| Are These Our Children? (1931) | Dreams (Meno) | NIF - not in film | added-note chord | chromatic parallelism | common-tone dominant 7th | cut from film | half-diminished 7th chord | peaceful |
| The Big Sleep (1946) | Marlowe | 0:02:01 - Marlowe gives Carmen a fake name | added-note chord | comical | common-tone dominant 7th | daughter | establish character | femme fatale | flirting | leading man | private eye | room |
The Big Sleep (1946) | Vivian | 1:15:22 - Marlowe and Vivian talk | 9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension |
The Big Sleep (1946) | Vivian | 1:40:03 - Marlowe and Vivian kiss | 9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension |
| City for Conquest (1940) | Signature | 0:00:00 - Warner Brothers shield | bold | chromatic mediant | city | common-tone dominant 7th | fanfare | opening title sequence | oscillation | skyline | starring list | WB shield |
City for Conquest (1940) | Tone Poem Introduction (Main Title) | 0:00:12 - Title of film over a city skyline | bold | cast list | city | common-tone dominant 7th | Gershwinesque | opening title sequence | skyline | title of film |
City for Conquest (1940) | Tone Poem Introduction | 1:32:01 - Orchestra playing in a concert hall | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated 2) | 1:37:08 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
| In This Our Life (1942) | Pleadingly | 0:14:53 - Roy looks at Peter | advance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | room | yearning |
In This Our Life (1942) | Pleadingly | 0:29:23 - Roy talks to Craig | advance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | park | uneasy |
| Mildred Pierce (1945) | Signature | 0:00:00 - WB shield and wave effect | added-note chord | bold | common-tone dominant 7th | dissonant bass | fanfare | opening title sequence | starring list | water | wave | WB shield |
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