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150 results for "diminished 7th chord"

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Cauldron 10:00:15 - Title of filmbeaker | bubbling | chromatic scale | dramatic | half-diminished 7th chord | main title | ominous | opening title sequence | parallelism | starring list | title of film

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor0:20:05 - Dr. Clitterhouse enters Hotel Sequin42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Fur Store0:44:20 - Truck arrives at the United Fur Co.chromatic parallelism | darkness | half-diminished 7th chord | mysterious | pedal tone | store | street | suspenseful | transition | truck

The Amazing Dr. Clitterhouse (1938)

Night Watchman0:44:29 - Watchman arrives at the storedarkness | dissonant bass | flashlight | guard | half-diminished 7th chord | keys | mysterious | opening | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Walking0:44:39 - The watchman walksaugmented sixth chord | darkness | flashlight | guard | half-diminished 7th chord | mickey-mousing | mysterious | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Knocked Out)0:45:04 - Watchman knocked out on the floor9th chord | chromatic parallelism | crime | criminal | diminished 7th chord | gangster | guard | mysterious | robbery | stealing | store | thief

The Amazing Dr. Clitterhouse (1938)

Sneaking0:45:13 - Criminals steal fursascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:45:26 - Criminals on the rooftop42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone

The Amazing Dr. Clitterhouse (1938)

Arms crossing0:47:10 - Criminal crosses his armsarm | chromatic parallelism | comical | criminal | crossing | diminished 7th chord | gangster | mickey-mousing | robbery | rooftop | thief | wedge

The Amazing Dr. Clitterhouse (1938)

Spiraling down0:47:38 - Doctor goes down the stairs9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Dramatic)0:47:48 - Rocks opens the safebreaking in | criminal | diminished 7th chord | doctor | dramatic | enharmonic modulation | gangster | leading man | lock | opening | robbery | safe | safe-cracking | stinger | store | tense | thief | underscoring | unlocking | vault | wedge

The Amazing Dr. Clitterhouse (1938)

Rocks (Double Cross)0:48:56 - Rocks thinks of a double-crossantagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping

The Amazing Dr. Clitterhouse (1938)

The Motor0:49:21 - Rocks starts the refrigeration motorantagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

Rocks goes downstairs0:50:05 - Rocks goes down the stairsantagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Rocks (Sneaking) + The Motor0:50:14 - Rocks sneaks around in the darkantagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Torch (Burning)0:51:12 - Butch opens safe with welder's torchanxious | burning | chromatic parallelism | criminal | dramatic | fire | flame | gangster | half-diminished 7th chord | hero | rescuing | robbery | sparks | store | tense | thief | torch

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense
Angels With Dirty Faces (1938)Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange

Angels With Dirty Faces (1938)

Sneaking away0:41:02 - Rocky sneaks awayconflict | diminished 7th chord | gangster | leading man | mickey-mousing | shop | sneaking | tense

Angels With Dirty Faces (1938)

Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

The Gangster (Elevator Music)0:42:40 - Elevator goes upadvance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Running on wall1:17:55 - Rocky runs on wallagitated | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | rooftop | running | sequence

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going down stairs1:19:05 - Rocky runs down the stairsagitated | chromatic scale | conflict | down | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | running | stairs | stairwell

Angels With Dirty Faces (1938)

Jerry (Agitato)1:23:21 - Jerry and Rocky talkagitated | arguing | building | conflict | diminished 7th chord | gangster | leading man | pedal tone | priest

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:31:44 - Rocky punches a guardagitated | chromatic parallelism | chromatic scale | chromatic wedge | climax | fighting | gangster | half-diminished 7th chord | leading man | police | priest | prison | punching | tense | underscoring

Angels With Dirty Faces (1938)

Jerry (End Title)1:36:38 - End titleclosing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant
Are These Our Children? (1931)Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Dreams (Con Espressione)NIF - not in filmcut from film | diminished 7th chord | enharmonic modulation | fragmentation | thematic transformation

Are These Our Children? (1931)

Dreams (Montage)0:29:57 - Eddie drinksangry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence

Are These Our Children? (1931)

Underscoring (Dark)0:30:25 - Eddie attacks boyarguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking

Are These Our Children? (1931)

Dreams (Meno)NIF - not in filmadded-note chord | chromatic parallelism | common-tone dominant 7th | cut from film | half-diminished 7th chord | peaceful
Crime School (1938)Underscoring (Tense)0:08:20 - The kids confront the junk shop ownerattacking | chromatic scale | conflict | death | diminished 7th chord | dissonant bass | fighting | gang | mickey-mousing | ominous | ostinato | running | shop | shopkeeper | stairs | stinger | teenager | tense | underscoring | up

Crime School (1938)

Underscoring (Dramatic)0:28:01 - Frankie escapes from the warden's office9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale

Crime School (1938)

The Warden (Risoluto)0:29:03 - Warden looks for Frankiediminished 7th chord | dramatic | escape | looking | reformatory | searching | tense | warden

Crime School (1938)

Underscoring (Dramatic)0:29:09 - Frankie hides then runsbarbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense

Crime School (1938)

Sue (Barbed Wire)0:29:18 - Frankie gets caught on barbed wireanguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense

Crime School (1938)

Window opening1:11:57 - Boys open the windowdiminished 7th chord | escape | escaping | gang | mickey-mousing | mysterious | opening | reformatory | teenager | up | window

Crime School (1938)

The Escape1:12:03 - Boys escapedown | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager | whole-tone chord

Crime School (1938)

Jumping down1:12:03 - Boys jump out of the windowdiminished 7th chord | down | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager

Crime School (1938)

Underscoring (Tense)1:12:21 - Cooper talks with the wardenchromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden
They Made Me a Criminal (1939)Underscoring (Mysterious)0:23:21 - Men at the diner stand upadded-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord

They Made Me a Criminal (1939)

Steps on money0:23:30 - A man steps on Johnnie's moneyadvance plot | diner | half-diminished 7th chord | leading man | mickey-mousing | money | mysterious | stepping

They Made Me a Criminal (1939)

Jumps off train0:24:21 - Johnnie jumps off the moving trainadvance plot | diminished 7th chord | dissonant bass | dramatic | escaping | jumping | leading man | mickey-mousing | train | train

They Made Me a Criminal (1939)

Underscoring (Tense)0:28:51 - The sheriff comes inconflict | dark | diminished 7th chord | entering | fear | leading man | room | sheriff | surprise | tense | underscoring

They Made Me a Criminal (1939)

The Ladder0:30:11 - Tommy sitting on a laddercheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working

They Made Me a Criminal (1939)

Ladder falls0:30:16 - The ladder fallschromatic scale | comical | conflict | diminished 7th chord | falling | ladder | mickey-mousing | ranch | teenager

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting
Dust Be My Destiny (1939)Joe fights cow0:13:56 - Joe fights cow (off-screen)augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Laughing)0:14:07 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner

Dust Be My Destiny (1939)

Laughing0:14:10 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Underscoring (Dark)0:25:03 - Charlie interrupts the loversbarn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:25:23 - Charlie grabs Mabel's armbarn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Running away0:26:45 - Joe and Mabel run awaybarn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)0:47:35 - Nick talks with Joe42 chord | advance plot | anxious | diminished 7th chord | diner | fragmentation | friend | hiding | leading man | money | runaway | shopkeeper | suspense

Dust Be My Destiny (1939)

Dust Be My Destiny (Trickery)0:48:45 - Joe talks to the jailerdistortion | friend | half-diminished 7th chord | jail | jail break | leading man | parallelism | passerby | shopkeeper | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Stick Up)0:50:12 - Joe pulls out a gungun | half-diminished 7th chord | jail | jail break | leading lady | leading man | tense | warden

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Underscoring (Dramatic)1:10:32 - Joe runs after the caraugmented triad | chromatic parallelism | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | hero | leading man | mickey-mousing | newspaper editor | running | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial
Each Dawn I Die (1939)Each Dawn A0:00:14 - Title of filmaugmented triad | cast list | dark | diminished 7th chord | main title | opening title sequence | parallelism | prison | title of film

Each Dawn I Die (1939)

Each Dawn B (Augmented)0:00:36 - Cast listaugmentation | bleak | cast list | countermelody | dark | diminished 7th chord | main title | opening title sequence | prison

Each Dawn I Die (1939)

Underscoring (Mysterious)0:04:28 - Frank leaves the newspaper officeclose-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching

Each Dawn I Die (1939)

Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Calendar Pages0:59:53 - Pages falling from a calendarcalendar | chromatic parallelism | diminished 7th chord | falling | leading man | mickey-mousing | montage | montage | mysterious | prisoner | sequence

Each Dawn I Die (1939)

Frank (Parole Denied)1:07:58 - Frank's parole is denied9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point
Flamingo Road (1949)If I Could Be With You (Lightly)NIF - not in filmaltered dominant | common-tone diminished 7th chord | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th chord | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th chord | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

If I Could Be With You (Triste)0:34:51 - Lane goes to the kitchenbreakup | café | dark | diminished 7th chord | foreign key modulation | leading lady | pondering | somber | waitress | working

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th chord | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

If I Could Be With You (Dramatic)1:11:05 - Boldon Lumber Companyconflict | dark | dramatic | driving | foreshadowing | half-diminished 7th chord | sheriff | street

Flamingo Road (1949)

Rising Anger1:12:26 - Titus throws open the doorangry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

If I Could Be With You (Maestoso)1:26:31 - Dan reads a telegram about Field's deathadvance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff
The Informer (1935)Poster blowing 20:03:26 - Torn poster blows down the street onto Gypo's leg againblowing | clinging | diminished 7th chord | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

The Wearin’ o’ the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

Underscoring (Tense)0:39:05 - Rebels talk about Gypoadvance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Wearin’ o’ the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

By the fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking
The Life of Vergie Winters (1934)Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Flowing)0:53:59 - John talks with Vergie by the lakealtered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Lullaby (Adagio)1:03:02 - Joan reactsconflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife
The Unfaithful (1947)Unfaithful (Rising Anger)1:15:35 - Bob walks around his homeangry | half-diminished 7th chord | husband | intense | meandering | room | transition | walking
We Are Not Alone (1939)Surprise Symphony (Hushed)0:04:59 - David talks to his sonboy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle

We Are Not Alone (1939)

Jessica0:10:01 - Jessica enters the room 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife

We Are Not Alone (1939)

Frolic0:33:45 - Leni and Gerald run through the parkadvance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

God Save the King (Angry)1:05:06 - British mobs in the street9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord
The Public Defender (1931)Violence0:00:41 - Cast list and balancing scalesbalancing | cast list | diminished 7th chord | dramatic | main title | opening title sequence | tense | transcribed by ear | violence
Is My Face Red? (1932)Transition0:01:22 - Speeding truck and a doordiminished 7th chord | establish setting | mysterious | poster | street | transcribed by ear | transition

Is My Face Red? (1932)

Mildred Waltz0:19:03 - Mildred talks with WilliamABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:20:18 - Mildred has a drink with WilliamABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Sidewalks of New York (Lights)0:21:04 - New York City skylinecalm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Scenes Metropolitaine0:43:51 - Montage of activities in the cityABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone
Penguin Pool Murder (1932)Penguin0:01:25 - A penguinaquarium | comical | diminished 7th chord | establish setting | half-diminished 7th chord | penguin | transcribed by ear | waddling
Secrets of the French Police (1932)La marseillaise (Distressed)0:01:00 - Cast listcast list | diminished 7th chord | drumroll | France | newspaper | on-screen music | opening title sequence | page turn | patriotic tune | source music | tense
The Phantom of Crestwood (1932)Crestwood A0:01:51 - Title over the image of a dark seascapediminished 7th chord | mickey-mousing | mysterious | opening title sequence | title of film | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood B0:02:08 - Title and Cast listcast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear
Thirteen Women (1932)Ursula (Fate)0:09:11 - The swami predicts Ursula's fateantagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear

Thirteen Women (1932)

Ursula (Hypnotic)0:10:05 - Ursula hypnotizes the swamiantagonist | diminished 7th chord | establish character | fortune teller | hypnotic | hypnotizing | leading lady | mysterious | room | seductive | sleeping | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Violent)0:12:29 - Newspaper headlinedramatic | half-diminished 7th chord | headline | murder | murder scene | newspaper | transcribed by ear | violent

Thirteen Women (1932)

Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz
Before Dawn (1933)Before Dawn A0:00:15 - Title over the image of hands grasping moneycoin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear

Before Dawn (1933)

Before Dawn B0:00:32 - Title and Cast list over a skullcast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear
Emergency Call (1933)Ambulance0:00:11 - Main titles over a speeding ambulanceambulance | augmented triad | dissonant bass | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone
Headline Shooter (1933)Transition0:01:23 - Video cast listdiminished 7th chord | establish setting | mysterious | poster | reused recording | street | transcribed by ear
Murder on the Blackboard (1934)The Janitor0:01:30 - A janitor gets out of beddiminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking