The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Montage) | 0:33:03 - A medical journal article about the doctor | Gershwinesque | jaunty | journal | main theme | montage | montage | newspaper | sign |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Comical) | 0:46:08 - Doctor examines a criminal | comical | criminal | doctor | examining | gangster | leading man | main theme | robbery | rooftop | thief | underscoring |
Angels With Dirty Faces (1938) | The Gangster | 0:00:15 - Main title | bold | cast list | dark | main theme | main title | opening title sequence | title of film |
Angels With Dirty Faces (1938) | The Gangster (Reformatory) | 0:05:04 - Sign: "Society for Juvenile Delinquents" | establish character | main theme | main title | prisoner | reformatory | serious | sign | somber | teenager |
Angels With Dirty Faces (1938) | The Gangster (Fingerprints) | 0:06:17 - Montage of juvenile detention and prison life | digging | dramatic | establish character | fingerprints | headline | leading man | main theme | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | serious | working |
Angels With Dirty Faces (1938) | The Gangster (Maestoso) | 0:08:07 - Discharge papers from the penitentiary | ledger | main theme | main title | marching | montage | prison | prisoner | serious | solemn | transition | writing |
The Big Sleep (1946) | Big Sleep | 0:00:13 - Starring actors and main title | main theme | main title |
Death of a Scoundrel (1956) | Clementi A | 0:01:47 - Death of a Scoundrel over Clementi's dead body | dark | death | main theme | main title |
Death of a Scoundrel (1956) | Clementi B | 0:02:06 - Credits | death | main theme | main title |
Death of a Scoundrel (1956) | Clementi A (Maestoso) | 0:02:34 - Credits | dark | death | main theme | main title |
Dust Be My Destiny (1939) | Dust Be My Destiny (Opening A) | 0:00:21 - Main title | chromatic mediant | main theme | main title | opening title sequence | title of film |
Dust Be My Destiny (1939) | Dust Be My Destiny (Opening B) | 0:00:49 - Cast list | blues | cast list | main theme | main title | mode mixture | opening title sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Opening B2) | 0:01:18 - Cast list | cast list | main theme | main title | mode mixture | opening title sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Playful) | 0:13:38 - Mabel talks to Joe for the first time | barn | comical | cow | hero | heroine | laughing | lovers meet | main theme | playful | romance |
Dust Be My Destiny (1939) | Dust Be My Destiny (Laughing) | 0:14:07 - Mabel laughs at Joe | barn | comical | hero | heroine | laughing | lovers meet | main theme | parallelism |
Dust Be My Destiny (1939) | Dust Be My Destiny (Agitated) | 0:14:22 - Joe argues with Mabel | agitated | arguing | barn | fragmentation | hero | heroine | lovers meet | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tense) | 0:14:53 - Joe talks to Charlie | barn | dark | dissonant | hero | heroine | lovers meet | main theme | tense | villain |
Dust Be My Destiny (1939) | Dust Be My Destiny (Pleading) | 0:17:41 - Mabel pleads for Joe's case | advance plot | heroine | intervallic expansion | main theme | pleading | prison | sincere | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Medical Report) | 0:17:58 - Warden talks about Charlie | advance plot | main theme | oppressive | parallelism | prison | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expectant) | 0:18:08 - Mabel leaves | advance plot | expectant | gentle | heroine | hopeful | main theme | pedal tone | prison | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Somber) | 0:18:36 - Mabel thinks | conflict | heroine | inversion | main theme | prison | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | NIF - not in film | barn | cut from film | love scene | main theme | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:22:04 - Mabel and Joe talking; she asks him to tell her that he loves her | barn | hero | heroine | love scene | main theme | romance |
Dust Be My Destiny (1939) | Dust Be My Destiny (Pensive) | 0:23:08 - Joe talks to Mabel about his hopes and dreams | barn | dreaming | hero | love scene | main theme | pensive |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expressivo) | 0:23:38 - Joe and Mabel continue talking | barn | hero | heroine | love scene | main theme | romance |
Dust Be My Destiny (1939) | Dust Be My Destiny (Ethereal) | 0:24:50 - Joe tells Mabel he loves her and they kiss | barn | hero | heroine | kissing | love | love scene | main theme | romance |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Away) | 0:25:55 - Joe and Mabel run | barn | conflict | dramatic | hero | heroine | main theme | running |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fateful Decision) | 0:26:17 - Joe and Mabel decide to run away together | barn | confused | hero | heroine | hopeful | main theme | turning point |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:27:22 - Joe and Mabel talk | advance plot | city | gentle | hero | heroine | main theme | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Milkman) | 0:27:38 - Joe and Mabel talk to the milk man | advance plot | city | comical | glass | hero | heroine | main theme | milk | milkman | pizzicato |
Dust Be My Destiny (1939) | Dust Be My Destiny (A Hotel) | 0:28:47 - Joe mentions going to a hotel and getting married | advance plot | city | concerned | hero | heroine | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Waiting) | 0:29:38 - Joe and Mabel talk about getting married | city | hero | heroine | love scene | main theme | romance | waiting |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Up and Down) | 0:30:12 - Man runs up and down the courthouse steps | city | courthouse | down | frantic | hero | heroine | love scene | main theme | mickey-mousing | running | stairs | up |
Dust Be My Destiny (1939) | Dust Be My Destiny (Got Each Other) | 0:30:49 - Mabel proclaims her love for Joe on the courthouse steps | city | courthouse | hero | heroine | love scene | main theme | romance |
Dust Be My Destiny (1939) | Fairy Music | 0:30:58 - Man picks up their luggage and convinces them to follow | city | courthouse | happy | hero | heroine | love scene | main theme | romance |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fear and Devotion) | 0:35:50 - Joe and Mabel decide to stay together no matter what | alley | city | devotion | dramatic | escape | fear | hero | heroine | love | main theme | obsessive |
Dust Be My Destiny (1939) | Dust Be My Destiny (Wandering) | 0:37:16 - Joe and Mabel walk by the side of the road | car | car horn | hero | heroine | main theme | montage | road | tired | traveling | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Weary) | 0:37:38 - Joe and Mabel rest by the side of the road | conflict | hero | heroine | main theme | resting | road | tired |
Dust Be My Destiny (1939) | Dust Be My Destiny | 0:38:38 - Joe and Mabel walk in opposite directions | conflict | hero | heroine | leaving | main theme | road | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Parting Ways) | 0:38:56 - Joe and Mabel part | conflict | dark | hero | heroine | leaving | main theme | road | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running) | 0:39:33 - Mabel runs across the street to hitch a ride | conflict | heroine | main theme | mickey-mousing | road | running | somber | truck |
Dust Be My Destiny (1939) | Dust Be My Destiny (Regret) | 0:39:53 - Joe walks away sadly thinking Mabel has left | conflict | dark | hero | main theme | road | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:40:03 - Joe looks back to see Mabel still there and runs to her | hero | heroine | joyful | main theme | mickey-mousing | resolution | road | running |
Dust Be My Destiny (1939) | Dust Be My Destiny (Irish Rose) | 0:42:25 - Joe and Mabel go to work in the kitchen | diner | establish character | happy | hero | heroine | main theme | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicatessen) | 0:43:38 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | main theme | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:43:51 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | main theme | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicatessen) | 0:44:01 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | main theme | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Calm) | 0:44:32 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | main theme | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Worried) | 0:46:02 - Mabel talks to the police | create suspense | heroine | main theme | room | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hiding) | 0:47:35 - Nick and Joe talk about getting Mabel out of jail | advance plot | anxious | diner | hero | hiding | main theme | money | suspense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Sordini) | 0:48:21 - Joe talks to the jailer | hero | jail | jail break | jailer | main theme | mysterious | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Trickery) | 0:48:45 - Joe talks to the jailer to convince him to let him enter | distortion | hero | jail | jail break | jailer | main theme | parallelism | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Jail Break) | 0:49:16 - Mabel looks up and sees Joe coming in the jail | hero | heroine | jail | jail break | jailer | main theme | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Stick Up) | 0:50:12 - Joe pulls out a gun | hero | heroine | jail | jail break | jailer | main theme | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (The Escape) | 0:50:26 - Joe and Mabel leave the jail | dark | escaping | hero | heroine | hopeful | jail | jail break | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Grandioso) | 0:50:50 - Joe and Mabel are almost free | city | escaping | hero | heroic | heroine | jail break | main theme | street | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Thankful) | 0:51:24 - Joe, Mabel, and Nick talk in the car | escape | hero | heroine | main theme | shopkeeper | thankful | train station |
Dust Be My Destiny (1939) | Dust Be My Destiny (Radio) | 0:52:28 - Joe comes home and talks to Mabel in their apartment | conflict | hero | heroine | main theme | popular tune | radio | room | somber | source music |
Dust Be My Destiny (1939) | Dust Be My Destiny (Arguing) | 0:55:00 - Joe tries to leave with a gun and Mabel tries to stop him | agitated | arguing | conflict | dark | hero | heroine | main theme | parallelism | pc set | pleading | room |
Dust Be My Destiny (1939) | Dust Be My Destiny (Not In Film) | NIF - not in film | conflict | cut from film | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Sehr Ominous) | 0:56:14 - Joe walks into a shop to rob it | city | crime | hero | main theme | mysterious | street | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Transformation) | 0:57:38 - Joe comes back to the apartment | hero | love scene | main theme | mysterious | room | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:58:04 - Joe embraces Mabel | embracing | hero | heroine | love scene | main theme | romance | room | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Heroic) | 0:59:42 - Joe heroically takes pictures of the robbery | action scene | bank | city | dramatic | gangster | hero | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Mysterioso) | 1:05:26 - Joe talks to the newspaper editor | advance plot | dark | hero | main theme | newspaper editor | office | ominous | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Relief) | 1:06:54 - Newspaper editor talks with Joe | advance plot | hero | hopeful | main theme | newspaper editor | office | relieved |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | 1:08:53 - Joe and Mabel talk | advance plot | hero | heroine | hopeful | main theme | peaceful | room |
Dust Be My Destiny (1939) | Dust Be My Destiny (Brave) | 1:10:38 - Joe jumps onto the car | action scene | car | city | dramatic | fighting | gangster | hero | main theme | street | whole-tone chord |
Dust Be My Destiny (1939) | Dust Be My Destiny (Heroic) | 1:10:32 - Joe heroically wrestles the steering wheel from the gangster | action scene | city | dramatic | fighting | gangster | hero | main theme | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Emergency Room) | 1:11:01 - Mabel enters the hospital looking for Joe | advance plot | concern | cop | heroine | hospital | main theme | reporter |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 1:11:25 - Mabel embraces Joe after she meets him | advance plot | embracing | happy | hero | heroine | hospital | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Simply) | 1:11:50 - Mabel and Joe talk | advance plot | hero | heroine | hospital | main theme | peaceful |
Dust Be My Destiny (1939) | Dust Be My Destiny (Leaving Hospital) | 1:11:57 - Mabel and Joe start to leave | advance plot | hero | heroine | hospital | main theme | peaceful |
Dust Be My Destiny (1939) | Dust Be My Destiny (Cornered) | 1:12:21 - Mabel and Joe decide what to do | conflict | hero | heroine | hospital | inversion | main theme | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hiding) | 1:12:42 - Mabel tries to convince Joe that they should stop | conflict | hero | heroine | hospital | main theme | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Disagreement) | 1:12:59 - Mabel and Joe argue | bright | conflict | dark | hero | heroine | hospital | main theme |
Dust Be My Destiny (1939) | Dust Be My Destiny (Appassionatissimo) | 1:13:14 - Joe makes a run for it | climax | conflict | escaping | hero | heroine | hospital | main theme | parallelism | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tragico) | 1:13:35 - Mabel turns Joe in to the police | confession | conflict | dark | hero | heroine | hospital | main theme | parallelism | tragic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Newspaper Montage) | 1:13:48 - Newspaper montage about Joe | city | courthouse | exciting | headlines | main theme | montage | montage | newspaper | printing press |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicate) | 1:22:18 - Mabel rises to testify for Joe | courtroom | delicate | heroine | main theme | somber | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (Religioso) | 1:22:41 - Mabel testifies for Joe | courtroom | gentle | heroine | loving | main theme | sincere | tender | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (Travel Montage) | 1:26:04 - Train approaches the screen | ending | happy | hero | heroine | main theme | train | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Train) | 1:26:17 - Joe and Mabel on the train | ending | happy | hero | heroine | main theme | train | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hanging Hats) | 1:26:31 - Joe and Mabel toss their hats onto the hooks on the train | ending | happy | hat | hero | heroine | hook | main theme | mickey-mousing | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (The End) | 1:26:45 - "The End" | end credits | ending | happy | hero | heroine | main theme | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (End Credits) | 1:26:54 - End credits | end credits | ending | main theme |
I Was a Communist for the FBI (1951) | Undercover Agent (Gunfight) | 1:03:34 - Gunfight between Matt and commie agent | agent | dramatic | main theme | shootout |
I Was a Communist for the FBI (1951) | Undercover Agent (Newspaper) | 1:04:11 - FBI agents talk | agent | FBI | main theme | newpaper |
I Was a Communist for the FBI (1951) | Undercover Agent (Suspicion) | 1:09:39 - Commie agents interrogate Matt | agent | interrogation | main theme | suspicion | tense |
I Was a Communist for the FBI (1951) | Undercover Agent (Lost Letter) | 1:10:18 - Commie agents interrogate Matt | agent | interrogation | main theme | suspicion | tense |
I Was a Communist for the FBI (1951) | Undercover Agent (Discovered) | 1:10:36 - Commie agents interrogate Matt | agent | interrogation | main theme | suspicion | tense |
I Was a Communist for the FBI (1951) | Undercover Agent (Angry) | 1:10:54 - Commie agents interrogate Matt | agent | interrogation | main theme | suspicion | tense |
I Was a Communist for the FBI (1951) | Undercover Agent (Riot) | 1:14:31 - Montage of civil unrest | main theme | montage | riot | violence |
The Informer (1935) | The Informer | 0:00:14 - Shadows moving across the screen behind the cast list | cast list | Dorian mode | folk-like | informer | main theme | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film |
The Informer (1935) | The Informer (Bridge) | 0:00:46 - Shadows moving across the screen behind the cast list | 9th chord | cast list | informer | main theme | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street |
The Informer (1935) | The Informer (Dublin) | 0:01:03 - Title card establishing the setting in Dublin, Ireland | 9th chord | 11th chord | establish setting | informer | main theme | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | searching | serious | shadow | street | title card | tritone substitution |
The Informer (1935) | The Informer (Judas) | 0:01:29 - Title card with quote about Judas | main theme | mysterious | opening title sequence | serious | suspension | title card |
The Informer (1935) | The Informer (Walking) | 0:01:44 - Gypo walking down the street | countermelody | establish character | leading man | main theme | mickey-mousing | mysterious | poster | street | walking |
The Informer (1935) | The Informer (Whiskey) | 0:20:45 - Gypo enters a pub | advance plot | antagonist | entering | hurrying | leading man | main theme | mysterious | pub |
The Informer (1935) | The Informer (Drinking) | 0:21:22 - Gypo takes a drink | advance plot | antagonist | bartender | drinking | leading man | main theme | mysterious | octatonic | pub | tense | tritone | whole-tone | whole-tone chord |
The Informer (1935) | The Informer (Lying) | 0:23:41 - Gypo tells a lie about where he got the money | advance plot | antagonist | conversing | leading lady | leading man | lying | main theme | pub | tense |
The Informer (1935) | The Informer (Tense) | 0:29:20 - Gypo defends himself | antagonist | coin | leading man | main theme | money | mourner | mysterious | pivotal scene | room | staring | tense | whole-tone |
The Informer (1935) | The Informer (Accused) | 0:38:37 - Rebel accuses Gypo of being the informer | advance plot | conversing | headquarters | main theme | rebel | room | suspicion | tense |
The Informer (1935) | The Informer (Dan Talking) | 0:56:52 - Dan and Mary talk about an informer | conversing | hero | love interest | love scene | main theme | mysterious | room |
The Informer (1935) | The Informer (King Gypo) | 1:01:03 - Gypo's friend brags about him | advance plot | antagonist | bragging | cheerful | crowd | friend | leading man | main theme | party | proud |
The Informer (1935) | The Informer (Quiet!) | 1:01:27 - The rebels enter and start an argument | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | main theme | matching speech | mickey-mousing | party | rebel |
The Informer (1935) | The Informer (Drunk) | 1:03:20 - Gypo walks down the street drunk | advance plot | antagonist | drunk | leading lady | leading man | main theme | marching | rebel | street |
The Informer (1935) | The Informer (Molto Agitato) | 1:03:42 - Katie worries for Gypo | advance plot | antagonist | conversing | drunk | leading lady | leading man | main theme | rebel | street |
The Informer (1935) | The Informer (Lying) | 1:09:04 - Gypo laughs at Peter | accusing | antagonist | bold | courtroom | courtroom scene | headquarters | leading man | main theme | room | serious | suspect |
The Informer (1935) | The Informer (Blood Money [The Trial 2]) | 1:15:42 - Frankie asks "Who was the informer?" | antagonist | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | main theme | money | mysterious | questioning | room | suspect |
The Informer (1935) | The Informer (Confession) | 1:15:56 - Gypo confesses and cries | antagonist | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | leading man | main theme | remorseful | room | traitor |
The Informer (1935) | The Informer (Tranquillo) | 1:16:30 - Gypo is taken away | antagonist | arresting | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | main theme | pleading | remorseful | room | traitor |
The Informer (1935) | The Informer (Risoluto) | 1:20:08 - Rebels plan to catch Gypo | advance plot | arriving | headquarters | main theme | planning | rebel | room | tense |
The Informer (1935) | The Informer (Up the Stairs) | 1:21:31 - Gypo goes up the stairs | agitated | antagonist | hallway | hiding | leading man | main theme | mickey-mousing | running | stairs | tense | traitor | transition | up |
The Informer (1935) | The Informer (Begging) | 1:25:45 - Katie pleads for Gypo | advance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room |
The Informer (1935) | The Informer (Sympathetic) | 1:26:30 - Katie tells Dan where Gypo is | advance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense |
The Informer (1935) | The Informer (Pathetic) | 1:29:43 - Gypo stumbles toward Frankie's mother | antagonist | church | climax | dying | gentle | leading man | main theme | somber | stumbling | traitor | walking |
Key Largo (1948) | Key Largo A | 0:00:15 - Main title | main theme | main title |
The Letter (1940) | Hammond A | 0:00:11 - The Letter | main theme | main title | opening title sequence | oscillation | sequence | tense | title of film |
The Letter (1940) | Hammond B | 0:00:25 - Cast list | cast list | chromatic sequence | main theme | main title | opening title sequence | romantic |
The Letter (1940) | Hammond A | 0:00:44 - Cast list | cast list | main theme | main title | opening title sequence | oscillation | sequence | tense |
The Letter (1940) | Hammond A (Shimmery) | 0:02:57 - Leslie stands over the dead body | cloud | death | home | main theme | moon | murder | murderer | murder scene | mysterious | oscillation | plantation | sequence | watching |
The Letter (1940) | Hammond A (Revolver) | 0:03:43 - Leslie talks with the workers | conversing | gun | home | main theme | murderer | murder scene | oscillation | sequence | servant | tense |
The Letter (1940) | Hammond A (Mysterioissimo) | 0:04:42 - Worker looks around the room | home | leading lady | light | looking | main theme | murder scene | mysterious | oscillation | parallel fifths | servant | turning on |
The Letter (1940) | Hammond A (Crying) | 0:04:55 - Leslie cries in the other room | crying | home | leading lady | main theme | murder scene | mysterious | oscillation |
The Letter (1940) | Hammond A (Distressed) | 0:06:11 - Robert arrives at the plantation | bold | brassy | dark | driving | home | husband | main theme | oscillation | transition |
The Letter (1940) | Hammond A (Not in Film) | NIF - not in film | advance plot | cut from film | main theme |
The Letter (1940) | Hammond A (The Story) | 0:13:14 - Leslie says she loves Robert | advance plot | home | leading lady | lying | main theme | recounting | tense | whole-tone |
The Letter (1940) | Hammond A (Deception) | 0:13:28 - Leslie gets emotional and talks about the struggle | advance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | main theme | passionate | recounting | sequence |
The Letter (1940) | Hammond A (Risoluto) | 0:14:07 - Leslie gets back up to continue her story | advance plot | augmented triad | dramatic | fragmentation | home | leading lady | main theme | parallelism | pc set | polychord | recounting | tense |
The Letter (1940) | Hammond A (Tragic) | 0:14:31 - Leslie tells her story | advance plot | composer reference | dramatic | home | leading lady | main theme | oscillation | point of view | recounting | sequence | tense |
The Letter (1940) | Hammond B (Screwyoso) | 0:14:42 - Leslie tells her story | advance plot | dramatic | emotional | home | leading lady | main theme | point of view | recounting | sequence |
The Letter (1940) | Hammond A (Dark) | 0:16:09 - Men look at dead body | advance plot | chromatic parallelism | creeping | dark | death | distortion | investigating | main theme | murder | pc set | plantation | servant | shadow | sinister |
The Letter (1940) | Hammond A (Shimmery) | 0:18:55 - Leslie stares at the moon | home | leading lady | love scene | main theme | moon | mysterious | oscillation | sequence | staring |
The Letter (1940) | Hammond B (Screwyoso) | 0:19:26 - Leslie closes the blinds | dramatic | emotional | home | leading lady | love scene | main theme | sequence | walking |
The Letter (1940) | Hammond A (Delicato) | 0:21:46 - Men admire needlepoint | advance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | main theme | oscillation | polychord | sequence |
The Letter (1940) | Hammond A (The Story) | 0:22:26 - Leslie speaks with Howard | advance plot | home | lawyer | leading lady | lying | main theme | oscillation | recounting | tense | whole-tone chord |
The Letter (1940) | Letter (Sarcastic) | 0:22:41 - Leslie and Howard leave | advance plot | chromatic sequence | home | lawyer | leading lady | leaving | main theme | mysterious | passionate |
The Letter (1940) | Hammond A (Ominous) | 0:22:58 - Leslie leaves the house and Mrs. Hammond appears | advance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | main theme | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow |
The Letter (1940) | Hammond A (Mysterioso) | 0:30:04 - Howard in his office | advance plot | lawyer | main theme | mysterious | office | pc set | quartal chord | tense | thinking |
The Letter (1940) | Hammond B (Screwyoso) | 0:30:23 - Howard grabs the letter | advance plot | lawyer | letter | main theme | mysterious | office | sequence | tense | thinking |
The Letter (1940) | Hammond A (Walking) | 0:30:58 - Leslie leaves the cell to go to the visiting room | advance plot | leading lady | main theme | mysterious | parallelism | prison | walking |
The Letter (1940) | Hammond A (Tense) | 0:34:20 - Howard tells Leslie about the letter | conversing | lawyer | leading lady | letter | main theme | parallelism | pivotal scene | prison | suspense | tense |
The Letter (1940) | Hammond A (Deception) | 0:34:47 - Leslie starts to worry about the letter | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | main theme | pivotal scene | prison | reading | sequence | tense |
The Letter (1940) | Hammond A (Risoluto) | 0:35:11 - Leslie decides how to defend her having written the letter | arguing | augmented triad | deception | fragmentation | lawyer | leading lady | letter | lying | main theme | parallelism | pc set | pivotal scene | polychord | prison | tense |
The Letter (1940) | Hammond A (The Story) | 0:36:42 - Leslie tells Howard more lies about the letter | deception | lawyer | leading lady | letter | lying | main theme | pivotal scene | prison | tense | whole-tone chord |
The Letter (1940) | Hammond A (Risoluto) | 0:37:07 - Howard reads the letter to Leslie | anxiety | augmented triad | buildup | fear | fragmentation | lawyer | leading lady | letter | main theme | parallelism | pc set | pivotal scene | polychord | prison | reading | tense |
The Letter (1940) | Hammond A (Tragic) | 0:37:21 - Howard talks to Leslie | anxiety | climax | conversing | fear | lawyer | leading lady | letter | main theme | oscillation | pivotal scene | prison | sequence | tense |
The Letter (1940) | Hammond B (Screwyoso) | 0:37:34 - Howard talks to Leslie | anxiety | chromatic sequence | conversing | fear | lawyer | leading lady | letter | main theme | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (Shimmery) | 0:37:54 - Howard talks to Leslie | anxiety | conversing | fear | lawyer | leading lady | letter | main theme | pivotal scene | prison | stinger | tense |
The Letter (1940) | Hammond A (Resigned) | 0:38:57 - Howard talks to Leslie in the hospital | advance plot | calm | conversing | hospital | lawyer | leading lady | main theme | oscillation | sequence |
The Letter (1940) | Hammond B (Con Moto) | 0:39:25 - Leslie asks Howard about the letter | advance plot | conversing | hospital | lawyer | leading lady | letter | main theme | sequence | tense |
The Letter (1940) | Hammond A (Plotting) | 0:39:32 - Howard and Leslie plot their next move | advance plot | buildup | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | main theme | minor-major 7th chord | ominous | oscillation | plotting | tense |
The Letter (1940) | Hammond A (Despair) | 0:40:33 - Leslie despairs | advance plot | anxious | conversing | despair | hospital | lawyer | leading lady | letter | main theme | oscillation | tense |
The Letter (1940) | Hammond A (Deception) | 0:40:57 - Howard says he doesn't despise Leslie | advance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | main theme | sequence | staring | tense |
The Letter (1940) | Hammond A (Uneasy) | 0:49:41 - They discuss the trial | dinner | home | husband | lawyer | leading lady | main theme | planning | tense | tone cluster | trial | whole-tone chord |
The Letter (1940) | Hammond A (Ominous) | 0:51:41 - Leslie and Howard sitting in the room | advance plot | call and response | home | lawyer | leading lady | main theme | ominous | thinking |
The Letter (1940) | Hammond A (Delicato) | 0:52:07 - Howard and Leslie talk about lacework | advance plot | conversing | home | lacework | lawyer | leading lady | main theme | mysterious | oscillation |
The Letter (1940) | Hammond B (Ethereal) | 0:52:33 - Howard and Leslie talk | advance plot | chromatic sequence | conversing | home | lawyer | leading lady | main theme | oscillation | tense |
The Letter (1940) | Hammond A (Tragic) | 0:52:55 - Howard and Leslie talk | advance plot | conversing | home | lawyer | leading lady | main theme | oscillation | tense |
The Letter (1940) | Hammond B (Screwyoso) | 0:53:10 - Howard and Leslie talk | advance plot | conversing | home | lawyer | leading lady | main theme | oscillation | tense |
The Letter (1940) | Hammond A (Leaving) | 0:53:20 - Howard and Leslie leave the house | fragmentation | lawyer | leading lady | leaving | main theme | mysterious | plantation | transition |
The Letter (1940) | Hammond A (Screwyoso) | 0:53:35 - Howard and Leslie walk away | call and response | lawyer | leading lady | leaving | main theme | plantation | tense | transition |
The Letter (1940) | Hammond A (Glass Curtains) | 1:01:27 - Leslie removes the shawl from her head | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | main theme | mysterious | oscillation | ostinato | polyrhythm | sequence | shop | staring | tense | tinkling | waiting |
The Letter (1940) | Hammond B (Glass Curtains) | 1:01:57 - Leslie approaches Mrs. Hammond with the money | antagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | main theme | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | walking |
The Letter (1940) | Hammond B (Glass Curtains: Dark) | 1:02:50 - Leslie faces Mrs. Hammond again and looks at the letter | antagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | main theme | mysterious | ostinato | pentatonic | polyrhythm | shop | staring | tense | tinkling |
The Letter (1940) | Hammond A (Restless) | 1:14:42 - Robert asks about the letter | arguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | main theme | sequence | tense |
The Letter (1940) | Hammond A (Wild) | 1:14:57 - Robert waits for a response | arguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | main theme | tense |
The Letter (1940) | Hammond A (Molto Agitato) | 1:15:28 - Robert argues with Leslie | arguing | conflict | distress | home | husband | lawyer | leading lady | main theme | parallelism | pc set | tense |
The Letter (1940) | Hammond A (Confession) | 1:16:36 - Leslie confesses to Robert | confessing | conflict | dark | home | husband | lawyer | leading lady | letter | main theme | ostinato | recounting | serious | tritone | tritone |
The Letter (1940) | Hammond A (Deception) | 1:17:52 - Leslie confesses to Robert | augmented triad | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | main theme | parallelism | recounting | tense |
The Letter (1940) | Hammond A (Tragic) | 1:17:59 - Leslie confesses to Robert | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | main theme | murder | oscillation | recounting | sequence |
The Letter (1940) | Hammond B (Ethereal) | 1:18:13 - Leslie confesses to Robert | chromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | main theme | murder | oscillation | recounting |
The Letter (1940) | Hammond A (Dramatic) | 1:18:32 - Leslie confesses to Robert | confessing | conflict | crying | dramatic | home | husband | lawyer | leading lady | letter | main theme | murder | oscillation | recounting | sequence |
The Letter (1940) | Hammond A (Guilty) | 1:19:41 - The full moon on a dark night | dramatic | main theme | moon | oscillation | panning shot | plantation | transition |
The Letter (1940) | Hammond A (Foxtrot) | 1:20:53 - Leslie looks at the full moon, then sees the knife | advance plot | dagger | dramatic | home | leading lady | looking | main theme | moon | polytonality | stinger |
The Letter (1940) | Hammond A (Foxtrot No.3) | 1:25:08 - Leslie leaves the party, stares at the moon, and is worried | climax | combination of themes | dance music | foxtrot | home | lacework | leading lady | main theme | obsession | obsessive | oscillation | sequence | source music | tense | thinking |
The Letter (1940) | Hammond A (Distraught) | 1:25:39 - Leslie cries | climax | crying | dramatic | emotional | home | leading lady | main theme | oscillation | sequence |
The Letter (1940) | Hammond A (Ethereal) | 1:26:36 - Leslie and Robert look at each other | climax | home | husband | leading lady | main theme | oscillation | staring | tense |
The Letter (1940) | Hammond A (Very Slow) | 1:29:01 - Leslie says she loves the man she killed then cries | climax | home | leading lady | main theme | oscillation | sequence | somber | stern | weeping |
The Letter (1940) | Hammond A (Climactic) | 1:30:02 - Leslie finds that the knife is gone | climax | dagger | door | home | leading lady | looking | main theme | passionate |
The Letter (1940) | Hammond A (The Moon) | 1:31:36 - Leslie watches the moon go behind a cloud | climax | cloud | crying | dramatic | leading lady | looking | main theme | moon | oscillation | plantation | sequence |
The Letter (1940) | Hammond A (Deliberate) | 1:32:48 - Mrs. Hammond approaches Leslie with a knife | antagonist | Chinese | climax | dagger | leading lady | main theme | plantation | somber | walking |
The Letter (1940) | Hammond A (Reckoning) | 1:33:42 - Mrs. Hammond walks away and we see Leslie's dead body | antagonist | augmentation | body | Chinese | climax | death | leading lady | main theme | moon | oscillation | plantation | policeman | somber |
The Letter (1940) | Hammond A (Foxtrot No.3B) | 1:34:18 - Leslie's lacework | calm | combination of themes | dance music | ending | lacework | main theme | plantation | source music |
The Letter (1940) | Hammond A (Ending) | 1:34:28 - Camera pans to the moon and The End title appears | ending | glorious | main theme | moon | oscillation | plagal cadence | plantation |
The Letter (1940) | Letter | 1:34:41 - End credits | closing credits | credits | dramatic | main theme |
The Letter (1940) | Hammond A (End Title) | 1:34:44 - End credits | closing credits | credits | dramatic | main theme | plagal cadence |
Out of the Fog (1941) | Russian Barcarolle | 0:00:14 - Out of the Fog | folk song | main theme | main title | peaceful |
Out of the Fog (1941) | Russian Barcarolle (Sinister) | 0:00:27 - | folk song | main theme | main title | sinister |
Out of the Fog (1941) | Russian Barcarolle (Peaceful) | 0:00:49 - | folk song | gentle | main theme | main title | peaceful |
Out of the Fog (1941) | Russian Barcarolle (Ethereal) | 1:23:47 - Stella and Jonah talking | ethereal | main theme | peaceful |
Out of the Fog (1941) | Russian Barcarolle (Tango) | 1:24:07 - Stella and Jonah talking | main theme | tango |
Out of the Fog (1941) | Russian Barcarolle (The End) | 1:24:24 - We see the dock then the words The End | fanfare | main theme | The End |
Kid Galahad (1937) | Kid Galahad A | 0:00:00 - WB shield, main title, starring list | fanfare | jaunty | main theme | main title | opening title sequence | starring list | WB shield |
Kid Galahad (1937) | Kid Galahad B | 0:00:14 - Cast list | cast list | fanfare | jaunty | main theme | march-like | opening title sequence |
Kid Galahad (1937) | Kid Galahad A (Cast List) | 0:00:26 - Cast list | cast list | fanfare | jaunty | main theme | march-like | opening title sequence |
Kid Galahad (1937) | Kid Galahad A (Montage) | 0:46:47 - Montage of newspaper headlines | advance plot | boxer | boxing | boxing ring | cheering | fanfare | heroic | leading man | main theme | montage | newspaper |
Kid Galahad (1937) | Kid Galahad A (Montage 2) | 1:18:47 - Newspaper headline montage | climax | fanfare | heroic | hurrying | main theme | manager | montage | newspaper | room | syncopation |
Kid Galahad (1937) | Kid Galahad (Recompense) | 1:38:49 - Nick is dying on a table | climax | death | dying | fanfare | leading lady | leading man | main theme | manager | room | sister | somber |
Kid Galahad (1937) | Kid Galahad (End Title) | 1:41:09 - End cast | end title sequence | fanfare | jaunty | main theme | march-like |
The Unfaithful (1947) | Unfaithful | 0:00:07 - Credits, including main title | Beverly Hills | cast list | house | main theme | main title | opening title sequence | ostinato | serious | starring list | title of film |
The Unfaithful (1947) | Unfaithful (Plotting) | 0:42:32 - Larry storms out of the art collector's shop | advance plot | antagonist | door | main theme | plotting | shop | sinister | slamming |
The Unfaithful (1947) | Unfaithful (Dramatic Underscoring) | 0:43:06 - Larry walks into his office | dramatic | law office | lawyer | main theme | mirroring | office | ostinato | polytonal | transition | walking |
The Unfaithful (1947) | Unfaithful (Ominous) | 0:43:39 - Secretary makes a call | advance plot | dialing | law office | lawyer | main theme | monophonic | office | ominous | phone call | sinister | spinning |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to visit Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | main theme | mode mixture | mode mixture | office |
The Unfaithful (1947) | Unfaithful (Ostinato) | 0:50:56 - Chris leaves larry's office | advance plot | exiting | law office | lawyer | leading lady | main theme | office | somber |
The Unfaithful (1947) | Unfaithful (Drone) | 0:51:08 - Chris enters the art shop | advance plot | arriving | leading lady | main theme | ostinato | shop | shopkeeper | somber |
The Unfaithful (1947) | Unfaithful (Distressed) | 0:52:17 - Chris returns home | advance plot | arriving | forlorn | leading lady | maid | main theme | minor-major 7th chord | music | obsession | ostinato | room | tense |
The Unfaithful (1947) | Unfaithful (Agitated) | 0:53:11 - Chris sees the place where the body was | advance plot | distressed | fearful | leading lady | main theme | obsession | ostinato | room | staring |
The Unfaithful (1947) | Unfaithful (Somber 2) | 1:00:01 - Bob and Chris talk | advance plot | augmented sixth chord | conversing | husband | leading lady | main theme | ostinato | room | somber | tender |
The Unfaithful (1947) | Unfaithful (Ominous) | 1:09:06 - Larry and Chris talk on the phone | advance plot | lawyer | leading lady | main theme | monophonic | office | phone call | room | tense | thinking |
The Unfaithful (1947) | Unfaithful (Dramatic Underscoring) | 1:09:33 - The art shop is locked | lawyer | main theme | ostinato | shop | tense | transition | worrying |
The Unfaithful (1947) | Unfaithful (Ominous) | 1:10:22 - Bob walks through the park | antagonist | blackmail | husband | main theme | monophonic | ominous | park | transition | waiting |
The Unfaithful (1947) | Unfaithful (Driving) | 1:10:31 - Bob rides in a car | car | driving | husband | main theme | minor-major 7th chord | ominous | street | transition | whole-tone |
The Unfaithful (1947) | Unfaithful (Menacing) | 1:12:25 - Bob meets with Mrs. Tanner | antagonist | husband | main theme | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | staring | statue | threatening | unveiling | widow |
The Unfaithful (1947) | Unfaithful (Attack) | 1:13:06 - Bob attacks the art shop owner | angry | antagonist | attacking | fighting | husband | main theme | ostinato | pc set | pivotal scene | room | widow | zoom in |
The Unfaithful (1947) | Unfaithful (Triste) | 1:13:36 - Bob slowly walks away from the apartment | dirge | heartbroken | hotel | husband | main theme | ostinato | polychord | sad | somber | transition | walking |
The Unfaithful (1947) | Unfaithful (Risoluto) | 1:14:27 - Bob arrives home | angry | arriving | car | driving | house | husband | main theme | monophonic | transition |
The Unfaithful (1947) | Unfaithful (Angry) | 1:15:00 - Bob walks around his home | angry | husband | intense | main theme | meandering | room | transition | walking |
The Unfaithful (1947) | Unfaithful (Rising Anger) | 1:15:35 - Bob walks around his home | angry | half-diminished 7th chord | husband | intense | main theme | meandering | room | transition | walking |
The Unfaithful (1947) | Unfaithful (Not in Film) | NIF - not in film | arguing | climax | cut from film | husband | main theme | ostinato | room | sequential modulation | tense | wife |
The Unfaithful (1947) | Unfaithful (Scandal) | 1:24:55 - Newspaper headlines about the murder | climax | courtroom | crowd | dramatic | hurrying | main theme | montage | newspaper | ostinato | radio | rushing | sequential modulation |
The Unfaithful (1947) | Unfaithful (The Trial) | 1:25:17 - Chris on trial | climax | courtroom | crowd | dramatic | hurrying | knife | lawyer | main theme | mirroring | montage | ostinato | polytonality | prosecuting | prosecutor | rushing | weapon | witness |
The Unfaithful (1947) | Unfaithful (Heavy) | 1:26:02 - Newspaper of Chris testifying | climax | courtroom | crowd | dramatic | hurrying | main theme | montage | newspaper | rushing |
The Unfaithful (1947) | Unfaithful (Distressed) | 1:41:24 - Bob talks with Larry | conversing | ending | husband | lawyer | main theme | minor-major 7th chord | ostinato | room | somber | wife |
The Unfaithful (1947) | Unfaithful (Leaving) | 1:42:32 - Bob talks with Chris | conversing | ending | husband | lawyer | main theme | ostinato | room | somber | wife |
The Unfaithful (1947) | Unfaithful (Dolce) | 1:46:08 - Bob talks with Chris | conversing | ending | hopeful | husband | lawyer | main theme | ostinato | peaceful | plagal cadence | resolution | resolution | romantic | room | triumphant | wife |
The Unfaithful (1947) | Unfaithful (End Cast) | 1:48:07 - Closing credits | closing credits | credits | dramatic | main theme | ostinato | turbulent |
We Are Not Alone (1939) | Surprise Symphony (Foreboding) | 0:00:09 - Main title | classical music | familiar tune | Haydn | main theme | main title | opening title sequence | quotation | title of film |
We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:02:20 - David rides his bike home | bicycle | classical music | establish character | familiar tune | Haydn | hero | main theme | playful | quotation | source music | street |
We Are Not Alone (1939) | Surprise Symphony (Theme and Variations) | 0:02:37 - David gets off his bike and enters his home | augmented triad | classical music | establish character | familiar tune | Haydn | hero | home | main theme | playful | quotation | scored source music | source music | street | whistling |
We Are Not Alone (1939) | Surprise Symphony (Hushed) | 0:04:59 - David talks to his son | boy | child | classical music | establish character | familiar tune | father | Haydn | hero | home | hushed | main theme | quotation | subtle |
We Are Not Alone (1939) | Surprise Symphony (Running Off) | 0:05:14 - David sends his son outside to find a cat | boy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | main theme | quotation |
We Are Not Alone (1939) | Surprise Symphony (Innocent) | 0:06:36 - Gerald runs in saying that he caught the cat | boy | child | classical music | comforting | establish character | familiar tune | father | Haydn | hero | home | innocent | main theme | nagging | playful | quotation | Wagner |
We Are Not Alone (1939) | Surprise Symphony (Chromatic Shift) | 0:09:49 - David puts the cat outside | cat | classical music | establish character | familiar tune | Haydn | hero | main theme | office | playful | quotation |
We Are Not Alone (1939) | Surprise Symphony (Imagination) | 0:10:16 - Jessica rushes David away | antagonist | classical music | establish character | familiar tune | Haydn | hero | main theme | office | playful | quotation |
We Are Not Alone (1939) | Surprise Symphony (Not Afraid) | 0:11:24 - David sets Leni's wrist | classical music | delicate | doctor | establish character | familiar tune | Haydn | hero | heroine | main theme | quotation | room | somber |
We Are Not Alone (1939) | Surprise Symphony (Calm) | 0:12:01 - David's treatment is successful | calm | classical music | doctor | establish character | familiar tune | Haydn | hero | heroine | main theme | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Not in film) | NIF - not in film | classical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | main theme | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Quasi Rubato) | 0:12:46 - David treats Leni's leg | classical music | doctor | establish character | familiar tune | gentle | Haydn | hero | heroine | main theme | playful | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Gute Nacht) | 0:15:00 - David says goodnight in German to Leni | classical music | doctor | establish character | familiar tune | Haydn | hero | heroine | main theme | peaceful | quotation | room |
We Are Not Alone (1939) | Surprise Symphony | 0:17:34 - David whistles while helping a patient | classical music | comical | doctor | establish character | familiar tune | Haydn | hero | heroine | main theme | office | on-screen music | quotation | source music | whistling |
We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:22:35 - David rides home on his bike | advance plot | bicycle | classical music | familiar tune | happy | Haydn | hero | home | main theme | peaceful | quotation | walking |
We Are Not Alone (1939) | Surprise Symphony (Worried) | 0:22:57 - David's son is scared of the dark | advance plot | boy | child | classical music | dark | familiar tune | father | Haydn | hero | home | hurrying | main theme | quotation | tense |
We Are Not Alone (1939) | Surprise Symphony (Fixing the Lights) | 0:23:27 - David tries to fix the lights | advance plot | boy | child | classical music | familiar tune | father | Haydn | helping | hero | home | main theme | mysterious | playful | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Lighting the House) | 0:23:40 - David lights candles in the house | advance plot | boy | candle | child | classical music | familiar tune | father | Haydn | helping | hero | home | lighting | main theme | positive | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Better) | 0:23:55 - David puts his son in bed | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | Haydn | hero | home | main theme | playing | quotation | warm |
We Are Not Alone (1939) | Surprise Symphony (Death Bed) | 0:24:11 - David discusses death with his son | advance plot | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | main theme | quotation |
We Are Not Alone (1939) | Surprise Symphony (Dolce) | 0:25:02 - Gerald asks to go with his father on a trip | advance plot | boy | child | chromatic mediant | classical music | conversing | familiar tune | father | Haydn | hero | home | main theme | quotation | sweet | warm |
We Are Not Alone (1939) | Surprise Symphony (Lullaby) | 0:25:36 - David asks his son to help Leni | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | main theme | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony | 0:29:13 - David whistles | advance plot | classical music | familiar tune | Haydn | hero | home | main theme | quotation | source music | whistling | wife |
We Are Not Alone (1939) | Surprise Symphony (Newspaper) | 0:31:52 - David sits and whistles | classical music | familiar tune | foreshadowing | happy | Haydn | hero | home | main theme | ominous | quotation | reveal | transition | whistling |
We Are Not Alone (1939) | Surprise Symphony (Galloping) | 0:32:07 - David arrives in a carriage | carriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | main theme | quotation | street | transition | traveling |
We Are Not Alone (1939) | Surprise Symphony (Dark) | 0:39:33 - Leni looks around after Jessica leaves | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | main theme | quotation | thinking |
We Are Not Alone (1939) | Surprise Symphony (Expanded) | 0:45:36 - Leni hugs Gerald and tells him goodnight | advance plot | boy | child | classical music | familiar tune | Haydn | heroine | home | hugging | main theme | quotation | room | sweet |
We Are Not Alone (1939) | Surprise Symphony (Tragico) | 0:47:06 - Jessica gathers clothes for Gerald | advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | main theme | mother | quotation | room | sad | tragic |
We Are Not Alone (1939) | Surprise Symphony (Turbulent) | 0:50:14 - Jessica and David rush off in anger | angry | antagonist | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | main theme | quotation | room | sad | tragic | wife |
We Are Not Alone (1939) | Surprise Symphony (Sneaky) | 0:51:52 - David goes to bed while the cook sneaks away | advance plot | antagonist | classical music | cook | familiar tune | Haydn | hero | heroine | home | main theme | mickey-mousing | mysterious | quotation | room | sneaking | somber |
We Are Not Alone (1939) | Surprise Symphony | 0:56:18 - David whistles on his way to breakfast | advance plot | calm | classical music | familiar tune | Haydn | hero | home | main theme | quotation | room | whistling |
We Are Not Alone (1939) | Surprise Symphony (Window) | 1:05:40 - Susan sees Leni and David in the window | antagonist | classical music | conflict | familiar tune | Haydn | main theme | quotation | spying | street | tense | window |
We Are Not Alone (1939) | Surprise Symphony (Dolcissimo) | NIF - not in film | classical music | cut from film | familiar tune | Haydn | main theme | quotation |
We Are Not Alone (1939) | Surprise Symphony (Allegretto) | 1:14:16 - David helps Leni buy a ticket | advance plot | classical music | conversing | familiar tune | gentle | Haydn | hero | heroine | main theme | optimistic | quotation | sweet | train station |
We Are Not Alone (1939) | Surprise Symphony (Tense) | 1:31:42 - News bulletins show the progress of the trial | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | main theme | quotation | shop | sign | street | tense | window |
We Are Not Alone (1939) | Surprise Symphony (Someday) | 1:39:55 - David is hopeful | classical music | comforting | conversing | dream-like | familiar tune | gentle | Haydn | hero | heroine | imagining | love scene | main theme | prison | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Semplice) | 1:41:10 - Guards help Leni | advance plot | classical music | conversing | delicate | familiar tune | Haydn | helping | hero | heroine | lullaby | main theme | prison | quotation |
We Are Not Alone (1939) | Surprise Symphony (Acceptance) | 1:47:27 - David talks kindly to the prison guards | advance plot | classical music | familiar tune | gentle | Haydn | hero | main theme | prison | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Whistling) | 1:48:34 - David whistles as he thinks about his execution | advance plot | classical music | familiar tune | gentle | Haydn | hero | main theme | on-screen music | prison | quotation | source music | sweet | whistling |
We Are Not Alone (1939) | Surprise Symphony (Ghostly) | 1:49:48 - Gerald says that Susan has a heart of gold underneath | antagonist | boy | child | classical music | conclusion | death | eerie | familiar tune | Haydn | home | main theme | ominous | on-screen music | quotation | room | source music | whistling |
We Are Not Alone (1939) | Surprise Symphony (Frohe Botschaft) | 1:50:50 - Gerald sings in the tub | boy | child | classical music | combination of themes | conclusion | death | familiar tune | Haydn | home | main theme | on-screen music | quotation | room | source music | whistling |
We Are Not Alone (1939) | Surprise Symphony | 1:51:13 - Closing credits | classical music | closing credits | end title sequence | familiar tune | Haydn | main theme | on-screen music | quotation | source music | whistling |