| Dust Be My Destiny (1939) | Dust Be My Destiny (Opening B) | 0:00:49 - Cast list | blues | cast list | main title | mode mixture | opening title sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Opening B2) | 0:01:18 - Cast list | cast list | main title | mode mixture | opening title sequence |
| The Informer (1935) | The Minstrel Boy | 0:25:32 - Man sings a folk tune at the street corner | 9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching |
The Informer (1935) | Mary | 0:38:47 - Rebels talk about Frankie's sister Mary | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap |
The Informer (1935) | Dan and Mary | 0:55:53 - Dan and Mary talk alone | ABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room |
The Informer (1935) | Dan and Mary (Dolce) | 0:57:51 - Dan tells Mary: "I'll come back for you" | 11th chord | common-tone diminished 7th | crying | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room |
The Informer (1935) | Peter Mulligan | 1:05:37 - Peter Mulligan sits and holds a crucifix | courtroom | courtroom scene | folk-like | headquarters | mode mixture | room | somber | suspect | waiting |
The Informer (1935) | The Wearin’ o’ the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
The Informer (1935) | Peter Mulligan | 1:07:25 - Mulligan cries | courtroom scene | headquarters | mode mixture | room | somber | suspect | waiting |
| Traveling Husbands (1931) | There’s a Sob in My Heart (Slow Waltz) | 0:57:47 - Music is played on the radio | AABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear |
| The Unfaithful (1947) | Chris 2 (Minor) | 0:07:37 - Chris arrives home | antagonist | car | cheerful | dark | driving | house | leading lady | mode mixture | transition |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to visit Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office |
| The Public Defender (1931) | Mystery (End Title) | 1:08:56 - A kiss and The End | arguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear |
| Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
Is My Face Red? (1932) | Mildred Waltz (Rushing) | 0:22:05 - Mildred and William leave | advance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear |
| Secrets of the French Police (1932) | Serenade | 0:56:57 - The End and Cast of Characters | closing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
| Three Who Loved (1931) | Impromptu | 0:00:16 - Title of film, starring list, cast list | ABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear |
| Ladies of the Jury (1932) | Lady | 0:00:15 - Title of film, starring list, cast list | ABA structure | cast list | common-tone diminished 7th | mode mixture | opening title sequence | sentimental | starring list | title of film | transcribed by ear |
| The Roadhouse Murder (1932) | Lady | 1:12:12 - End titles | common-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End |
| Thirteen Women (1932) | Ursula (Mysterious Waltz) | 0:33:37 - Ursula talks to Burns | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz |
| Men of America (1932) | Hey! Hey! | 0:26:27 - Man turns on car radio | advance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat |
Men of America (1932) | Lady with a Past Fox Trot | 0:56:42 - The End | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant |
| Penguin Pool Murder (1932) | Run Around | 1:01:51 - The End | 9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat |
