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36 results for "pedal tone" — see also dominant pedal | drone

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)How Dry I Am (Nervous)0:47:20 - Criminals talkingconversing | criminal | doctor | gangster | leading man | nervous | parallelism | pedal tone | robbery | rooftop | source music | thief
Dust Be My Destiny (1939)Marching0:10:10 - Inmates marchingestablish location | hero | march | marching | pedal tone | prison | somber

Dust Be My Destiny (1939)

Marching0:12:27 - Inmates marchingestablish character | march | marching | pedal tone | prison | somber

Dust Be My Destiny (1939)

Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | heroine | hopeful | pedal tone | prison | sweet

Dust Be My Destiny (1939)

Agitato Risoluto0:35:11 - Joe and Mabel hide under the stairsagitated | alley | city | concerned | danger | escape | hero | heroine | hiding | parallelism | pedal tone
The Informer (1935)Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to Americaadvance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judgeschromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind manaccusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | diminished 7th chord | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | remorseful | room | traitor

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking
The Letter (1940)Letter 20:15:28 - Robert comforts Leslieadvance plot | comforting | crying | gentle | home | leading lady | murder | pedal tone

The Letter (1940)

Letter 20:20:07 - Robert embraces Leslieembracing | home | husband | leading lady | love scene | pedal tone | romantic

The Letter (1940)

Letter 20:41:12 - Howard says he will do what he can to help Leslieadvance plot | calm | crying | deception | hospital | lawyer | leading lady | letter | pedal tone | somber | tender

The Letter (1940)

Letter 2 (Triste)0:42:17 - Howard disapproves of Leslie's lack of faithfulness to her husbandadvance plot | calm | crying | hospital | lawyer | leading lady | letter | pedal tone | resolution | somber | tender

The Letter (1940)

Lento Mysterioso0:50:37 - They plan to get the letteradvance plot | home | lawyer | leading lady | mysterious | pedal tone | planning | sad

The Letter (1940)

Letter 2 (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | home | husband | lawyer | leading lady | letter | mournful | murder | pedal tone | sad

The Letter (1940)

Letter 2 (Tense)1:27:06 - Leslie talks to Robertclimax | conversing | gentle | home | husband | leading lady | pedal tone | tender | tense

The Letter (1940)

Letter 2 (The Body)NIF - not in filmbody | climax | death | pedal tone | plantation | somber
The Unfaithful (1947)Walking1:09:50 - Bob walks to meet with the art dealerhusband | park | pedal tone | tense | transition | walking
The Public Defender (1931)Mystery (End Title)1:08:56 - A kiss and The Endarguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear
Is My Face Red? (1932)You Bunch of Fun (Transition)0:01:08 - Cast listexcited | main title | opening title sequence | pedal tone | transcribed by ear

Is My Face Red? (1932)

Burlesque0:13:10 - Backstage at a Broadway showABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear

Is My Face Red? (1932)

Sailing0:19:56 - Boat moves through the waterboat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition
Emergency Call (1933)Ambulance0:00:11 - Main titles over a speeding ambulanceambulance | augmented triad | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone
State’s Attorney (1932)Bluesy Transition0:01:15 - Black screenblues | bluesy | exciting | Gershwinesque | opening title sequence | pedal tone | transcribed by ear
Three Who Loved (1931)Transition0:00:45 - Cast listcast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear
Thirteen Women (1932)Ursula0:01:11 - A quotation about suicidebook | chromatic mediant | dark | opening title sequence | pedal tone | psychology | tragic | transcribed by ear

Thirteen Women (1932)

The Train0:01:33 - A rushing trainchromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat

Thirteen Women (1932)

Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (Suicide)0:24:18 - Helen commits suicideantagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim