| Angels With Dirty Faces (1938) | Rocky and Laury | 0:41:37 - Laury pushes her way through the crowd | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop |
Angels With Dirty Faces (1938) | Pleading | 1:11:08 - Laury pleads for Rocky | advance plot | crying | leading lady | leading man | love interest | pleading | priest | room | somber |
Angels With Dirty Faces (1938) | Jerry | 1:11:35 - Jerry talks to Laury | advance plot | leading lady | leading man | love interest | memory | pleading | priest | room | tender |
Angels With Dirty Faces (1938) | Concern | 1:21:00 - Jerry arrives on the scene | arriving | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | priest | pushing | street | yearning |
| The Informer (1935) | Dan and Mary | 0:55:50 - Dan and Mary talk alone | embracing | hero | love interest | love scene | love theme | passionate | romantic | room |
The Informer (1935) | The Informer (Dan Talking) | 0:56:52 - Dan and Mary talk about an informer | conversing | hero | love interest | love scene | main theme | mysterious | room |
The Informer (1935) | The Wearin’ o’ the Green (Somber) | 0:57:08 - Dan and Mary talk about the rebel organization | conversing | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense |
The Informer (1935) | The Informer (Pedal Tone) | 0:57:33 - Dan and Mary talk about Gypo | conversing | hero | love interest | love scene | mysterious | room |
The Informer (1935) | The Wearin’ o’ the Green (Fragment) | 0:57:43 - Dan and Mary talk about a rebel meeting | conversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental |
The Informer (1935) | Dan and Mary (Dolce) | 0:57:49 - Dan tells Mary: "I'll come back for you" | crying | embracing | hero | love interest | love scene | love theme | romantic | room |
The Informer (1935) | Dan and Mary (Descending) | 1:05:04 - Mary enters the scene, looking for Dan | courtroom scene | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking |
The Informer (1935) | The Informer (Tranquillo) | 1:16:30 - Gypo is taken away | antagonist | arresting | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | main theme | pleading | remorseful | room | traitor |
The Informer (1935) | Blood Money (Ostinato) | 1:21:56 - Gypo confesses to Katie | antagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor |
The Informer (1935) | Katie (Allegro Appassionato) | 1:22:16 - Gypo talks to Katie | antagonist | confessing | leading lady | leading man | love interest | love scene | room | tense | traitor |
The Informer (1935) | By the fire | 1:22:30 - Gypo rests by the fire | antagonist | leading lady | leading man | love interest | love scene | romantic | room | syncopation | traitor | yearning |
The Informer (1935) | Katie (Dolcissimo) | 1:22:55 - Gypo talks to Katie | antagonist | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning |
The Informer (1935) | Dan and Mary (Adagio) | 1:23:32 - Dan and Mary talk | love | love interest | love scene | rebel | romantic | room | yearning |
The Informer (1935) | Dan and Mary | 1:24:01 - Dan and Mary talk | conversing | love | love interest | love scene | rebel | romantic | room |
The Informer (1935) | Ireland | 1:24:09 - Dan and Mary talk about the rebel movement | conversing | folk-like | love | love interest | love scene | rebel | romantic | room |
The Informer (1935) | Dan and Mary (In Love) | 1:24:19 - Dan and Mary talk about love | love | love interest | love scene | rebel | romantic | room | yearning |
The Informer (1935) | Katie (Begging) | 1:24:52 - Katie pleads for Gypo | advance plot | begging | leading lady | love interest | rebel | room | serious | tense |
The Informer (1935) | Begging | 1:25:10 - Katie pleads for Gypo | advance plot | begging | diminished 7th chord | leading lady | love interest | rebel | room | serious | tense |
The Informer (1935) | The Informer (Begging) | 1:25:45 - Katie pleads for Gypo | advance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room |
The Informer (1935) | Dan and Mary (Begging) | 1:25:49 - Katie talks to Mary about loving Gypo | advance plot | begging | gentle | leading lady | love interest | rebel | room | tender |
The Informer (1935) | The Informer (Sympathetic) | 1:26:30 - Katie tells Dan where Gypo is | advance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense |
The Informer (1935) | Begging 2 | 1:26:37 - Katie begs for Gypo's life | advance plot | anxiety | begging | despair | leading lady | love interest | rebel | room | tense |
The Informer (1935) | Katie (Furioso) | 1:26:51 - Katie talks to Dan and becomes desperate | advance plot | anxiety | begging | despair | leading lady | love interest | rebel | room | tense |
| Mildred Pierce (1945) | Opens closet | - Mildred slides open a door | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding |
Mildred Pierce (1945) | Disrobes | 0:50:47 - Monte takes off Mildred's robe | beach house | cheerful | disrobing | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe |
Mildred Pierce (1945) | Bathing Suit | 0:50:49 - Monte looks at Mildred in her bathing suit | attraction | beach house | cheerful | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing |
Mildred Pierce (1945) | Mildred (Frolicking) | 0:51:01 - Mildred runs to the beach | beach | cheerful | falling in love scene | flirting | frolicking | heroine | jaunty | leading lady | love interest | running |
Mildred Pierce (1945) | Frolicking in the Surf | 0:51:05 - Monte and Mildred run to the water | beach | falling in love scene | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves |
Mildred Pierce (1945) | Waves | 0:51:11 - Waves crash onto the beach | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves |
Mildred Pierce (1945) | It Can't Be Wrong | 0:51:16 - Monte plays a record for Mildred | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music |
Mildred Pierce (1945) | While You're Away | 0:59:47 - Opening night at Mildred's restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | Please Think of Me | 1:01:54 - Monte dances with Veda | advance plot | antagonist | celebrating | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat |
Mildred Pierce (1945) | Mildred (Sorrow) | 1:03:41 - Monte asks about Kay | advance plot | conversing | heroine | leading lady | love interest | restaurant | somber |
Mildred Pierce (1945) | It Can't Be Wrong (Romantic) | 1:04:11 - Monte kisses Mildred | advance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger |
Mildred Pierce (1945) | It Can't Be Wrong (Troubled) | 1:04:21 - Bert interrupts Mildred and Monte's kiss | advance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled |
Mildred Pierce (1945) | Bert (Regretful) | 1:04:43 - Bert tells Mildred about the divorce | advance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber |
Mildred Pierce (1945) | Breaks glass | 1:05:35 - Bert slaps the glass out of Monte's hand | advance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence |
Mildred Pierce (1945) | It Can't Be Wrong (Uneasy) | 1:05:36 - Bert walks out mad | advance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy |
Mildred Pierce (1945) | Polo | 1:08:14 - Veda at a polo match | antagonist | cheering | daughter | field | heroine | leading lady | love interest | montage | playing | polo | sports | upbeat | voice-over | watching |
Mildred Pierce (1945) | How Sweet You Are | 1:08:28 - Veda dances at a club | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music |
Mildred Pierce (1945) | Kay and Veda (Excited) | 1:13:21 - Veda drives away in her new car | advance plot | car | child | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running |
Mildred Pierce (1945) | Kay and Veda (Sly) | 1:13:55 - Mildred tells Monte to not see Veda | arguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:14:06 - Mildred and Monte argue | arguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense |
Mildred Pierce (1945) | Mildred (Agitato) | 1:14:37 - Mildred and Monte argue | agitated | arguing | breakup | conflict | heroine | leading lady | love interest | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:14:53 - Mildred and Monte argue | arguing | bitter | breakup | conflict | heroine | leading lady | love interest | room | tense | underscoring |
Mildred Pierce (1945) | It Can't Be Wrong (Bitter) | 1:15:25 - Mildred and Monte argue | arguing | bitter | breakup | conflict | familiar tune | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense |
Mildred Pierce (1945) | Work (Montage) | 1:30:44 - Montage of Mildred and Monte's marriage | cheerful | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | montage | newspaper | shadow |
Mildred Pierce (1945) | Glasses clink | 1:35:44 - Mildred and Monte clink glasses together | cheerful | clinking | glass | heroine | leading lady | love interest | mickey-mousing | montage |
| Hell on Frisco Bay (1955) | Kay | 0:20:48 - Lye goes to see Kay | antagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street |
Hell on Frisco Bay (1955) | Kay | 1:28:35 - Steve leaves with Kay | comforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness |
Hell on Frisco Bay (1955) | Kay | 1:29:11 - Steve enters with Kay | arriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:29:23 - Marcia calls the police | agitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:29:55 - Marcia talks to Kay | conversing | leading lady | love interest | room | tense | turning point | witness |
| State’s Attorney (1932) | Business in F | 0:43:46 - Jazz musicians playing in a club | advance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat |
| Transgression (1931) | Dance | 0:08:10 - Elsie and Don Arturo at a club | AB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango |
Transgression (1931) | Waltz | 0:18:26 - People at a party | advance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz |
Transgression (1931) | Igualada | 0:23:20 - Elsie and Don Arturo talking | advance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango |
Transgression (1931) | Igualada | 0:24:58 - Elsie and Don Arturo dancing | advance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango |
Transgression (1931) | Flute Solo | 0:43:22 - Don Arturo opens the door | calm | conversing | leading lady | love interest | love scene | room | source music |
Transgression (1931) | Serenade | 0:44:16 - Elsie and Don Arturo talking | ABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music |
Transgression (1931) | Gong | 0:50:00 - Don Arturo is shot | death | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim |
| Thirteen Women (1932) | Ursula (Exotic) | 0:32:54 - Burns enters the house | advance plot | entering | exotic | exoticism | Gypsy major scale | leading lady | love interest | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Romance 2) | 0:33:10 - Burns kisses Ursula | 9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Mysterious Waltz) | 0:33:37 - Ursula talks to Burns | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Exotic 2) | 0:33:52 - Ursula talks to Burns | advance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:34:06 - Ursula argues with Burns | advance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear |
