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33 results for "minor" in 16 films — see also child

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Gossip0:55:36 - Scissors cut a newspaper clipping9th chord | advance plot | chromatic parallelism | cutting | dissonant bass | gossiper | gossiping | harsh | minor second | newspaper | room | scissors | tense

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossiping9th chord | chromatic parallelism | dissonant bass | duke | gossiper | gossiping | harsh | landlady | leading man | minor second | reunion scene | room | tense | watching
Are These Our Children? (1931)Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Crime School (1938)Sue (Prison Moods)1:08:48 - Boys talk to Frankie about his sisteradvance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster

Crime School (1938)

Parting curtains1:13:27 - Frankie parts the curtainsconflict | curtain | minor scale | mysterious | opening | parting | room | teenager
They Made Me a Criminal (1939)Underscoring (Dramatic)0:16:01 - Johnnie rushes insideadvance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent
Dust Be My Destiny (1939)Cantor0:56:34 - Joe talks to a Jewish shopkeeper9th chord | crime scene | criminal | Gypsy minor scale | Jewish | kind | leading man | shop | shopkeeper
Each Dawn I Die (1939)Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Car Crash0:05:40 - Two cars crashcar | car crash | chromatic scale | conflict | crashing | explosion | frantic | hero | leading man | metric dissonance | minor second | reporter | street | tone cluster
Flamingo Road (1949)Vision of Salome0:02:12 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Vision of Salome0:03:12 - Two men arguearguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord
I Was a Communist for the FBI (1951)Agents Fight0:59:39 - Communists fight the FBI managent | attacking | augmented triad | chromatic parallelism | communist | death | dramatic | fighting | knife | minor-major 7th chord | murder | murder scene | pc set | polychord | room | spy | stabbing | stinger | tritone oscillation

I Was a Communist for the FBI (1951)

Undercover Agent (Gunfight)1:03:34 - Train tracksaugmented triad | communist | dissonant bass | diving | dramatic | gun | gunshot | hiding | leading lady | leading man | mickey-mousing | minor-major 7th chord | polychord | running | shooting | shootout | shootout | spy | syncopation | teacher | tense | train tracks | tritone oscillation | undercover agent
In This Our Life (1942)Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | minor-major 7th chord | outdoors | tense

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | chromatic scale | conflict | leading lady | leaving | minor-major 7th chord | pc set | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Anger (Agitato)1:31:34 - Stanley yells at her uncleagitated | angry | arguing | conflict | criminal | distressed | leading lady | minor-major 7th chord | oscillation | room | uncle | yelling
The Informer (1935)The Informer0:00:14 - Shadows move across the screen behind the cast listcast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film

The Informer (1935)

The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

Katie (Tragic)1:04:39 - Katie is left alone on the streetadvance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying
The Letter (1940)Leslie0:00:11 - The Letter9th chord | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | suspension | tense | title of film

The Letter (1940)

Leslie (Rubato)0:00:44 - Cast list9th chord | cast list | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Delicato)0:21:46 - Men admire needlepointadvance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Leslie (Ending)1:34:28 - Camera pans to the moonappoggiatura | glorious | minor-major 7th chord | moon | oscillation | plagal cadence | plantation | resolution

The Letter (1940)

Letter1:34:41 - End creditschanging meter | closing credits | dramatic | end title sequence | minor-major 7th chord | oscillation | plagal cadence
Mildred Pierce (1945)Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | minor-major 7th chord | mode mixture | restaurant | somber
Out of the Fog (1941)Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
The Unfaithful (1947)Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone
We Are Not Alone (1939)I Do Like to Be Beside the Seaside (Tragico)0:14:05 - Leni talks with Daviddoctor | establish character | familiar tune | hero | heroine | minor-major 7th chord | quotation | room | tragic
Men of America (1932)Cimarron A0:00:14 - Title of film and starring listAmerican Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear