Tag Search Results


Home | Tag Data


Loading...

387 results for "chromatic" — see also chromaticism

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Signature0:00:00 - Warner Bros. shieldbold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield

The Amazing Dr. Clitterhouse (1938)

Cauldron 10:00:15 - Title of filmbeaker | bubbling | chromatic scale | dramatic | half-diminished 7th chord | main title | ominous | opening title sequence | parallelism | starring list | title of film

The Amazing Dr. Clitterhouse (1938)

Cauldron 20:00:27 - Cast list9th chord | beaker | bubbling | cast list | chromatic parallelism | dramatic | main title | ominous | opening title sequence | ostinato | title of film

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor0:20:05 - Dr. Clitterhouse enters Hotel Sequin42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Montage)0:33:03 - A news article about the doctorchromatic parallelism | dissonant bass | Gershwinesque | jaunty | journal | montage | montage | newspaper | sequence | sign

The Amazing Dr. Clitterhouse (1938)

The Fur Store0:44:20 - Truck arrives at the United Fur Co.chromatic parallelism | darkness | half-diminished 7th chord | mysterious | pedal tone | store | street | suspenseful | transition | truck

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Knocked Out)0:45:04 - Watchman knocked out on the floor9th chord | chromatic parallelism | crime | criminal | diminished 7th chord | gangster | guard | mysterious | robbery | stealing | store | thief

The Amazing Dr. Clitterhouse (1938)

Sneaking0:45:13 - Criminals steal fursascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:45:26 - Criminals on the rooftop42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Comical)0:46:08 - Doctor examines a criminal64 chord | chromatic parallelism | comical | criminal | doctor | examining | fragmentation | gangster | leading man | pedal tone | robbery | rooftop | sequence | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:47:04 - Doctor talks with the criminalsaugmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working

The Amazing Dr. Clitterhouse (1938)

Arms crossing0:47:10 - Criminal crosses his armsarm | chromatic parallelism | comical | criminal | crossing | diminished 7th chord | gangster | mickey-mousing | robbery | rooftop | thief | wedge

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Giving Orders)0:48:32 - Doctor gives orders to the criminals64 chord | anger | annoyance | chromatic parallelism | commanding | criminal | doctor | fragmentation | gangster | leading man | ordering | pedal tone | robbery | sequence | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Rocks (Double Cross)0:48:56 - Rocks thinks of a double-crossantagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping

The Amazing Dr. Clitterhouse (1938)

Locked in vault0:49:06 - Dr. Clitterhouse locked in safeanxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling

The Amazing Dr. Clitterhouse (1938)

The Motor (Getting Colder)0:49:43 - The vault gets colderanxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Butch goes downstairs0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Motor (Butch)0:50:45 - Butch searches for the doctoranxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | motor | ostinato | pedal tone | robbery | running | searching | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Butch runs back0:50:52 - Butch runs back from the windowanxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Brass) + The Motor0:51:00 - Dr. Clitterhouse in the safeanxious | chromatic parallelism | chromatic scale | combination of themes | criminal | dramatic | gangster | knocking | motor | ostinato | panicking | robbery | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Lighting the Torch + The Motor0:51:05 - Butch prepares the torchanxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working

The Amazing Dr. Clitterhouse (1938)

The Torch (Burning)0:51:12 - Butch opens safe with welder's torchanxious | burning | chromatic parallelism | criminal | dramatic | fire | flame | gangster | half-diminished 7th chord | hero | rescuing | robbery | sparks | store | tense | thief | torch

The Amazing Dr. Clitterhouse (1938)

The Torch + The Motor (Watchman Crawling)0:51:41 - Watchman struggles to sound the alarmalarm | anxious | chromatic scale | crawling | dramatic | guard | mickey-mousing | motor | ostinato | pc set | robbery | store | struggle | tense

The Amazing Dr. Clitterhouse (1938)

The Motor (Rescue)0:52:29 - Dr. Clitterhouse escapes from safeanxious | chromatic parallelism | chromatic scale | criminal | dramatic | escaping | gangster | hero | motor | ostinato | rescuing | robbery | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Murder)1:10:49 - Montage of newspaper headlineschromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation

The Amazing Dr. Clitterhouse (1938)

Cauldron 1 (End title)1:26:33 - The Endbeaker | bubbling | chromatic mediant | chromatic scale | closing credits | doctor | end title | foreign key modulation | leading man | mode mixture | ominous | plagal cadence

The Amazing Dr. Clitterhouse (1938)

Jo (End Cast)1:26:42 - Cast list13th chord | added-note chord | beaker | bubbling | chromatic mediant | closing credits | end title | triadic transformation
Angels With Dirty Faces (1938)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | main title | opening title sequence | starring list | WB shield

Angels With Dirty Faces (1938)

Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Explosion0:07:16 - Building explodes after car drives bybomb | chromatic scale | dissonant bass | dramatic | driving | establish character | explosion | gangster | mickey-mousing | montage | polychord | street | throwing

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Pushing forward0:40:26 - Man pulls a gun on the cashieradvancing | chromatic parallelism | chromatic scale | conflict | dominant 7th chord | gangster | gun | leading man | mickey-mousing | ominous | pedal tone | pushing | shop

Angels With Dirty Faces (1938)

Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Crowd0:41:46 - Hustling crowd chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense

Angels With Dirty Faces (1938)

The Gangster (Elevator Music)0:42:40 - Elevator goes upadvance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense

Angels With Dirty Faces (1938)

The Cartoon1:04:49 - Jerry looks at newspaper cartoon of Rocky9th chord | advance plot | cartoon | chromatic parallelism | comical | leading man | priest | reading | room

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmadvance plot | altered dominant | chromatic scale | cut from film

Angels With Dirty Faces (1938)

Hurrying1:10:54 - A newspaper editor gives orders to his menassigning | chromatic scale | commanding | dissonant bass | hurried | mickey-mousing | montage | montage | newspaper editor | newspaper office

Angels With Dirty Faces (1938)

Flyers1:12:27 - Montage of flyers for a public meeting42 chord | agitated | chromatic sequence | dissonant bass | dropping | flyer | flying | montage | montage

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Mac gets shot1:16:35 - Mac gets shot and diesagitated | chromatic parallelism | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | room | shooting

Angels With Dirty Faces (1938)

Frazier gets shot1:16:56 - Frazier gets shot and diesagitated | casino | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | shooting

Angels With Dirty Faces (1938)

Going down a ladder1:17:32 - Rocky goes down an escape ladderagitated | chromatic scale | climbing | conflict | descending | down | dramatic | escaping | gangster | hurrying | ladder | leading man | mickey-mousing | street

Angels With Dirty Faces (1938)

Going up a ladder1:17:41 - Rocky climbs up an escape ladderagitated | ascending | chromatic parallelism | climbing | conflict | dramatic | gangster | ladder | leading man | mickey-mousing | pedal tone | sequence | street | up

Angels With Dirty Faces (1938)

Running on wall1:17:55 - Rocky runs on wallagitated | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | rooftop | running | sequence

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going down stairs1:19:05 - Rocky runs down the stairsagitated | chromatic scale | conflict | down | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | running | stairs | stairwell

Angels With Dirty Faces (1938)

Going up stairs1:19:27 - Rocky runs up the stairsagitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | leading man | major 7th chord | mickey-mousing | running | sequence | stairs | stairwell | up

Angels With Dirty Faces (1938)

Tear Gas1:19:48 - Tear gas spreads throughout the roomagitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window

Angels With Dirty Faces (1938)

Machine Gun1:20:24 - Policeman shoots at Rocky with machine gunagitated | building | chromatic parallelism | conflict | death | dramatic | falling | gangster | gun | gunshot | hiding | leading man | police | polychord | shooting | street | underscoring

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Tear Gas (Desperate)1:21:40 - Rocky tries to hold off the copsagitated | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | pedal tone | police | priest | quartal chord | shooting | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking

Angels With Dirty Faces (1938)

Rocky runs1:25:13 - Rocky makes a run for itagitated | chromatic scale | conflict | falling | gangster | gun | gunshot | hostage | leading man | octatonic | priest | running | sequence | shooting | street | whole-tone chord

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:25:20 - Rocky throws his guncapturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:31:44 - Rocky punches a guardagitated | chromatic parallelism | chromatic scale | chromatic wedge | climax | fighting | gangster | half-diminished 7th chord | leading man | police | priest | prison | punching | tense | underscoring

Angels With Dirty Faces (1938)

Sanctus (Maestoso)1:36:06 - Jerry and the boys walk up the stairsangelic | ascending | chromatic mediant | foreign key modulation | leading man | priest | resolution | room | stairs | teenager | The End | transcendence | triumphant | up
Are These Our Children? (1931)Dreams (Coney Island)NIF - not in filmchromatic mediant | chromatic parallelism | cut from film | foreign key modulation | joyful

Are These Our Children? (1931)

Dreams (Washroom Sequence)0:24:25 - Eddie talks with his friendsadvance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear

Are These Our Children? (1931)

Dreams (Washroom Sequence Coda)NIF - not in filmchromatic parallelism | cut from film

Are These Our Children? (1931)

Makes You Forget Your Troubles (Listesso Tempo)0:30:13 - Eddie commits a crimeangry | chromatic scale | double exposure | dreaming | dream sequence | fragmentation | hectic | leading man | montage | room

Are These Our Children? (1931)

Dreams (Transition 8B)NIF - not in filmadded-note chord | altered dominant | augmented triad | chromatic mediant | common-tone diminished 7th | cut from film | foreign key modulation | pedal tone | tense | turbulent

Are These Our Children? (1931)

Dreams (Allegro)1:15:33 - Newspaper headlinesaugmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale

Are These Our Children? (1931)

Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13)NIF - not in film9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber

Are These Our Children? (1931)

Dreams (Meno)NIF - not in filmadded-note chord | chromatic parallelism | common-tone dominant 7th | cut from film | half-diminished 7th chord | peaceful
Arsenic and Old Lace (1944)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | foreign key modulation | opening title sequence | phrase extension | WB shield

Arsenic and Old Lace (1944)

Happy Land (Chromatic)0:00:21 - Cast list64 chord | cast list | chromatic mediant | chromatic scale | dramatic | familiar tune | foreign key modulation | opening title sequence

Arsenic and Old Lace (1944)

Chromatic Fall0:00:58 - Max Steiner's name42 chord | cast list | chromatic parallelism | chromatic scale | dramatic | opening title sequence | pedal tone

Arsenic and Old Lace (1944)

Underscoring (Comical)0:02:20 - Mortimer hides from the reporterschromatic parallelism | chromatic wedge | comical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Wow Wow Trumpet)0:02:42 - Reporters talk64 chord | chromatic mediant | comical | conversing | establish character | familiar tune | foreign key modulation | marriage | office | reporter

Arsenic and Old Lace (1944)

Sidewalks of New York (Quasi Barcarolle)0:05:13 - The Brewster home64 chord | calm | card | cemetery | chromatic mediant | common-tone diminished 7th | enharmonic modulation | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect

Arsenic and Old Lace (1944)

Wind blowing0:13:48 - Wind blows the curtains at the windowadvance plot | aunt | blowing | chromatic parallelism | leading lady | looking | mysterious | room | wind | wind effect

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the window64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elaine64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talk64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Elaine Whistles)0:23:44 - Elaine whistles out of her windowagitated | bride | cheerful | chromatic scale | dark | diminished 7th chord | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Running)0:23:58 - Mortimer runs to the door9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point

Arsenic and Old Lace (1944)

Jonathan 20:40:30 - Jonathan enters the housearriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Molto Agitato1:29:57 - Jonathan ties Mortimer to a chair9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim

Arsenic and Old Lace (1944)

Knives1:31:05 - Mortimer looks at the knivesacceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim

Arsenic and Old Lace (1944)

Panic1:31:48 - Einstein agrees to do the torturealcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim
His Greatest Gamble (1934)Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering
Crime School (1938)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | main title | opening title sequence | starring list | WB shield

Crime School (1938)

Underscoring (Tense)0:08:20 - The kids confront the junk shop ownerattacking | chromatic scale | conflict | death | diminished 7th chord | dissonant bass | fighting | gang | mickey-mousing | ominous | ostinato | running | shop | shopkeeper | stairs | stinger | teenager | tense | underscoring | up

Crime School (1938)

Running away0:09:32 - Kids run away from cops42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Sue (Minor)0:20:38 - Judge sentences boys to the reformatoryaugmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial

Crime School (1938)

The Patrol Wagon0:21:41 - Boys get loaded into the patrol wagon car | chromatic parallelism | cut from film | dissonant bass | pedal tone | police car | traveling

Crime School (1938)

The Warden0:23:15 - Warden stands up to face the boysantagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord

Crime School (1938)

The Warden (Quasi Mysterioso)0:27:46 - Warden approaches Frankie with a whipchromatic parallelism | develop character | reformatory | rising | standing | teenager | tense | threatening | warden | whip

Crime School (1938)

Underscoring (Dramatic)0:28:01 - Frankie escapes from the warden's office9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale

Crime School (1938)

Underscoring (Tense)0:28:21 - Boys wonder about the alarmalarm | chromatic parallelism | chromatic wedge | dissonant bass | escape | gang | pc set | reformatory | teenager | tense | whistle | wondering

Crime School (1938)

Searchlights0:28:27 - Boys wonder about the searchlightchromatic parallelism | escape | gang | mickey-mousing | reformatory | searchlight | teenager | tense | wondering

Crime School (1938)

Escaping0:28:32 - Frankie runs and hideschromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster

Crime School (1938)

Searchlights (Sneaking)0:28:47 - Frankies hides from the searchlightchromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense

Crime School (1938)

Underscoring (Dramatic)0:29:09 - Frankie hides then runsbarbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense

Crime School (1938)

Sue (Barbed Wire)0:29:18 - Frankie gets caught on barbed wireanguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense

Crime School (1938)

The Warden (The Guards)0:29:34 - Warden's guards run to catch Frankie64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden

Crime School (1938)

Dragging0:29:51 - Warden's guards drag Frankie through the rainaccented dissonance | anguished | capturing | chromatic parallelism | dissonant bass | dragging | dramatic | escape | kicking | mickey-mousing | police | reformatory | splashing | teenager | tense | warden

Crime School (1938)

Window closing0:30:05 - Boys close their windowchromatic parallelism | closing | escape | gang | mickey-mousing | reformatory | somber | teenager | whole-tone scale | window

Crime School (1938)

Underscoring (Dramatic)0:30:08 - Guards take Frankie insidebegging | chromatic scale | dissonant bass | dragging | dramatic | escape | fear | reformatory | teenager | tense | warden

Crime School (1938)

The Warden (Punishment)0:36:22 - Warden defends his punishmentadvance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamas9th chord | chromatic parallelism | comedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Unveiling the statue0:49:31 - Mark takes the veil off of the statue64 chord | chromatic parallelism | chromatic wedge | comedy | gang | hero | leading man | mickey-mousing | reformatory | teenager | tense | uncovering | unveiling

Crime School (1938)

Slips on paint0:51:01 - Guard chases boy then slips and falls on paintaccident | chromatic scale | comedy | comical | falling | mickey-mousing | police | reformatory | slipping | teenager | walking

Crime School (1938)

The Boiler Room0:54:27 - Boys talk about stoking the boileraction scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working

Crime School (1938)

Kids running down0:56:17 - Kids run down stairsaction scene | chromatic parallelism | down | dramatic | mickey-mousing | polychord | quartal chord | reformatory | running | stairs | teenager

Crime School (1938)

Running around0:56:37 - Boys run out of the buildingaction scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Temperature rising 20:57:12 - The temperature gauge risesaction scene | altered dominant | boiler room | chromatic parallelism | danger | dramatic | gauge | heat | hero | leading man | mickey-mousing | reformatory | rising | teenager | temperature | tense

Crime School (1938)

Underscoring (Dramatic)1:06:55 - Frankie hits Spikeadvance plot | anger | arguing | chromatic parallelism | chromatic wedge | dramatic | reformatory | teenager | underscoring

Crime School (1938)

Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried

Crime School (1938)

Sue (Prison Moods)1:08:48 - Boys talk to Frankie about his sisteradvance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster

Crime School (1938)

Underscoring (Tense)1:09:46 - Boys talk to Frankieadvance plot | chromatic parallelism | gang | gun | keys | mickey-mousing | mysterious | ominous | pc set | plotting | reformatory | teenager | tense | underscoring

Crime School (1938)

Underscoring (Dramatic)1:11:24 - Boys plot their escape9th chord | arguing | chromatic parallelism | chromatic scale | dramatic | escape | gang | plotting | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Tense)1:12:21 - Cooper talks with the wardenchromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sue9th chord | chromatic parallelism | conversing | courthouse | fragmentation | gang | optimistic | resolution | sequence | teenager

Crime School (1938)

Sue (End Credits)1:24:49 - Cast listadded-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat
They Made Me a Criminal (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | dissonant bass | fanfare | main title | opening title sequence | WB shield

They Made Me a Criminal (1939)

Transition0:00:07 - Starring listadded-note chord | chromatic parallelism | dissonant bass | dramatic | main title | opening title sequence | pedal tone | starring list | tense | title of film

They Made Me a Criminal (1939)

Peggy0:00:25 - Director credit9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution

They Made Me a Criminal (1939)

The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition

They Made Me a Criminal (1939)

The Awakening0:14:48 - Johnnie wakes upadvance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord

They Made Me a Criminal (1939)

Reading0:15:29 - Johnnie reads a newspaperadvance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:16:01 - Johnnie rushes insideadvance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring

They Made Me a Criminal (1939)

The Fugitive (Traveling)0:22:51 - Johnnie's plodding feetchromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord

They Made Me a Criminal (1939)

The Ladder0:30:11 - Tommy sitting on a laddercheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working

They Made Me a Criminal (1939)

Ladder falls0:30:16 - The ladder fallschromatic scale | comical | conflict | diminished 7th chord | falling | ladder | mickey-mousing | ranch | teenager

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

Underscoring (Tense)1:02:14 - Johnnie overhears the detectiveadvance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting
Dust Be My Destiny (1939)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | main title | opening title sequence | WB shield

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening A)0:00:21 - Main title64 chord | chromatic mediant | dissonant bass | dust | main title | mickey-mousing | opening title sequence | romantic | title of film

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:02:29 - Joe reacts to the warden9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden

Dust Be My Destiny (1939)

Charlie (Extended)0:11:41 - Charlie talks to inmateschromatic parallelism | dark | drunk | establish character | leading man | prison | prisoner | sequence | slapping | stinger | warden

Dust Be My Destiny (1939)

Comedy fall0:13:08 - Joe falls over while milking the cowbarn | chromatic parallelism | chromatic scale | comical | falling | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Underscoring (Humorous)0:13:13 - Joe talks to the cowbarn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring

Dust Be My Destiny (1939)

Joe fights cow0:13:56 - Joe fights cow (off-screen)augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Laughing)0:14:07 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner

Dust Be My Destiny (1939)

Laughing0:14:10 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Underscoring (Dark)0:25:03 - Charlie interrupts the loversbarn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:25:23 - Charlie grabs Mabel's armbarn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Fight)0:25:41 - Charlie and Joe fight42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Up and Down)0:30:12 - Man runs up the courthouse steps64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Radio Fanfare0:34:20 - Mabel talks to Joechromatic mediant | develop character | happy | leading lady | leading man | radio | source music | theater

Dust Be My Destiny (1939)

Fleeing0:34:56 - Joe and Mabel fleealley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful

Dust Be My Destiny (1939)

Agitato Risoluto0:35:11 - Joe and Mabel hide under the stairsagitated | alley | chromatic parallelism | concerned | danger | escape | hiding | leading lady | leading man | pedal tone | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:35:25 - Joe and Mabel talk in the alley9th chord | alley | chromatic parallelism | escape | fearful | leading lady | leading man | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Weary)0:37:38 - They rest by the side of the roadchromatic parallelism | conflict | leading lady | leading man | resting | runaway | street | tired

Dust Be My Destiny (1939)

The Poster0:40:39 - Joe and Mabel see a sign for the trainchromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street

Dust Be My Destiny (1939)

Whistling0:45:44 - Joe whistles as he walks64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Sordini)0:48:21 - Joe talks to the jailerchromatic parallelism | jail | jail break | leading man | major triad | mysterious | pedal tone | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Jail Break)0:49:16 - Mabel looks up and sees Joechromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (The Escape)0:50:26 - Joe and Mabel leave the jail64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:15 - A bank alarm sounds42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)0:59:42 - Joe takes pictures of the robbery42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:53 - Police arrive at the scene64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring

Dust Be My Destiny (1939)

Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working

Dust Be My Destiny (1939)

Headlines1:03:23 - Headline about the robberyadvance plot | augmented triad | chromatic sequence | diner | dramatic | newspaper | newspaper boy | selling | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Mysterioso)1:05:26 - Joe talks to Mikeadvance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room

Dust Be My Destiny (1939)

Underscoring (Tense)1:09:28 - Mike is confronted by gangstersbribe | chromatic parallelism | conflict | gangster | linear chromaticism | newspaper editor | street | tense | underscoring

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking

Dust Be My Destiny (1939)

Underscoring (Dramatic)1:10:32 - Joe runs after the caraugmented triad | chromatic parallelism | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | hero | leading man | mickey-mousing | newspaper editor | running | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)1:10:32 - Joe heroically wrestles away the steering wheelaction scene | chromatic scale | dramatic | fighting | fragmentation | gangster | hero | leading man | newspaper editor | retrograde | street

Dust Be My Destiny (1939)

Car crash1:10:55 - Gangsters crash the caraction scene | car | chromatic scale | crashing | dramatic | gangster | hero | leading man | mickey-mousing | newspaper editor | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Hanging Hats)1:26:31 - Joe and Mabel toss their hats11th chord | chromatic mediant | foreign key modulation | happy | hat | hook | leading lady | leading man | mickey-mousing | resolution | throwing | train | traveling | whistle effect
Each Dawn I Die (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | WB shield

Each Dawn I Die (1939)

Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking

Each Dawn I Die (1939)

Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Car Crash0:05:40 - Two cars crashcar | car crash | chromatic scale | conflict | crashing | explosion | frantic | hero | leading man | metric dissonance | minor second | reporter | street | tone cluster

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Montage0:22:54 - Montage showing the passing of timechromatic parallelism | clock | dramatic | linear chromaticism | mickey-mousing | montage | montage | prison | prisoner | tense | waiting | whole-tone chord

Each Dawn I Die (1939)

Headlines0:41:50 - Newspaper headline is shown9th chord | chromatic parallelism | dark | fanfare | headline | montage | montage | newspaper | pedal tone

Each Dawn I Die (1939)

Calendar Pages0:59:53 - Pages falling from a calendarcalendar | chromatic parallelism | diminished 7th chord | falling | leading man | mickey-mousing | montage | montage | mysterious | prisoner | sequence

Each Dawn I Die (1939)

Newspaper Fanfare (Extended)1:03:36 - Newspaper headline is shownchromatic parallelism | fanfare | headline | justice | mickey-mousing | montage | montage | noble | zooming

Each Dawn I Die (1939)

Freedom1:30:31 - Frank leaves the prisonartwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking
Flamingo Road (1949)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield

Flamingo Road (1949)

Flamingo Road (Chapter One)0:00:54 - Chapter one from Flamingo Roadchromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

TravelingNIF - not in filmadded-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chords | chromatic parallelism | conversing | cut from film | cut from film | falling in love | leading lady | leading man | police

Flamingo Road (1949)

Titus 20:18:16 - A newspaper headlinechromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone

Flamingo Road (1949)

Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Drinking whiskey0:49:50 - Dan drinkschromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Indigestion0:50:48 - Lane complains of a hangoverchromatic parallelism | chromatic scale | comical | distressed | grumbling | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

The Capitol0:56:03 - The Olympic City capitol buildingchromatic mediant | courthouse | deceptive resolution | establish setting | Mixolydian mode | noble | self-borrowing

Flamingo Road (1949)

Titus 2 (Threatening)1:04:45 - Titus threatens Laneadvance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Agitato (Angry)1:09:25 - Titus leavesadvance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense

Flamingo Road (1949)

Titus + Titus 21:09:43 - Titus bullies Fieldadvance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

The Sheriff1:12:01 - Titus stands and walksarguing | bullying | chromatic parallelism | conflict | dark | leading man | mickey-mousing | ominous | politician | room | self-borrowing | sheriff | standing

Flamingo Road (1949)

Anger1:12:20 - Titus and Field face offangry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Rising Anger1:12:26 - Titus throws open the doorangry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:12:32 - Titus throws Field out the dooraugmented triad | bullying | chromatic parallelism | conflict | dark | dramatic | leading man | politician | polychord | pushing | room | sheriff | throwing | underscoring

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Maestoso)1:26:31 - Dan reads a telegram about Field's deathadvance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring

Flamingo Road (1949)

Breaking door1:31:19 - Titus throws the phone at Lanechromatic parallelism | climax | club | dramatic | gun | leading lady | mickey-mousing | sheriff | telephone | throwing

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
In This Our Life (1942)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield
The Informer (1935)Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

Running and hiding0:07:54 - Frankie runs and hides in the shadowschromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense

The Informer (1935)

Running (Not in Film)NIF - not in filmchromatic scale | establish character | hero | mickey-mousing | running | street

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin' o' the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

Falling down the stairs1:06:19 - Gypo falls down the stairs9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judges64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

The Escape1:19:46 - Gypo escapes and a chase ensuesadvance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord

The Informer (1935)

The Escape (The Fight)1:28:25 - Rebels shoot through the doorantagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone
Key Largo (1948)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield
The Letter (1940)Signature0:00:00 - WB Shieldbold | chromatic mediant | fanfare | foreign key modulation | main title | opening title sequence | WB shield

The Letter (1940)

Leslie B0:00:25 - Cast listcast list | changing meter | chromatic scale | chromatic sequence | harmonic sequence | main title | opening title sequence | romantic

The Letter (1940)

Runners0:05:14 - Workers run through jungleaction scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense

The Letter (1940)

Underscoring (Tense)0:06:21 - Robert goes in the housearriving | chromatic scale | diminished 7th chord | home | husband | tense | transition | underscoring

The Letter (1940)

Leslie (Rising) + Deception0:13:28 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | oscillation | ostinato | passionate | pc set | recounting | sequence

The Letter (1940)

Leslie (Risoluto)0:14:07 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | dramatic | fragmentation | home | leading lady | pc set | polychord | recounting | sequence | tense

The Letter (1940)

Letter (Sarcastic)0:15:10 - Robert comforts Leslieadvance plot | chromatic sequence | conversing | dissonant bass | home | leading lady | mysterious | sequence

The Letter (1940)

Leslie (Dark)0:16:09 - Men look at dead bodyadvance plot | augmented major 7th chord | changing meter | chromatic parallelism | creeping | dark | death | dissonant bass | investigating | murder | pc set | plantation | servant | shadow | sinister

The Letter (1940)

Letter (Sarcastic)0:19:45 - Robert looks at Lesliechromatic sequence | dissonant bass | glance | home | leading lady | longing | love scene | mysterious | sequence | staring

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence

The Letter (1940)

Leslie (Walking)0:30:58 - Leslie in jail64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic scale | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Leslie (Rising) + Deception0:34:47 - Howard gives Leslie the letteraltered dominant | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | oscillation | ostinato | pc set | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:35:11 - Leslie reacts angrily to the letterarguing | augmented triad | chromatic parallelism | deception | fragmentation | lawyer | leading lady | letter | lying | oscillation | pc set | pivotal scene | polychord | prison | sequence | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | chromatic parallelism | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie admits to writing the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | chromatic parallelism | fearful | fragmentation | lawyer | leading lady | letter | oscillation | pc set | pivotal scene | polychord | prison | reading | sequence | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie (Rising) + Deception0:40:57 - Leslie talks to Howardadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Robert and Leslie0:41:12 - Howard says he will help Leslieadvance plot | appoggiatura | calm | chromatic mediant | crying | deception | hospital | lawyer | leading lady | letter | love theme | sigh gesture | somber | suspension | tender

The Letter (1940)

Robert and Leslie (Triste)0:42:17 - Leslie and Howard talk about her husbandadvance plot | appoggiatura | calm | chromatic mediant | crying | hospital | lawyer | leading lady | letter | love theme | resolution | sigh gesture | somber | suspension | tender

The Letter (1940)

Leslie B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromatic scale | conflict | curtain | entering | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mr. Hammondantagonist | Chinatown | Chinese | chromatic scale | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Solemn) + Glass Curtains1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | solemn | staring | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Bitter)1:08:54 - Leslie sees Mrs. Hammond in the courtroom11th chord | antagonist | Chinese | Chinese | chromatic parallelism | confronting | courtroom | dark | husband | leading lady | trial

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Leslie (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | oscillation | pc set | sequence | tense

The Letter (1940)

Leslie (Rising) + Deception1:17:52 - Leslie confesses to Robertaugmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense

The Letter (1940)

Leslie B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:01 - Leslie reacts to Robert's forgivenesschromatic mediant | climax | conversing | diminished 7th chord | dissonant bass | home | husband | kissing | leading lady | ostinato | retardation | romantic | sequence | suspension | tense

The Letter (1940)

Shadow1:30:30 - Leslie leaves the housechromatic parallelism | climax | leading lady | major triad | mysterious | plantation | polychord | shadow | walking

The Letter (1940)

Robert and Leslie (The Body)NIF - not in filmalternate music | body | chromatic mediant | climax | death | foreign key modulation | love theme | Neapolitan | pedal tone | plantation | somber
The Life of Vergie Winters (1934)Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music
Out of the Fog (1941)Signature0:00:00 - Warner Brothers logoadded-note chord | bold | chromatic mediant | fanfare | foreign key modulation | opening title sequence | phrase extension | WB shield
Kid Galahad (1937)Boxing poster0:00:41 - Boxing poster64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in

Kid Galahad (1937)

Kid Galahad (Montage)0:46:47 - Montage of newspaper headlines64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper

Kid Galahad (1937)

Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Doublecross (Heated)1:16:02 - Nick arrives at the farmadvance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear

Kid Galahad (1937)

Kid Galahad (Montage 2)1:18:47 - Newspaper headline montage64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation
Traveling Husbands (1931)There's a Sob In My Heart (Radio Dance Band)0:32:46 - Music is played on the radioAABA structure | chromatic mediant | comedy | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat
We Are Not Alone (1939)Signature0:00:00 - WB shieldadded-note chord | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | phrase extension | starring list | WB shield

We Are Not Alone (1939)

Transition0:00:18 - Book pages showing main castaugmented sixth chord | cast list | chromatic scale | linear chromaticism | main title | opening title sequence | tense

We Are Not Alone (1939)

Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:03:55 - David talks to his sonboy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story

We Are Not Alone (1939)

Jessica0:10:01 - Jessica enters the room 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:10:16 - Jessica rushes David awayantagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Jessica (Upset)0:24:32 - Jessica enters and stops the conversationadvance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife

We Are Not Alone (1939)

Frolic0:33:45 - Leni and Gerald run through the parkadvance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Surprise Symphony (Expanded)0:45:36 - Leni hugs Geraldadvance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Underscoring (Tense)1:03:56 - The crowd outsideagitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring

We Are Not Alone (1939)

Furioso1:04:49 - Man throws rock through shop window chromatic scale | conflict | crowd | dissonant bass | dramatic | riot | rioting | street | underscoring

We Are Not Alone (1939)

God Save the King (Violent)1:05:00 - British mobs in the streetBritish | chromatic scale | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

BirdsNIF - not in filmaugmentation | birds | chromatic mediant | cut from film | inversion | layering | pastoral | pentatonic

We Are Not Alone (1939)

Birds (Extended)NIF - not in filmaugmentation | birds | chromatic mediant | chromatic parallelism | cut from film | inversion | pastoral | pentatonic

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

BirdsNIF - not in filmchromatic parallelism | cut from film | pastoral | pentatonic
The Public Defender (1931)Crowd thronging0:01:17 - A crowd pressing towards a guarded doorarguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition
Is My Face Red? (1932)Steam whistle0:15:08 - A steam whistle blowsboat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition

Is My Face Red? (1932)

Sailing of the Olympic0:15:16 - William on the deck of a busy shipAB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear
Men of America (1932)Cimarron B (Transition)0:02:19 - Smokey Joe fights the Indiansambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear
Penguin Pool Murder (1932)Whirlpool0:00:20 - Penguin in a whirlpoolchromatic scale | double exposure | hectic | opening title sequence | penguin | pool | transcribed by ear | whirling | whirlpool

Penguin Pool Murder (1932)

Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord

Penguin Pool Murder (1932)

Fish0:01:32 - Fishaugmented triad | chromatic parallelism | dramatic | establish setting | fish | fluttering | stinger | transcribed by ear | underwater | whole-tone chord
Thirteen Women (1932)Ursula0:01:11 - A quotation about suicidebook | chromatic mediant | dark | opening title sequence | pedal tone | psychology | tragic | transcribed by ear

Thirteen Women (1932)

The Train0:01:33 - A rushing trainchromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat

Thirteen Women (1932)

The Swami (Past Life)0:08:18 - The swami talks to Ursulaantagonist | chromaticism | chromatic parallelism | conversing | establish character | fortune teller | leading lady | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (The End)0:59:03 - Ursula jumps to her deathchromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear
Blind Adventure (1933)Opening Fanfare0:00:16 - Title of film and starring listcast list | chromatic mediant | cloud | exciting | fanfare | opening title sequence | pedal tone | title of film | transcribed by ear

Blind Adventure (1933)

My Imaginary Sweetheart0:00:32 - Credits over a foggy backgroundAABA structure | cast list | cheerful | chromatic parallelism | mode mixture | opening title sequence | popular music | secondary dominant | transcribed by ear | video cast list
Headline Shooter (1933)You Bunch of Fun (Introduction)0:00:15 - Title and starring list over camera lens montage9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear

Headline Shooter (1933)

You Bunch of Fun (Transition)0:01:08 - Video cast listaugmented triad | chromatic parallelism | excited | opening title sequence | parallelism | pedal tone | reused recording | transcribed by ear | video cast list
Hat, Coat, and Glove (1934)Transient Love0:00:12 - Title of film; starring list; cast listAABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear
Star of Midnight (1935)Midnight in Manhattan0:00:34 - Cast listadded-note chord | altered dominant | cast list | chromatic scale | mode mixture | mysterious | opening title sequence | sentimental | transcribed by ear

Star of Midnight (1935)

Midnight in Manhattan (Montage)0:54:11 - Feet walkingbus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Sidewalks of New York0:54:28 - Feet walkingbus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Midnight in Manhattan (Accelerando)0:54:42 - Feet walkingadded-note chord | bus | chromatic parallelism | hurried | mickey-mousing | mode mixture | montage | street | transcribed by ear | traveling | walking