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70 results for "love interest"

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Rocky and Laury0:41:37 - Laury pushes her way through the crowdarriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rockyadvance plot | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Lauryadvance plot | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Concern1:21:00 - Jerry arrives on the scenearriving | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | priest | pushing | street | yearning
The Informer (1935)Dan and Mary0:55:50 - Dan and Mary talk aloneembracing | hero | love interest | love scene | love theme | passionate | romantic | room

The Informer (1935)

The Informer (Dan Talking)0:56:52 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | main theme | mysterious | room

The Informer (1935)

The Wearin’ o’ the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organizationconversing | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:33 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin’ o’ the Green (Fragment)0:57:43 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Dan and Mary (Dolce)0:57:49 - Dan tells Mary: "I'll come back for you"crying | embracing | hero | love interest | love scene | love theme | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:04 - Mary enters the scene, looking for Dancourtroom scene | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

The Informer (Tranquillo)1:16:30 - Gypo is taken awayantagonist | arresting | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | main theme | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:21:56 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor

The Informer (1935)

Katie (Allegro Appassionato)1:22:16 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | tense | traitor

The Informer (1935)

By the fire1:22:30 - Gypo rests by the fireantagonist | leading lady | leading man | love interest | love scene | romantic | room | syncopation | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:55 - Gypo talks to Katieantagonist | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Dan and Mary (Adagio)1:23:32 - Dan and Mary talklove | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Dan and Mary1:24:01 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:09 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Dan and Mary (In Love)1:24:19 - Dan and Mary talk about lovelove | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Katie (Begging)1:24:52 - Katie pleads for Gypoadvance plot | begging | leading lady | love interest | rebel | room | serious | tense

The Informer (1935)

Begging1:25:10 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | leading lady | love interest | rebel | room | serious | tense

The Informer (1935)

The Informer (Begging)1:25:45 - Katie pleads for Gypoadvance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room

The Informer (1935)

Dan and Mary (Begging)1:25:49 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | tender

The Informer (1935)

The Informer (Sympathetic)1:26:30 - Katie tells Dan where Gypo isadvance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense

The Informer (1935)

Begging 21:26:37 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | despair | leading lady | love interest | rebel | room | tense

The Informer (1935)

Katie (Furioso)1:26:51 - Katie talks to Dan and becomes desperateadvance plot | anxiety | begging | despair | leading lady | love interest | rebel | room | tense
Mildred Pierce (1945)Opens closet - Mildred slides open a doorcheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

Disrobes0:50:47 - Monte takes off Mildred's robebeach house | cheerful | disrobing | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe

Mildred Pierce (1945)

Bathing Suit0:50:49 - Monte looks at Mildred in her bathing suitattraction | beach house | cheerful | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing

Mildred Pierce (1945)

Mildred (Frolicking)0:51:01 - Mildred runs to the beachbeach | cheerful | falling in love scene | flirting | frolicking | heroine | jaunty | leading lady | love interest | running

Mildred Pierce (1945)

Frolicking in the Surf0:51:05 - Monte and Mildred run to the waterbeach | falling in love scene | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves

Mildred Pierce (1945)

Waves0:51:11 - Waves crash onto the beachbeach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for Mildredconversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music

Mildred Pierce (1945)

While You're Away0:59:47 - Opening night at Mildred's restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaadvance plot | antagonist | celebrating | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | restaurant | somber

Mildred Pierce (1945)

It Can't Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:21 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorceadvance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can't Be Wrong (Uneasy)1:05:36 - Bert walks out madadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Polo1:08:14 - Veda at a polo matchantagonist | cheering | daughter | field | heroine | leading lady | love interest | montage | playing | polo | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubadvance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradvance plot | car | child | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte arguearguing | bitter | breakup | conflict | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can't Be Wrong (Bitter)1:15:25 - Mildred and Monte arguearguing | bitter | breakup | conflict | familiar tune | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Work (Montage)1:30:44 - Montage of Mildred and Monte's marriagecheerful | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | montage | newspaper | shadow

Mildred Pierce (1945)

Glasses clink1:35:44 - Mildred and Monte clink glasses togethercheerful | clinking | glass | heroine | leading lady | love interest | mickey-mousing | montage
Hell on Frisco Bay (1955)Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness
State’s Attorney (1932)Business in F0:43:46 - Jazz musicians playing in a clubadvance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Waltz0:18:26 - People at a partyadvance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music

Transgression (1931)

Gong0:50:00 - Don Arturo is shotdeath | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim
Thirteen Women (1932)Ursula (Exotic)0:32:54 - Burns enters the houseadvance plot | entering | exotic | exoticism | Gypsy major scale | leading lady | love interest | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burnsadvance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Exotic 2)0:33:52 - Ursula talks to Burnsadvance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:34:06 - Ursula argues with Burnsadvance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear