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91 results for "foreign key modulation" — see also common-chord modulation | modulation

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

Cauldron 1 (End title)1:26:33 - The Endbeaker | bubbling | chromatic mediant | chromatic scale | closing credits | doctor | end title | foreign key modulation | leading man | mode mixture | ominous | plagal cadence
Angels With Dirty Faces (1938)The Gangster0:00:15 - Main titlebold | cast list | dark | foreign key modulation | main title | opening title sequence | sequence | title of film

Angels With Dirty Faces (1938)

The Gangster (Fingerprints)0:06:17 - Montage of juvenile detention and prison lifedigging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working

Angels With Dirty Faces (1938)

Headlines1:10:28 - A montage of newspaper headlines9th chord | 42 chord | 64 chord | dramatic | foreign key modulation | headline | mickey-mousing | montage | montage | newspaper | newspaper editor | newspaper office | spinning | zooming

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Jerry (Maestoso)1:22:13 - Jerry enters the buildingbuilding | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking

Angels With Dirty Faces (1938)

Jerry (Triste)1:35:23 - Jerry visits the boysconversing | death | foreign key modulation | leading man | pedal tone | picardy third | priest | resolution | room | somber | teenager

Angels With Dirty Faces (1938)

Sanctus (Maestoso)1:36:06 - Jerry and the boys walk up the stairsangelic | ascending | chromatic mediant | foreign key modulation | leading man | priest | resolution | room | stairs | teenager | The End | transcendence | triumphant | up

Angels With Dirty Faces (1938)

Jerry (End Title)1:36:38 - End titleclosing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant
Are These Our Children? (1931)Dreams (Coney Island)NIF - not in filmchromatic mediant | chromatic parallelism | cut from film | foreign key modulation | joyful

Are These Our Children? (1931)

Dreams (Transition 8B)NIF - not in filmadded-note chord | altered dominant | augmented triad | chromatic mediant | common-tone diminished 7th | cut from film | foreign key modulation | pedal tone | tense | turbulent
Crime School (1938)Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Reform School Drill0:33:18 - Reform school boys exercise outsidecomedy | cut from film | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | split-third chord | teenager | upbeat | warden

Crime School (1938)

Reform School Drill0:34:09 - Reform school boys exercise outsidecomedy | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | teenager | upbeat | warden

Crime School (1938)

The Painters0:48:02 - Boys paint their roomcalm | comedy | foreign key modulation | gang | paint | paintbrush | painting | peaceful | reformatory | see-saw | swing | swinging | teenager

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling
They Made Me a Criminal (1939)Peggy0:00:25 - Director credit9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution

They Made Me a Criminal (1939)

The Fugitive0:24:29 - Johnnie walks9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering

They Made Me a Criminal (1939)

The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired

They Made Me a Criminal (1939)

The Fugitive (Fainting)0:26:32 - Johnnie stumbles and faints9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking

They Made Me a Criminal (1939)

The Fugitive (Recovering)0:27:13 - Peggy takes care of Johnnie9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

The Fugitive (Leaving)0:29:45 - Johnnie prepares to leavesconflict | foreign key modulation | leading man | ranch | room | sneaking | yearning

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

The Fugitive (Let Down)1:06:51 - The boys talk about Johnnieadded-note chord | arguing | conflict | criticizing | foreign key modulation | leading man | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in

They Made Me a Criminal (1939)

Inspiration1:09:53 - Johnnie has an inspirationboxing | foreign key modulation | gentle | hero | idea | inspiration | leading man | pedal tone | pump-up modulation | room | shadow | thinking | turning point

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent

They Made Me a Criminal (1939)

The Fugitive (Ending)1:30:23 - A train rushes awaydetective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant
Dust Be My Destiny (1939)Dust Be My Destiny (Dolceeessimo)NIF - not in filmbarn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Here Comes the Bride (Advertisement)0:31:07 - A marquee advertising "Marriage on Stage Tonite"common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:40:03 - Joe runs to Mabel64 chord | altered dominant | foreign key modulation | joyful | leading lady | leading man | mickey-mousing | pump-up modulation | resolution | runaway | running | street

Dust Be My Destiny (1939)

Whistling0:45:44 - Joe whistles as he walks64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling

Dust Be My Destiny (1939)

Dust Be My Destiny (The Escape)0:50:26 - Joe and Mabel leave the jail64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Disagreement)1:12:59 - Mabel and Joe arguebright | conflict | dark | foreign key modulation | hero | hospital | leading lady | leading man

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)1:26:04 - Train approaches the screenadded-note chord | foreign key modulation | happy | leading lady | leading man | pc set | resolution | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Hanging Hats)1:26:31 - Joe and Mabel toss their hats11th chord | chromatic mediant | foreign key modulation | happy | hat | hook | leading lady | leading man | mickey-mousing | resolution | throwing | train | traveling | whistle effect

Dust Be My Destiny (1939)

Dust Be My Destiny (The End)1:26:45 - "The End"closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling
Each Dawn I Die (1939)Frank (Parole Denied)1:07:58 - Frank's parole is denied9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point
Flamingo Road (1949)Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

If I Could Be With You (Triste)0:34:51 - Lane goes to the kitchenbreakup | café | dark | diminished 7th chord | foreign key modulation | leading lady | pondering | somber | waitress | working

Flamingo Road (1949)

Lane (Lonely)0:41:27 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in filmcut from film | cut from film | foreign key modulation | mode mixture | police station | resolution

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife
The Informer (1935)Katie0:04:31 - Katie walks down the streetestablish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in
The Life of Vergie Winters (1934)Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife
Kid Galahad (1937)Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Kid Galahad (Montage 2)1:18:47 - Newspaper headline montage64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation

Kid Galahad (1937)

Kid Galahad (Tender)1:39:15 - Nick speaks his final words9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation
We Are Not Alone (1939)Max Steiner0:00:53 - Max Steiner's nameaugmented sixth chord | bold | cast list | common-chord modulation | deceptive resolution | foreign key modulation | main title | opening title sequence

We Are Not Alone (1939)

Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Playful0:04:39 - David asks his son to find a catboy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office

We Are Not Alone (1939)

Surprise Symphony (Chromatic Shift)0:09:49 - David puts the cat outsidecat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Frohe Botschaft (Viennese)0:32:51 - Gerald rushes in to see Leni11th chord | advance plot | boy | child | familiar tune | folk song | foreign key modulation | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation

We Are Not Alone (1939)

Frolic0:33:45 - Leni and Gerald run through the parkadvance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running

We Are Not Alone (1939)

Frohe Botschaft (At the Piano)0:34:49 - Leni plays and singsboy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear

We Are Not Alone (1939)

Captain Gerald0:43:23 - Gerald tells Leni a storyadded-note chord | advance plot | boy | child | exoticism | foreign key modulation | heroine | home | imagination | room | somber | telling a story

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Dolcissimo)NIF - not in filmaltered dominant | classical music | cut from film | familiar tune | foreign key modulation | Haydn | playful | quotation

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet
Penguin Pool Murder (1932)Sidewalks of New York (Aquarium)0:01:00 - Outside of aquariumcalm | establish setting | foreign key modulation | harbor | mysterious | setting | transcribed by ear
Star of Midnight (1935)Sidewalks of New York0:54:28 - Feet walkingbus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking