scene | sequence | walking

The Letter (1940)

Letter (Sarcastic)0:19:45 - Robert looks at Lesliechromatic sequence | dissonant bass | glance | home | leading lady | longing | love scene | mysterious | sequence | staring

The Letter (1940)

Robert and Leslie0:20:07 - Leslie looks in the drawerappoggiatura | embracing | home | husband | leading lady | love scene | love theme | pedal tone | romantic | sigh gesture | suspension

The Letter (1940)

Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic scale | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Leslie (Rising) + Deception0:34:47 - Howard gives Leslie the letteraltered dominant | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | oscillation | ostinato | pc set | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:35:11 - Leslie reacts angrily to the letterarguing | augmented triad | chromatic parallelism | deception | fragmentation | lawyer | leading lady | letter | lying | oscillation | pc set | pivotal scene | polychord | prison | sequence | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | chromatic parallelism | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie talks to Howarddeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie admits to writing the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | sequence | tense

The Letter (1940)

Underscoring (Tense)0:36:22 - Leslie explains why she wrote the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Leslie (The Story)0:36:42 - Leslie lies to Howardchanging meter | deception | lawyer | leading lady | letter | lying | oscillation | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:36:53 - Howard takes out the letterdeception | denying | lawyer | leading lady | letter | ominous | pivotal scene | prison | tense | tritone | tritone | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | chromatic parallelism | fearful | fragmentation | lawyer | leading lady | letter | oscillation | pc set | pivotal scene | polychord | prison | reading | sequence | tense

The Letter (1940)

Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Shimmery 3)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | stinger | suspension | tense

The Letter (1940)

Collapse0:38:20 - Leslie collapsesanxious | collapsing | fainting | falling | fearful | half-diminished 7th chord | lawyer | leading lady | letter | mickey-mousing | pivotal scene | prison | suspension | tense
Lightning Strikes Twice (1951)Shelly (Traveling) + Shelly 20:10:13 - Shelly drives through desertactor | bright | car | cheerful | combination of themes | desert | double exposure | driving | leading lady | map | montage | motor effect | traveling | traveling scene | wheel | zoom in

Lightning Strikes Twice (1951)

Stumbling0:42:50 - Shelly slips on a rock and almost fallsactor | cliff | countryside | danger | dramatic | falling in love scene | leading lady | leading man | love interest | mickey-mousing | slipping | stumbling | suspect

Lightning Strikes Twice (1951)

Fear (Vertigo)0:42:57 - Shelly talks with Trevactor | cliff | conversing | countryside | danger | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Expressivo) + Shelly 2 (Expressivo)0:43:13 - Shelly talks with Trevactor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:43:38 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 3 (Appassionato)0:43:47 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Dolcissimo)0:44:07 - Shelly looks at Trevactor | cliff | conversing | countryside | falling in love scene | gentle | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Underscoring (Tense)0:44:51 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | suspect | suspenseful | tense | underscoring

Lightning Strikes Twice (1951)

Shelly and Trev (Taken Aback)0:45:08 - Shelly reacts to Trev's questionactor | arguing | cliff | countryside | falling in love scene | leading lady | leading man | love interest | reacting | somber | suspect

Lightning Strikes Twice (1951)

Shelly (Menacing)0:45:23 - Shelly talks with Trevactor | arguing | cliff | countryside | falling in love scene | leading lady | leading man | love interest | menacing | reacting | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Romantic)0:45:51 - Shelly talks with Trevactor | cliff | conversing | countryside | departing | falling in love scene | gentle | leading lady | leading man | love interest | romantic | suspect | underscoring

Lightning Strikes Twice (1951)

Stumbling 20:46:03 - Shelly starts back along pathactor | cliff | climbing | countryside | danger | dramatic | falling in love scene | hiking | leading lady | leading man | love interest | slipping | stumbling | suspect

Lightning Strikes Twice (1951)

Rock falls0:46:09 - A rock falls on the pathactor | cliff | countryside | danger | dramatic | falling | falling in love scene | leading lady | leading man | love interest | mickey-mousing | rock | suspect

Lightning Strikes Twice (1951)

Fear0:46:12 - Shelly is scared and can't moveactor | cliff | clinging | countryside | dark | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense

Lightning Strikes Twice (1951)

Trev (Triste 2)0:46:33 - Trev climbs to help Shellyactor | cliff | climbing | countryside | danger | falling in love scene | helping | heroic | leading lady | leading man | love interest | rescue | rescuing | romantic | somber | suspect | tense

Lightning Strikes Twice (1951)

Rescue0:47:42 - Trev rescues Shellyactor | cliff | climbing | countryside | dramatic | falling in love scene | helping | leading lady | leading man | love interest | rescue | rescuing | suspect | tense | triumphant

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato)0:47:56 - Trev embraces Shellyactor | cliff | countryside | falling in love scene | hugging | kissing | leading lady | leading man | love interest | romantic | suspect

Lightning Strikes Twice (1951)

Emotion1:05:10 - Shelly criesactor | comforting | conversing | crying | leading lady | leading man | love interest | love scene | ranch | somber | suspect

Lightning Strikes Twice (1951)

Menace (Nightmare)1:05:38 - Trev tells Shelly of a recurring dreamactor | comforting | conversing | crying | dark | leading lady | leading man | love interest | love scene | ranch | solemn | suspect | tense

Lightning Strikes Twice (1951)

Trev (Tenderly)1:06:09 - Trev kisses Shellyactor | crying | embracing | gentle | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:06:50 - Trev and Shelly embraceactor | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Ecstatic)1:07:09 - A car pulls up the ranchactor | arriving | driving | embracing | kissing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Tranquillo)1:07:22 - Trev and Shelly get out of the caractor | calm | conversing | embracing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Pulls doorknob1:16:03 - Shelly pulls off the doorknobactor | danger | doorknob | husband | leading lady | leading man | love scene | mickey-mousing | mysterious | pulling | room | suspect | suspicion | tense

Lightning Strikes Twice (1951)

Mournful (Quasi Misterioso)1:16:09 - Trev talks with Shellyactor | calm | conversing | fear | husband | leading lady | leading man | love scene | room | suspect | suspicion | worrying

Lightning Strikes Twice (1951)

Shelly and Trev (Dolce)1:16:52 - Trev embraces Shellyactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | relief | room | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Grazioso) + Shelly 21:17:01 - Shelly smiles at Trevactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | room | suspect

Lightning Strikes Twice (1951)

Underscoring (Somber)1:17:15 - Trev stares at Shellyactor | dark | husband | leading lady | leading man | love scene | reacting | room | somber | suspect | underscoring

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:17:31 - Trev and Shelly embraceactor | conversing | embracing | husband | kissing | leading lady | leading man | love scene | romantic | room | solemn | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)1:17:51 - Shelly gets ready for bedactor | husband | leading lady | leading man | love scene | romantic | room | suspect | undressing

Lightning Strikes Twice (1951)

Menace (Expressivo)1:18:00 - Shelly is worriedactor | concern | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying

Lightning Strikes Twice (1951)

Mournful1:18:16 - Shelly is worriedactor | concern | cut from film | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)1:18:21 - Shelly panicsactor | concerned | crying | hearing voices | leading lady | mad scene | panicking | room | violence | worried | worrying

Lightning Strikes Twice (1951)

Spider1:18:41 - Trev hits a spideractor | bug effect | fear | hitting | husband | leading lady | leading man | mad scene | room | running | scurrying | spider | suspect | tense

Lightning Strikes Twice (1951)

Mournful (Scared)1:18:45 - Shelly is afraid of Trevactor | crying | fear | husband | leading lady | leading man | mad scene | room | somber | suspect | worrying

Lightning Strikes Twice (1951)

Afraid1:19:02 - Shelly leaves Trev in fearactor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying

Lightning Strikes Twice (1951)

Shelly (Escaping)1:19:17 - Shelly flees from Trevactor | dramatic | escaping | fear | fleeing | husband | leading lady | leading man | mad scene | room | running | suspect | unlocking

Lightning Strikes Twice (1951)

Shelly 2 (Fleeing)1:19:32 - Shelly runs to the caractor | chasing | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running | running effect | suspect

Lightning Strikes Twice (1951)

Shelly (Fleeing)1:19:41 - Trev sees Shelly drive awayactor | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running effect | suspect

Lightning Strikes Twice (1951)

Menace (Misterioso)1:19:48 - Trev calls Harveyarguing | conversing | husband | leading man | mad scene | mysterious | room | suspect | suspense | telephone
Mildred Pierce (1945)Monte is shot0:01:50 - Monte is shotchromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Mildred (Murder)0:01:59 - Bullet holes in the mirror11th chord | augmented sixth chord | dark | death | dying | leaving | murder | murder scene | room | somber

Mildred Pierce (1945)

Underscoring (Dramatic)0:08:53 - Wally looks for Mildred9th chord | action scene | ascending | augmented triad | chromatic parallelism | chromatic scale | down | dramatic | falling | friend | half-diminished 7th chord | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Wally tries to open door0:08:53 - Wally tries to open the dooraction scene | augmented triad | chromatic scale | door | frantic | friend | knocking | mickey-mousing | room | stinger

Mildred Pierce (1945)

Wally goes upstairs0:09:28 - Wally ascends the spiral staircase9th chord | action scene | ascending | chromatic scale | dramatic | friend | mickey-mousing | room | spiral staircase | stairs | whole-tone chord

Mildred Pierce (1945)

Wally knocks on the door0:09:59 - Wally knocks on a dooraction scene | door | dramatic | friend | knocking | mickey-mousing | room

Mildred Pierce (1945)

Lamp falls0:10:03 - Wally knocks over a lampaction scene | body | dramatic | falling | friend | lamp | mickey-mousing | reveal | room | whole-tone chord

Mildred Pierce (1945)

Murdered Man0:10:06 - Wally discovers the bodyaction scene | corpse | dark | death | dramatic | friend | linear chromaticism | looking | mickey-mousing | murder | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Phone rings0:10:16 - Phone ringsaction scene | death | friend | mickey-mousing | murder | ringing | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Underscoring (Dramatic)0:10:21 - Wally reacts to the situationaction scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying

Mildred Pierce (1945)

Wally stands up and walks0:10:21 - Wally stands up to go to the phoneaction scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking

Mildred Pierce (1945)

Wally walks0:10:32 - Wally hurriedly walks awayaction scene | chromatic parallelism | dramatic | friend | half-diminished 7th chord | hurrying | mickey-mousing | room | victim | walking

Mildred Pierce (1945)

Wally sneaks0:10:37 - Wally sneaks down the hallaction scene | diminished 7th chord | friend | mickey-mousing | room | sneaking | tense | victim

Mildred Pierce (1945)

Breaks door with chair0:10:47 - Wally smashes a glass door with a chairaction scene | breaking | chair | door | dramatic | friend | glass | mickey-mousing | room | smashing | victim

Mildred Pierce (1945)

Glass falls0:10:49 - The glass door breaksaction scene | breaking | door | dramatic | falling | friend | glass | mickey-mousing | room | smashing | victim | whole-tone chord

Mildred Pierce (1945)

Wally runs0:11:01 - Wally runs out of the house action scene | beach | chromatic scale | chromatic wedge | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim

Mildred Pierce (1945)

Cops walk0:11:08 - The cops walk down the hillaction scene | beach | dramatic | lumbering | mickey-mousing | police | walking

Mildred Pierce (1945)

Opens coat0:11:12 - Policeman opens Wally's coat to frisk himaction scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim

Mildred Pierce (1945)

South American Way0:37:36 - Veda sings and plays while Kay danceschild | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | sequence | singing | source music | upbeat

Mildred Pierce (1945)

First Kiss0:49:40 - Monte steals a kiss from Mildredcheerful | common-tone diminished 7th | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach house9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking

Mildred Pierce (1945)

Opens closet0:49:57 - Mildred slides open a door9th chord | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

Disrobes0:50:47 - Monte takes off Mildred's robebeach house | cheerful | disrobing | dissonant bass | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe

Mildred Pierce (1945)

Bathing Suit0:50:49 - Monte looks at Mildred in her bathing suit9th chord | attraction | beach house | cheerful | dissonant bass | falling in love scene | flirting | foreign key modulation | heroine | leading lady | love interest | mickey-mousing

Mildred Pierce (1945)

Mildred (Frolicking)0:51:01 - Mildred runs to the beach9th chord | beach | cheerful | falling in love scene | flirting | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | running | tritone

Mildred Pierce (1945)

Frolicking in the Surf0:51:05 - Monte and Mildred run to the water9th chord | 64 chord | beach | falling in love scene | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves

Mildred Pierce (1945)

Waves0:51:11 - Waves crash onto the beach64 chord | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for MildredAABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point | whole-tone scale

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watches11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's death9th chord | augmented sixth chord | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kayadded-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaantagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Monte is shot 21:47:28 - Monte is shot antagonist | chromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | diminished 7th chord | fragmentation | heroine | leading lady | lying | murderer | murder scene | pc set | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | chromatic scale | confessing | daughter | distressed | fragmentation | frantic | heroine | leading lady | murderer | murder scene | room | sequence | whole-tone chord

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | foreign key modulation | heroine | leading lady | murderer | murder scene | room | tense | underscoring

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm
The Life of Vergie Winters (1934)Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Sentimental)0:53:43 - Vergie talks with John by the lakeconversing | leading lady | leading man | love scene | outside | pedal tone | secret love | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Flowing)0:53:59 - John talks with Vergie by the lakealtered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Somber)0:54:14 - Vergie listens to Johnaltered dominant | conversing | leading lady | leading man | love scene | outside | secret love | secret lover | somber

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear
Out of the Fog (1941)Comparsa Negra No.10:35:38 - People dancing in a conga lineABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat

Out of the Fog (1941)

No Digas0:37:46 - Cuban dancers and musiciansAABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat

Out of the Fog (1941)

Gangster0:39:07 - Stella and Goff at the harborAABA structure | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Russian Barcarolle (Ominous)0:40:09 - Stella talks to Goffconversing | criminal | dock | leading lady | leading man | love scene | ominous

Out of the Fog (1941)

Underscoring (Dark)0:40:27 - Stella reactscriminal | dark | dock | leading lady | leading man | love scene | reacting | stinger | walking

Out of the Fog (1941)

Gangster0:40:37 - Goff calls after Stellablue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Russian Barcarolle (Tense)0:40:54 - Goff talks to Stellaconversing | criminal | dark | dock | leading lady | leading man | love scene

Out of the Fog (1941)

Underscoring (Dramatic)0:41:03 - Stella slaps Goffcriminal | dock | dramatic | leading lady | leading man | love scene | reacting | slapping | stinger | underscoring

Out of the Fog (1941)

Gangster (Tense)0:41:05 - Stella kisses Goffbluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense

Out of the Fog (1941)

Stella and George (Extended)0:41:45 - George talks to Stellaarguing | boyfriend | conversing | foreign key modulation | leading lady | love scene | room | tender

Out of the Fog (1941)

Speeding Car (Arriving)1:11:50 - A speeding caraction scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense

Out of the Fog (1941)

Underscoring (Dark)1:12:05 - Police ring the bellaction scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring

Out of the Fog (1941)

Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Morgue1:12:37 - The morgueaction scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense

Out of the Fog (1941)

Russian Barcarolle (Dead)1:13:15 - Stella sees Goff's bodyaction scene | arguing | corpse | crying | dark | death | fear | leading lady | morgue | ominous | police

Out of the Fog (1941)

Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
Kid Galahad (1937)The Moon Is In Tears Tonight (Love's Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Tender)0:57:14 - Louise thinks of Wardconversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Arriving)0:58:30 - A newspaper headlinearriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Kiss)0:58:47 - Ward talks to MarieAABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear

Kid Galahad (1937)

The Moon Is in Tears Tonight1:08:40 - Louise sings in a night clubleading lady | music scene | night club | on-screen music | playing music | sentimental | singing | source music | transcribed by ear
Traveling Husbands (1931)There's a Sob in My Heart (Strings)0:23:03 - Music is played in a night clubAABA structure | dance scene | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

Dance0:26:27 - Music is played in a night clubAB structure | dance scene | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat
The Unfaithful (1947)Unfaithful (Somber)0:22:24 - Bob comforts Chris9th chord | augmented sixth chord | comfort | comforting | common-chord modulation | husband | leading lady | love scene | mode mixture | ostinato | pedal tone | room | somber | victim

The Unfaithful (1947)

Unfaithful (Menacing)1:12:25 - Bob sees the statueantagonist | husband | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | sequence | staring | statue | threatening | unveiling | widow

The Unfaithful (1947)

Unfaithful (Attack 2)1:13:06 - Bob attacks the art shop owner9th chord | angry | antagonist | attacking | chromatic scale | fighting | husband | pc set | pivotal scene | room | widow | zoom in
We Are Not Alone (1939)Celebre Romance (Accompanied)1:01:56 - Gerald sneaks insideboy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

In Love1:30:55 - David realizes he is in love with Leni 9th chord | courtroom | courtroom scene | hero | heroine | linear chromaticism | love scene | realization | realizing | romantic | suspension | testifying | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Death Sentence)1:33:07 - The judge sentences David and Leni to death9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni talkconversing | harmonic sequence | hero | heroine | love scene | prison | somber | triadic transformation | underscoring

We Are Not Alone (1939)

Execution1:38:10 - Leni talks to Davidcomforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Heart Break1:40:11 - David and Leni kiss9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension

We Are Not Alone (1939)

Fainting1:40:41 - Leni faintsadded-note chord | fainting | falling | hero | heroine | love scene | mickey-mousing | prison | sequence | tense
White Heat (1949)Plotting0:11:21 - Cody packs up money in a suitcaseconversing | dark | gangster | leading lady | leading man | love scene | moll | money | murderer | packing | room | tense | transition

White Heat (1949)

Verna (Molto Expressivo)0:11:38 - Verna embraces Codybluesy | conversing | dark | embracing | flirting | gangster | kissing | leading lady | leading man | love scene | moll | money | mother | murderer | room | victim | waltz

White Heat (1949)

Underscoring (Dark)0:12:14 - Zuckie pleads with Codyconversing | dark | death | funereal | gangster | leading lady | leading man | moll | mother | murderer | murder scene | pleading | room | underscoring | victim

White Heat (1949)

Zuckie's Death0:12:29 - Cody ignores Zuckiecrying | dark | death | departing | funereal | gangster | leading lady | leading man | moaning | moll | mother | murderer | murder scene | pleading | room | somber | victim

White Heat (1949)

Plotting (Extended)0:12:45 - Ma warns Cody that Zuckie may talkdark | death | gangster | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | plotting | victim | warning | yard

White Heat (1949)

Underscoring (Dramatic)0:12:57 - Cody orders Cotton to shoot Zuckiecommanding | dark | death | dramatic | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | stinger | underscoring | victim | yard

White Heat (1949)

Plotting (Ugly)0:13:06 - Cotton goes to kill Zuckiedark | death | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | victim | walking | yard

White Heat (1949)

Zuckie's Death0:13:32 - Gangsters get in the cardark | death | departing | funereal | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | somber | victim | walking | yard

White Heat (1949)

Cody (Molto Marcato)0:13:59 - Cody walks to the carbold | dark | departing | gangster | leading lady | leading man | moll | mother | murderer | murder scene | victim | violent | walking | yard

White Heat (1949)

Verna (Glance)0:14:04 - Verna looks at Big Edbluesy | car | dark | female | looking | murder scene | smiling

White Heat (1949)

Morgue0:14:17 - Tahoe County Morgue signconversing | corpse | dark | detective | investigation scene | menacing | morgue | mortician | police | self-borrowing | transition

White Heat (1949)

Underscoring (Mysterious)0:14:51 - The agents talkagent | clue | dark | investigating | investigation scene | morgue | mysterious | police | underscoring

White Heat (1949)

T-Men (Agitato)0:16:28 - Agents picks up the death maskagent | clue | death mask | heroic | investigation scene | noble | office | walking

White Heat (1949)

Ma0:19:45 - Ma walks out of the marketagent | car | chase scene | mother | observing | street | uneasy | walking

White Heat (1949)

Moll0:19:50 - Ma gets in her caragent | car | chase scene | mother | observing | street | uneasy | walking

White Heat (1949)

Pursuit0:19:58 - Agents pursue Ma in their carsagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Getaway0:21:01 - Ma speeds awayagent | car | chase scene | driving | following | mother | pursuing | street | tense | uneasy

White Heat (1949)

Pursuit (Tense)0:21:09 - Agents pursue Maagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Underscoring (Dramatic)0:21:34 - Ma speeds ahead in her caragent | car | chase scene | dramatic | driving | escaping | mother | pursuing | street | tense | turning | underscoring

White Heat (1949)

Ma (Dramatic)0:21:49 - Ma continues drivingagent | car | chase scene | chasing | dramatic | escaping | frantic | mother | pursuing | street

White Heat (1949)

Pursuit (Frantic)0:21:56 - Agents lose Maagent | car | chase scene | chasing | escaping | mother | pursuing | street | tense | underscoring

White Heat (1949)

Getaway (Bold)0:22:01 - Agents turn quicklyagent | car | chase scene | chasing | dramatic | escaping | harsh | pursuing | street

White Heat (1949)

Danger (Molto Agitato)0:23:25 - Evans points a gun at Codyaction scene | agent | agitated | arresting | dying | falling | gangster | gun | gunshot | leading man | murderer | shooting | street | tense | wound

White Heat (1949)

Danger (Escaping)0:23:32 - Verna and Ma rush outaction scene | agent | dramatic | escaping | gangster | leading lady | leading man | moll | mother | murderer | room | rushing | street | wound

White Heat (1949)

Agitato (Escaping)0:23:37 - Evans struggles on the groundaction scene | agent | agitated | car | dramatic | driving | escaping | gangster | gun | gunshot | leading lady | leading man | moll | mother | murderer | shooting | street | struggling | tense | wound

White Heat (1949)

Driving (Extended)0:23:46 - The gangsters speed awayaction scene | agent | car | chasing | dark | dramatic | gangster | leading lady | leading man | menacing | moll | mother | murderer | speeding | street | wound

White Heat (1949)

Underscoring (Dramatic)0:23:54 - Evans falls to the groundaction scene | agent | chasing | dramatic | helping | rushing | street | underscoring | wound

White Heat (1949)

Speed (Frantic)0:24:11 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | rushing | self-borrowing | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:23 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Speed (Frantic)0:24:26 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:37 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Speed (Desperate)0:24:44 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Pursuit (Fleeing)0:24:50 - Ernie chases the gangstersagent | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | motor effect | murderer | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Rising)0:24:58 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | leading lady | leading man | moll | mother | murderer | speeding | street | tense

White Heat (1949)

Speed (Desperate 2)0:25:03 - The gangsters speed awayagent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense

White Heat (1949)

Underscoring (Dramatic)0:35:05 - Judge sentences Codycourtroom | courtroom scene | dark | dramatic | gangster | judge | leading man | murderer | sentencing | underscoring | verdict

White Heat (1949)

T-Men (Molto Misterioso)0:35:30 - Cody walks awaycourtroom | courtroom scene | dramatic | gangster | judge | leading man | murderer | prison | prisoner | stinger | undercover agent | walking

White Heat (1949)

Prison Fight0:37:48 - Hank sees Bo Creelaction scene | falling | fighting | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent

White Heat (1949)

Punching and falling0:38:03 - Hank punches inmateaction scene | dramatic | falling | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent

White Heat (1949)

Moll (Arguing)0:43:06 - Verna argues with Big Edanger | arguing | gangster | leading lady | love interest | love scene | moll | porch | tense | uneasy

White Heat (1949)

Verna (Slowly)0:43:41 - Verna kisses Big Edbetrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry

White Heat (1949)

Underscoring (Mysterious)0:44:42 - Parker sneaksgangster | leading man | murderer | murder scene | mysterious | prison | prisoner | sneaking | undercover agent | underscoring | working

White Heat (1949)

Trap0:44:53 - The crane moves over Cody's headattempted | crane | crashing | dramatic | dropping | falling | gangster | leading man | machine | machine effect | mickey-mousing | moving | murder | murderer | murder scene | prison | prisoner | saving | stinger | tense | trap | undercover agent

White Heat (1949)

Ma (Restless)0:49:34 - Cody walks back to workanxious | dramatic | gangster | leading man | mad scene | murderer | prison | prisoner | tense | thinking | threatening | working

White Heat (1949)

Underscoring (Tense)0:49:56 - Cody threatens Parkergangster | leading man | mad scene | murderer | prison | prisoner | tense | threatening | underscoring

White Heat (1949)

Madness0:50:16 - Cody hears voicesagitated | blur | falling | gangster | hallucinating | hallucination | headache | headache effect | hearing voices | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled

White Heat (1949)

Headache0:50:31 - Heavy machineryagitated | crawling | falling | gangster | headache | headache effect | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled

White Heat (1949)

Struggle0:50:50 - Cody crawls on the flooragitated | crawling | falling | gangster | headache | headache effect | helping | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | undercover agent | unsettled

White Heat (1949)

Cody (Headache)0:51:15 - Hank helps Codycrawling | gangster | headache | helping | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent

White Heat (1949)

Underscoring (Tense)0:51:20 - Hank helps Codycrawling | gangster | headache | helping | leading man | mad scene | massaging | murderer | pain | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Cody rises0:51:40 - Hank helps Cody standgangster | headache | helping | leading man | mad scene | mickey-mousing | murderer | pain | prison | prisoner | rising | tense | undercover agent

White Heat (1949)

Cody (Recovering)0:51:52 - Cody's headache subsidesgangster | headache | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent | uneasy | waiting

White Heat (1949)

Underscoring (Tense)1:13:20 - Big Ed walks up the stairsaction scene | dark | gangster | leading lady | love interest | moll | room | tense | underscoring | walking

White Heat (1949)

Danger (Agitato)1:13:33 - Verna sits upaction scene | anxiety | danger | gangster | leading lady | listening | love interest | moll | room | tense

White Heat (1949)

Underscoring (Tense)1:13:57 - Verna sneaks out of her bedroomaction scene | leading lady | moll | room | sneaking | tense | underscoring

White Heat (1949)

Plotting (Sneaking)1:14:09 - Verna sneaks down the stairsaction scene | descending | leading lady | mickey-mousing | moll | mysterious | room | sneaking | stairs | tense

White Heat (1949)

Underscoring (Tense)1:14:13 - Verna looks for a way outaction scene | leading lady | moll | room | sneaking | tense | underscoring

White Heat (1949)

Running to window1:14:22 - Verna runs to the windowaction scene | dramatic | leading lady | mickey-mousing | moll | opening | room | running | stinger | tense | window

White Heat (1949)

Underscoring (Dramatic)1:14:27 - Verna opens the windowaction scene | dramatic | leading lady | mickey-mousing | moll | room | running | stinger | tense | underscoring | window

White Heat (1949)

Jumping out window1:14:31 - Verna jumps out of the windowaction scene | descending | dramatic | jumping | leading lady | mickey-mousing | moll | tense | window | yard

White Heat (1949)

Madness (Agitato)1:15:59 - Cody looks at Vernaagitated | anger | death | gangster | leading lady | leading man | lying | moll | murderer | murder scene | staring | stinger | tense | yard

White Heat (1949)

Cody (Malevolent)1:16:18 - Cody pushes Vernadark | gangster | gun | leading lady | leading man | moll | murderer | murder scene | pushing | yard

White Heat (1949)

Underscoring (Tense)1:16:28 - Big Ed creates a decoydecoy | gangster | gun | love interest | murder scene | preparing | room | tense | underscoring

White Heat (1949)

Underscoring (Mysterious)1:16:51 - Cody and Verna climb through the windowgangster | gun | leading lady | leading man | moll | murderer | murder scene | mysterious | room | sneaking | sneaking effect | tense | underscoring | window

White Heat (1949)

Verna (Uneasy)1:18:05 - Big Ed kisses Vernadark | drinking | embracing | gangster | gun | kissing | leading lady | leading man | love interest | moll | murderer | murder scene | room | somber | spying | waiting

White Heat (1949)

Big Ed's Death1:18:41 - Big Ed runsdark | death | dramatic | dying | falling | gangster | gun | gunshot | leading lady | leading man | love interest | mickey-mousing | moll | murder | murderer | murder scene | room | running | rushing | shooting | violence

White Heat (1949)

Underscoring (Dramatic)1:19:20 - Big Ed's body falls down the stairsdark | death | dramatic | falling | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | murder scene | panning shot | room | stairs | staring | statue | stinger | undercover agent | underscoring | watching

White Heat (1949)

Underscoring (Mysterious)1:26:39 - Hank sneaks outaction scene | mysterious | sneaking | undercover agent | underscoring | yard

White Heat (1949)

Fight1:26:51 - Hank attacks the gangsteraction scene | dramatic | fighting | fugitive | gangster | leading man | mickey-mousing | murderer | punching | tense | undercover agent | yard

White Heat (1949)

Pursuit (Antenna)1:37:17 - Policemen follow radio signal in their caragent | antenna | car | car | chase scene | electronic effect | pursuing | radio | radio effect | searching | speeding | street | tense

White Heat (1949)

Truck (Speeding)1:37:36 - Tanker drives down the streetchase scene | driving | fugitive | gangster | leading man | murderer | ominous | speeding | street | truck | undercover agent

White Heat (1949)

Pursuit (Tracking)1:37:43 - Policemen pursue the truckagent | antenna | car | car | chase scene | map | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Antenna)1:37:59 - agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense

White Heat (1949)

T-Men (The Station)1:38:03 - Agents track progress of truck on the mapagent | chase scene | heroic | map | mapping | planning | police station

White Heat (1949)

Pursuit (Not Too Heavy)1:38:17 - Agents in car talking on radioagent | antenna | car | car | chase scene | pursuing | radio | speeding | tense

White Heat (1949)

Cody 2 (Montage)1:38:26 - Tanker drives down the streetcar | car | chase scene | dark | double exposure | electronic effect | fugitive | gangster | leading man | montage | murderer | pursuing | radio effect | speeding | street | truck | undercover agent

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

T-Men (The Map)1:38:58 - Agents map coordinates of the truckagent | chase scene | map | mapping | noble | planning | police station | radio

White Heat (1949)

Cody 21:39:10 - Tanker drives down the streetcar | chase scene | dark | double exposure | driving | fugitive | gangster | leading man | montage | murderer | radio | speeding | street | truck | undercover agent

White Heat (1949)

Pursuit (Frantic)1:39:12 - Police car in pursuitagent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Underscoring (Dramatic)1:39:16 - Agent at the control boardagent | antenna | car | car | chase scene | double exposure | dramatic | mapping | montage | police station | pursuing | radio | speeding | street | underscoring

White Heat (1949)

Underscoring (Tense)1:39:35 - Agents map coordinates of the truckagent | chase scene | map | mapping | police station | tense | underscoring

White Heat (1949)

Truck (Tutti)1:39:43 - Tanker pulls up to factorychase scene | dramatic | driving | fugitive | gangster | leading man | murderer | ominous | street | truck | undercover agent

White Heat (1949)

Cody (Mugs)1:39:57 - Gangsters in the tankerarriving | chase scene | dramatic | driving | factory | fugitive | gangster | guard | leading man | murderer | ominous | truck | truck | undercover agent | waiting

White Heat (1949)

Gate1:40:15 - The factory gate opensarriving | chase scene | closing | dark | driving | factory | fanfare | fugitive | gangster | gate | guard | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Underscoring (Tense)1:40:42 - Truck pulls in to factoryarriving | chase scene | driving | factory | fugitive | gangster | leading man | murderer | tense | truck | undercover agent | underscoring

White Heat (1949)

Cody1:40:57 - Cody exits truckarriving | chase scene | dark | factory | fugitive | gangster | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Rushing (Misterioso)1:41:01 - Cody emerges from the truckchase scene | dark | factory | fugitive | gangster | leading man | murderer | rushing | tense | truck | undercover agent

White Heat (1949)

Pursuit (Oscillator)1:41:16 - Transmitter on the truckagent | antenna | car | car | chase scene | electronic effect | mapping | pursuing | radio | radio effect | speeding | tense

White Heat (1949)

Underscoring (Dramatic)1:41:22 - Agents map coordinates of the truckagent | chase scene | dramatic | fanfare | map | mapping | police station | radio | underscoring

White Heat (1949)

Agents (Extended)1:41:31 - Agents map coordinates of the truckagent | chase scene | map | mapping | police station | radio | tense

White Heat (1949)

Agents + Pursuit1:41:42 - Agents map coordinates of the truckagent | car | car | chase scene | combination of themes | pursuing | speeding | tense

White Heat (1949)

Plotting (Faster)1:41:49 - Gangsters enter the buildingaction scene | anxious | arriving | factory | fugitive | gangster | guard | hurrying | leading man | murderer | tense | undercover agent | working

White Heat (1949)

Underscoring (Tense)1:42:42 - Hank looks out the windowaction scene | factory | fugitive | gangster | guard | leading man | murderer | tense | undercover agent | underscoring | working

White Heat (1949)

Pursuit (Arriving)1:42:48 - Police cars rush to factoryaction scene | agent | car | factory | guard | police | pursuing | speeding | tense

White Heat (1949)

White Heat (Maestoso)1:43:03 - Police enter the factoryaction scene | agent | dramatic | factory | guard | police | running | rushing | tense

White Heat (1949)

Police Raid1:43:09 - Gangster acting as lookoutaction scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent

White Heat (1949)

Bo Creel (Misterioso)1:43:26 - Bo Creel tells Cody that Hank is a copaction scene | discovering | discovery | factory | fugitive | gangster | guard | leading man | looking | murderer | mysterious | realizing | undercover agent

White Heat (1949)

Underscoring (Dramatic)1:46:13 - Cody shoots man in backaction scene | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | mickey-mousing | murder | murderer | shooting | tear gas | underscoring

White Heat (1949)

Crawling1:46:18 - Hank crawls on the flooraction scene | agent | crawling | dramatic | factory | fugitive | gangster | gun | leading man | mickey-mousing | murderer | rushing | tear gas | tense

White Heat (1949)

Agents (Tutti)1:46:31 - Agents watch men exitingaction scene | agent | aiming | dramatic | factory | gun | leading man | police | rushing | stopping | tear gas | tense

White Heat (1949)

T-Men (Escaping)1:46:36 - Hank escapesaction scene | agent | crawling | dark | escaping | factory | gun | leading man | police | reporting | tear gas | tense

White Heat (1949)

Agents (Marcato)1:46:58 - Evans signals to another agentaction scene | agent | bold | commanding | factory | fanfare | leading man | police

White Heat (1949)

Danger (Extended)1:47:06 - Cody sends men outaction scene | agent | death | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | murderer | police | pushing | rushing | shooting | tense

White Heat (1949)

Climbing stairs1:47:22 - Gangsters climb up stairsaction scene | agent | ascending | dramatic | factory | fleeing | fugitive | gangster | leading man | mickey-mousing | murderer | police | running | rushing | stairs

White Heat (1949)

Underscoring (Dramatic)1:47:35 - Gangsters get off of ladderaction scene | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | rushing | tense | underscoring

White Heat (1949)

White Heat (Police Raid)1:47:47 - Police advance on the gangstersaction scene | advancing | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | hidiging | leading man | mickey-mousing | murder | murderer | police | raid | searching | shooting | shootout | tense

White Heat (1949)

Falling and dying1:48:09 - Gangster falls downaction scene | death | descending | dramatic | dying | factory | falling | gangster | gun | gunshot | mickey-mousing | police | raid | shootout | tense

White Heat (1949)

Cody 2 (Brash)1:48:12 - Agents run up the stairsaction scene | agent | ascending | brash | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | shootout | stairs

White Heat (1949)

Prison Fight + Agents1:48:17 - Gangsters run up the stairsaction scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense

White Heat (1949)

Falling down stairs1:48:21 - Gangster falls down the stairsaction scene | death | descending | dramatic | dying | factory | falling | gangster | gun | mickey-mousing | police | raid | shootout | stairs | tense

White Heat (1949)

Prison Fight + Agents1:48:30 - Agents run up the stairsaction scene | agent | ascending | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | stairs | tense
The Woman in White (1948)Pavan (Garden)0:33:09 - Marian talks to Foscoarguing | conversing | cousin | falling in love scene | garden | instrument effect | leading lady | leading man | mysterious | Renaissance music | somber | watching

The Woman in White (1948)

Pavan (Agitato)0:33:43 - Walter argues with Lauraagitated | arguing | argument | falling in love scene | garden | leading lady | leading man

The Woman in White (1948)

The Self Banished0:34:22 - Walter apologizes to Lauraembracing | falling in love scene | garden | kissing | leading lady | leading man | romance | tender

The Woman in White (1948)

Laura runs0:34:56 - Laura runs offfalling in love scene | garden | hurried | leading lady | leading man | mickey-mousing | running | rushing

The Woman in White (1948)

Hypnosis (Misterioso con moto)1:16:57 - The countess talks to the woman in whiteconversing | death scene | leading lady | mysterious | room | tense | victim | wife

The Woman in White (1948)

Ann 21:17:48 - The woman in white talks to Lauraconversing | death scene | gentle | leading lady | room | tender | victim | wife

The Woman in White (1948)

Ann1:17:56 - The woman in white talks to Lauraconversing | death scene | leading lady | mysterious | room | victim | wife

The Woman in White (1948)

Hypnosis1:18:17 - The woman in white hears Fosco's voicedeath scene | hearing voices | leading lady | madness | mysterious | room | tense | victim | wife

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Appearing1:18:48 - The woman in white clutches her heartantagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Ann (Dead)1:18:55 - The woman in white lies deadantagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife

The Woman in White (1948)

Ann (Slowly)1:19:46 - The countess entersangry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Pavan (Distressed)1:25:43 - Laura confronts Sir Percivalantagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:26:10 - Count Fosco hypnotizes Lauraantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim

The Woman in White (1948)

Ann1:26:55 - Laura speaks to Count Foscoantagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim

The Woman in White (1948)

Ann (Waltz)1:27:14 - Laura dashes awayantagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:27:35 - Laura hears Count Fosco's voice in her headasylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann1:28:02 - Laura exchanges the keysasylum | hypnosis | key | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann 21:28:39 - The nurse takes Laura to her roomantagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking

The Woman in White (1948)

Ann (Quasi Misterioso)1:29:00 - Count Fosco talks to Sir Percivalantagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous

The Woman in White (1948)

Pavan (Garden)1:31:13 - Walter talks with Marianconversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying

The Woman in White (1948)

Underscoring (Dramatic)1:31:28 - Marian sees Sir Percival spying on themconversing | dramatic | friend | leading lady | leading man | love scene | lyrical | room | stinger | underscoring

The Woman in White (1948)

The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference
Transgression (1931)Igualada0:23:20 - Elsie and Don Arturo talkingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music

Transgression (1931)

Gong0:50:00 - Don Arturo is shotdeath | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim
Hold ‘Em Jail (1932)There's a Sob in My Heart0:05:14 - People dancing in a night clubAABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat
State’s Attorney (1932)Stack o' Lee Blues0:43:17 - Jazz musicians playing in a clubclub | Dixieland | musician | music scene | on-screen music | playing | singer | singing | source music | upbeat

State’s Attorney (1932)

Business in F0:43:46 - Jazz musicians playing in a clubclub | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingAABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music
Thirteen Women (1932)Spring, Beautiful Spring0:04:48 - June and May performABA structure | circus | circus music | death scene | performer | performing | source music | swinging | trapeze | upbeat

Thirteen Women (1932)

Drum Roll0:06:18 - June and May performcircus | death scene | fear | performer | preparing | source music | tense | trapeze

Thirteen Women (1932)

Underscoring (Dramatic)0:07:14 - May falls to her deathcircus | dark | death scene | dying | falling | performer | trapeze | underscoring

Thirteen Women (1932)

Ursula (Violent)0:12:29 - Newspaper headlinedramatic | half-diminished 7th chord | headline | murder | murder scene | newspaper | transcribed by ear | violent

Thirteen Women (1932)

Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (Suicide)0:24:18 - Helen commits suicideantagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim
Dangerous Corner (1934)Chanson0:22:05 - A man turns on the radioalternate timeline | calm | classical music | conversing | pivotal scene | radio | room | source music

Dangerous Corner (1934)

Wedding March0:23:10 - A woman opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect

Dangerous Corner (1934)

Wedding March0:47:11 - A man opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect
Sing and Like It (1934)O Du Lieber Augustin0:09:09 - Annie and Oswald go in the theatre doorAABA structure | ballad | dancer | dancing | musician | music scene | on-screen music | piano | source music | stage | upbeat

Sing and Like It (1934)

Your Mother0:10:15 - Annie sings on stageAABA structure | ballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | robbery | score to source | sentimental | singer | singing | source music | stage | stealing

Sing and Like It (1934)

Your Mother0:13:55 - Annie sings on stageAABA structure | ballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

Your Mother0:23:01 - Call board for a dress rehearsalAABA structure | arguing | ballad | boss | conversing | gangster | leading lady | listening | musician | music scene | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

Hi-De-Ho1:01:43 - The audienceAABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:02:44 - A man conducts the pit orchestraAABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:03:10 - The audience reactsAABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:03:34 - The critic reactsAABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:04:10 - The critic reactsAABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching

Sing and Like It (1934)

Your Mother1:04:54 - A man conducts the pit orchestraAABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching

Sing and Like It (1934)

Your Mother (Curtain Call)1:07:57 - The audience applaudsAABA structure | applauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | secondary dominant | singer | source music | theater | transcribed by ear | upbeat
Don’t Turn ‘em Loose (1936)Makes You Forget Your Troubles0:39:42 - Grace turns on the radioAABA structure | arriving | cheerful | common-tone diminished 7th | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles (Dream Sequence)0:39:59 - Bob (Bat) pulls a gun on Graceaugmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles0:40:17 - Grace is shotAABA structure | cheerful | common-tone diminished 7th | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim
We're Only Human (1935)Silver Lining0:13:56 - Pete and Sally in a restaurantconversing | date | detective | flirting | gentle | leading lady | leading man | love interest | love scene | reporter | restaurant | source music

We're Only Human (1935)

Isn't This a Night For Love (Moonlight)0:23:59 - Pete and Sally having dinnerAABA structure | conversing | date | detective | dinner | leading lady | leading man | love interest | love scene | reporter | romantic | room | source music

We're Only Human (1935)

The Escape (Hiding)0:27:05 - Pete and Danny dodge from gunfireaction scene | chromatic scale | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | shooting | stinger | street | whole-tone chord

We're Only Human (1935)

Gypo Runs Away0:27:09 - Pete and Danny hideaction scene | agitated | chromatic parallelism | detective | diminished 7th chord | gangster | hiding | leading man | street | tense

We're Only Human (1935)

The Informer (Up the Stairs)0:27:17 - Pete prepares to advance64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense

We're Only Human (1935)

Blood Money (Four Coins)0:27:37 - Pete and Danny hideaction scene | bank | detective | gangster | half-diminished 7th chord | hiding | leading man | mysterious | preparing | sneaking | tense

We're Only Human (1935)

The Informer (Lying)0:27:51 - Danny prepares to advanceaction scene | bank | chromatic sequence | detective | diminished 7th chord | dissonant bass | gangster | half-diminished 7th chord | hiding | leading man | octatonic | preparing | sneaking | tense

We're Only Human (1935)

Kong 10:28:23 - Pete jumps on a criminalaction scene | bank | chromatic parallelism | detective | dramatic | fighting | gangster | jumping | leading man | pedal tone | punching | tense

We're Only Human (1935)

Kong 20:28:34 - Pete handcuffs a criminalaction scene | bank | detective | dramatic | fighting | gangster | leading man | mysterious | tense | whole-tone | whole-tone chord

We're Only Human (1935)

The Informer (Drinking)0:28:39 - Pete stands upaction scene | bank | detective | gangster | leading man | octatonic | standing | tense | whole-tone chord

We're Only Human (1935)

Katie (Triste)0:28:47 - Pete talks to the criminalaction scene | arguing | bank | detective | foreign key modulation | gangster | leading man | parallelism | stinger | sultry

We're Only Human (1935)

Blood Money (Extended)0:28:58 - Pete walks away with the criminalaction scene | arguing | augmented triad | bank | detective | gangster | leading man | mysterious | tense | tritone | whole-tone

We're Only Human (1935)

Katie (Begging)0:29:21 - Close up on Danny64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim

We're Only Human (1935)

Begging0:29:35 - Pete talks with Dannyaction scene | arguing | bank | detective | diminished 7th chord | dissonant bass | gangster | leading man | pedal tone | sequence | serious | tense | victim

We're Only Human (1935)

Katie (Dolcissimo)0:30:05 - Danny talks with Peteaction scene | bank | chromatic sequence | conversing | death | detective | dying | gangster | leading man | solemn | victim

We're Only Human (1935)

Dan and Mary (Adagio)0:30:44 - Pete says goodbye to Danny11th chord | action scene | bank | conversing | death | detective | dying | gangster | leading man | solemn | victim
Another Face (1935)Ursula (Hypnotic)0:03:21 - An operationdiminished 7th chord | doctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery

Another Face (1935)

The Swami (Sleeping)0:03:42 - The nurse gets suppliesdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery | whole-tone | whole-tone chord

Another Face (1935)

Russian Waltz (Whole Tone)0:03:55 - The operation continuesdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery | whole-tone chord

Another Face (1935)

Courage (Tone Cluster)0:04:26 - Gangster all bandaged upconversing | departing | doctor | gangster | half-diminished 7th chord | mysterious | nurse | operating room | operation scene | patient | whole-tone chord
Girl of the Rio (1932)Querida0:48:40 - Dolores sees JohnnyABAC structure | conversing | gentle | guard | leading lady | leading man | love interest | love scene | romantic | singer | terrace
Without Honor (1949)Triste0:07:37 - Dennis tells Jane their relationship is overadulterer | affair | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | somber

Without Honor (1949)

Appassionato 2 (Agitato)0:07:57 - Jane tells Dennis she still loves himadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Appassionato (Broad)0:08:11 - Jane criesadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Desperation0:08:20 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | dramatic | kitchen | leading lady | leading man | love interest | underscoring

Without Honor (1949)

Appassionato (Molto Expressivo)0:08:35 - Jane criesadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Twilight (Agitato)0:08:54 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | mysterious | ominous | tense

Without Honor (1949)

Underscoring (Agitated)0:09:10 - Jane threatens to kill herselfadulterer | affair | arguing | breaking up | breakup | crying | dark | death scene | dramatic | kitchen | leading lady | leading man | love interest | suicide | underscoring

Without Honor (1949)

Underscoring (Dramatic)0:09:23 - Jane and Dennis struggleaddicent | adulterer | death | death scene | dramatic | fighting | kitchen | knife | leading lady | leading man | love interest | skewer | struggling | underscoring

Without Honor (1949)

Twilight (Maestoso)0:09:36 - Dennis on the groundaddicent | adulterer | death | death scene | dramatic | dying | kitchen | knife | leading lady | leading man | love interest | ominous | reacting | skewer | standing | struggling

Without Honor (1949)

Twilight (Washing Machine)0:10:14 - Dennis by the washing machineaddicent | adulterer | death | death scene | dramatic | dying | kitchen | knife | leading lady | leading man | love interest | motor effect | ominous | reacting | skewer | struggling | washing machine

Without Honor (1949)

Underscoring (Tense)0:10:30 - Jane looks at Dennis's bodyaddicent | adulterer | corpse | death | death scene | kitchen | knife | leading lady | leading man | love interest | reacting | skewer | tense | thinking | underscoring

Without Honor (1949)

Fingers0:10:54 - Jane's fingers start twitchingaddicent | adulterer | corpse | crazed | death | death scene | hand | kitchen | knife | leading lady | leading man | love interest | mysterious | reacting | skewer | tense | thinking | twitching

Without Honor (1949)

Twilight (Bloody Hand)0:11:04 - Blood on Jane's handaddicent | adulterer | blood | dark | death | death scene | hand | kitchen | leading lady | leading man | love interest | reacting | thinking | washing

Without Honor (1949)

Twilight (Molto Expressivo)0:11:25 - Jane tries to get the blood off her handaddicent | adulterer | blood | death | death scene | hand | kitchen | leading lady | leading man | love interest | somber | washing

Without Honor (1949)

Twilight (Dark)0:11:59 - Jane closes the door to the laundry roomblood | dark | death scene | kitchen | leading lady | washing

Without Honor (1949)

Underscoring (Tense)0:12:11 - Jane wipes blood off of the floorblood | death scene | kitchen | leading lady | ominous | tense | underscoring | washing

Without Honor (1949)

Underscoring (Tense)0:37:33 - Jane climbs out the windowaction scene | escaping | hiding | leading lady | running | tense | underscoring | window | yard

Without Honor (1949)

Jumping down0:37:38 - Jane jumps to the grouldaction scene | descending | jumping | leading lady | mickey-mousing | tense | window | yard

Without Honor (1949)

Good Humor Truck + Underscoring (Tense)0:37:46 - Jane runs to the road | action scene | combination of themes | escaping | hiding | ice cream truck | leading lady | running | scored source music | source music | street | tense | underscoring

Without Honor (1949)

Underscoring (Tense)0:38:12 - Jane gets sprayed by a hoseaction scene | bus | conversing | leading lady | neighbor | street | tense | underscoring

Without Honor (1949)

Chasing bus0:38:22 - Jane runs after the busaction scene | bus | chasing | dramatic | falling | leading lady | mickey-mousing | running | street

Without Honor (1949)

Appassionato 2 (Dramatic)0:38:33 - Jane tries to catch the busaction scene | bus | chasing | dramatic | leading lady | street | waving

Without Honor (1949)

Twilight (Rubato)0:39:03 - Jane stands in the roadaction scene | car | husband | leading lady | leading man | solemn | street | walking
The Most Dangerous Game (1932)The Wreck0:07:15 - A sinking shipaction scene | captain | crew | leading man | ocean | ship | ship wreck | sinking | swimming | tense

The Most Dangerous Game (1932)

Shark Attack0:07:35 - A shark in the wateraction scene | attacking | biting | blood | captain | crew | death | dramatic | drowning | dying | leading man | ocean | shark | ship wreck | stinger | struggling | swimming | victim

The Most Dangerous Game (1932)

Swimming0:07:56 - Bob swims awayaction scene | beach | dramatic | escaping | leading man | mickey-mousing | ocean | ship wreck | swimming | tense

The Most Dangerous Game (1932)

The Beach0:08:11 - Bob walks onto the beachaction scene | beach | calm | leading man | ship wreck | stumbling | walking | wave effect

The Most Dangerous Game (1932)

The Iron Door (Collapsing)0:08:23 - Bob collapses on the beachaction scene | beach | calm | collapsing | falling | foreshadowing | leading man | mysterious | ship wreck

The Most Dangerous Game (1932)

The Iron Door (Tense)0:36:27 - Zaroff looks at Bob's watchaction scene | castle | commanding | count | leading man | mute | prisoner | servant | shackles | stinger | tense | villain

The Most Dangerous Game (1932)

Walking0:36:42 - Zaroff walks to the dooraction scene | agitated | castle | closing | count | leading man | marching | mickey-mousing | mute | preparing | prisoner | servant | tense | villain | walking

The Most Dangerous Game (1932)

The Iron Door (Fangs and Claws)0:37:00 - Zaroff gives Bob a knifeaction scene | castle | commanding | count | giving | knife | leading man | mute | preparing | prisoner | servant | tense | threatening | villain

The Most Dangerous Game (1932)

Emotions (Agitato)0:37:04 - The iron dooraction scene | agitated | castle | descending | door | fear | leading lady | opening | running | rushing | screaming | tense

The Most Dangerous Game (1932)

Emotions 2 (Agitato)0:37:23 - Eve runs to Bobaction scene | agitated | arriving | castle | conversing | count | fear | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Russian Waltz (Meno) + The Iron Door0:37:30 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Underscoring (Tense)0:37:49 - Zaroff talks about the gameaction scene | castle | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | underscoring | villain

The Most Dangerous Game (1932)

Zaroff (Molto Moderato) + The Iron Door0:38:01 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Courage + The Iron Door0:38:17 - Bob and Eve leaveaction scene | agitated | castle | combination of themes | count | departing | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Russian Waltz (Maestoso)0:38:32 - Bob and Eve are taken to the jungleaction scene | conversing | fanfare | jungle | leading lady | leading man | mute | ominous | preparing | prisoner | releasing | servant | walking

The Most Dangerous Game (1932)

Emotions (Dramatic)0:39:00 - Bob and Eve take one last look backaction scene | dramatic | jungle | leading lady | leading man | looking | walking

The Most Dangerous Game (1932)

Zaroff (Slowly) + Russian Waltz + The Iron Door0:39:04 - Zaroff stares at Bob and Eveaction scene | combination of themes | count | jungle | ominous | smoking | staring | villain | watching

The Most Dangerous Game (1932)

Courage (Tone Cluster)0:41:32 - Bob builds a trapaction scene | jungle | knife | leading lady | leading man | mysterious | preparing | stinger | tense | trap | victim

The Most Dangerous Game (1932)

Russian Waltz (Poco Agitato)0:42:12 - The Count approachesaction scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Poco Agitato)0:42:25 - Bob and Eve hide in a caveaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Courage (Hiding)0:42:33 - Bob and Eve watch and waitaction scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

The Count Approaches0:42:44 - The Count approaches slowlyaction scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Tree falling0:43:14 - A tree fallsaction scene | arrow | count | dark | dramatic | falling | jungle | knife | leading lady | leading man | mickey-mousing | shooting | trap | victim | villain

The Most Dangerous Game (1932)

Emotions (Agitato Mysterioso)0:43:29 - Eve reacts to the arrowaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Emotions 2 (Agitato Mysterioso)0:43:44 - Bob and Eve watch and waitaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Hunting) + The Iron Door0:43:48 - Zaroff talks to Bobaction scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Russian Waltz (Andante)0:44:07 - Close up on Zaroffaction scene | count | dark | departing | hiding | jungle | knife | leading lady | leading man | ominous | sneaking | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Courage (Allegro)0:44:26 - Bob prepare to leaveaction scene | agitated | departing | hiding | jungle | knife | leading lady | leading man | sneaking | tense | victim | waiting | watching

The Most Dangerous Game (1932)

Courage (Moderato)0:44:51 - Bob tells Eve to come outaction scene | calm | hiding | jungle | knife | leading lady | leading man | sneaking | unsettled | victim | waiting | watching

The Most Dangerous Game (1932)

Mysterioso Dramatico0:45:01 - Bob and Eve look for Zaroffaction scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Russian Waltz (Low Brass)0:45:12 - Bob talks with Eveaction scene | conversing | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Emotions (Running Away)0:45:17 - Eve runs awayaction scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

Emotions 2 (Running Away)0:45:34 - Eve jumps over a creviceaction scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

Underscoring (Dramatic)0:45:41 - Bob catches Eveaction scene | agitated | catching | conversing | convincing | jungle | leading lady | leading man | tense | underscoring | victim

The Most Dangerous Game (1932)

Russian Waltz (Fog Hollow) + The Iron Door0:45:46 - Bob and Eve see Fog Hollowaction scene | combination of themes | fog | jungle | leading lady | leading man | ominous | preparing | victim

The Most Dangerous Game (1932)

Rock Falling0:46:09 - A rock falls into a creviceaction scene | dramatic | falling | jungle | leading lady | leading man | mickey-mousing | rock | splashing | stinger | tumbling | victim

The Most Dangerous Game (1932)

The Approach (Quasi Mysterioso)0:46:16 - Bob jumps over the creviceaction scene | agitated | jungle | leading lady | leading man | plotting | preparing | tense | trap | victim | working

The Most Dangerous Game (1932)

Zaroff (Hiding)0:46:48 - Bob and Eve hide from Zaroffaction scene | combination of themes | count | hiding | jungle | leading lady | leading man | preparing | sneaking | tense | trap | victim | villain

The Most Dangerous Game (1932)

The Iron Door (Trembling)0:47:20 - A branch tremblesaction scene | approaching | count | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | trembling effect | tricking | victim | villain

The Most Dangerous Game (1932)

Zaroff (Allegro)0:47:43 - The Count approachesaction scene | approaching | count | dark | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | tricking | victim | villain

The Most Dangerous Game (1932)

Trap Falling0:47:47 - The trap collapsesaction scene | count | dramatic | falling | gun | jumping | jungle | leading lady | leading man | mickey-mousing | stinger | trap | victim | villain

The Most Dangerous Game (1932)

Zaroff (Deliberate)0:47:51 - Bob and Eve scramble awayaction scene | count | dark | escaping | gun | hiding | hunting | jungle | leading lady | leading man | pursuing | running | scrambling | tense | victim | villain

The Most Dangerous Game (1932)

The Fog0:48:02 - Bob and Eve in the fogaction scene | count | dark | escaping | gun | hunting | jungle | leading lady | leading man | pursuing | running | tense | victim | villain

The Most Dangerous Game (1932)

Russian Waltz (Tense)0:48:21 - The Count talks to Bobaction scene | conversing | count | dark | gun | jungle | leading lady | leading man | taunting | tense | victim | villain

The Most Dangerous Game (1932)

The Iron Door (Horn Call)0:48:50 - Zaroff blows his hunting hornaction scene | count | dark | horn | horn call | jungle | leading lady | leading man | playing | scored source music | score to source | source music | tense | victim | villain

The Most Dangerous Game (1932)

The Chase + The Iron Door0:49:03 - A big doorbarking | chase scene | chasing | combination of themes | dog | door | dramatic | jungle | opening | running | servant | tense

The Most Dangerous Game (1932)

The Chase (Quasi Mysterioso)0:49:16 - Bob and Eve in the fogbarking | castle | chase scene | chasing | dog | dramatic | fog | jungle | leading lady | leading man | preparing | running | servant | tense | victim

The Most Dangerous Game (1932)

Courage + Russian Waltz + Iron Door0:49:23 - Bob and Eve running awaychase scene | combination of themes | dark | dramatic | fog | jungle | leading lady | leading man | ominous | preparing | running | victim

The Most Dangerous Game (1932)

The Approach (Risoluto)0:49:30 - Bob creates a spear trapchase scene | dramatic | fanfare | jungle | leading lady | leading man | preparing | spear | trap | victim

The Most Dangerous Game (1932)

The Chase (Tremolo) + The Iron Door (Horn Call)0:49:40 - The Count blows his hunting hornchase scene | chasing | combination of themes | count | dog | dramatic | fog | horn | jungle | leading lady | leading man | playing | running | scored source music | score to source | servant | source music | tense | victim | villain

The Most Dangerous Game (1932)

The Chase + Courage0:50:01 - Bob and Eve stumbling through the fogchase scene | combination of themes | dramatic | fog | jungle | leading lady | leading man | running | stumbling | tense | victim

The Most Dangerous Game (1932)

Zaroff (Tuttissimo)0:50:04 - The dogs appearchase scene | chasing | dog | dramatic | jungle | running | servant | tense

The Most Dangerous Game (1932)

Zaroff (Dogs Chasing)0:50:11 - The dogs runningchase scene | chasing | dog | dramatic | jungle | running | servant | tense

The Most Dangerous Game (1932)

The Chase (Tense) + The Iron Door (Horn Call)0:50:16 - Bob and Eve in the waterbarking | chase scene | chasing | combination of themes | dog | dramatic | fog | jungle | leading lady | leading man | running | scored source music | servant | source music | stumbling | tense | victim

The Most Dangerous Game (1932)

Zaroff (Chasing)0:50:39 - The dogs chase after Bob and Evebarking | chase scene | chasing | count | dog | dramatic | jungle | running | servant | tense | villain

The Most Dangerous Game (1932)

Zaroff (Rising)0:50:52 - The dogs runningbarking | chase scene | chasing | dog | dramatic | jungle | running | servant | tense

The Most Dangerous Game (1932)

Running into spear0:51:01 - Ivan runs into the spear trapchase scene | dramatic | jungle | micking mousing | rising | servant | spear | tense | trap

The Most Dangerous Game (1932)

Zaroff (Ivan Dying)0:51:03 - Ivan lies dying on the groundchase scene | dark | death | dying | jungle | servant | spear | trap | wound

The Most Dangerous Game (1932)

The Chase (Allegro)0:51:09 - Count Zaroff runningagitated | chase scene | chasing | count | dark | dog | dramatic | fanfare | fog | jungle | leading lady | leading man | running | servant | stumbling | victim | villain

The Most Dangerous Game (1932)

Russian Waltz (Chasing)0:51:28 - Count Zaroff in pursuitagitated | chase scene | chasing | count | dark | dog | dramatic | fog | jungle | leading lady | leading man | running | servant | victim | villain

The Most Dangerous Game (1932)

The Approach (Fear)0:51:35 - Bob and Eve stopagitated | chase scene | crocodile | dark | dramatic | fear | jungle | leading lady | leading man | running | stopping | victim

The Most Dangerous Game (1932)

The Crocodile + Courage0:51:36 - A crocodilechase scene | combination of themes | crocodile | dark | jungle | leading lady | leading man | running | stumbling | victim

The Most Dangerous Game (1932)

The Chase + Russian Waltz (Augmented)0:52:02 - Dogs running through the swampagitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain

The Most Dangerous Game (1932)

The Chase (Furioso)0:52:13 - Eve runs towards a logagitated | barking | chase scene | chasing | count | dark | dog | dramatic | falling | jungle | leading lady | leading man | log | mickey-mousing | running | servant | victim | villain

The Most Dangerous Game (1932)

The Iron Door (Slow)0:52:19 - Eve falls on a logchase scene | chasing | dark | jungle | leading lady | leading man | log | ominous | running | standing | victim

The Most Dangerous Game (1932)

Emotions (Allegro)0:52:24 - Eve and Bob run over the logagitated | barking | chase scene | chasing | dog | jungle | leading lady | leading man | log | running | tense | victim

The Most Dangerous Game (1932)

Emotions 2 (Allegro)0:52:39 - Eve and Bob climb a treeagitated | barking | chase scene | chasing | climbing | dog | jungle | leading lady | leading man | running | tense | tree | victim

The Most Dangerous Game (1932)

Zaroff (Heavy)0:52:45 - The dogs bark up the treeagitated | barking | chase scene | chasing | climbing | count | dark | dog | jungle | leading lady | leading man | running | servant | tense | tree | victim | villain

The Most Dangerous Game (1932)

Russian Waltz (Dark)0:52:53 - Eve and Bob hiding in a treeagitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain

The Most Dangerous Game (1932)

The Approach0:52:59 - Eve and Bob hiding in a treeagitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain

The Most Dangerous Game (1932)

The Chase (Accelerando) + The Iron Door0:53:02 - The dogs bark up the treeagitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine

The Most Dangerous Game (1932)

Zaroff (Allegro con Fuoco)0:53:24 - Zaroff looks up at the treeagitated | barking | chase scene | chasing | count | dark | dog | jungle | running | searching | servant | tense | tree | villain

The Most Dangerous Game (1932)

The Chase + The Iron Door0:53:33 - Bob and Eve run along a clifftopchase scene | cliff | combination of themes | dramatic | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

The Approach (Risoluto)0:53:38 - Bob and Eve hide in the treesbarking | chase scene | cliff | climbing | cutting | dog | dramatic | hiding | jumping | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

Zaroff (Climbing)0:53:55 - Zaroff climbs to the top of the cliffchase scene | chasing | cliff | climbing | count | dramatic | fanfare | jungle | servant | tense | villain

The Most Dangerous Game (1932)

The Chase (Allegro Furioso)0:54:02 - A dog tries to climb the hillbarking | chase scene | chasing | cliff | climbing | dog | dramatic | jungle | tense

The Most Dangerous Game (1932)

Dog falling0:54:06 - A dog falls downchase scene | cliff | dog | dramatic | falling | jungle | mickey-mousing | tense

The Most Dangerous Game (1932)

The Chase (Running) + The Iron Door0:54:08 - Bob runs through the junglechase scene | chasing | close-up | combination of themes | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain

The Most Dangerous Game (1932)

Zaroff (Running)0:54:15 - A close-up on Zaroffchase scene | chasing | close-up | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain

The Most Dangerous Game (1932)

The Waterfall0:54:20 - Rushing waterchase scene | chasing | dog | falling | flowing | jungle | leading lady | leading man | mickey-mousing | planning | river | running | shirt | splashing | tense | trap | victim | water effect | waterfall

The Most Dangerous Game (1932)

The Chase0:54:43 - A dog falls into the waterchase scene | dog | dramatic | falling | flowing | jungle | mickey-mousing | river | splashing | tense | waterfall

The Most Dangerous Game (1932)

Courage + Russian Waltz + Iron Door0:54:46 - Bob and Eve run towards the waterfallchase scene | chasing | combination of themes | dramatic | jungle | leading lady | leading man | preparing | river | tense | victim | waterfall

The Most Dangerous Game (1932)

The Approach (Risoluto)0:54:59 - Count Zaroff by the riverchase scene | chasing | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

The Chase (Tremolo) + The Iron Door (Horn Call)0:55:08 - Count Zaroff approaching the waterfallchase scene | chasing | combination of themes | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Bob leaping0:58:57 - Bob leaps at Zaroffaction scene | castle | count | dramatic | fighting | gun | jumping | leading man | leaping | tense | victim | villain

The Most Dangerous Game (1932)

Zaroff (Allegro Furioso)0:58:57 - Bob fights Zaroffaction scene | castle | count | dog | dramatic | fighting | gun | leading man | tense | victim | villain

The Most Dangerous Game (1932)

Russian Waltz (The Fight)0:59:04 - Bob fights Zaroffaction scene | castle | count | dramatic | fighting | gun | leading man | tense | victim | villain

The Most Dangerous Game (1932)

Zaroff (The Fight)0:59:06 - Zaroff's gunaction scene | castle | count | dramatic | fighting | gun | leading man | tense | victim | villain

The Most Dangerous Game (1932)

Underscoring (Dramatic)0:59:18 - Bob fights Zaroffaction scene | castle | count | dramatic | fighting | leading man | servant | tense | underscoring | victim | villain

The Most Dangerous Game (1932)

Zaroff (The Fight 2)0:59:22 - Zaroff's servant attacksaction scene | castle | count | dramatic | fighting | leading man | servant | tense | victim | villain

The Most Dangerous Game (1932)

Russian Waltz (The Fight 2)0:59:27 - Bob fights Zaroff's servantaction scene | castle | count | dramatic | fighting | leading man | servant | tense | victim | villain

The Most Dangerous Game (1932)

The Iron Door (The Fight)0:59:36 - Bob fights Zaroff's servantaction scene | castle | count | dramatic | fighting | leading man | servant | tense | victim | villain

The Most Dangerous Game (1932)

The Count rises0:59:46 - The Count slowly risesaction scene | arrow | breaking | castle | count | death | dramatic | dying | fighting | killing | leading man | rising | servant | sneaking | tense | victim | villain

The Most Dangerous Game (1932)

Zaroff (Slow)1:00:03 - Bob kills Zaroff's servantaction scene | arrow | castle | corpse | count | death | dramatic | leading man | preparing | servant | tense | victim | villain

The Most Dangerous Game (1932)

The Iron Door (Allegro Furioso)1:00:07 - Bob attacks Zaroffaction scene | arrow | castle | corpse | count | death | dramatic | dying | fighting | killing | leading man | servant | stabbing | tense | victim | villain
White Heat (1949)Sliding down pole1:48:43 - Cody slides down a poleaction scene | agent | descending | dramatic | factory | fugitive | gangster | leading man | mickey-mousing | murderer | pole | police | raid | sliding | tense

White Heat (1949)

Danger (Tense)1:48:48 - Gangsters run awayaction scene | agent | chasing | dramatic | factory | fanfare | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Agents + Gathering1:49:06 - Agents in actionaction scene | agent | chasing | combination of themes | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Danger (Risoluto)1:49:17 - Agents advanceaction scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Underscoring (Dramatic)1:49:19 - Gangsters run awayaction scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense | underscoring

White Heat (1949)

Plotting (Extended)1:49:34 - Gangsters hideaction scene | agent | factory | frantic | fugitive | gangster | hiding | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Rushing + Agents1:49:44 - Police advanceaction scene | advancing | agent | combination of themes | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense

White Heat (1949)

White Heat (Maestoso 2)1:49:55 - Police advanceaction scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense

White Heat (1949)

Agents (Searching)1:50:02 - Agents plan their next moveaction scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense

White Heat (1949)

Rushing (Searchlights)1:50:05 - Searchlightsaction scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | tense

White Heat (1949)

Madness1:50:16 - Cody talks to Rileyaction scene | agent | factory | fugitive | gangster | hiding | leading man | madness | murderer | plotting | police | raid | tense

White Heat (1949)

Plotting (Agitato)1:50:27 - Cody gets upaction scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | madness | murderer | police | raid | sneaking | tense

White Heat (1949)

Cody (Climbing)1:50:30 - Cody climbs the stairsaction scene | agent | ascending | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | stairs | tense

White Heat (1949)

Plotting1:50:41 - Cody hidesaction scene | agent | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | tense

White Heat (1949)

Rushing (Searchlights 2)1:50:48 - Searchlightsaction scene | agent | announcing | death | factory | fugitive | gangster | gun | gunshot | hiding | killing | laughing | leading man | mickey-mousing | murder | murderer | police | raid | searching | searchlight | shooting | surrendering | tense

White Heat (1949)

Riley's Death1:51:15 - Riley hits the groundaction scene | agent | dark | death | dying | factory | fugitive | gangster | laughing | leading man | murder | murderer | police | raid | stinger

White Heat (1949)

Cody 3 (Mocking)1:51:30 - Cody shootsaction scene | agent | brash | factory | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | mocking | murderer | police | raid

White Heat (1949)

Trap1:51:37 - Policeman hands Hank a rifleaction scene | agent | aiming | factory | fugitive | gangster | gun | leading man | murderer | police | raid | searching | tense

White Heat (1949)

Rushing1:51:44 - Searchlightsaction scene | agent | aiming | factory | fugitive | gangster | gun | gunshot | hiding | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | shooting | tense
Caged (1950)Prison Alarm (The Scream)1:00:42 - Marie covers her earsalarm | alarm effect | anxiety | dramatic | fidgeting | guard | hysteria | leading lady | mad scene | prison | prisoner | screaming | tense

Caged (1950)

Hysteria1:00:55 - Marie runs down the hallalarm | anxiety | dramatic | escaping | guard | hysteria | leading lady | mad scene | prison | prisoner | running | tense

Caged (1950)

Falling1:01:18 - Marie falls to the grounddramatic | falling | guard | leading lady | mad scene | mickey-mousing | prison | prisoner | throwing

Caged (1950)

Marie (Melancholy)1:01:25 - Marie returns to her cellconversing | guard | leading lady | mad scene | melancholy | prison | prisoner | returning | solemn

Caged (1950)

Marie (Misterioso)1:17:04 - Shadows on a staircasedescending | guard | leading lady | mad scene | prison | prisoner | shadow | solemn | solitary | walking

Caged (1950)

Isolation Ward (Dark)1:17:27 - Shadows on Marie's facedark | departing | guard | isolation | leading lady | mad scene | mysterious | ominous | prison | prisoner | shadow | solitary | staring | uneasy | walking

Caged (1950)

Water Dripping1:17:52 - Marie in solitaryaudible thoughts | dark | dripping | guard | hysteria | isolation | leading lady | mad scene | mickey-mousing | mysterious | pacing | prison | prisoner | tense | thinking | uneasy | water | water effect

Caged (1950)

Water Dripping + Caged (Tense)NIF - not in filmcombination of themes | cut from film | dark | hysteria | isolation | leading lady | mad scene | mickey-mousing | mysterious | prison | prisoner | tense | uneasy | water effect

Caged (1950)

Water Dripping + FoxtrotNIF - not in filmcombination of themes | cut from film | eerie | foxtrot | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | uneasy | water effect

Caged (1950)

Water DrippingNIF - not in filmcut from film | dark | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect

Caged (1950)

Water Dripping + Marie 2NIF - not in filmcombination of themes | cut from film | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tender | uneasy | water effect

Caged (1950)

Water Dripping (Frantic)NIF - not in filmcut from film | dark | frantic | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect

Caged (1950)

Water Dripping (Molto Expressivo)1:18:15 - Marie in solitarycrying | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling

Caged (1950)

Harper's Death1:27:19 - Kitty stabs Harper with a forkdark | death | dying | dying | falling | falling | fork | killing | murder | murdering | murder scene | prison | screaming | stabbing | stabbing | stinger | walking | walking