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775 results for "scene" — see also exposure | photo | photograph | picture | set | setting | shot | view

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Prayer0:36:36 - The Abbe prays for Raynaldchild | duke | governess | hymn-like | illness | leading lady | leading man | praying | priest | religious scene | room | somber

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayerchild | conversing | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | doctor | duchess | illness | leading lady | religious scene | room | tense

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing

All This, and Heaven Too (1940)

Desperation0:39:54 - The Duchess writes a letterangry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing

All This, and Heaven Too (1940)

Rushing0:40:15 - The Duchess rushes to the Abbeangry | arguing | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchessangry | arguing | despair | duchess | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | crying | despair | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedsidechild | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the windowbright | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the windowchild | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing 20:43:14 - The Duchess rushes into the roomarguing | child | duchess | duke | governess | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing

All This, and Heaven Too (1940)

Desperation (Furioso)0:43:28 - The Duchess rushes out of the roomangry | child | despair | duchess | duke | governess | hurrying | illness | illness scene | leading lady | leading man | leaving | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Carriage)0:46:53 - Horses pulling a carriagecarriage | child | conversing | governess | horse | leading lady | mickey-mousing | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic music | regal | source music | theater | watching

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

Air pour La Jeunesse0:51:43 - A montage of people applaudingaudience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfduke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Triste1:28:51 - Henriette talks about a mysteryduke | falling in love scene | governess | leading lady | leading man | room | somber | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Dukeconversing | duke | falling in love scene | gentle | governess | leading lady | leading man | romantic | room | sweet

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Dukeconversing | duke | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henrietteconversing | duke | governess | leading lady | leading man | love scene | palace | reassuring | romantic | stinger | tender

All This, and Heaven Too (1940)

Henriette (Expressivo)1:32:32 - Henriette enters the palacegoverness | leading lady | love scene | ominous | palace | somber | walking

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukeconversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukeconversing | desperate | duke | governess | leading lady | leading man | love scene | romantic | room

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukeconversing | duke | gentle | governess | leading lady | leading man | love scene | room | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the childrenchild | conversing | farewell scene | gentle | governess | leading lady | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | conversing | crying | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the childrenarriving | child | duke | grand | greeting | leading lady | leading man | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henriettecheerful | child | conversing | leading lady | pleasant | reunion scene | room

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossipingduke | gossiper | gossiping | harsh | landlady | leading man | reunion scene | room | tense | watching

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

The Murder1:51:56 - The Duke advances towards the Duchessapproaching | blur | climax | dark | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | room

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Dying (Molto Expressivo)2:14:46 - The Duke talks to Pierrecaretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber

All This, and Heaven Too (1940)

Henriette (Confession of Love)2:15:34 - The Duke confesses his lovecaretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber
The Amazing Dr. Clitterhouse (1938)Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Sanctus0:09:13 - Church interior with boys singing in a choir loftboys choir | church | conducting | gangster | leading man | music scene | nun | on-screen music | organ | priest | religious | serious | singer | singing | solemn | source music

Angels With Dirty Faces (1938)

In My Merry Oldsmobile0:12:55 - Rocky and Jerry singingcheerful | church | gangster | hymn | laughing | leading man | music scene | on-screen music | popular music | priest | singing | source music

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

Foxtrot1:02:20 - Rocky and Laury look out the windowadded-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting

Are These Our Children? (1931)

Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Moonbeams0:25:39 - Eddie dances with Floadded-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:40:40 - The boys leave the scene of the crimefriend | leading man | murderer | murder scene | nervous | singing | source music | street | walking

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music
Arsenic and Old Lace (1944)Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineadded-note chord | aunt | bride | cemetery | conversing | deceptive resolution | driver | familiar tune | flirting | fragmentation | groom | hurrying | leading lady | leading man | love | love scene | pump-up modulation | rushed | rushing | sequence | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemetery64 chord | bride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious | suspension

Arsenic and Old Lace (1944)

Chasing0:14:48 - Mortimer chases Elaine around a treebride | cemetery | chasing | comical | flirting | groom | leading lady | leading man | love | love scene | mickey-mousing | secondary dominant

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the window64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elaine64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kiss64 chord | bride | cemetery | conversing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkadded-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kiss64 chord | bride | cemetery | embracing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talk64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Chasing0:16:31 - Elaine runs offbride | groom | hurrying | leading lady | leading man | light | love | love scene | running | secondary dominant | street

Arsenic and Old Lace (1944)

Here Comes the Bride0:16:37 - Elaine whistlesbride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating 2)NIF - not in filmadded-note chord | cut from film | deceptive resolution | familiar tune | fragmentation | love scene | pump-up modulation | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride0:17:02 - Mortimer whistlesaunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling
The Big Sleep (1946)Waiting0:18:15 - Marlowe talks to lady in bookstorebook shop | conversing | leading man | love interest | love scene | mysterious | private eye | romantic

The Big Sleep (1946)

Marlowe 20:19:47 - Marlowe spies on the housecar | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | waiting

The Big Sleep (1946)

Running0:20:06 - Carmen runs to Geiger's housefemme fatale | investigation scene | mysterious | rain | running | street | tense

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | walking

The Big Sleep (1946)

Carmen0:20:39 - Marlowe sees Carmen's name on the car registrationcar | investigating | investigation scene | leading man | mysterious | name on screen | private eye | rain | street | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:21:04 - Marlowe runs to the houseaction scene | antagonist | dramatic | hurrying | leading man | private eye | running | street | tense | underscoring

The Big Sleep (1946)

Running down0:21:13 - Feet running down the stairsaction scene | antagonist | descending | dramatic | hurrying | mickey-mousing | running | street | tense

The Big Sleep (1946)

Marlowe (Heroic)0:21:28 - Marlowe enters the houseaction scene | breaking in | heroic | leading man | private eye | running | street

The Big Sleep (1946)

Underscoring (Mysterious)0:23:44 - Marlowe investigates the crime sceneinvestigating | investigation scene | leading man | mysterious | private eye | room | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:23:56 - Marlowe investigates the crime sceneinvestigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | snapping | thinking

The Big Sleep (1946)

Underscoring (Mysterious)0:24:05 - Marlowe advancesinvestigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | searching

The Big Sleep (1946)

Underscoring (Mysterious)NIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mickey-mousing | mysterious | private eye | room | searching | underscoring

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on

The Big Sleep (1946)

Water runningNIF - not in filmdeleted scene | deleted scene | faucet | flowing | investigating | investigation | leading man | mickey-mousing | mysterious | private eye | room | searching | water

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmclue | deleted scene | deleted scene | investigating | investigation | key | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)NIF - not in filmdeleted scene | deleted scene | dramatic | investigating | investigation | leading man | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Dramatic)NIF - not in filmdeleted scene | deleted scene | dramatic | investigating | investigation | leading man | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Mysterious)0:24:09 - Marlowe searches for cluesinvestigating | investigation scene | leading man | mysterious | private eye | room | searching | secret code

The Big Sleep (1946)

Turning page0:24:20 - Marlowe turns the page in the code bookclue | investigating | investigation scene | leading man | mysterious | private eye | room | searching | secret code | turning

The Big Sleep (1946)

Carmen (Foreboding)0:24:22 - Marlowe sees the name Sternwood in a code bookclue | foreboding | investigating | investigation scene | leading man | name on screen | private eye | room | searching | secret code

The Big Sleep (1946)

Marlowe (Thinking)0:24:26 - Marlowe tries to solve the mysteryclue | investigating | investigation scene | leading man | mysterious | private eye | room | secret code | thinking

The Big Sleep (1946)

Marlowe (Risoluto)0:24:39 - Marlowe searches for cluesinvestigating | investigation scene | leading man | private eye | resolved | room | searching

The Big Sleep (1946)

Underscoring (Dramatic)0:24:57 - Dead body on the floorcorpse | death | dramatic | femme fatale | investigating | investigation scene | leading man | private eye | room | searching | stinger | tense | underscoring

The Big Sleep (1946)

Carmen (Drugged)NIF - not in filmdeleted scene | femme fatale | helping | investigation | leading man | mysterious | private eye | room | tense

The Big Sleep (1946)

Turns light offNIF - not in filmdeleted scene | femme fatale | investigation | leading man | light | light switch | mysterious | private eye | room | tense | turning off

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe arrives at Carmen's housearriving | butler | departing | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | private eye | reused recording | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadvance plot | butler | conversing | femme fatale | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Hurrying0:27:25 - Marlowe goes back to Geiger's houseinvestigating | investigation scene | leading man | mysterious | private eye | street | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:27:44 - Marlowe returns to the scene of the crimearriving | investigating | investigation scene | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe 2 (Blood Stain)0:27:54 - Marlowe discovers that the body is missinginvestigating | investigation scene | leading man | private eye | room | tense

The Big Sleep (1946)

Marlowe (Sneaking)0:28:16 - Marlowe investigates the crime scenedark | investigating | investigation scene | leading man | mysterious | private eye | room | sneaking | tritone

The Big Sleep (1946)

EnteringNIF - not in filmarriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmarriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Marlowe (Ear Music)0:38:26 - Marlowe talks with Agnesarguing | book shop | investigation scene | leading man | private eye | secretary | tense

The Big Sleep (1946)

Hurrying0:38:45 - Marlowe walks to a cabcar | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab drivercar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Station Wagon0:39:16 - Marlowe follows a station wagoncar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Walking 20:39:25 - Marlowe walks to the houseinvestigating | investigation scene | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabhurrying | investigation scene | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Girl Driver0:39:53 - Marlowe pays the lady cab driverbluesy | flirting | investigation scene | leading man | love interest | private eye | seductive | street

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his carcar | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | private eye | street | tense | waiting

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildinghurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking

The Big Sleep (1946)

Underscoring (Mysterious)0:48:15 - Marlowe talks to Joe Brodyblackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:48:55 - Joe pulls a gun on Marloweblackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Running out0:56:36 - Marlowe runs after the killerassassin | chase scene | chasing | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger

The Big Sleep (1946)

Down the Stairs + The Chase + Marlowe (Action)0:56:39 - Marlowe chases the killer down the stairsassassin | chase scene | chasing | descending | dramatic | gun | gunshot | heroic | leading man | murderer | private eye | room | running | stairs | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:56:54 - Killer shoots at Marloweassassin | chase scene | chasing | dramatic | leading man | murderer | private eye | running | shooting | street | tense | underscoring

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his carassassin | chase scene | chasing | dramatic | heroic | leading man | murderer | private eye | running | street | tense

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | driving | gun | hiding | leading man | murderer | private eye | pursuing | street | tense

The Big Sleep (1946)

Marlowe (Misterioso)0:59:14 - Marlowe ties up Carolassassin | corpse | dark | investigating | investigation scene | leading man | murderer | mysterious | private eye | room | rope | stinger | tying up

The Big Sleep (1946)

Marlowe (Ear Business)0:59:42 - Marlowe pulls on his earcorpse | investigating | investigation scene | leading man | mysterious | private eye | room | thinking

The Big Sleep (1946)

Marlowe 2 (Dialing)0:59:47 - Marlowe walks to the phonecalling | corpse | dialing | investigating | investigation scene | leading man | mysterious | private eye | room | spinning | tense

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | tense

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantarriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays Marloweclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the carcar | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | private eye | tense

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talkcar | conversing | kissing | leading lady | leading man | love | love interest | love scene | private eye | romantic

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | leading lady | leading man | love interest | love scene | private eye | tense | underscoring

The Big Sleep (1946)

Walking (Interrupted)1:22:27 - Marlowe walks down the streetinvestigating | investigation scene | leading man | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)1:22:38 - Marlowe looks at car registrationinvestigating | investigation scene | leading man | mysterious | private eye | punching | street | tense

The Big Sleep (1946)

Walking (Hesitant)1:26:55 - Marlowe walks into a buildinghallway | investigation scene | leading man | neutral | pain | private eye | walking

The Big Sleep (1946)

Jones (Eavesdropping)1:27:22 - Marlowe hears Jones talking to someoneeavesdropping | hallway | investigation scene | leading man | mysterious | private eye | sneaking | tense

The Big Sleep (1946)

Glass drops1:29:49 - Jones drops his glassbreaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | poison | private eye | room | victim | violent

The Big Sleep (1946)

Jones falls1:29:50 - Jones falls and diesdeath | death scene | dying | falling | leading man | mickey-mousing | murder | mysterious | poison | private eye | room | victim | violent

The Big Sleep (1946)

Underscoring (Tense)1:30:01 - Marlowe investigates the crime scenedark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone callbold | conversing | death scene | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | phone call | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone callconversing | death | death scene | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Jones (Dolce)1:31:04 - Marlowe sits down on the couchdeath | death scene | leading man | mourning | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Agnes calls for Jonesconversing | death scene | informer | leading man | mysterious | phone call | private eye | room

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Jones (Triste)1:32:02 - Marlowe leaves the officedeath scene | informer | leading man | mourning | mysterious | private eye | room | somber

The Big Sleep (1946)

Door slam1:33:12 - Marlowe closes the car doorclosing | hurried | informer | leading man | mickey-mousing | private eye | slamming | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a carcar | driving | hurried | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:33:20 - Marlowe backs the car upcar | driving | leading man | private eye | street | tense | traveling scene | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingcar | driving | hurried | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Dramatic)1:33:37 - Marlowe looks at signcar | dramatic | investigating | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off of the roadcar | driving | hurried | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

He skids1:33:53 - Marlowe's car skids to a stopcar | leading man | mickey-mousing | private eye | skidding | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | octatonic | private eye | room | tense

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kisscaptive | freeing | kissing | leading lady | leading man | love interest | love scene | private eye | romantic | room

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his caraction scene | criminal | dramatic | leading lady | leading man | love interest | outside | private eye | running | underscoring

The Big Sleep (1946)

Marlowe (Hiding)1:41:50 - Marlowe crouches behind a caraction scene | criminal | hiding | leading man | mysterious | outside | private eye

The Big Sleep (1946)

Underscoring (Tense)1:41:55 - Thug looks for Marloweaction scene | criminal | outside | sneaking | tense | underscoring

The Big Sleep (1946)

Marlowe (Shoots)1:42:07 - Marlowe shoots off to the sideaction scene | gun | gunshot | leading man | outside | private eye | shooting | tense

The Big Sleep (1946)

Running and jumping1:42:10 - Man runs awayaction scene | criminal | fear | jumping | mickey-mousing | outside | running | tense

The Big Sleep (1946)

Marlowe (Echo)1:42:20 - Canino shoots at Marloweaction scene | criminal | gun | gunshot | hiding | leading man | outside | private eye | shooting | tense

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostageaction scene | criminal | hostage | leading lady | leading man | love interest | outside | private eye | tense | walking

The Big Sleep (1946)

Underscoring (Dramatic)1:43:17 - Canino shootsaction scene | criminal | dramatic | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | shooting | underscoring

The Big Sleep (1946)

Marlowe (Rises)1:43:19 - Marlowe risesaction scene | criminal | dramatic | hostage | leading lady | leading man | love interest | outside | private eye | rising

The Big Sleep (1946)

Canino's Death1:43:22 - Canino is shotaction scene | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | stumbling | tense

The Big Sleep (1946)

Underscoring (Tense)1:43:35 - Marlowe gets the keys to the handcuffsaction scene | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves himcar | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves herearriving | car | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense
City for Conquest (1940)Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with Murrayboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Jalousie0:20:39 - Danny sitting at a tableboxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:21:28 - Peggy dances with Murraycrowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with Murrayconversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Fanfare0:22:58 - A trophy is brought outaward | bold | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | presenting | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:23:07 - Close-up of Lilyaward | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Tone Poem A1 (Grazioso)0:30:04 - Danny shavesconversing | delicate | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:30:28 - Peggy talks to Dannyarguing | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Peggy Pokes Danny0:30:47 - Peggy pokes Dannyflirting | leading lady | leading man | love scene | mickey-mousing | playful | room | shaving | teasing

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | conversing | flirting | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Tone Poem A1 (Expressivo) + Tone Poem A2 (Expressivo)0:31:00 - Peggy apologizes to Dannyconversing | kiss | kissing | leading lady | leading man | love scene | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boatboat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Waltz)0:31:48 - Peggy and Danny talk about the futureboat | calm | conversing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | conversing | dark | leading lady | leading man | love scene | somber

City for Conquest (1940)

I'm Just Wild About Harry0:33:35 - Peggy starts to leaveboat | calm | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Dolcissimo)0:34:02 - Danny talks with Peggyboat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A1 (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A1 (Dolce)0:48:06 - Danny talks to Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A1 (Walking)0:48:32 - Danny and Peggy walk down the streetboxer | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Tone Poem A1 (Molto Expressivo)0:48:44 - Danny talks with Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approachesarriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A1 (Farewell) + Tone Poem A20:55:31 - Peggy bids farewell to Dannyconversing | crying | embracing | farewell scene | leading lady | leading man | leaving | romantic | sentimental | street

City for Conquest (1940)

Misterioso1:13:36 - Googi leaves criminal | gangster | leaving | locker room | manager | murder scene | mysterious

City for Conquest (1940)

Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | driving | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Tone Poem A1 (Ominous)1:14:02 - Googi talks with the boxing managersarguing | car | car | criminal | driving | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Shooting and dying1:14:23 - Googi shoots Dutchcar | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense

City for Conquest (1940)

Googi (The Car)1:14:32 - Googi threatens Cobbcar | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercybegging | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Underscoring (Tense)1:14:48 - Googi threatens Cobbcar | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Slap1:14:53 - Googi slaps Cobbcar | car | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | slapping | tense

City for Conquest (1940)

Tone Poem A1 (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working

City for Conquest (1940)

Gun falls1:15:13 - A gun falls to the groundcar | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working

City for Conquest (1940)

Kicks body1:15:22 - Googi kicks the body into the watercorpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Throws gun away1:15:30 - Googi throws a gun in the watercriminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing

City for Conquest (1940)

Googi dies1:15:34 - Googi is shotcriminal | dock | dying | falling | gangster | gun | gunshot | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense

City for Conquest (1940)

Tone Poem A1 (Death)1:15:39 - Googi diescriminal | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense

City for Conquest (1940)

Tone Poem1:32:01 - Orchestra playing in a concert hallaudience | bluesy | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | double exposure | dramatic | Dutch angle | listening | musician | orchestra | playing | romantic | sentimental | source music | watching

City for Conquest (1940)

Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)1:40:11 - Danny working at his newsstandblur | conversing | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | victim

City for Conquest (1940)

Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)1:41:14 - Danny talks with Peggyconversing | ethereal | gentle | leading lady | leading man | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | victim
Crime School (1938)The Boiler Room0:54:27 - Boys talk about stoking the boileraction scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working

Crime School (1938)

Gangster Blues (Mechanical)0:54:46 - Boys get to work13th chord | action scene | added-note chord | altered dominant | boiler room | coal | danger | fire | fire | frantic | gang | gauge | heat | hurrying | mechanical | reformatory | sequence | shoveling | smoke | teenager | temperature | temperature | working

Crime School (1938)

Temperature rising0:54:53 - Close up of rising temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | rising | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature stable0:55:07 - Close up of stable temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature oscillating0:55:28 - Close up of oscillating temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling

Crime School (1938)

Kids running down0:56:17 - Kids run down stairsaction scene | chromatic parallelism | down | dramatic | mickey-mousing | polychord | quartal chord | reformatory | running | stairs | teenager

Crime School (1938)

Whistle0:56:27 - Close up of whistleaction scene | alarm | blowing | dramatic | mickey-mousing | reformatory | sounding | tone cluster | whistle

Crime School (1938)

Running around0:56:37 - Boys run out of the buildingaction scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker

Crime School (1938)

Fireman0:56:46 - Boiler room worker orders kids backaction scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Going down0:57:05 - Mark descends into the boiler roomaction scene | descending | dramatic | hero | leading man | mickey-mousing | reformatory | stairs | teenager | tense

Crime School (1938)

Temperature rising 20:57:12 - The temperature gauge risesaction scene | altered dominant | boiler room | chromatic parallelism | danger | dramatic | gauge | heat | hero | leading man | mickey-mousing | reformatory | rising | teenager | temperature | tense

Crime School (1938)

Explosion0:57:21 - Mark pulls Squirt out of the boiler roomaction scene | ascending | boiler room | destruction | dissonant bass | dramatic | exploding | explosion | hero | leading man | mickey-mousing | reformatory | rising | stairs | teenager | tense | tone cluster

Crime School (1938)

Mark Saves Boy0:57:29 - Mark carries Squirt up the stairsaction scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking

Crime School (1938)

Sue (Whispering)1:10:38 - Frankie hears voicesanxious | fragmentation | gun | hearing voices | insanity | mad scene | mental breakdown | ostinato | pc set | reformatory | sequence | sound mass | teenager | tone cluster | whispering | worrying
They Made Me a Criminal (1939)So Help Me (If I Don't Love You)0:05:54 - Johnnie and Goldie relaxingdrinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music

They Made Me a Criminal (1939)

When a Prince of a Fella Meets a Cinderella0:06:23 - Johnnie talks to his managerdancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music

They Made Me a Criminal (1939)

Saving Myself For You (I've Been)0:08:02 - Johnnie at a partyAABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence

They Made Me a Criminal (1939)

They Say0:13:05 - Doc and Goldie in Johnnie's caraction scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

The Whip1:10:16 - People at the carnivalarena | boxer | cheerful | entering | excited | fighting | hero | leading man | march | sitting | source music | sport scene | teenager

They Made Me a Criminal (1939)

World's Record1:13:45 - Boxers prepare for the fightarena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene

They Made Me a Criminal (1939)

Spirit of Independence1:14:53 - Johnnie marches into the ringarena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager
Dust Be My Destiny (1939)Dust Be My Destiny (Dolceeessimo)NIF - not in filmbarn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet

Dust Be My Destiny (1939)

Underscoring (Romantic)0:21:46 - Mabel talks with Joebarn | leading lady | leading man | love scene | pedal tone | romantic | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Up and Down)0:30:12 - Man runs up the courthouse steps64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Got Each Other)0:30:49 - Mabel proclaims her love for Joecourthouse | leading lady | leading man | love scene | producer | romantic | street

Dust Be My Destiny (1939)

Fairy Music0:30:58 - Man takes their luggage64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street

Dust Be My Destiny (1939)

Here Comes the Bride (Advertisement)0:31:07 - A marquee advertising "Marriage on Stage Tonite"common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Whistling0:45:44 - Joe whistles as he walks64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling

Dust Be My Destiny (1939)

Patrol0:55:50 - Cop checks on a shopclock | crime scene | criminal | leading man | police | shopkeeper | street | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Cantor0:56:34 - Joe talks to a Jewish shopkeeper9th chord | crime scene | criminal | Gypsy minor scale | Jewish | kind | leading man | shop | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:15 - A bank alarm sounds42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring

Dust Be My Destiny (1939)

Alarm0:59:15 - Alarm soundsaction scene | alarm | bank | crowd | dramatic | leading man | mickey-mousing | photographer | robbery | shopkeeper | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)0:59:42 - Joe takes pictures of the robbery42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:53 - Police arrive at the scene64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring

Dust Be My Destiny (1939)

Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working

Dust Be My Destiny (1939)

Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)1:10:32 - Joe heroically wrestles away the steering wheelaction scene | chromatic scale | dramatic | fighting | fragmentation | gangster | hero | leading man | newspaper editor | retrograde | street

Dust Be My Destiny (1939)

Car crash1:10:55 - Gangsters crash the caraction scene | car | chromatic scale | crashing | dramatic | gangster | hero | leading man | mickey-mousing | newspaper editor | street
Each Dawn I Die (1939)Verdict0:08:19 - The verdict is deliveredbanging | courtroom | courtroom scene | gavel | hero | judge | justice | lawyer | leading man | noble | parallelism | reporter | verdict

Each Dawn I Die (1939)

Frank0:08:23 - Frank and Joyce embraceappoggiatura | courtroom | courtroom scene | embracing | girlfriend | handcuffs | hero | leading man | mother | reporter | reverse picardy | tender

Each Dawn I Die (1939)

Don’t Give Up the Ship0:26:47 - Prison orchestra playsarriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music

Each Dawn I Die (1939)

Wings Over the Navy0:28:04 - Prisoners watch a moviedying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching
Flamingo Road (1949)If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th chord | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

If I Could Be With You0:26:58 - People gamble and danceclub | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th chord | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesclub | conversing | dance scene | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hotelclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don't Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | club | conversing | dance scene | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I'll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableclub | conversing | dance scene | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Dead)1:24:41 - Lane sees Field has committed suicideaugmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent
Hell on Frisco Bay (1955)Underscoring (Dramatic)0:27:50 - Steve fights Hammyaction scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Menace0:49:04 - Amato pacesaction scene | conductor score | dark | gangster | leading man | menacing | pacing | room

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:51:36 - Amato yells at Steveaction scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling

Hell on Frisco Bay (1955)

Steve0:53:15 - Steve leavesaction scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking

Hell on Frisco Bay (1955)

Climbing and jumping0:53:27 - Steve runs from Hammyaction scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense

Hell on Frisco Bay (1955)

Menace0:53:30 - Hammy tries to escapeaction scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense

Hell on Frisco Bay (1955)

Hammy Is Shot0:53:37 - Hammy falls to the groundaction scene | conductor score | dramatic | dying | falling | gangster | investigator | leading man | mickey-mousing | street | tragic

Hell on Frisco Bay (1955)

Underscoring (Dark)0:53:50 - Steve questions Hammyaction scene | conductor score | dark | death | dying | gangster | investigator | leading man | questioning | stinger | street | underscoring

Hell on Frisco Bay (1955)

Menace0:58:13 - Bessie prepares to leavechase scene | conductor score | floozy | mysterious | preparing | room | tense | thinking

Hell on Frisco Bay (1955)

Sneaking and following0:58:30 - Bessie sneaks awaychase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense

Hell on Frisco Bay (1955)

Menace0:58:48 - Bessie walks through the market | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Menace1:31:01 - Amato prepares to leaveaction scene | agitated | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Menace 21:31:19 - Amato prepares to leaveaction scene | agitated | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Menace1:31:32 - Amato picks up his gunaction scene | conversing | dramatic | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy

Hell on Frisco Bay (1955)

Amato1:32:23 - Amato shoots Lyeaction scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling

Hell on Frisco Bay (1955)

Lye's Death1:32:58 - Lye is killedaction scene | brash | gangster | harsh | leading man | murder | murdering | shooting | street | violence

Hell on Frisco Bay (1955)

Menace1:33:12 - Amato hidesaction scene | fleeing | gangster | hiding | leading man | ominous | street

Hell on Frisco Bay (1955)

Steve1:33:17 - Marcia looks for Steveaction scene | dock | dramatic | leading lady | running | tense

Hell on Frisco Bay (1955)

Amato1:33:23 - Amato takes Marcia hostageaction scene | dock | gangster | inspector | kidnapping | leading lady | leading man | ominous | tense

Hell on Frisco Bay (1955)

Amato1:34:01 - Steve confronts Amatoaction scene | dock | dramatic | gangster | inspector | kidnapping | leading lady | leading man | tense

Hell on Frisco Bay (1955)

Amato1:34:08 - Steve confronts Amatoaction scene | dock | dramatic | gangster | gun | gunshot | inspector | kidnapping | leading lady | leading man | shooting | tense

Hell on Frisco Bay (1955)

Amato runs1:34:27 - Amato runs to his boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Boat Chase1:34:33 - Amato tries to escape in a boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Steve dives1:34:48 - Steve dives in the wateraction scene | agitated | diving | dock | dramatic | gangster | inspector | jumping | leading man | mickey-mousing | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:34:53 - Steve climbs in the boataction scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:34:57 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:35:21 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Police running1:35:32 - The policemen runaction scene | agitated | dock | down | dramatic | mickey-mousing | police | running | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:35:44 - The police boat leaves the dockaction scene | boat | departing | dock | dramatic | police | tense | underscoring

Hell on Frisco Bay (1955)

Amato1:35:47 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato1:35:56 - The police boat advancesaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Horn Call1:36:10 - The police boat advancesaction scene | battle call | boat | departing | dock | police | tense

Hell on Frisco Bay (1955)

Amato1:36:12 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato falls1:36:20 - Amato falls in the wateraction scene | boat | dock | dramatic | falling | fighting | gangster | inspector | leading man | mickey-mousing | punching | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Tense)1:36:23 - The boat approaches a wallaction scene | boat | dock | driving | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Steve dives 21:36:27 - Steve dives in the wateraction scene | boat | diving | dock | inspector | jumping | leading man | mickey-mousing | splashing | tense | water
In This Our Life (1942)Java Jive0:32:41 - A dance halldance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

This Time the Dream's on Me0:33:03 - Stanley and Peter sit at a tableconversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes homearriving | car | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Cello Solo)0:37:11 - Peter sits on the couchcontemplating | leading man | love scene | room | sigh gesture | somber

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanleyconversing | flirting | happy | leading lady | leading man | love scene | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peterconversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | eerie | fire | leading lady | leading man | love interest | love scene | outdoors

In This Our Life (1942)

Love Theme (Molto Expressivo)0:40:44 - Roy and Craig sit on the groundartwork in score | calm | conversing | fire | leading lady | leading man | love interest | love scene | outdoors | romantic

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embracecalm | conversing | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncleconversing | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | stinger | street | turning

In This Our Life (1942)

Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | tense

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | driving | investigation scene | menacing | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic
The Informer (1935)Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Extended)0:18:55 - British officer tosses money down on the tableantagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone

The Informer (1935)

Blood Money (Delicato)0:28:43 - Gypo drops four coins on the floorantagonist | augmented triad | coin | dropping | leading man | mickey-mousing | money | mourner | pivotal scene | room | staring | tense | whole-tone

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wake64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin' o' the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin' o' the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

Peter Mulligan1:05:37 - Peter Mulligan sits and holds a crucifixcourtroom | courtroom scene | folk-like | headquarters | mode mixture | room | somber | suspect | waiting

The Informer (1935)

The Wearin' o' the Green (Rebel Jury)1:05:48 - Camera pans to show all of the faces of the rebel jury64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room

The Informer (1935)

Judges1:06:10 - Camera pans to the faces of the judgescourtroom | courtroom scene | deceptive resolution | headquarters | judge | judging | justice | noble | room

The Informer (1935)

Falling down the stairs1:06:19 - Gypo falls down the stairs9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect

The Informer (1935)

Peter Mulligan1:07:25 - Mulligan criescourtroom scene | headquarters | mode mixture | room | somber | suspect | waiting

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judges64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

Underscoring (Tense)1:08:34 - Gypo accuses Peter64 chord | accusing | courtroom | courtroom scene | headquarters | mickey-mousing | room | stinger | suspect | tense

The Informer (1935)

Pleading1:08:57 - Peter defends himselfadded-note chord | anxious | chromaticism | courtroom | courtroom scene | defending | headquarters | pleading | room | stinger | suspect

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect

The Informer (1935)

Blood Money (The Trial) + Blind Man (The Trial)1:15:13 - The rebels ask Gypo where he got the moneyantagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Katie (The Trial)1:15:36 - The rebels ask Gypo about Katieantagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Blood Money (The Trial) + The Informer (The Trial)1:15:40 - Dan asks "Who was the informer?"antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

By the fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Dan and Mary (In Love)1:24:19 - Dan and Mary talk about lovelove | love interest | love scene | rebel | romantic | room | yearning
Key Largo (1948)Nora0:17:32 - Nora and Frank walk to the boatconversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind

Key Largo (1948)

Nora (Nervous)0:17:53 - Nora sees the gangstersconversing | dock | falling in love scene | gangster | leading lady | leading man | nervous | wind

Key Largo (1948)

Wind0:18:21 - Frank helps prepare for the stormconversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind

Key Largo (1948)

Tosses rope0:18:32 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | rope | tense | throwing

Key Largo (1948)

Nora (Con Moto)0:18:40 - Nora smiles at Frankdock | falling in love scene | leading lady | leading man | romantic | smiling | watching

Key Largo (1948)

Tosses rope 20:18:47 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | romantic | rope | throwing

Key Largo (1948)

Storm1:06:07 - Tree crashes through windowbeach | blowing | crashing | dramatic | hurricane | raining | storm | storm scene | tense

Key Largo (1948)

Tree falls1:06:28 - Stormy weather outsidebeach | dramatic | falling | hurricane | mickey-mousing | storm | storm scene | tense | tree

Key Largo (1948)

Shelter in the Storm1:06:41 - Storm continues outsidebeach | blowing | crashing | dramatic | hurricane | Indian | raining | sheltering | storm | storm scene | tense

Key Largo (1948)

Storm Subsides1:07:15 - Storm starts to die downbeach | blowing | calming | dramatic | hurricane | raining | storm | storm scene | tense

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

Underscoring (Tense)1:16:54 - Close-ups on McCloud and Roccoboss | gangster | hotel | investigation scene | leading man | staring | tense | underscoring

Key Largo (1948)

Rocco 31:17:07 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning

Key Largo (1948)

Rocco1:17:15 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning | tense

Key Largo (1948)

Rocco 31:17:30 - Sheriff questions Curlygangster | hotel | investigation scene | menacing | police | questioning

Key Largo (1948)

McCloud (Somber)1:17:43 - Sheriff questions McClouddetermined | hotel | investigation scene | leading man | police | questioning | somber

Key Largo (1948)

Rocco 3 (Tense)1:17:52 - Sheriff questions gangstergangster | hotel | investigation scene | police | questioning | tense

Key Largo (1948)

Underscoring (Tense)1:18:21 - Sheriff leavesboss | gangster | hotel | investigation scene | police | questioning | tense | underscoring

Key Largo (1948)

Rocco 21:18:34 - The policemen takes Sawyer's bodyboss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching

Key Largo (1948)

Underscoring (Tense)1:18:47 - They all walk to another roomboss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring

Key Largo (1948)

Rocco (Tense)1:19:02 - Rocco welcomes new gangstersboss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring
The Letter (1940)Leslie (Shimmery)0:02:57 - Leslie stands over the dead bodycloud | death | half-diminished 7th chord | home | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching

The Letter (1940)

Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks to the workersconversing | home | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring

The Letter (1940)

Underscoring (Mysterious)0:04:29 - Leslie leaves the roomDorian mode | home | leaving | murder scene | mysterious | servant | underscoring

The Letter (1940)

Leslie (Mysterioissimo)0:04:42 - A shadow appearscircle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on

The Letter (1940)

Leslie (Lacework)0:04:55 - Worker picks up Leslie's laceworkchanging meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation

The Letter (1940)

Runners0:05:14 - Workers run through jungleaction scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense

The Letter (1940)

Mr. Hammond Has Been Shot0:05:45 - Worker runs in11th chord | action scene | altered dominant | dark | death | husband | ominous | reacting | servant | warehouse

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Robert leavesaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Leslie (Shimmery 2)0:18:55 - Leslie stares at the full moonchanging meter | home | leading lady | love scene | moon | mysterious | oscillation | sequence | sequential modulation | staring | suspension

The Letter (1940)

Leslie B (Appassionato)0:19:26 - Leslie closes the blindschanging meter | dramatic | emotional | home | leading lady | linear chromaticism | love scene | sequence | walking

The Letter (1940)

Letter (Sarcastic)0:19:45 - Robert looks at Lesliechromatic sequence | dissonant bass | glance | home | leading lady | longing | love scene | mysterious | sequence | staring

The Letter (1940)

Robert and Leslie0:20:07 - Leslie looks in the drawerappoggiatura | embracing | home | husband | leading lady | love scene | love theme | pedal tone | romantic | sigh gesture | suspension

The Letter (1940)

Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic scale | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Leslie (Rising) + Deception0:34:47 - Howard gives Leslie the letteraltered dominant | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | oscillation | ostinato | pc set | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:35:11 - Leslie reacts angrily to the letterarguing | augmented triad | chromatic parallelism | deception | fragmentation | lawyer | leading lady | letter | lying | oscillation | pc set | pivotal scene | polychord | prison | sequence | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | chromatic parallelism | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie talks to Howarddeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie admits to writing the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | sequence | tense

The Letter (1940)

Underscoring (Tense)0:36:22 - Leslie explains why she wrote the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Leslie (The Story)0:36:42 - Leslie lies to Howardchanging meter | deception | lawyer | leading lady | letter | lying | oscillation | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:36:53 - Howard takes out the letterdeception | denying | lawyer | leading lady | letter | ominous | pivotal scene | prison | tense | tritone | tritone | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | chromatic parallelism | fearful | fragmentation | lawyer | leading lady | letter | oscillation | pc set | pivotal scene | polychord | prison | reading | sequence | tense

The Letter (1940)

Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Shimmery 3)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | stinger | suspension | tense

The Letter (1940)

Collapse0:38:20 - Leslie collapsesanxious | collapsing | fainting | falling | fearful | half-diminished 7th chord | lawyer | leading lady | letter | mickey-mousing | pivotal scene | prison | suspension | tense
Mildred Pierce (1945)Monte is shot0:01:50 - Monte is shotcollapsing | death | dying | falling | gun | gunshot | mickey-mousing | murder | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Mildred (Murder)0:01:59 - Bullet holes in the mirrordark | death | dying | leaving | murder | murder scene | room | somber

Mildred Pierce (1945)

Underscoring (Dramatic)0:08:53 - Wally looks for Mildredaction scene | ascending | down | dramatic | falling | friend | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking

Mildred Pierce (1945)

Wally tries to open door0:08:53 - Wally tries to open the dooraction scene | door | frantic | friend | knocking | mickey-mousing | room | stinger

Mildred Pierce (1945)

Wally goes upstairs0:09:28 - Wally ascends the spiral staircaseaction scene | ascending | dramatic | friend | mickey-mousing | room | spiral staircase | stairs

Mildred Pierce (1945)

Wally knocks on the door0:09:59 - Wally knocks on a dooraction scene | door | dramatic | friend | knocking | mickey-mousing | room

Mildred Pierce (1945)

Lamp falls0:10:03 - Wally knocks over a lampaction scene | body | dramatic | falling | friend | lamp | mickey-mousing | reveal | room

Mildred Pierce (1945)

Murdered Man0:10:06 - Wally discovers the bodyaction scene | corpse | dark | death | dramatic | friend | looking | mickey-mousing | murder | room | telephone | tense | victim

Mildred Pierce (1945)

Phone rings0:10:16 - Phone ringsaction scene | death | friend | mickey-mousing | murder | ringing | room | telephone | tense | victim

Mildred Pierce (1945)

Underscoring (Dramatic)0:10:21 - Wally reacts to the situationaction scene | breaking | death | dramatic | escaping | friend | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | worrying

Mildred Pierce (1945)

Wally stands up and walks0:10:21 - Wally stands up to go to the phoneaction scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking

Mildred Pierce (1945)

Wally walks0:10:32 - Wally hurriedly walks awayaction scene | dramatic | friend | hurrying | mickey-mousing | room | victim | walking

Mildred Pierce (1945)

Wally sneaks0:10:37 - Wally sneaks down the hallaction scene | friend | mickey-mousing | room | sneaking | tense | victim

Mildred Pierce (1945)

Breaks door with chair0:10:47 - Wally smashes a glass door with a chairaction scene | breaking | chair | door | dramatic | friend | glass | mickey-mousing | room | smashing | victim

Mildred Pierce (1945)

Glass falls0:10:49 - The glass door breaksaction scene | breaking | door | dramatic | falling | friend | glass | mickey-mousing | room | smashing | victim

Mildred Pierce (1945)

Wally runs0:11:01 - Wally runs out of the house action scene | beach | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim

Mildred Pierce (1945)

Cops walk0:11:08 - The cops walk down the hillaction scene | beach | dramatic | lumbering | mickey-mousing | police | walking

Mildred Pierce (1945)

Opens coat0:11:12 - Policeman opens Wally's coat to frisk himaction scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | beach | conversing | friend | mysterious | police | searching | tense | underscoring | victim

Mildred Pierce (1945)

South American Way0:37:36 - Veda sings and plays while Kay danceschild | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | singing | source music | upbeat

Mildred Pierce (1945)

First Kiss0:49:40 - Monte steals a kiss from Mildredcheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach housebeach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | room | traveling | walking

Mildred Pierce (1945)

Opens closet0:49:57 - Mildred slides open a doorcheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

Disrobes0:50:47 - Monte takes off Mildred's robebeach house | cheerful | disrobing | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe

Mildred Pierce (1945)

Bathing Suit0:50:49 - Monte looks at Mildred in her bathing suitattraction | beach house | cheerful | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing

Mildred Pierce (1945)

Mildred (Frolicking)0:51:01 - Mildred runs to the beachbeach | cheerful | falling in love scene | flirting | frolicking | heroine | jaunty | leading lady | love interest | running

Mildred Pierce (1945)

Frolicking in the Surf0:51:05 - Monte and Mildred run to the waterbeach | falling in love scene | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves

Mildred Pierce (1945)

Waves0:51:11 - Waves crash onto the beachbeach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for Mildredconversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watcheschild | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes awaychild | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's deathchild | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kaycalm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mourning | room | somber | turning point

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaantagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Monte is shot 21:47:28 - Monte is shot antagonist | collapsing | death | dying | falling | gun | gunshot | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | daughter | heroine | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | heroine | leading lady | murderer | murder scene | room | tense | underscoring

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm
The Life of Vergie Winters (1934)Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Sentimental)0:53:43 - Vergie talks with John by the lakeconversing | leading lady | leading man | love scene | outside | pedal tone | secret love | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Flowing)0:53:59 - John talks with Vergie by the lakealtered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Somber)0:54:14 - Vergie listens to Johnaltered dominant | conversing | leading lady | leading man | love scene | outside | secret love | secret lover | somber

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear
Kid Galahad (1937)The Moon Is In Tears Tonight (Love's Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Tender)0:57:14 - Louise thinks of Wardconversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Arriving)0:58:30 - A newspaper headlinearriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Kiss)0:58:47 - Ward talks to MarieAABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear

Kid Galahad (1937)

The Moon Is in Tears Tonight1:08:40 - Louise sings in a night clubleading lady | music scene | night club | on-screen music | playing music | sentimental | singing | source music | transcribed by ear
Traveling Husbands (1931)There's a Sob In My Heart (Strings)0:23:03 - Music is played in a night clubAABA structure | dance scene | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

Dance0:26:27 - Music is played in a night clubAB structure | dance scene | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat
The Unfaithful (1947)Unfaithful (Somber)0:22:24 - Bob comforts Chrisaugmented sixth chord | comfort | comforting | husband | leading lady | love scene | ostinato | room | somber | victim

The Unfaithful (1947)

Unfaithful (Menacing)1:12:25 - Bob meets with Mrs. Tannerantagonist | husband | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | staring | statue | threatening | unveiling | widow

The Unfaithful (1947)

Unfaithful (Attack)1:13:06 - Bob attacks the art shop ownerangry | antagonist | attacking | fighting | husband | ostinato | pc set | pivotal scene | room | widow | zoom in
We Are Not Alone (1939)Celebre Romance (Accompanied)1:01:56 - Gerald sneaks insideboy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

In Love1:30:55 - David realizes he is in love with Leni 9th chord | courtroom | courtroom scene | hero | heroine | linear chromaticism | love scene | realization | realizing | romantic | suspension | testifying | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Death Sentence)1:33:07 - The judge sentences David and Leni to death9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni talkconversing | harmonic sequence | hero | heroine | love scene | prison | somber | triadic transformation | underscoring

We Are Not Alone (1939)

Execution1:38:10 - Leni talks to Davidcomforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Heart Break1:40:11 - David and Leni kiss9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension

We Are Not Alone (1939)

Fainting1:40:41 - Leni faintsadded-note chord | fainting | falling | hero | heroine | love scene | mickey-mousing | prison | sequence | tense
Transgression (1931)Igualada0:23:20 - Elsie and Don Arturo talkingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music

Transgression (1931)

Gong0:50:00 - Don Arturo is shotdeath | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim
Hold ‘Em Jail (1932)There's a Sob in My Heart0:05:14 - People dancing in a night clubAABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat
State’s Attorney (1932)Stack o' Lee Blues0:43:17 - Jazz musicians playing in a clubclub | Dixieland | musician | music scene | on-screen music | playing | singer | singing | source music | upbeat

State’s Attorney (1932)

Business in F0:43:46 - Jazz musicians playing in a clubclub | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingAABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music
Thirteen Women (1932)Spring, Beautiful Spring0:04:48 - June and May performABA structure | circus | circus music | death scene | performer | performing | source music | swinging | trapeze | upbeat

Thirteen Women (1932)

Drum Roll0:06:18 - June and May performcircus | death scene | fear | performer | preparing | source music | tense | trapeze

Thirteen Women (1932)

Underscoring (Dramatic)0:07:14 - May falls to her deathcircus | dark | death scene | dying | falling | performer | trapeze | underscoring

Thirteen Women (1932)

Ursula (Violent)0:12:29 - Newspaper headlinedramatic | half-diminished 7th chord | headline | murder | murder scene | newspaper | transcribed by ear | violent

Thirteen Women (1932)

Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (Suicide)0:24:18 - Helen commits suicideantagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim
Dangerous Corner (1934)Chanson0:22:05 - A man turns on the radioalternate timeline | calm | classical music | conversing | pivotal scene | radio | source music

Dangerous Corner (1934)

Wedding March0:23:10 - A woman opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | source music | suspect

Dangerous Corner (1934)

Wedding March0:47:11 - A man opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | source music | suspect
Another Face (1935)Ursula (Hypnotic)0:03:21 - An operationdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery

Another Face (1935)

The Swami (Sleeping)0:03:42 - The nurse gets suppliesdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery

Another Face (1935)

Russian Waltz0:03:55 - The operation continuesdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery

Another Face (1935)

Approach0:04:26 - Gangster all bandaged upconversing | departing | doctor | gangster | mysterious | nurse | operating room | operation scene | patient
Sing and Like It (1934)O Du Lieber Augustin0:09:09 - Annie and Oswald go in the theatre doorballad | dancer | dancing | musician | music scene | on-screen music | piano | source music | stage | upbeat

Sing and Like It (1934)

Your Mother0:10:15 - Annie sings on stageballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | robbery | score to source | sentimental | singer | singing | source music | stage | stealing

Sing and Like It (1934)

Your Mother0:13:55 - Annie sings on stageballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

Your Mother0:23:01 - Call board for a dress rehearsalarguing | ballad | boss | conversing | gangster | leading lady | listening | musician | music scene | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

Hi-De-Ho1:01:43 - The audienceboss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:02:44 - A man conducts the pit orchestraconducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:03:10 - The audience reactsboss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:03:34 - The critic reactsboss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:04:10 - Two performers on the stageboss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching

Sing and Like It (1934)

Your Mother1:04:54 - A man conducts the pit orchestraballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching

Sing and Like It (1934)

Your Mother (Curtain Call)1:07:57 - The audience applaudsapplauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | singer | source music | theater | upbeat
Deep Valley (1947)Barry (Slowly)0:45:50 - Barry watches Libbycabin | convict | dog | falling in love scene | fugitive | leading lady | leading man | uneasy | watching

Deep Valley (1947)

Joe (Calm)0:46:14 - Joe comes incabin | calm | convict | dog | falling in love scene | fugitive | leading lady | leading man | watching

Deep Valley (1947)

Love Theme (Full)0:46:30 - Barry and Libby by the lakecalm | conversing | convict | falling in love scene | forest | fugitive | laughing | leading lady | leading man | working

Deep Valley (1947)

Love Theme (Memory)0:46:53 - Barry and Libby by the lakeconversing | convict | falling in love scene | forest | fugitive | leading lady | leading man | memory | uneasy

Deep Valley (1947)

Breeze0:48:03 - Libby talks to Barryconversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Breeze + Love Theme0:48:14 - Barry talks to Libbycombination of themes | conversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Barry (Drunk)0:50:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry0:50:33 - Barry talks to Libbyagitated | convict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling

Deep Valley (1947)

Barry (Drunk)0:51:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry (Dolce)0:51:17 - Barry talks to Libbyconvict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | sweet

Deep Valley (1947)

Kiss0:51:58 - Barry kisses Libbyconvict | dog | embracing | exciting | falling in love scene | forest | fugitive | kissing | leading lady | leading man | love interest | mickey-mousing | staring

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Misterioso)0:54:57 - Libby starts to leavecabin | calm | conversing | convict | dog | fugitive | leading lady | leading man | love interest | love scene | planning

Deep Valley (1947)

Barry (Tense)0:55:38 - Barry unloads his guncabin | convict | destroying | fugitive | leading lady | leading man | love interest | love scene | mysterious | tense

Deep Valley (1947)

Deep Valley (Appassionato)0:55:51 - Barry and Libby embracecabin | cheerful | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | love scene | romantic

Deep Valley (1947)

Deep Valley (Sostenuto)0:56:17 - Libby turns to leavecabin | convict | dog | fugitive | gentle | leading lady | leading man | leaving | love interest | love scene

Deep Valley (1947)

Libby (Molto Expressivo)0:57:13 - Libby looks at the homesteadleading lady | mother | mysterious | reconciliation scene | returning | room | somber | street

Deep Valley (1947)

Triste (Timidly)0:57:32 - Ellie leaves her roomcleaning | father | mother | reconciliation scene | room | somber | timid | walking

Deep Valley (1947)

Homestead (Dolce)0:57:50 - Ellie comes downstairsfather | gentle | mother | reconciliation scene | reuniting | room | sweet | timid

Deep Valley (1947)

Homestead (Gentle)1:01:50 - Ellie sits at the tablefather | gentle | mother | reconciliation scene | room | watching

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Law (Slowly)1:06:18 - Lawmen advanceaction scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking

Deep Valley (1947)

Underscoring (Dramatic)1:06:48 - Barry reacts to gunshotsaction scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring

Deep Valley (1947)

Law1:07:20 - Barry tries to escapeaction scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense

Deep Valley (1947)

Barry1:07:25 - Barry climbs out of a holeaction scene | cabin | climbing | convict | dramatic | escaping | fugitive | leading man | love interest | manhunt | police | tense

Deep Valley (1947)

Jumping down1:07:32 - Barry jumps off the roofaction scene | cabin | convict | dramatic | fugitive | jumping | leading man | love interest | manhunt | mickey-mousing | police | tense

Deep Valley (1947)

Law1:07:34 - Lawmen pursue after Barryaction scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense

Deep Valley (1947)

Sneaking (Molto Rubato)1:40:51 - Libby runs to find Barrydeath scene | forest | leading lady | mysterious | resolution | running | tense

Deep Valley (1947)

Barry (Appassionato)1:41:02 - Libby arrives at the cabincabin | calling | death scene | leading lady | passionate | resolution | searching

Deep Valley (1947)

Molto Expressivo1:41:09 - Libby looks for Barrycalling | death scene | forest | leading lady | passionate | resolution | searching

Deep Valley (1947)

Barry (Dolce)1:41:24 - Libby finds Barryconvict | death scene | finding | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | searching

Deep Valley (1947)

Deep Valley (Delicato 2)1:41:39 - Libby goes to Barrycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Deep Valley (Dying)1:42:30 - Barry talks to Libbycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Passing away1:43:19 - Barry diesconvict | death | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | mickey-mousing | resolution | tender

Deep Valley (1947)

Breeze1:43:22 - Libby looks at Barryconvict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Breeze + Love Theme1:43:32 - Libby embraces Barrycombination of themes | convict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect
The Woman in White (1948)Pavan (Garden)0:33:09 - Marian talks to Foscoarguing | conversing | cousin | falling in love scene | garden | instrument effect | leading lady | leading man | mysterious | Renaissance music | somber | watching

The Woman in White (1948)

Pavan (Agitato)0:33:43 - Walter argues with Lauraagitated | arguing | argument | falling in love scene | garden | leading lady | leading man

The Woman in White (1948)

The Self Banished0:34:22 - Walter apologizes to Lauraembracing | falling in love scene | garden | kissing | leading lady | leading man | romance | tender

The Woman in White (1948)

Laura runs0:34:56 - Laura runs offfalling in love scene | garden | hurried | leading lady | leading man | mickey-mousing | running | rushing

The Woman in White (1948)

Hypnosis (Misterioso con moto)1:16:57 - The countess talks to the woman in whiteconversing | death scene | leading lady | mysterious | room | tense | victim | wife

The Woman in White (1948)

Ann 21:17:48 - The woman in white talks to Lauraconversing | death scene | gentle | leading lady | room | tender | victim | wife

The Woman in White (1948)

Ann1:17:56 - The woman in white talks to Lauraconversing | death scene | leading lady | mysterious | room | victim | wife

The Woman in White (1948)

Hypnosis1:18:17 - The woman in white hears Fosco's voicedeath scene | hearing voices | leading lady | madness | mysterious | room | tense | victim | wife

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Appearing1:18:48 - The woman in white clutches her heartantagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Ann (Dead)1:18:55 - The woman in white lies deadantagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife

The Woman in White (1948)

Ann (Slowly)1:19:46 - The countess entersangry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Pavan (Distressed)1:25:43 - Laura confronts Sir Percivalantagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:26:10 - Count Fosco hypnotizes Lauraantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim

The Woman in White (1948)

Ann1:26:55 - Laura speaks to Count Foscoantagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim

The Woman in White (1948)

Ann (Waltz)1:27:14 - Laura dashes awayantagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:27:35 - Laura hears Count Fosco's voice in her headasylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann1:28:02 - Laura exchanges the keysasylum | hypnosis | key | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann 21:28:39 - The nurse takes Laura to her roomantagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking

The Woman in White (1948)

Ann (Quasi Misterioso)1:29:00 - Count Fosco talks to Sir Percivalantagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous

The Woman in White (1948)

Pavan (Garden)1:31:13 - Walter talks with Marianconversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying

The Woman in White (1948)

Underscoring (Dramatic)1:31:28 - Marian sees Sir Percival spying on themconversing | dramatic | friend | leading lady | leading man | love scene | lyrical | room | stinger | underscoring

The Woman in White (1948)

The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference
Beyond the Forest (1949)Chicago (Agitato Molto Marcato)0:55:48 - Rosa runs through the streetsagitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense

Beyond the Forest (1949)

Rosa (Molto Tranquillo)0:57:36 - Lewis opens the doorarriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife

Beyond the Forest (1949)

Lewis (Tender)0:58:28 - Lewis takes care of Rosacalm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife

Beyond the Forest (1949)

Whisper While You’re Waltzing1:01:34 - People at a partyconversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife

Beyond the Forest (1949)

For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

The Arkansas Traveler1:02:55 - Folk musicianscrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Portland Fancy1:03:11 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Devil’s Dream1:03:26 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Little Brown Jug1:03:57 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Chicago (Ominous)1:10:01 - Rosa puts down the binocularsaiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim

Beyond the Forest (1949)

Rosa (Ominous)1:10:14 - Rosa aims her gunaiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Hurrying (Fleeing)1:19:50 - Rosa leaps out of the caraction scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed

Beyond the Forest (1949)

Leaping1:19:56 - Rosa leaps off of a cliffaction scene | canyon | jumping | leading lady | murderer | runaway | rushed

Beyond the Forest (1949)

Rosa (Broadly)1:19:57 - Rosa rolls down a hillaction scene | canyon | dark | dramatic | falling | jumping | leading lady | leading man | murderer | runaway | tense

Beyond the Forest (1949)

Rosa (Agitato Misterioso)1:22:49 - Rosa in bedagitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Rosa (Fever)1:23:41 - The maid sweepingbleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking

Beyond the Forest (1949)

Chicago1:27:10 - Rosa sings to herselfdelirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music

Beyond the Forest (1949)

Chicago (Echo Chambre)1:28:20 - Rosa prepares to leaveangry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling

Beyond the Forest (1949)

Chicago (She Walks Down)1:29:25 - Rosa walks down the stairsclimax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling

Beyond the Forest (1949)

Sawmill1:29:51 - Rosa opens the dooragitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa (Stumbling)1:30:10 - Rosa struggles to her feetclimax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking

Beyond the Forest (1949)

Rosa (Fever 2)1:30:23 - Rosa stumbles forwardclimax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train1:30:52 - A locomotiveagitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Chicago1:31:21 - Rosa stumbles towards the trainclimax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking

Beyond the Forest (1949)

Chicago1:31:26 - The train leaves the stationagitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
We're Only Human (1935)Silver Lining0:13:56 - Pete and Sally in a restaurantconversing | date | detective | flirting | gentle | leading lady | leading man | love interest | love scene | reporter | restaurant | source music

We're Only Human (1935)

Isn't This a Night For Love0:23:59 - Pete and Sally having dinnerconversing | date | detective | dinner | leading lady | leading man | love interest | love scene | reporter | romantic | room | source music

We're Only Human (1935)

Pleading0:27:05 - Pete and Danny dodge from gunfireaction scene | added note chord | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | shooting | stinger | street

We're Only Human (1935)

Gypo Runs Away0:27:09 - Pete and Danny hideaction scene | agitated | chromatic parallelism | detective | diminished 7th chord | gangster | hiding | leading man | street | tense

We're Only Human (1935)

The Informer (Up the Stairs)0:27:17 - Pete prepares to advance64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense

We're Only Human (1935)

Blood Money (Four Coins)0:27:37 - Pete and Danny hideaction scene | bank | detective | gangster | half-diminished 7th chord | hiding | leading man | mysterious | preparing | sneaking | tense

We're Only Human (1935)

The Informer (Lying)0:27:51 - Danny prepares to advanceaction scene | bank | chromatic sequence | detective | diminished 7th chord | dissonant bass | gangster | half-diminished 7th chord | hiding | leading man | octatonic | preparing | sneaking | tense

We're Only Human (1935)

Kong 10:28:23 - Pete jumps on a criminalaction scene | bank | detective | dramatic | fighting | gangster | jumping | leading man | punching | tense

We're Only Human (1935)

Kong 20:28:34 - Pete handcuffs a criminalaction scene | bank | detective | dramatic | fighting | gangster | leading man | mysterious | tense

We're Only Human (1935)

Katie (Triste)0:28:47 - Pete talks to the criminalaction scene | arguing | bank | detective | foreign key modulation | gangster | leading man | parallelism | stinger | sultry

We're Only Human (1935)

Blood Money (Extended)0:28:58 - Pete walks away with the criminalaction scene | arguing | augmented triad | bank | detective | gangster | leading man | mysterious | tense | tritone | whole-tone

We're Only Human (1935)

Katie (Begging)0:29:21 - Close up on Danny64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim

We're Only Human (1935)

Begging0:29:35 - Pete talks with Dannyaction scene | arguing | bank | detective | diminished 7th chord | dissonant bass | gangster | leading man | pedal tone | sequence | serious | tense | victim

We're Only Human (1935)

Katie (Dolcissimo)0:30:05 - Danny talks with Peteaction scene | bank | chromatic sequence | conversing | detective | dying | gangster | leading man | solemn | victim

We're Only Human (1935)

Dan and Mary (Adagio)0:30:44 - Pete says goodbye to Danny11th chord | action scene | bank | conversing | detective | dying | gangster | leading man | solemn | victim
Don’t Turn ‘em Loose (1936)Makes You Forget Your Troubles0:39:42 - Grace turns on the radioarriving | cheerful | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles (Dream Sequence)0:39:59 - Bob (Bat) pulls a gun on Lettyaugmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles0:40:17 - Grace is shotcheerful | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim
Out of the Fog (1941)Comparsa Negra No.10:35:38 - People dancing in a conga linebartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat

Out of the Fog (1941)

No Digas0:37:46 - Cuban dancers and musiciansbartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat

Out of the Fog (1941)

Gangster0:39:07 - Stella and Goff at the harborbluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Russian Barcarolle (Ominous)0:40:09 - Stella talks to Goffconversing | criminal | dock | leading lady | leading man | love scene | ominous

Out of the Fog (1941)

Underscoring (Dark)0:40:27 - Stella reactscriminal | dark | dock | leading lady | leading man | love scene | reacting | stinger | walking

Out of the Fog (1941)

Gangster0:40:37 - Goff calls after Stellabluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Russian Barcarolle (Tense)0:40:54 - Goff talks to Stellaconversing | criminal | dark | dock | leading lady | leading man | love scene

Out of the Fog (1941)

Underscoring (Dramatic)0:41:03 - Stella slaps Goffcriminal | dock | dramatic | leading lady | leading man | love scene | reacting | slapping | stinger | underscoring

Out of the Fog (1941)

Gangster (Tense)0:41:05 - Stella kisses Goffbluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense

Out of the Fog (1941)

Stella and George (Extended)0:41:45 - George talks to Stellaarguing | boyfriend | conversing | leading lady | love scene | room | tender

Out of the Fog (1941)

Speeding Car1:11:50 - A speeding caraction scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense

Out of the Fog (1941)

Underscoring (Dark)1:12:05 - Police ring the bellaction scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring

Out of the Fog (1941)

Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Morgue1:12:37 - The morgueaction scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense

Out of the Fog (1941)

Russian Barcarolle (Dead)1:13:15 - Stella sees Goff's bodyaction scene | arguing | corpse | crying | dark | death | fear | leading lady | morgue | ominous | police

Out of the Fog (1941)

Speeding Car1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
Her Kind of Man (1946)Something to Remember You By0:06:59 - Floor show at a night clubclub | dancer | dancing | music scene | popular music | source music | stage | upbeat

Her Kind of Man (1946)

Sailor's Hornpipe0:07:02 - Dancing sailorsclub | dancer | dancing | music scene | popular music | source music | stage | upbeat

Her Kind of Man (1946)

Something to Remember You By0:07:16 - Georgia entersclub | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat

Her Kind of Man (1946)

Something to Remember You By0:08:02 - Georgia singsclub | dancer | dancing | leading lady | leading man | music scene | on-screen music | popular music | sentimental | singer | singing | source music | stage

Her Kind of Man (1946)

Lady Play Your Mandolin0:11:03 - Audience applaudingapplauding | applauding | club | crowd | dancing | leading man | music scene | popular music | source music | upbeat

Her Kind of Man (1946)

It Had to Be You0:11:33 - Steve whistlesestablish character | gambler | leading lady | leading man | love interest | love scene | on-screen music | room | sentimental | singer | source music | whistling

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomconversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

It Had to Be You (Kissing)0:18:22 - Steve kisses Georgiaaction scene | gambler | kissing | leading lady | leading man | love interest | room | singer | source to score | tense

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:18:32 - Candy entersaction scene | conversing | criminal | dark | gambler | henchman | leading man | owner | room | stinger | tense | underscoring

Her Kind of Man (1946)

Speak to Me of Love0:28:06 - City skyline at nightbalcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music

Her Kind of Man (1946)

It Had to Be You0:29:37 - Georgia and Donbalcony | cheery | conversing | gambler | leading lady | leading man | love interest | love scene | on-screen music | reporter | room | source music | whistling

Her Kind of Man (1946)

Underscoring (Tense [Waxman])0:40:34 - Don punches Steveaction scene | boxing ring | criminal | fighting | gambler | henchman | leading man | punching | reporter | tense | underscoring

Her Kind of Man (1946)

Underscoring (Dramatic [Waxman])0:42:19 - Approaching headlightsaction scene | criminal | dark | departing | dramatic | driving | henchman | leading man | leaving | reporter | street | stumbling | underscoring

Her Kind of Man (1946)

My Darling0:45:05 - Georgia and Don in a restaurantconversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | source to score | turbulent

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense

Her Kind of Man (1946)

Body and Soul (Intro)0:56:28 - Night club signarriving | crowd | dramatic | music scene | sign | street

Her Kind of Man (1946)

Body and Soul0:56:43 - Georgia singing in a night clubapplauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:03:37 - Steve shoots his sisteraction scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

Police Radio1:04:40 - Policeman on the radioaction scene | announcing | police | radio | radio effect | station | tense

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:04:46 - Montage of policemenaction scene | double exposure | dramatic | montage | police | searching | street | underscoring

Her Kind of Man (1946)

Headline1:04:52 - Newspaper headlineaction scene | double exposure | dramatic | headline | newspaper