| The Amazing Dr. Clitterhouse (1938) | Cauldron 1 (End title) | 1:26:33 - The End | beaker | bubbling | chromatic mediant | chromatic scale | closing credits | doctor | end title | foreign key modulation | leading man | mode mixture | ominous | plagal cadence |
| Angels With Dirty Faces (1938) | Jerry (End Title) | 1:36:38 - End title | closing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant |
| Are These Our Children? (1931) | Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13) | NIF - not in film | 9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber |
Are These Our Children? (1931) | Dreams (End Title) | NIF - not in film | bold | cut from film | mode mixture | plagal cadence |
Are These Our Children? (1931) | Foxtrot | NIF - not in film | AABA structure | common-chord modulation | cut from film | happy | plagal cadence | sentence form | ternary form |
| City for Conquest (1940) | Tone Poem A (Molto Expressivo) | 0:48:44 - Danny talks with Peggy | 9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street |
City for Conquest (1940) | Tone Poem A (Farewell) | 0:55:31 - Peggy bids farewell to Danny | 9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street |
City for Conquest (1940) | Sidewalks of New York (The End) | 1:43:24 - The End | 64 chord | bold | conversing | end title sequence | grand | old man | plagal cadence | soliloquy | The End |
City for Conquest (1940) | Tone Poem A (Tag) | NIF - not in film | 64 chord | cut from film | plagal cadence |
City for Conquest (1940) | Tone Poem A (End Cast) | 1:43:34 - End cast list | 13th chord | closing credits | end title sequence | jazz | not by Steiner | plagal cadence | syncopation | transcribed by ear | upbeat |
| They Made Me a Criminal (1939) | The Fugitive (Ending) | 1:30:23 - A train rushes away | detective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant |
They Made Me a Criminal (1939) | On the Make (End Cast) | 1:31:03 - End titles | 9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Religioso) | 1:22:41 - Mabel testifies for Joe | 11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial |
| I Was a Communist for the FBI (1951) | Battle Hymn of the Republic (The End) | 1:22:16 - Dick looks at his dad | brother | conversing | countermelody | end title sequence | leading man | love | patriotic | patriotic tune | plagal cadence | resolution | reuniting | son | The End | undercover agent |
| In This Our Life (1942) | Asa | 0:02:02 - The Timberlake crest | 64 chord | added-note chord | common-chord modulation | establish character | noble | plagal cadence | street | worker | working |
In This Our Life (1942) | Expressivo | 0:12:28 - Stanley talks with Roy | chromatic scale | conversing | establish character | expressive | leading lady | plagal cadence | retardation | room | sister |
In This Our Life (1942) | Expressivo | 0:22:51 - Roy talks to Asa | altered dominant | chromatic scale | conflict | conversing | expressive | father | leading lady | plagal cadence | retardation | room |
| The Informer (1935) | The Wearin' o' the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | 64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
| The Letter (1940) | Foxtrot No.1 C | 1:21:36 - Leslie goes to the party | added-note chord | altered dominant | calm | conversing | dance music | dancing | foreign key modulation | foxtrot | friend | leading lady | party | party | plagal cadence | source music |
The Letter (1940) | Leslie (Ending) | 1:34:28 - Camera pans to the moon | appoggiatura | glorious | minor-major 7th chord | moon | oscillation | plagal cadence | plantation | resolution |
The Letter (1940) | Letter | 1:34:41 - End credits | changing meter | closing credits | dramatic | end title sequence | minor-major 7th chord | oscillation | plagal cadence |
The Letter (1940) | Leslie (End Title) | 1:34:44 - End credits | closing credits | dramatic | end title sequence | plagal cadence |
The Letter (1940) | Alternate Ending | NIF - not in film | closing credits | dramatic | end title sequence | plagal cadence |
| Mildred Pierce (1945) | Kay and Veda (Tenderly) | 0:56:34 - Veda and Mildred mourn for Kay | added-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point |
| The Life of Vergie Winters (1934) | Lullaby + Funeral March | 0:02:32 - Vergie in her jail cell | classical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching |
The Life of Vergie Winters (1934) | Lullaby (Slowly) | 0:04:07 - Vergie working in a shop window | 64 chord | establish character | leading lady | peaceful | plagal cadence | shop | working |
The Life of Vergie Winters (1934) | Lullaby (Hospital Scene) | 0:27:51 - The sign for a hospital | advance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence |
| Kid Galahad (1937) | Kid Galahad (End Title) | 1:41:09 - End cast | 9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence |
| The Unfaithful (1947) | Unfaithful (Dolce) | 1:46:08 - Bob talks with Chris | altered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife |
| We Are Not Alone (1939) | Frohe Botschaft (Hopeful) | 1:38:41 - David comforts Leni | 9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber |
We Are Not Alone (1939) | Frohe Botschaft (Restful) | 1:41:47 - David watches Leni sleep | 9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching |
We Are Not Alone (1939) | Surprise Symphony (Acceptance) | 1:47:27 - David talks to the prison guards | advance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
| Is My Face Red? (1932) | Burlesque | 0:13:10 - Backstage at a Broadway show | ABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear |
| Before Dawn (1933) | Wedding March | 0:59:55 - Two lovers kissing and The End | detective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant |
| Caged (1950) | Molto Expressivo (The End) | 1:36:13 - The End | dark | dramatic | end title sequence | pedal tone | plagal cadence | The End |
| All This, and Heaven Too (1940) | Henriette (The End) | 2:22:31 - The End | countermelody | deceptive resolution | end title sequence | grand | leading lady | looking | minister | mode mixture | plagal cadence | school | snow | teacher | The End |
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