| The Amazing Dr. Clitterhouse (1938) | The Last Rose of Summer | 0:03:14 - A woman sings | calm | doctor | folk song | Irish | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief |
| Caged (1950) | Down in the Valley | 0:30:00 - Inmate sings part of Down in the Valley to herself | folk song | humming | on-screen music | prison | source music |
| The Informer (1935) | The Rose of Tralee | 0:02:54 - Man sings an Irish folk song by a lamp post | calm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking |
The Informer (1935) | The Wearin’ o’ the Green | 0:07:32 - Frankie looks at reward poster with his picture on it | 64 chord | dark | establish character | folk song | hero | Irish | marching | mickey-mousing | mysterious | source music | street | thinking |
The Informer (1935) | Running and hiding | 0:07:54 - Frankie runs and hides in the shadows | chromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense |
The Informer (1935) | The Wearin’ o’ the Green (Mysterious) | 0:08:57 - Frankie enters the Dunboy house to join the rebels | arriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense |
The Informer (1935) | The Minstrel Boy | 0:25:32 - Man sings a folk tune at the street corner | 9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching |
The Informer (1935) | The Wearin’ o’ the Green (Headquarters) | 0:31:29 - Irish rebel headquarters | 64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting |
The Informer (1935) | The Wearin’ o’ the Green (Bugle Call) | 0:39:25 - Rebels plan to watch Gypo | advance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense |
The Informer (1935) | The Irish Washerwoman | 0:43:45 - People sing and dance in a pub | advance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
The Informer (1935) | He Is Me Darling-O | 0:47:03 - Gypo and another man sing drunkenly | advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking |
The Informer (1935) | The Wearin’ o’ the Green (Somber) | 0:57:08 - Dan and Mary talk about the rebel organization | 64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense |
The Informer (1935) | The Wearin’ o’ the Green (Fragment) | 0:57:42 - Dan and Mary talk about a rebel meeting | conversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental |
The Informer (1935) | Believe Me If All Those Endearing Young Charms | 0:58:23 - Singing continues (from the previous scene) | advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing |
The Informer (1935) | The Wearin’ o’ the Green (Fighting) | 1:03:51 - Gypo struggles with the rebels | 64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation |
The Informer (1935) | The Wearin’ o’ the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | 64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
| The Life of Vergie Winters (1934) | For He’s a Jolly Good Fellow | 0:13:48 - Political rally for John Shadwell | advance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat |
| Out of the Fog (1941) | Russian Barcarolle | 0:00:14 - Out of the Fog | folk song | main theme | main title | peaceful |
Out of the Fog (1941) | Russian Barcarolle (Sinister) | 0:00:27 - | folk song | main theme | main title | sinister |
Out of the Fog (1941) | Russian Barcarolle (Peaceful) | 0:00:49 - | folk song | gentle | main theme | main title | peaceful |
| We Are Not Alone (1939) | Frohe Botschaft (Grandioso) | 0:00:26 - Book pages showing main cast | altered dominant | cast list | familiar tune | folk song | German | hopeful | main title | mode mixture | opening title sequence | parallel period | quotation | suspension |
We Are Not Alone (1939) | Heart of Oak | 0:01:02 - View of London ("England, 1914") | 64 chord | added-note chord | bold | British | card | England | establish location | familiar tune | folk song | London | march | pedal tone | setting |
We Are Not Alone (1939) | Frohe Botschaft (Tenderly) | 0:14:22 - Leni takes off her wig | 64 chord | doctor | establish character | familiar tune | folk song | German | hero | heroine | pedal tone | quotation | room | tender |
We Are Not Alone (1939) | Frohe Botschaft (Ethereal) | 0:25:12 - David tells his son about his patient, Leni | 9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Frohe Botschaft (Viennese) | 0:32:51 - Gerald rushes in to see Leni | 11th chord | advance plot | boy | child | familiar tune | folk song | foreign key modulation | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation |
We Are Not Alone (1939) | Frohe Botschaft (At the Piano) | 0:34:49 - Leni plays and sings | boy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear |
We Are Not Alone (1939) | Frohe Botschaft | 0:36:41 - Leni plays the piano | boy | child | establish character | familiar tune | folk song | German | heroine | home | on-screen music | piano | playing | source music | warm |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 0:38:09 - Jessica tells Leni to leave | altered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord |
We Are Not Alone (1939) | Frohe Botschaft (Somber) | 0:38:52 - Leni reacts | 9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber |
We Are Not Alone (1939) | Frohe Botschaft (Crying) | 0:45:45 - Leni kisses Gerald | 9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone |
We Are Not Alone (1939) | Frohe Botschaft (Triste) | 0:51:10 - David talks to Leni | 9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
We Are Not Alone (1939) | Frohe Botschaft (War Bulletin) | 1:22:12 - News bulletins about the trial | advance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window |
We Are Not Alone (1939) | Frohe Botschaft (Death Sentence) | 1:33:07 - The judge sentences David and Leni to death | 9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict |
We Are Not Alone (1939) | Frohe Botschaft (Hopeful) | 1:38:41 - David comforts Leni | 9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber |
We Are Not Alone (1939) | Frohe Botschaft (Restful) | 1:41:47 - David watches Leni sleep | 9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching |
We Are Not Alone (1939) | Frohe Botschaft (Ghostly) | 1:49:22 - Gerald talks to Susan | antagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | German | home | ominous | quotation | room | tone cluster |
We Are Not Alone (1939) | Frohe Botschaft (6th chime) | NIF - not in film | conclusion | cut from film | eerie | familiar tune | folk song | fragmentation | German | ominous | quotation | tone cluster |
We Are Not Alone (1939) | Frohe Botschaft (Fading Away) | 1:50:19 - Susan looks surprised | antagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | fragmentation | German | home | ominous | quotation | room | tone cluster |
We Are Not Alone (1939) | Frohe Botschaft (Singing) | 1:50:32 - Gerald sings in the tub | 9th chord | 11th chord | boy | child | conclusion | death | familiar tune | folk song | German | home | peaceful | quotation | room |
We Are Not Alone (1939) | Frohe Botschaft (Singing) + Surprise Symphony | 1:50:50 - Gerald sings in the tub | augmented triad | boy | child | classical music | combination of themes | conclusion | death | familiar tune | folk song | German | Haydn | home | mode mixture | on-screen music | peaceful | quotation | room | source music | whistling |
We Are Not Alone (1939) | Frohe Botschaft (The End) | 1:51:01 - The End | 9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End |
| Men of America (1932) | Cimarron B | 0:00:43 - Cast list | cast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat |
