| Illegal (1955) | Typewriter | 0:01:21 - Typewriter filling out an APB for the suspected murderer | police station | typewriter | typing |
Illegal (1955) | Fingerprints | 0:01:35 - Man getting his fingerprints taken | fingerprints | police station |
| The Informer (1935) | Katie (Fateful Decision) | 0:13:48 - Gypo heads towards the British headquarters | American | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense |
The Informer (1935) | Blood Money (Extended) | 0:18:54 - British officer tosses money down on the table | antagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone |
| Mildred Pierce (1945) | Hall of Justice | 0:13:35 - Mildred enters the Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | police | police station | walking |
Mildred Pierce (1945) | Mildred sits | 0:14:11 - Mildred sits down | advance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting |
Mildred Pierce (1945) | Drink to Me Only With Thine Eyes | 0:16:07 - Cop whistles to himself | advance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling |
Mildred Pierce (1945) | Flashback ends | 1:05:49 - Return to the present day | advance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe |
Mildred Pierce (1945) | Kay and Veda (Coy 2) | 1:44:37 - Veda is brought in by the police | antagonist | daughter | deceiving | deception | detective | entering | interrogating | interrogation | police station | questioning | tense |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:44:53 - Mildred tells Veda not to confess | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station |
Mildred Pierce (1945) | Mildred (Dark) | 1:45:09 - Mildred realizes that she cannot save Veda | crime | heroine | interrogating | interrogation | police station | somber |
Mildred Pierce (1945) | Kay and Veda (Triste) | 1:49:37 - Veda is led out by the police | antagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber |
Mildred Pierce (1945) | Mildred (The End) | 1:50:07 - Mildred leaves with Bert | ex-husband | heroine | leading lady | leaving | police station | resolution | triumphant |
| The Unfaithful (1947) | Unfaithful (Tragic) | 0:24:34 - Mrs. Tanner walks away down the street | advance plot | antagonist | husband | leading lady | newspaper | ostinato | panic | panicking | police station | street | transition | trolley | victim | widow |
The Unfaithful (1947) | Tanner (Headlines) | 1:24:17 - Chris is suspected of murder | climax | friend | hurrying | montage | newspaper | newspaper boy | ostinato | panic | police station | polytonality | radio | reporter | room | rushing | street | surprise | widow |
| Hell on Frisco Bay (1955) | Menace | 1:24:38 - Amato talks to detective | advance plot | detective | gangster | leading man | mysterious | plotting | police station | tense |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:24:53 - Amato talks to detective | advance plot | detective | gangster | leading man | plotting | police station | tense |
Hell on Frisco Bay (1955) | Amato | 1:25:21 - Amato sets up Lye and Kay | advance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense |
