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42 results for "end title sequence"

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henriette (The End)2:22:31 - The Endend title sequence | grand | leading lady | looking | minister | school | snow | teacher | The End

All This, and Heaven Too (1940)

Henriette (End Credits)2:22:42 - Closing creditscast list | end title sequence | happy | upbeat
Angels With Dirty Faces (1938)Jerry (End Title)1:36:38 - End titleclosing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant
Arsenic and Old Lace (1944)Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat

Arsenic and Old Lace (1944)

Happy Land (March)1:57:20 - Cast listcast list | end title sequence | upbeat
The Big Sleep (1946)Marlowe (The End)1:53:36 - The endbold | end title sequence | The End | triumphant
His Greatest Gamble (1934)Morning Glory Waltz (The End)1:10:18 - Philip leavesdetective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz

His Greatest Gamble (1934)

Morning Glory Fanfare (The End)1:10:32 - The Endbold | end title sequence | fanfare | The End | transcribed by ear | triumphant
City for Conquest (1940)Sidewalks of New York (The End)1:43:24 - The Endconversing | end title sequence | grand | old man | soliloquy | The End

City for Conquest (1940)

Tone Poem A1 (End Cast) + Tone Poem A2 (End Cast)1:43:34 - End cast listend credits | end title sequence | jazz | upbeat
Crime School (1938)Gangster Blues (End Title)1:24:33 - Cast listbluesy | closing credits | end title sequence | not by Steiner | upbeat

Crime School (1938)

Sue (End Credits)1:24:49 - Cast listadded-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat
Dust Be My Destiny (1939)Dust Be My Destiny (The End)1:26:45 - "The End"closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (End Credits)1:26:54 - End creditsaltered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat
Each Dawn I Die (1939)On the Make1:31:02 - Closing credits9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing
In This Our Life (1942)Love Theme (End Title)1:36:17 - End title creditscast list | cheerful | end title sequence | waltz
Key Largo (1948)McCloud (Grandioso)1:40:06 - The Endend title sequence | fanfare | The End | triumphant
The Letter (1940)Letter1:34:41 - End creditsclosing credits | dramatic | end title sequence

The Letter (1940)

Hammond A (End Title)1:34:44 - End creditsclosing credits | dramatic | end title sequence | plagal cadence
The Life of Vergie Winters (1934)Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
Rockabye (1932)Sleep, My Sweet (The End)1:07:07 - The endcalm | common-tone diminished 7th | end title sequence | lullaby | mode mixture
Kid Galahad (1937)Kid Galahad (End Title)1:41:09 - End cast9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence
The Unfaithful (1947)Unfaithful (End Cast)1:48:07 - Closing creditsclosing credits | dramatic | end title sequence | ostinato | turbulent
We Are Not Alone (1939)Frohe Botschaft (The End)1:51:01 - The End9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End

We Are Not Alone (1939)

Surprise Symphony (The End)1:51:13 - Closing creditsbold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling
High Stakes (1931)Love’s Old Sweet Song1:08:36 - End titlescalm | end title sequence | transcribed by ear
The Public Defender (1931)Mystery (End Title)1:08:56 - A kiss and The Endarguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear
Three Who Loved (1931)Love Dream1:03:22 - The Endappoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant
Transgression (1931)Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Hell’s Highway (1932)Liberty Road1:01:16 - The End / Cast of Characterscalm | end title sequence | prison | spiritual | The End
Hold ‘Em Jail (1932)Bide-More Alma Mater1:05:33 - End titlesend title sequence | source music | The End | upbeat
Is My Face Red? (1932)You Bunch of Fun (Serious)1:05:05 - Cast of Characters / The Endcalm | closing credits | end title sequence | popular music | The End | transcribed by ear
Men of America (1932)Lady with a Past Fox Trot0:56:42 - The Endend title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant
Penguin Pool Murder (1932)Run Around1:01:51 - The End9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat
Secrets of the French Police (1932)Serenade0:56:57 - The End and Cast of Charactersclosing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat
State’s Attorney (1932)Blues (The End)1:18:41 - The Endblue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear
The Phantom of Crestwood (1932)Spy Song1:15:20 - Cast list / The Endclosing credits | end title sequence | somber | The End | transcribed by ear
The Roadhouse Murder (1932)Lady1:12:12 - End titlescommon-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End
Emergency Call (1933)Theme from Cimarron1:00:41 - The endadded-note chord | closing credits | dramatic | end title sequence | The End | transcribed by ear
Hat, Coat, and Glove (1934)End Title1:04:02 - The Endend title sequence | The End | transcribed by ear | triumphant
Murder on the Blackboard (1934)Blackboard Murder (End Titles)1:10:39 - The Endadded-note chord | augmented triad | end title sequence | grand | The End | transcribed by ear
Star of Midnight (1935)Midnight in Manhattan (The End)1:29:03 - The Endaugmented sixth chord | end title sequence | The End | transcribed by ear | triumphant