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111 results for "dissonant bass"

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor0:20:05 - Dr. Clitterhouse enters Hotel Sequin42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Montage)0:33:03 - A news article about the doctorchromatic parallelism | dissonant bass | Gershwinesque | jaunty | journal | montage | montage | newspaper | sequence | sign

The Amazing Dr. Clitterhouse (1938)

Night Watchman0:44:29 - Watchman arrives at the storedarkness | dissonant bass | flashlight | guard | half-diminished 7th chord | keys | mysterious | opening | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Sneaking0:45:13 - Criminals steal fursascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:45:26 - Criminals on the rooftop42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:47:04 - Doctor talks with the criminalsaugmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Examination)0:47:16 - The doctor writes in his notebookcriminal | dissonant bass | doctor | examining | gangster | leading man | robbery | rooftop | subtle | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

The Motor (Getting Colder)0:49:43 - The vault gets colderanxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

The Torch (Off) + The Motor0:52:24 - Butch finishes opening safeanxious | burning | combination of themes | criminal | cutting | dissonant bass | dramatic | fire | flame | gangster | hero | motor | ostinato | pc set | rescuing | robbery | sparks | store | tense | thief | torch | turning off

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Murder)1:10:49 - Montage of newspaper headlineschromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation
Angels With Dirty Faces (1938)Running and shooting0:06:52 - Police chase gangsters and Rocky shootsagent | augmented triad | chasing | dissonant bass | dominant 7th chord | dramatic | establish character | gangster | gun | gunshot | leading man | mickey-mousing | montage | newspaper | quartal chord | running | shooting | street | zoom out

Angels With Dirty Faces (1938)

Explosion0:07:16 - Building explodes after car drives bybomb | chromatic scale | dissonant bass | dramatic | driving | establish character | explosion | gangster | mickey-mousing | montage | polychord | street | throwing

Angels With Dirty Faces (1938)

Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Crowd0:41:46 - Hustling crowd chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Hurrying1:10:54 - A newspaper editor gives orders to his menassigning | chromatic scale | commanding | dissonant bass | hurried | mickey-mousing | montage | montage | newspaper editor | newspaper office

Angels With Dirty Faces (1938)

Flyers1:12:27 - Montage of flyers for a public meeting42 chord | agitated | chromatic sequence | dissonant bass | dropping | flyer | flying | montage | montage

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going up stairs1:19:27 - Rocky runs up the stairsagitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | leading man | major 7th chord | mickey-mousing | running | sequence | stairs | stairwell | up

Angels With Dirty Faces (1938)

Tear Gas1:19:48 - Tear gas spreads throughout the roomagitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window

Angels With Dirty Faces (1938)

Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Tear Gas (Desperate)1:21:40 - Rocky tries to hold off the copsagitated | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | pedal tone | police | priest | quartal chord | shooting | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:25:20 - Rocky throws his guncapturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring

Angels With Dirty Faces (1938)

Jerry (Goodbye)1:33:12 - Jerry says goodbye to Rockyadded-note chord | climax | conversing | dissonant bass | execution chamber | gangster | leading man | priest | prison | serious | sigh gesture | somber

Angels With Dirty Faces (1938)

Sanctus (Mournful)1:34:12 - Jerry cries after Rocky diesadded-note chord | climax | crying | death | dissonant bass | execution chamber | leading man | mourning | pedal tone | priest | prison | redemption | reverse picardy | sacred | somber
Are These Our Children? (1931)Dreams (Newspaper Montage 2)NIF - not in filmcut from film | dissonant bass | fragmentation | sequence | thematic transformation
Crime School (1938)Transition0:00:08 - Starring and cast list9th chord | cast list | dissonant bass | dominant pedal | dramatic | main title | opening title sequence | parallelism | starring list | tense | title of film

Crime School (1938)

Underscoring (Tense)0:08:20 - The kids confront the junk shop ownerattacking | chromatic scale | conflict | death | diminished 7th chord | dissonant bass | fighting | gang | mickey-mousing | ominous | ostinato | running | shop | shopkeeper | stairs | stinger | teenager | tense | underscoring | up

Crime School (1938)

Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Minor)0:20:38 - Judge sentences boys to the reformatoryaugmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial

Crime School (1938)

The Patrol Wagon0:21:41 - Boys get loaded into the patrol wagon car | chromatic parallelism | cut from film | dissonant bass | pedal tone | police car | traveling

Crime School (1938)

Underscoring (Mysterious)0:24:12 - Gang settles into their roomadvance plot | conversing | dissonant bass | gang | mysterious | pedal tone | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Tense)0:28:21 - Boys wonder about the alarmalarm | chromatic parallelism | chromatic wedge | dissonant bass | escape | gang | pc set | reformatory | teenager | tense | whistle | wondering

Crime School (1938)

Escaping0:28:32 - Frankie runs and hideschromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster

Crime School (1938)

Sue (Barbed Wire)0:29:18 - Frankie gets caught on barbed wireanguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense

Crime School (1938)

Dragging0:29:51 - Warden's guards drag Frankie through the rainaccented dissonance | anguished | capturing | chromatic parallelism | dissonant bass | dragging | dramatic | escape | kicking | mickey-mousing | police | reformatory | splashing | teenager | tense | warden

Crime School (1938)

Underscoring (Dramatic)0:30:08 - Guards take Frankie insidebegging | chromatic scale | dissonant bass | dragging | dramatic | escape | fear | reformatory | teenager | tense | warden

Crime School (1938)

The Boiler Room0:54:27 - Boys talk about stoking the boileraction scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Explosion0:57:21 - Mark pulls Squirt out of the boiler roomaction scene | ascending | boiler room | destruction | dissonant bass | dramatic | exploding | explosion | hero | leading man | mickey-mousing | reformatory | rising | stairs | teenager | tense | tone cluster

Crime School (1938)

Mark Saves Boy0:57:29 - Mark carries Squirt up the stairsaction scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking

Crime School (1938)

Sue (Prison Moods)1:08:48 - Boys talk to Frankie about his sisteradvance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring
They Made Me a Criminal (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | dissonant bass | fanfare | main title | opening title sequence | WB shield

They Made Me a Criminal (1939)

Transition0:00:07 - Starring listadded-note chord | chromatic parallelism | dissonant bass | dramatic | main title | opening title sequence | pedal tone | starring list | tense | title of film

They Made Me a Criminal (1939)

The Printing Press0:14:10 - A printing press64 chord | dark | dissonant bass | fanfare | headline | heroic | mode change | montage | montage | motoric | newspaper | oscillation | printing press

They Made Me a Criminal (1939)

Reading0:15:29 - Johnnie reads a newspaperadvance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord

They Made Me a Criminal (1939)

The Fugitive (Traveling)0:22:51 - Johnnie's plodding feetchromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Mysterious)0:23:21 - Men at the diner stand upadded-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord

They Made Me a Criminal (1939)

Jumps off train0:24:21 - Johnnie jumps off the moving trainadvance plot | diminished 7th chord | dissonant bass | dramatic | escaping | jumping | leading man | mickey-mousing | train | train

They Made Me a Criminal (1939)

The Fugitive (Fainting)0:26:32 - Johnnie stumbles and faints9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking

They Made Me a Criminal (1939)

The Ladder0:30:11 - Tommy sitting on a laddercheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

Underscoring (Tense)1:02:14 - Johnnie overhears the detectiveadvance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent
Dust Be My Destiny (1939)Transition0:00:09 - Starring listdissonant bass | dramatic | dust | main title | mickey-mousing | opening title sequence | transition

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening A)0:00:21 - Main title64 chord | chromatic mediant | dissonant bass | dust | main title | mickey-mousing | opening title sequence | romantic | title of film

Dust Be My Destiny (1939)

Underscoring (Humorous)0:13:13 - Joe talks to the cowbarn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:26:38 - Car drives towards Joe and Mabeladded-note chord | barn | conflict | dissonant bass | dramatic | headlights | passerby | stinger | tone cluster | underscoring

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Underscoring (Dark)0:46:58 - Nick workingcreate suspense | dark | dissonant bass | friend | police | room | shopkeeper | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Jail Break)0:49:16 - Mabel looks up and sees Joechromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden

Dust Be My Destiny (1939)

Speeding train0:51:13 - A train approachesdissonant bass | dramatic | escape | mickey-mousing | train | train station | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense
Each Dawn I Die (1939)Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Underscoring (Tense)0:05:11 - Newspaper on the sidewalkconflict | dissonant bass | gangster | newspaper | reading | street | tense | underscoring | whole-tone | whole-tone chord

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling

Each Dawn I Die (1939)

Each Dawn B (Montage)1:03:40 - Newspaper headlines are shownartwork in score | common-tone diminished 7th | dissonant bass | mickey-mousing | montage | montage | newspaper | panning shot | tragic

Each Dawn I Die (1939)

Transition (Extended)1:28:35 - Newspaper headline is shown9th chord | dissonant bass | dramatic | headline | montage | montage | newspaper

Each Dawn I Die (1939)

Freedom1:30:31 - Frank leaves the prisonartwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking
The Informer (1935)Tearing down poster0:02:47 - Gypo tears the reward poster off of the walldissonant bass | down | establish character | leading man | linear chromaticism | mickey-mousing | poster | removing | street | tearing | upset

The Informer (1935)

Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

The Wearin’ o’ the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wake64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

The Wearin’ o’ the Green (Headquarters)0:31:29 - Irish rebel headquarters64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord
The Life of Vergie Winters (1934)Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Lullaby (Adagio)1:03:02 - Joan reactsconflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting

The Life of Vergie Winters (1934)

Lullaby (Very Ethereal)1:19:04 - Vergie exits the prisondaughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking
We Are Not Alone (1939)Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Barcarolle0:44:06 - Gerald talks about sailing9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story

We Are Not Alone (1939)

Surprise Symphony (Expanded)0:45:36 - Leni hugs Geraldadvance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Furioso1:04:49 - Man throws rock through shop window chromatic scale | conflict | crowd | dissonant bass | dramatic | riot | rioting | street | underscoring

We Are Not Alone (1939)

Heart Break1:40:11 - David and Leni kiss9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension
Secrets of the French Police (1932)Romance0:00:46 - Cast listcast list | dissonant bass | hemiola | newspaper | opening title sequence | page turn | romantic | self-borrowing
Emergency Call (1933)Ambulance0:00:11 - Main titles over a speeding ambulanceambulance | augmented triad | dissonant bass | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone