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59 results for "deceptive resolution"

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Jerry (Pleading)1:21:26 - Jerry talks to the copsbuilding | conflict | deceptive resolution | heroic | hopeful | leading man | pleading | priest | street
Crime School (1938)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | main title | opening title sequence | starring list | WB shield

Crime School (1938)

The CourthouseNIF - not in filmcut from film | deceptive resolution | noble | parallelism

Crime School (1938)

Reform School Drill0:33:18 - Reform school boys exercise outsidecomedy | cut from film | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | split-third chord | teenager | upbeat | warden

Crime School (1938)

Reform School Drill0:34:09 - Reform school boys exercise outsidecomedy | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | teenager | upbeat | warden

Crime School (1938)

Underscoring (Gentle)0:49:47 - Mark talks about making this room their homecomedy | deceptive resolution | gang | gentle | hero | leading man | leaving | pedal tone | reformatory | teasing | teenager | underscoring | whole-tone chord

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring
They Made Me a Criminal (1939)The Awakening0:14:48 - Johnnie wakes upadvance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord

They Made Me a Criminal (1939)

The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

The Fugitive (Fainting)0:26:32 - Johnnie stumbles and faints9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender
Dust Be My Destiny (1939)Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)NIF - not in filmbarn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Whistling0:45:44 - Joe whistles as he walks64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling

Dust Be My Destiny (1939)

Dust Be My Destiny (Grandioso)0:50:50 - Joe and Mabel outside42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant
Flamingo Road (1949)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

TravelingNIF - not in filmadded-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th chord | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lute Mae (Not in Film)NIF - not in film13th chord | added-note chord | altered dominant | common-chord modulation | countermelody | cut from film | cut from film | deceptive resolution | lovers meet | self-borrowing

Flamingo Road (1949)

The Capitol0:56:03 - The Olympic City capitol buildingchromatic mediant | courthouse | deceptive resolution | establish setting | Mixolydian mode | noble | self-borrowing
The Informer (1935)The Wearin’ o’ the Green (Headquarters)0:31:29 - Irish rebel headquarters64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

Judges1:06:10 - Camera pans to the faces of the judgescourtroom | courtroom scene | deceptive resolution | headquarters | judge | judging | justice | noble | room

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor
Key Largo (1948)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield
The Life of Vergie Winters (1934)Everybody’s Doing It Now0:03:48 - Horses and buggies in a small town streetaltered dominant | buggy | common-tone diminished 7th | deceptive resolution | driving | establish setting | establish time | horse | playful | popular song | riding | street

The Life of Vergie Winters (1934)

Lullaby (Harp Solo)1:03:33 - John tells Joan about her parentsconflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife
Rockabye (1932)Sleep, My Sweet0:00:14 - Title of film and cast listcalm | cast list | deceptive resolution | lullaby | mode mixture | opening title sequence | peaceful | starring list | title of film
Kid Galahad (1937)Heart’s Affair (Yearning)0:44:11 - Ward and Nick leave the farmadvance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture

Kid Galahad (1937)

Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart’s Affair (Kiss)0:58:47 - Ward talks to MarieAABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear

Kid Galahad (1937)

Heart’s Affair (Trouble)1:15:53 - Ward talks to Marie at the farmadvance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear
The Unfaithful (1947)Attorney0:42:51 - Close up of sign on the lawyer's doordeceptive resolution | door | glorious | heroic | law office | office | sign | transition

The Unfaithful (1947)

Attorney1:09:14 - Larry drives to the art shopdeceptive resolution | driving | heroic | lawyer | street | transition
We Are Not Alone (1939)Max Steiner0:00:53 - Max Steiner's nameaugmented sixth chord | bold | cast list | common-chord modulation | deceptive resolution | foreign key modulation | main title | opening title sequence

We Are Not Alone (1939)

Surprise Symphony (Theme and Variations)0:02:37 - David enters his homeaugmented triad | classical music | deceptive resolution | establish character | familiar tune | Haydn | hero | home | playful | quotation | scored source music | source music | street | whistling

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Tommy0:08:41 - David and Tommy talk about cats64 chord | boy | cat | deceptive resolution | doctor | establish character | hero | mode mixture | office | parallelism | playful

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Calm)0:12:01 - David's treatment is successfulcalm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Newspaper)0:31:52 - David sits and whistles9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

La Marseillaise1:15:41 - News bulletins in a windowadvance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Whistling)1:48:34 - David whistles as he thinksadvance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling
The Public Defender (1931)Public Defender0:00:14 - Title and balancing scales (in motion)balancing | deceptive resolution | main title | opening title sequence | romantic | scale | sequence | starring list | transcribed by ear
Blind Adventure (1933)My Imaginary Sweetheart (Coda)0:01:33 - View of Londoncalm | city | deceptive resolution | establish setting | transcribed by ear