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226 results for "familiar tune" — see also folk song | popular song | quotation

FilmTheme nameInstanceTags
Arsenic and Old Lace (1944)Happy Land (Allegretto)0:00:13 - Main titlecast list | familiar tune | opening title sequence | starring list | title of film | upbeat

Arsenic and Old Lace (1944)

Happy Land (Chromatic)0:00:21 - Cast listcast list | chromatic | dramatic | familiar tune | opening title sequence

Arsenic and Old Lace (1944)

Sidewalks of New York (Misterioso)0:01:10 - New York Citycard | city | establish place | familiar tune | mysterious | New York City | opening title sequence | tense

Arsenic and Old Lace (1944)

Take Me Out to the Ball Game0:01:20 - Fans yelling at a ball gamebaseball | baseball player | bass drum | cheering | crowd | establish place | falling | familiar tune | field | fighting | musician | pep band | playing | popular song | punching | rushed | saxophone | simulated source music | source music | sporting event | trombone | umpire | upbeat | yelling

Arsenic and Old Lace (1944)

Sidewalks of New York (Expressivo)0:01:53 - A ship sailing under a bridgeboat | bridge | calm | card | city | establish place | familiar tune | sailing | transition

Arsenic and Old Lace (1944)

Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" signarriving | calm | conversing | crowd | establish character | familiar tune | marriage | office | reporter | romantic | spouse

Arsenic and Old Lace (1944)

Here Comes the Bride (Wow Wow Trumpet)0:02:42 - Rushing around and hiding in a telephone boothcomical | conversing | establish character | familiar tune | marriage | office | reporter

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone bootharguing | bystander | conversing | establish character | familiar tune | leading lady | leading man | marriage | office | running | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:04:54 - Mortimer and Elaine rush offestablish character | familiar tune | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Chinese)0:05:00 - Chinese girl turns aroundChinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | smiling | stereotype | winking

Arsenic and Old Lace (1944)

Here Comes the Bride (Comical)0:05:05 - Goofy man turns aroundcomical | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking

Arsenic and Old Lace (1944)

Sidewalks of New York (Quasi Barcarolle)0:05:13 - The Brewster homecalm | card | cemetery | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect

Arsenic and Old Lace (1944)

Sidewalks of New York (Walking)0:05:30 - Cops patrol the neighborhoodcalm | establish setting | familiar tune | police | street | walking

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersaunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

Happy Land (Meno)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | gentle | leading lady | mysterious | plotting | room | tender

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineaunt | bride | cemetery | conversing | driver | familiar tune | flirting | groom | hurrying | leading lady | leading man | love | love scene | rushed | rushing | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemeterybride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the windowaunt | bride | cemetery | conversing | familiar tune | flirting | groom | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elainebride | cemetery | conversing | familiar tune | flirting | groom | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kissbride | cemetery | conversing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkbride | cemetery | conversing | familiar tune | flirting | groom | hurried | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kissbride | cemetery | embracing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talkbride | cemetery | conversing | familiar tune | flirting | groom | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride0:16:37 - Elaine whistlesbride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating 2)NIF - not in filmcut from film | familiar tune | love scene

Arsenic and Old Lace (1944)

Here Comes the Bride0:17:02 - Mortimer whistlesaunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:18:44 - Teddy singsadvance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song

Arsenic and Old Lace (1944)

Here Comes the Bride0:19:52 - Mortimer at the window seatadvance plot | familiar tune | groom | leading man | on-screen music | room | source music | upbeat | whistling

Arsenic and Old Lace (1944)

Happy Land0:20:06 - Abby singsadvance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride (Elaine Whistles)0:23:44 - Elaine whistles out of her windowagitated | bride | cheerful | dark | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Tritone)0:23:58 - Mortimer runs to the dooraunt | bride | child | crazy person | dark | familiar tune | groom | Halloween | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | tritone | turning point

Arsenic and Old Lace (1944)

Happy Land0:24:16 - Abby, Martha, and Mortimer in the kitchenadvance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:26:22 - Elaine whistles on the phoneadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:29:30 - Mortimer listens to Teddy singadvance plot | brother | cheerful | crazy person | familiar tune | groom | leading man | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:31:04 - Elaine whistles in Mortimer's earadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadvance plot | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:41:03 - Jonathan looks around the housebrother | conversing | crazy person | criminal | dark | distorted | doctor | establish character | familiar tune | leading man | observing | ominous | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaunt | brother | combination of themes | conversing | convincing | crazy person | criminal | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | distorted | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaunt | brother | calm | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | brother | conversing | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

When Johnny Comes Marching Home0:49:45 - Dr. Einstein spies on Teddyadvance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | room | sneaking | tense | walking

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | corpse | crazy person | darkness | dirge | familiar tune | funeral march | ominous | room | walking

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | leading lady | room | sneaking | tense

Arsenic and Old Lace (1944)

Symphony No. 5: I1:27:02 - Teddy plays the bugleadvance plot | crazy person | familiar tune | groom | leading man | playing | room | singing | startled

Arsenic and Old Lace (1944)

How Dry I Am (Mysterious)1:32:25 - Einstein and Jonathan start to drink the winealcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | room | victim

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat
Dust Be My Destiny (1939)Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Here Comes the Bride (Advertisement)0:31:07 - A marquee advertising "Marriage on Stage Tonite"common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater

Dust Be My Destiny (1939)

My Wild Irish Rose0:40:51 - Joe and Mabel in Nick's Dineraccompanied source music | altered dominant | common-chord modulation | diner | establish character | familiar tune | friend | happy | leading lady | leading man | mode mixture | parallel double period | popular song | radio | shopkeeper | singing | source music | ternary form

Dust Be My Destiny (1939)

My Wild Irish Rose (Waltz)0:44:17 - Mabel and Nick talkdevelop character | diner | familiar tune | friend | gentle | leading lady | leading man | on-screen music | pedal tone | popular song | shopkeeper | singing | source music

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant
The FBI Story (1959)Yankee Doodle0:13:51 - Chip walks into the original FBI buildingfamiliar tune | FBI | flashback | patriotic

The FBI Story (1959)

Liebesträume0:21:33 - Chip and Lucy get marriedchurch | classical music | familiar tune | flashback | organ | source music | wedding

The FBI Story (1959)

Wedding March0:22:25 - Chip and Lucy leave the chapel, now marriedchurch | classical music | familiar tune | flashback | organ | source music | wedding

The FBI Story (1959)

The Love Nest0:23:51 - Tent in the rain and mudfamiliar tune | flashback | rain | tent

The FBI Story (1959)

Coming Thru the Rye0:36:58 - Chip's son plays in a field of ryefamiliar tune | field | flashback | playing | rye

The FBI Story (1959)

Ten Little Indians0:38:09 - Indian business men and the comical things they do with their new wealthfamiliar tune | flashback | Indian

The FBI Story (1959)

Bye Bye Blackbird0:39:13 - Chip walks down the street of the western townfamiliar tune | flashback | source music

The FBI Story (1959)

Street Music0:51:13 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

Pretty Baby0:51:13 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

I'm Just Wild About Harry0:51:22 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

Cheyenne0:52:08 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

I May Be Wrong (But I Think You're Wonderful)0:52:07 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

Please Don’t Talk About Me When I'm Gone0:54:29 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

Little Brown Jug0:56:24 - Chip walks down the street in Ute Cityfamiliar tune | flashback | source music

The FBI Story (1959)

Jingle Bells1:03:00 - Chip works on the Christmas treeChristmas | familiar tune | flashback | record | record player | source music | tree

The FBI Story (1959)

Yankee Doodle1:21:55 - Chip puts on a music-playing beanie hatfamiliar tune | flashback | hat | patriotic tune | source music

The FBI Story (1959)

Yankee Doodle1:22:44 - Chip spins a music-playing beanie hatfamiliar tune | flashback | hat | patriotic tune | source music

The FBI Story (1959)

Yankee Doodle1:24:48 - Close up of the propeller hat as the seasons change outside the windowbeanie | familiar tune | flashback | hat | mickey-mousing | snow | source music | wind

The FBI Story (1959)

Too Marvelous For Words1:44:51 - Music playing at a backyard barbecuefamiliar tune | flashback | record player | source music

The FBI Story (1959)

The Marines' Hymn1:46:14 - Music playing at a backyard barbecuefamiliar tune | flashback | patriotic tune | record player | source music

The FBI Story (1959)

Honey-Babe1:48:14 - Jenny goes off to nursing schoolfamiliar tune | flashback

The FBI Story (1959)

The Marines' Hymn1:48:38 - Mike leaves on a train for the waranxiety | familiar tune | flashback | patriotic tune | worry

The FBI Story (1959)

The Marines' Hymn (Religioso)2:06:21 - Chip and Lucy look at Michael's military pictureangelic | familiar tune | flashback | heaven | marine | military | mourning | patriotic tune | picture | popular music

The FBI Story (1959)

Gaudeamus Igitur2:07:28 - View of a college campusfamiliar tune | flashback | popular music | university

The FBI Story (1959)

The Fountain in the Park2:10:45 - Communist strolls through the park one daybitonality | comical | familiar tune | flashback | park | popular music | strolling | syrupy | walking

The FBI Story (1959)

Santa Lucia2:24:26 - Communist enters a restaurantfamiliar tune | flashback | radio | restaurant | source music

The FBI Story (1959)

Santa Lucia2:25:07 - Two communists meet in the restaurantfamiliar tune | flashback | radio | restaurant | source music

The FBI Story (1959)

Santa Lucia2:25:48 - FBI agents enter restaurantfamiliar tune | flashback | radio | restaurant | source music

The FBI Story (1959)

Yankee Doodle2:27:55 - Chip's family drives aroundfamiliar tune | flashback | hat | patriotic tune | source music
Hell on Frisco Bay (1955)The Very Thought of You0:21:51 - Marcia singing at a clubclub | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music
In This Our Life (1942)London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous
The Informer (1935)Rule, Britannia!0:02:32 - Close-up on the 20 pound reward on the posterBritish | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense

The Informer (1935)

The Rose of Tralee0:02:54 - Man sings an Irish folk song by a lamp postcalm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking

The Informer (1935)

Running and hiding0:07:54 - Frankie runs and hides in the shadowschromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense

The Informer (1935)

The Wearin’ o’ the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

The Wearin’ o’ the Green (Headquarters)0:31:29 - Irish rebel headquarters64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting

The Informer (1935)

The Wearin’ o’ the Green (Bugle Call)0:39:25 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense

The Informer (1935)

The Irish Washerwoman0:43:45 - People sing and dance in a pubadvance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

He Is Me Darling-O0:47:03 - Gypo and another man sing drunkenly advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

The Wearin’ o’ the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Wearin’ o’ the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Believe Me If All Those Endearing Young Charms0:58:23 - Singing continues (from the previous scene)advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing

The Informer (1935)

The Wearin’ o’ the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

The Wearin’ o’ the Green (Rebel Jury)1:05:48 - Camera pans to show all of the faces of the rebel jury64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room
Key Largo (1948)Moanin’ Low (Quasi Appassionato)0:58:38 - McCloud gets a drink for Gayealcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score

Key Largo (1948)

Moanin’ Low (Tense)0:59:24 - Gaye takes a drinkalcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone

Key Largo (1948)

Moanin’ Low (Appassionato)1:25:01 - Gaye pleads for Rocco to take her alongadvance plot | boss | deceiving | deception | desperate | desperation | familiar tune | gangster | hotel | moll | pleading | sentimental

Key Largo (1948)

Moanin’ Low (Ominous)1:25:21 - Gaye hands Rocco's gun to McCloudadvance plot | boss | deceiving | deception | familiar tune | gangster | gun | hotel | moll | ominous | tense

Key Largo (1948)

Moanin’ Low (Triste)1:38:30 - Gaye leavesfamiliar tune | father | hotel | leading lady | moll | resolution | somber | thinking | waiting
Lightning Strikes Twice (1951)Ave Maria1:10:24 - Shelly and Trev get marriedclassical | familiar tune | Schubert | source music | wedding
Mildred Pierce (1945)You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Drink to Me Only With Thine Eyes0:16:07 - Cop whistles to himselfadvance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | conflict | familiar tune | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Mazurka in B-Flat Major + MildredNIF - not in filmclassical music | combination of themes | cut from film | familiar tune | on-screen music | scored source music | source music

Mildred Pierce (1945)

It Can’t Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can’t Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled

Mildred Pierce (1945)

It Can’t Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

It Can’t Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | familiar tune | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

It Can’t Be Wrong (Not in Film)NIF - not in filmcut from film | familiar tune | mickey-mousing | popular music | source to score

Mildred Pierce (1945)

It Can’t Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | popular music | realizing | room | somber | turning point
The Life of Vergie Winters (1934)Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride (Slow)1:05:05 - Ranny re-proposes to Joan64 chord | conflict | daughter | familiar tune | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music
We Are Not Alone (1939)Surprise Symphony (Foreboding)0:00:09 - Main titleclassical music | dark | familiar tune | Haydn | main title | mode change | opening title sequence | quotation | title of film

We Are Not Alone (1939)

Frohe Botschaft (Grandioso)0:00:26 - Book pages showing main castaltered dominant | cast list | familiar tune | folk song | German | hopeful | main title | mode mixture | opening title sequence | parallel period | quotation | suspension

We Are Not Alone (1939)

Heart of Oak0:01:02 - View of London ("England, 1914")64 chord | added-note chord | bold | British | card | England | establish location | familiar tune | folk song | London | march | pedal tone | setting

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:02:20 - David rides his bike homebicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street

We Are Not Alone (1939)

Surprise Symphony (Theme and Variations)0:02:37 - David enters his homeaugmented triad | classical music | deceptive resolution | establish character | familiar tune | Haydn | hero | home | playful | quotation | scored source music | source music | street | whistling

We Are Not Alone (1939)

Surprise Symphony (Hushed)0:04:59 - David talks to his sonboy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle

We Are Not Alone (1939)

Surprise Symphony (Hug)0:05:14 - David hugs his sonboy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Surprise Symphony (Chromatic Shift)0:09:49 - David puts the cat outsidecat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:10:16 - Jessica rushes David awayantagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Calm)0:12:01 - David's treatment is successfulcalm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Not in film)NIF - not in filmclassical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | pedal tone | quotation | room

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Tragico)0:14:05 - Leni talks with Daviddoctor | establish character | familiar tune | hero | heroine | minor-major 7th chord | quotation | room | tragic

We Are Not Alone (1939)

Frohe Botschaft (Tenderly)0:14:22 - Leni takes off her wig64 chord | doctor | establish character | familiar tune | folk song | German | hero | heroine | pedal tone | quotation | room | tender

We Are Not Alone (1939)

Blue Danube0:14:52 - Leni says she is from Austriaclassical music | doctor | establish character | familiar tune | hero | heroine | mode mixture | peaceful | quotation | room | Strauss

We Are Not Alone (1939)

Surprise Symphony (Gute Nacht)0:15:00 - David says goodnight in German to Leniclassical music | doctor | establish character | familiar tune | Haydn | hero | heroine | peaceful | perfect authentic cadence | quotation | room

We Are Not Alone (1939)

Surprise Symphony0:17:34 - David whistles while helping a patientclassical music | comical | diminution | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:17:49 - Exterior of a British dance hallABAC structure | conflict | doctor | familiar tune | helping | hero | heroine | score to source | source music | street | tense

We Are Not Alone (1939)

As You Walk Down the Strand0:19:59 - David helps LeniAABC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Poor Old Adam Was My Father0:20:32 - David talks to Leni by the seasideABAC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:22:35 - David rides home on his bikeadvance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking

We Are Not Alone (1939)

Surprise Symphony (Worried)0:22:57 - David hears Gerald cryingadvance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet

We Are Not Alone (1939)

It’s Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

Surprise Symphony0:29:13 - David whistles advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife

We Are Not Alone (1939)

Surprise Symphony (Newspaper)0:31:52 - David sits and whistles9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling

We Are Not Alone (1939)

Surprise Symphony (Galloping)0:32:07 - David arrives in a carriagecarriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling

We Are Not Alone (1939)

Frohe Botschaft (Viennese)0:32:51 - Gerald rushes in to see Leni11th chord | advance plot | boy | child | familiar tune | folk song | foreign key modulation | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation

We Are Not Alone (1939)

Frohe Botschaft (At the Piano)0:34:49 - Leni plays and singsboy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear

We Are Not Alone (1939)

Frohe Botschaft0:36:41 - Leni plays the pianoboy | child | establish character | familiar tune | folk song | German | heroine | home | on-screen music | piano | playing | source music | warm

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni reacts9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber

We Are Not Alone (1939)

Surprise Symphony (Dark)0:39:33 - Leni thinks to herself9th chord | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | quotation | suspension | thinking

We Are Not Alone (1939)

Surprise Symphony (Expanded)0:45:36 - Leni hugs Geraldadvance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Sneaky)0:51:52 - David goes to bedadded-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber

We Are Not Alone (1939)

Eine kleine Nachtmusik0:52:05 - Program for the concert at the partyadvance plot | classical music | concert | familiar tune | home | joyful | Mozart | room | source music

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Surprise Symphony0:56:18 - David whistles on his way to breakfastadvance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling

We Are Not Alone (1939)

Celebre Romance1:01:03 - David plays the violinadvance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin

We Are Not Alone (1939)

Celebre Romance (Agitato)1:01:40 - News of the warchaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord

We Are Not Alone (1939)

Celebre Romance (Accompanied)1:01:56 - Gerald sneaks insideboy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

God Save the King (Violent)1:05:00 - British mobs in the streetBritish | chromatic scale | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

Rule, Britannia1:05:03 - Men attack a German shopBritish | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

God Save the King (Angry)1:05:06 - British mobs in the street9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street

We Are Not Alone (1939)

Surprise Symphony (Window)1:05:40 - Susan sees Leni and David in the windowantagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window

We Are Not Alone (1939)

God Save the King1:09:06 - Mob sings "God Save the King" outsideadvance plot | antagonist | British | choral singing | familiar tune | home | mob | patriotic | singing | source music | source to score | street

We Are Not Alone (1939)

Surprise Symphony (Dolcissimo)NIF - not in filmaltered dominant | classical music | cut from film | familiar tune | foreign key modulation | Haydn | playful | quotation

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

La Marseillaise1:15:41 - News bulletins in a windowadvance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window

We Are Not Alone (1939)

Frohe Botschaft (War Bulletin)1:22:12 - News bulletins about the trialadvance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Surprise Symphony (Tense)1:31:42 - News bulletins about the trial9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Frohe Botschaft (Death Sentence)1:33:07 - The judge sentences David and Leni to death9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation

We Are Not Alone (1939)

Frohe Botschaft (Restful)1:41:47 - David watches Leni sleep9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching

We Are Not Alone (1939)

It’s a Long Long Way to Tipperary1:45:21 - David talks with the guardsadvance plot | familiar tune | hero | patriotic | prison | source music | war

We Are Not Alone (1939)

Surprise Symphony (Acceptance)1:47:27 - David talks to the prison guardsadvance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet

We Are Not Alone (1939)

Surprise Symphony (Whistling)1:48:34 - David whistles as he thinksadvance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling

We Are Not Alone (1939)

Frohe Botschaft (Ghostly)1:49:22 - Gerald talks to Susanantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | German | home | ominous | quotation | room | tone cluster

We Are Not Alone (1939)

Surprise Symphony (Ghostly)1:49:48 - Gerald talks to Susanantagonist | boy | child | classical music | conclusion | death | eerie | familiar tune | Haydn | home | ominous | on-screen music | quotation | remembered source music | room | source music | tone cluster | whistling

We Are Not Alone (1939)

Frohe Botschaft (6th chime)NIF - not in filmconclusion | cut from film | eerie | familiar tune | folk song | fragmentation | German | ominous | quotation | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Fading Away)1:50:19 - Susan looks surprisedantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | fragmentation | German | home | ominous | quotation | room | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Singing)1:50:32 - Gerald sings in the tub9th chord | 11th chord | boy | child | conclusion | death | familiar tune | folk song | German | home | peaceful | quotation | room

We Are Not Alone (1939)

Frohe Botschaft (Singing) + Surprise Symphony1:50:50 - Gerald sings in the tubaugmented triad | boy | child | classical music | combination of themes | conclusion | death | familiar tune | folk song | German | Haydn | home | mode mixture | on-screen music | peaceful | quotation | room | source music | whistling

We Are Not Alone (1939)

Frohe Botschaft (The End)1:51:01 - The End9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End

We Are Not Alone (1939)

Surprise Symphony (The End)1:51:13 - Closing creditsbold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling
High Stakes (1931)Here Comes the Bride0:04:05 - Bride walks down the aisleadvance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding
Secrets of the French Police (1932)La Marseillaise0:00:30 - The title of the film, superimposed on a newspaper illustrationfamiliar tune | France | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film

Secrets of the French Police (1932)

You're In the Army Now0:00:35 - The title of the filmfamiliar tune | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film

Secrets of the French Police (1932)

Taps0:02:18 - Taps is played at a military funeralbugle call | familiar tune | funeral | funeral | military | on-screen music | playing | somber | source music

Secrets of the French Police (1932)

Russian National Anthem0:25:25 - A group of people sing the Russian national anthemadvance plot | anthem | balalaika | familiar tune | on-screen music | patriotic | patriotic tune | playing | room | Russia | singing
State’s Attorney (1932)The Sidewalks of New York0:00:15 - Title and starring listfamiliar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat
The Phantom of Crestwood (1932)Auld Lang Syne0:19:50 - A man sings to himself at the partyadvance plot | drinking | familiar tune | on-screen music | party | peaceful | singing | source music | transcribed by ear
Before Dawn (1933)Wedding March0:59:55 - Two lovers kissing and The Enddetective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant