Tag Search

387 results for "chromatic" — see also chromaticism

Film	Theme name	Instance	Tags
The Amazing Dr. Clitterhouse (1938)	Signature	0:00:00 - Warner Bros. shield	bold \| chromatic mediant \| fanfare \| fragmentation \| main title \| metric dissonance \| opening title sequence \| WB shield
The Amazing Dr. Clitterhouse (1938)	Cauldron 1	0:00:15 - Title of film	beaker \| bubbling \| chromatic scale \| dramatic \| half-diminished 7th chord \| main title \| ominous \| opening title sequence \| parallelism \| starring list \| title of film
The Amazing Dr. Clitterhouse (1938)	Cauldron 2	0:00:27 - Cast list	9th chord \| beaker \| bubbling \| cast list \| chromatic parallelism \| dramatic \| main title \| ominous \| opening title sequence \| ostinato \| title of film
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor	0:20:05 - Dr. Clitterhouse enters Hotel Sequin	42 chord \| advance plot \| chromatic parallelism \| dark \| dissonant bass \| doctor \| half-diminished 7th chord \| leading man \| lobby \| mysterious \| quartal chord \| sign \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Montage)	0:33:03 - A news article about the doctor	chromatic parallelism \| dissonant bass \| Gershwinesque \| jaunty \| journal \| montage \| montage \| newspaper \| sequence \| sign
The Amazing Dr. Clitterhouse (1938)	The Fur Store	0:44:20 - Truck arrives at the United Fur Co.	chromatic parallelism \| darkness \| half-diminished 7th chord \| mysterious \| pedal tone \| store \| street \| suspenseful \| transition \| truck
The Amazing Dr. Clitterhouse (1938)	Night Watchman (Knocked Out)	0:45:04 - Watchman knocked out on the floor	9th chord \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| gangster \| guard \| mysterious \| robbery \| stealing \| store \| thief
The Amazing Dr. Clitterhouse (1938)	Sneaking	0:45:13 - Criminals steal furs	ascending \| carrying \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| dissonant bass \| gangster \| pedal tone \| robbery \| sneaking \| sneaky \| stairs \| stealing \| store \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:45:26 - Criminals on the rooftop	42 chord \| carrying \| chromatic parallelism \| chromatic scale \| crime \| criminal \| dissonant bass \| gangster \| half-diminished 7th chord \| mysterious \| robbery \| rooftop \| sneaking \| sneaky \| stairs \| stealing \| thief \| tossing \| underscoring \| walking \| whole-tone
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Comical)	0:46:08 - Doctor examines a criminal	64 chord \| chromatic parallelism \| comical \| criminal \| doctor \| examining \| fragmentation \| gangster \| leading man \| pedal tone \| robbery \| rooftop \| sequence \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Arms crossing	0:47:10 - Criminal crosses his arms	arm \| chromatic parallelism \| comical \| criminal \| crossing \| diminished 7th chord \| gangster \| mickey-mousing \| robbery \| rooftop \| thief \| wedge
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Butch goes downstairs	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Motor (Butch)	0:50:45 - Butch searches for the doctor	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| pedal tone \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs back	0:50:52 - Butch runs back from the window	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Brass) + The Motor	0:51:00 - Dr. Clitterhouse in the safe	anxious \| chromatic parallelism \| chromatic scale \| combination of themes \| criminal \| dramatic \| gangster \| knocking \| motor \| ostinato \| panicking \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Lighting the Torch + The Motor	0:51:05 - Butch prepares the torch	anxious \| chromatic scale \| combination of themes \| criminal \| dramatic \| fire \| flame \| gangster \| hero \| lighting \| ostinato \| preparing \| rescuing \| robbery \| sequence \| store \| tense \| thief \| torch \| working
The Amazing Dr. Clitterhouse (1938)	The Torch (Burning)	0:51:12 - Butch opens safe with welder's torch	anxious \| burning \| chromatic parallelism \| criminal \| dramatic \| fire \| flame \| gangster \| half-diminished 7th chord \| hero \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	The Torch + The Motor (Watchman Crawling)	0:51:41 - Watchman struggles to sound the alarm	alarm \| anxious \| chromatic scale \| crawling \| dramatic \| guard \| mickey-mousing \| motor \| ostinato \| pc set \| robbery \| store \| struggle \| tense
The Amazing Dr. Clitterhouse (1938)	The Motor (Rescue)	0:52:29 - Dr. Clitterhouse escapes from safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| dramatic \| escaping \| gangster \| hero \| motor \| ostinato \| rescuing \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Murder)	1:10:49 - Montage of newspaper headlines	chromatic parallelism \| corpse \| dark \| dissonant bass \| fingerprints \| headlines \| investigating \| montage \| morgue \| mortician \| murder \| newspaper \| police \| printing press \| tense \| triadic transformation
The Amazing Dr. Clitterhouse (1938)	Cauldron 1 (End title)	1:26:33 - The End	beaker \| bubbling \| chromatic mediant \| chromatic scale \| closing credits \| doctor \| end title \| foreign key modulation \| leading man \| mode mixture \| ominous \| plagal cadence
The Amazing Dr. Clitterhouse (1938)	Jo (End Cast)	1:26:42 - Cast list	13th chord \| added-note chord \| beaker \| bubbling \| chromatic mediant \| closing credits \| end title \| triadic transformation
Angels With Dirty Faces (1938)	Signature	0:00:00 - WB shield	bold \| chromatic mediant \| fanfare \| main title \| opening title sequence \| starring list \| WB shield
Angels With Dirty Faces (1938)	Transition	0:00:07 - Starring cast list	bold \| chromatic wedge \| dark \| half-diminished 7th chord \| linear chromaticism \| opening title sequence \| starring list \| transition
Angels With Dirty Faces (1938)	The Chase	0:04:21 - Cops chase boys through the train yard	chase scene \| chasing \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escaping \| half-diminished 7th chord \| mickey-mousing \| police \| polychord \| running \| street \| teenager \| whole-tone chord
Angels With Dirty Faces (1938)	Explosion	0:07:16 - Building explodes after car drives by	bomb \| chromatic scale \| dissonant bass \| dramatic \| driving \| establish character \| explosion \| gangster \| mickey-mousing \| montage \| polychord \| street \| throwing
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Crowd rushing	0:41:09 - Crowd rushes to the crime scene	chromatic sequence \| conflict \| crowd \| dissonant bass \| hurrying \| mickey-mousing \| running \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:41:20 - Police car arrives	arriving \| chromatic parallelism \| chromatic scale \| conflict \| crowd \| dissonant bass \| half-diminished 7th chord \| rushing \| shop \| street \| tense \| underscoring
Angels With Dirty Faces (1938)	Crowd	0:41:46 - Hustling crowd	chromatic parallelism \| conflict \| crowd \| dissonant bass \| rushing \| street \| tense
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	The Cartoon	1:04:49 - Jerry looks at newspaper cartoon of Rocky	9th chord \| advance plot \| cartoon \| chromatic parallelism \| comical \| leading man \| priest \| reading \| room
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	advance plot \| altered dominant \| chromatic scale \| cut from film
Angels With Dirty Faces (1938)	Hurrying	1:10:54 - A newspaper editor gives orders to his men	assigning \| chromatic scale \| commanding \| dissonant bass \| hurried \| mickey-mousing \| montage \| montage \| newspaper editor \| newspaper office
Angels With Dirty Faces (1938)	Flyers	1:12:27 - Montage of flyers for a public meeting	42 chord \| agitated \| chromatic sequence \| dissonant bass \| dropping \| flyer \| flying \| montage \| montage
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Rocky runs	1:25:13 - Rocky makes a run for it	agitated \| chromatic scale \| conflict \| falling \| gangster \| gun \| gunshot \| hostage \| leading man \| octatonic \| priest \| running \| sequence \| shooting \| street \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	Sanctus (Maestoso)	1:36:06 - Jerry and the boys walk up the stairs	angelic \| ascending \| chromatic mediant \| foreign key modulation \| leading man \| priest \| resolution \| room \| stairs \| teenager \| The End \| transcendence \| triumphant \| up
Are These Our Children? (1931)	Dreams (Coney Island)	NIF - not in film	chromatic mediant \| chromatic parallelism \| cut from film \| foreign key modulation \| joyful
Are These Our Children? (1931)	Dreams (Washroom Sequence)	0:24:25 - Eddie talks with his friends	advance plot \| chromatic parallelism \| common-tone diminished 7th \| conversing \| dance hall \| friend \| leading man \| score to source \| somber \| source music \| transcribed by ear
Are These Our Children? (1931)	Dreams (Washroom Sequence Coda)	NIF - not in film	chromatic parallelism \| cut from film
Are These Our Children? (1931)	Makes You Forget Your Troubles (Listesso Tempo)	0:30:13 - Eddie commits a crime	angry \| chromatic scale \| double exposure \| dreaming \| dream sequence \| fragmentation \| hectic \| leading man \| montage \| room
Are These Our Children? (1931)	Dreams (Transition 8B)	NIF - not in film	added-note chord \| altered dominant \| augmented triad \| chromatic mediant \| common-tone diminished 7th \| cut from film \| foreign key modulation \| pedal tone \| tense \| turbulent
Are These Our Children? (1931)	Dreams (Allegro)	1:15:33 - Newspaper headlines	augmented triad \| chromatic parallelism \| double exposure \| dramatic \| fanfare \| frantic \| headline \| montage \| mother \| newspaper \| ostinato \| spinning \| tense \| whole-tone chord \| whole-tone scale
Are These Our Children? (1931)	Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13)	NIF - not in film	9th chord \| added-note chord \| chromatic sequence \| common-tone diminished 7th \| cut from film \| dramatic \| plagal cadence \| somber
Are These Our Children? (1931)	Dreams (Meno)	NIF - not in film	added-note chord \| chromatic parallelism \| common-tone dominant 7th \| cut from film \| half-diminished 7th chord \| peaceful
Arsenic and Old Lace (1944)	Signature	0:00:00 - WB shield	added-note chord \| bold \| chromatic mediant \| fanfare \| foreign key modulation \| opening title sequence \| phrase extension \| WB shield
Arsenic and Old Lace (1944)	Happy Land (Chromatic)	0:00:21 - Cast list	64 chord \| cast list \| chromatic mediant \| chromatic scale \| dramatic \| familiar tune \| foreign key modulation \| opening title sequence
Arsenic and Old Lace (1944)	Chromatic Fall	0:00:58 - Max Steiner's name	42 chord \| cast list \| chromatic parallelism \| chromatic scale \| dramatic \| opening title sequence \| pedal tone
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Wow Wow Trumpet)	0:02:42 - Reporters talk	64 chord \| chromatic mediant \| comical \| conversing \| establish character \| familiar tune \| foreign key modulation \| marriage \| office \| reporter
Arsenic and Old Lace (1944)	Sidewalks of New York (Quasi Barcarolle)	0:05:13 - The Brewster home	64 chord \| calm \| card \| cemetery \| chromatic mediant \| common-tone diminished 7th \| enharmonic modulation \| establish setting \| familiar tune \| gravestone \| ominous \| stinger \| street \| wind \| wind effect
Arsenic and Old Lace (1944)	Wind blowing	0:13:48 - Wind blows the curtains at the window	advance plot \| aunt \| blowing \| chromatic parallelism \| leading lady \| looking \| mysterious \| room \| wind \| wind effect
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Jonathan 2	0:40:30 - Jonathan enters the house	arriving \| chromatic scale \| chromatic wedge \| close-up \| criminal \| dark \| dissonant bass \| establish character \| leading man \| observing \| ominous \| pc set \| room \| walking \| zoom in
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Funeral March	0:55:21 - Teddy carries the body down the stairs	advance plot \| brother \| carrying \| chromatic scale \| corpse \| crazy person \| darkness \| diminution \| dirge \| familiar tune \| foreign key modulation \| funeral march \| linear chromaticism \| ominous \| ostinato \| room \| tritone \| walking
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
His Greatest Gamble (1934)	Russian Waltz	0:30:05 - Philip arrives at Florence's home	9th chord \| arriving \| calm \| chromatic sequence \| common-tone diminished 7th \| establish setting \| fugitive \| leading man \| mansion \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| source music \| waltz \| wandering
Crime School (1938)	Signature	0:00:00 - Warner Brothers shield	bold \| chromatic mediant \| deceptive resolution \| fanfare \| main title \| opening title sequence \| starring list \| WB shield
Crime School (1938)	Underscoring (Tense)	0:08:20 - The kids confront the junk shop owner	attacking \| chromatic scale \| conflict \| death \| diminished 7th chord \| dissonant bass \| fighting \| gang \| mickey-mousing \| ominous \| ostinato \| running \| shop \| shopkeeper \| stairs \| stinger \| teenager \| tense \| underscoring \| up
Crime School (1938)	Running away	0:09:32 - Kids run away from cops	42 chord \| chasing \| chromatic scale \| conflict \| dramatic \| fleeing \| gang \| mickey-mousing \| police \| running \| street \| teenager \| tense
Crime School (1938)	Sue (Quasi Blues)	0:11:08 - Sue talks to Frankie	bluesy \| chromatic parallelism \| common-chord modulation \| conversing \| crying \| establish character \| foreign key modulation \| Gershwinesque \| heroine \| leading lady \| room \| somber
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	The Patrol Wagon	0:21:41 - Boys get loaded into the patrol wagon	car \| chromatic parallelism \| cut from film \| dissonant bass \| pedal tone \| police car \| traveling
Crime School (1938)	The Warden	0:23:15 - Warden stands up to face the boys	antagonist \| arguing \| augmented triad \| authority \| chromatic parallelism \| establish character \| falling \| gang \| lightning \| ominous \| police \| reformatory \| slapping \| stinger \| teenager \| warden \| whole-tone chord
Crime School (1938)	The Warden (Quasi Mysterioso)	0:27:46 - Warden approaches Frankie with a whip	chromatic parallelism \| develop character \| reformatory \| rising \| standing \| teenager \| tense \| threatening \| warden \| whip
Crime School (1938)	Underscoring (Dramatic)	0:28:01 - Frankie escapes from the warden's office	9th chord \| chromatic parallelism \| dramatic \| escape \| escaping \| half-diminished 7th chord \| hiding \| mickey-mousing \| ostinato \| reformatory \| running \| teenager \| tense \| throwing \| tone cluster \| warden \| whole-tone scale
Crime School (1938)	Underscoring (Tense)	0:28:21 - Boys wonder about the alarm	alarm \| chromatic parallelism \| chromatic wedge \| dissonant bass \| escape \| gang \| pc set \| reformatory \| teenager \| tense \| whistle \| wondering
Crime School (1938)	Searchlights	0:28:27 - Boys wonder about the searchlight	chromatic parallelism \| escape \| gang \| mickey-mousing \| reformatory \| searchlight \| teenager \| tense \| wondering
Crime School (1938)	Escaping	0:28:32 - Frankie runs and hides	chromatic parallelism \| chromatic wedge \| dissonant bass \| dramatic \| escape \| escaping \| hiding \| mickey-mousing \| police \| reformatory \| running \| sequence \| sneaking \| teenager \| tense \| tone cluster
Crime School (1938)	Searchlights (Sneaking)	0:28:47 - Frankies hides from the searchlight	chromatic parallelism \| dramatic \| escape \| escaping \| hiding \| jumping \| mickey-mousing \| police \| reformatory \| running \| searchlight \| sneaking \| teenager \| tense
Crime School (1938)	Underscoring (Dramatic)	0:29:09 - Frankie hides then runs	barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| escaping \| gang \| hiding \| jumping \| mickey-mousing \| reformatory \| running \| teenager \| tense
Crime School (1938)	Sue (Barbed Wire)	0:29:18 - Frankie gets caught on barbed wire	anguished \| barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| climbing \| diminished 7th chord \| dissonant bass \| dramatic \| escape \| half-diminished 7th chord \| pain \| pc set \| reformatory \| struggling \| teenager \| tense
Crime School (1938)	The Warden (The Guards)	0:29:34 - Warden's guards run to catch Frankie	64 chord \| anguished \| barbed wire fence \| battle call \| capturing \| chromatic parallelism \| chromatic scale \| dragging \| dramatic \| escape \| falling \| pc set \| police \| reformatory \| running \| sequence \| teenager \| tense \| warden
Crime School (1938)	Dragging	0:29:51 - Warden's guards drag Frankie through the rain	accented dissonance \| anguished \| capturing \| chromatic parallelism \| dissonant bass \| dragging \| dramatic \| escape \| kicking \| mickey-mousing \| police \| reformatory \| splashing \| teenager \| tense \| warden
Crime School (1938)	Window closing	0:30:05 - Boys close their window	chromatic parallelism \| closing \| escape \| gang \| mickey-mousing \| reformatory \| somber \| teenager \| whole-tone scale \| window
Crime School (1938)	Underscoring (Dramatic)	0:30:08 - Guards take Frankie inside	begging \| chromatic scale \| dissonant bass \| dragging \| dramatic \| escape \| fear \| reformatory \| teenager \| tense \| warden
Crime School (1938)	The Warden (Punishment)	0:36:22 - Warden defends his punishment	advance plot \| chromatic wedge \| conversing \| dark \| evil \| hospital \| leading man \| reformatory \| teenager \| warden \| whole-tone chord
Crime School (1938)	Spots	0:49:20 - Squirt has spots on his pajamas	9th chord \| chromatic parallelism \| comedy \| comical \| conversing \| gang \| hero \| leading man \| mickey-mousing \| paint \| reformatory \| spots \| teenager \| tense
Crime School (1938)	Unveiling the statue	0:49:31 - Mark takes the veil off of the statue	64 chord \| chromatic parallelism \| chromatic wedge \| comedy \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| teenager \| tense \| uncovering \| unveiling
Crime School (1938)	Slips on paint	0:51:01 - Guard chases boy then slips and falls on paint	accident \| chromatic scale \| comedy \| comical \| falling \| mickey-mousing \| police \| reformatory \| slipping \| teenager \| walking
Crime School (1938)	The Boiler Room	0:54:27 - Boys talk about stoking the boiler	action scene \| auctioning \| boiler room \| chromatic parallelism \| chromatic scale \| dissonant bass \| fanfare \| gang \| heroic \| reformatory \| teenager \| working
Crime School (1938)	Kids running down	0:56:17 - Kids run down stairs	action scene \| chromatic parallelism \| down \| dramatic \| mickey-mousing \| polychord \| quartal chord \| reformatory \| running \| stairs \| teenager
Crime School (1938)	Running around	0:56:37 - Boys run out of the building	action scene \| chromatic parallelism \| gang \| linear chromaticism \| mickey-mousing \| reformatory \| running \| rushing \| teenager \| tense \| worker
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Underscoring (Dramatic)	1:06:55 - Frankie hits Spike	advance plot \| anger \| arguing \| chromatic parallelism \| chromatic wedge \| dramatic \| reformatory \| teenager \| underscoring
Crime School (1938)	Sue (Troubled)	1:07:37 - Frankie is troubled about his sister	advance plot \| chromatic parallelism \| chromatic sequence \| conversing \| gang \| reformatory \| teenager \| thinking \| troubled \| worried
Crime School (1938)	Sue (Prison Moods)	1:08:48 - Boys talk to Frankie about his sister	advance plot \| chromatic parallelism \| dissonant \| dissonant bass \| distortion \| gang \| minor second \| mysterious \| plotting \| reformatory \| teenager \| tense \| tone cluster
Crime School (1938)	Underscoring (Tense)	1:09:46 - Boys talk to Frankie	advance plot \| chromatic parallelism \| gang \| gun \| keys \| mickey-mousing \| mysterious \| ominous \| pc set \| plotting \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Underscoring (Dramatic)	1:11:24 - Boys plot their escape	9th chord \| arguing \| chromatic parallelism \| chromatic scale \| dramatic \| escape \| gang \| plotting \| reformatory \| teenager \| underscoring
Crime School (1938)	Underscoring (Tense)	1:12:21 - Cooper talks with the warden	chromatic parallelism \| escape \| half-diminished 7th chord \| phone call \| plotting \| police \| reformatory \| telephone \| tense \| warden
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Underscoring (Dramatic)	1:15:31 - Frankie fights Spike	agitated \| arguing \| chromatic scale \| conflict \| dissonant bass \| fighting \| gang \| hero \| leading man \| sequence \| street \| teenager \| underscoring
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
Crime School (1938)	Sue (Allegretto)	1:24:18 - Boys talk about Sue	9th chord \| chromatic parallelism \| conversing \| courthouse \| fragmentation \| gang \| optimistic \| resolution \| sequence \| teenager
Crime School (1938)	Sue (End Credits)	1:24:49 - Cast list	added-note chord \| bluesy \| chromatic parallelism \| closing credits \| end title sequence \| Gershwinesque \| mode mixture \| not by Steiner \| upbeat
They Made Me a Criminal (1939)	Signature	0:00:00 - WB shield	added-note chord \| bold \| chromatic mediant \| dissonant bass \| fanfare \| main title \| opening title sequence \| WB shield
They Made Me a Criminal (1939)	Transition	0:00:07 - Starring list	added-note chord \| chromatic parallelism \| dissonant bass \| dramatic \| main title \| opening title sequence \| pedal tone \| starring list \| tense \| title of film
They Made Me a Criminal (1939)	Peggy	0:00:25 - Director credit	9th chord \| 11th chord \| 13th chord \| bold \| cast list \| chromatic mediant \| foreign key modulation \| heroic \| main title \| opening title sequence \| tritone substitution
They Made Me a Criminal (1939)	The Street	0:14:31 - Newspaper boy on street	64 chord \| chromatic sequence \| dark \| newspaper \| newspaper boy \| selling \| street \| tense \| transition
They Made Me a Criminal (1939)	The Awakening	0:14:48 - Johnnie wakes up	advance plot \| chromatic scale \| confusion \| deceptive resolution \| leading man \| metric modulation \| mysterious \| octatonic chord \| octatonic scale \| pc set \| room \| waking \| whole-tone chord
They Made Me a Criminal (1939)	Reading	0:15:29 - Johnnie reads a newspaper	advance plot \| chromatic scale \| dissonant bass \| leading man \| newspaper \| reading \| room \| tense \| whole-tone chord
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:16:01 - Johnnie rushes inside	advance plot \| chromatic scale \| dramatic \| leading man \| minor-major 7th chord \| newspaper \| room \| rushing \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Traveling)	0:22:51 - Johnnie's plodding feet	chromatic scale \| chromatic wedge \| countryside \| desert \| dissonant bass \| dramatic \| leading man \| linear chromaticism \| map \| mickey-mousing \| money \| montage \| montage \| traveling \| walking \| whole-tone \| whole-tone chord
They Made Me a Criminal (1939)	The Ladder	0:30:11 - Tommy sitting on a ladder	cheerful \| chromatic scale \| common-tone diminished 7th \| conflict \| diminished 7th chord \| dissonant bass \| fun \| ladder \| pedal tone \| ranch \| teenager \| working
They Made Me a Criminal (1939)	Ladder falls	0:30:16 - The ladder falls	chromatic scale \| comical \| conflict \| diminished 7th chord \| falling \| ladder \| mickey-mousing \| ranch \| teenager
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	Underscoring (Tense)	1:02:14 - Johnnie overhears the detective	advance plot \| chromatic scale \| detective \| dissonant bass \| hiding \| leading man \| ominous \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Tenderly)	1:07:57 - Tommy talks to Johnnie	9th chord \| ABAB structure \| altered dominant \| arguing \| chromatic mediant \| conversing \| direct modulation \| foreign key modulation \| hero \| leading man \| room \| tender \| turning point
They Made Me a Criminal (1939)	On the Make (Lohenblueish)	1:09:07 - Johnnie decides that he will stay	added-note chord \| augmentation \| chromatic mediant \| direct modulation \| foreign key modulation \| hero \| hopeful \| hopeless \| leading man \| linear chromaticism \| passionate \| room \| thinking \| turning point \| zoom in
They Made Me a Criminal (1939)	Peggy (Waiting)	1:24:39 - The detective talks to Johnnie	chromatic scale \| climax \| dark \| detective \| diminished 7th chord \| dissonant \| dissonant bass \| leading lady \| leading man \| lying \| ominous \| room \| waiting
Dust Be My Destiny (1939)	Signature	0:00:00 - WB shield	bold \| chromatic mediant \| fanfare \| main title \| opening title sequence \| WB shield
Dust Be My Destiny (1939)	Dust Be My Destiny (Opening A)	0:00:21 - Main title	64 chord \| chromatic mediant \| dissonant bass \| dust \| main title \| mickey-mousing \| opening title sequence \| romantic \| title of film
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Underscoring (Humorous)	0:13:13 - Joe talks to the cow	barn \| chromatic parallelism \| comical \| conversing \| cow \| diminished triad \| dissonant bass \| leading man \| lovers meet \| prisoner \| underscoring
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Pensive)	0:23:08 - Joe tells Mabel about his dreams	11th chord \| barn \| chromatic mediant \| dreaming \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| pensive
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Waiting)	0:29:38 - Joe and Mabel talk about getting married	added-note chord \| augmented sixth chord \| chromatic mediant \| common-tone diminished 7th \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| street \| waiting
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	The Poster	0:40:39 - Joe and Mabel see a sign for the train	chromatic sequence \| comedy \| comical \| laughing \| leading lady \| leading man \| runaway \| sign \| street
Dust Be My Destiny (1939)	Whistling	0:45:44 - Joe whistles as he walks	64 chord \| cheerful \| chromatic mediant \| deceptive resolution \| foreign key modulation \| leading man \| on-screen music \| scored source music \| source music \| street \| traveling scene \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Sehr Ominous)	0:56:14 - Joe walks towards the shop	9th chord \| chromatic parallelism \| crime scene \| criminal \| leading man \| mysterious \| sequence \| shop \| shopkeeper \| street \| walking
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Buzzing	1:01:05 - Men working in the dark room	64 chord \| action scene \| added-note chord \| buzzy \| chromatic parallelism \| dark room \| enharmonic modulation \| exciting \| foreign key modulation \| leading man \| mode mixture \| Neapolitan \| newspaper \| newspaper editor \| parallelism \| photographer \| photography \| pump-up modulation \| Rimsky-Korsakov \| working
Dust Be My Destiny (1939)	Headlines	1:03:23 - Headline about the robbery	advance plot \| augmented triad \| chromatic sequence \| diner \| dramatic \| newspaper \| newspaper boy \| selling \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Mysterioso)	1:05:26 - Joe talks to Mike	advance plot \| chromatic parallelism \| chromatic sequence \| dark \| leading man \| linear chromaticism \| newspaper editor \| office \| ominous \| somber
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Dust Be My Destiny (1939)	Underscoring (Tense)	1:09:28 - Mike is confronted by gangsters	bribe \| chromatic parallelism \| conflict \| gangster \| linear chromaticism \| newspaper editor \| street \| tense \| underscoring
Dust Be My Destiny (1939)	Gangsters walk	1:10:26 - The gangsters walk to their car	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| gangster \| mickey-mousing \| newspaper editor \| street \| tense \| walking
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	1:10:32 - Joe heroically wrestles away the steering wheel	action scene \| chromatic scale \| dramatic \| fighting \| fragmentation \| gangster \| hero \| leading man \| newspaper editor \| retrograde \| street
Dust Be My Destiny (1939)	Car crash	1:10:55 - Gangsters crash the car	action scene \| car \| chromatic scale \| crashing \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| newspaper editor \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Hanging Hats)	1:26:31 - Joe and Mabel toss their hats	11th chord \| chromatic mediant \| foreign key modulation \| happy \| hat \| hook \| leading lady \| leading man \| mickey-mousing \| resolution \| throwing \| train \| traveling \| whistle effect
Each Dawn I Die (1939)	Signature	0:00:00 - WB shield	added-note chord \| bold \| chromatic mediant \| fanfare \| linear chromaticism \| main title \| opening title sequence \| WB shield
Each Dawn I Die (1939)	Creeping	0:04:47 - Two men sneak up behind Frank	chromatic scale \| chromatic sequence \| conflict \| creeping \| gangster \| mickey-mousing \| mysterious \| pizzicato \| sneaking \| street \| walking
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Car Crash	0:05:40 - Two cars crash	car \| car crash \| chromatic scale \| conflict \| crashing \| explosion \| frantic \| hero \| leading man \| metric dissonance \| minor second \| reporter \| street \| tone cluster
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Montage	0:22:54 - Montage showing the passing of time	chromatic parallelism \| clock \| dramatic \| linear chromaticism \| mickey-mousing \| montage \| montage \| prison \| prisoner \| tense \| waiting \| whole-tone chord
Each Dawn I Die (1939)	Headlines	0:41:50 - Newspaper headline is shown	9th chord \| chromatic parallelism \| dark \| fanfare \| headline \| montage \| montage \| newspaper \| pedal tone
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
Each Dawn I Die (1939)	Newspaper Fanfare (Extended)	1:03:36 - Newspaper headline is shown	chromatic parallelism \| fanfare \| headline \| justice \| mickey-mousing \| montage \| montage \| noble \| zooming
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	Signature	0:00:00 - Warner Brothers shield	bold \| chromatic mediant \| deceptive resolution \| fanfare \| opening title sequence \| WB shield
Flamingo Road (1949)	Flamingo Road (Chapter One)	0:00:54 - Chapter one from Flamingo Road	chromatic mediant \| common-chord modulation \| establish setting \| gentle \| mode mixture \| self-borrowing \| street \| voice-over
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chords \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love \| leading lady \| leading man \| police
Flamingo Road (1949)	Titus 2	0:18:16 - A newspaper headline	chromatic parallelism \| dark \| headline \| newspaper \| politician \| porch \| self-borrowing \| sheriff \| throwing \| transition \| tritone
Flamingo Road (1949)	Titus 2 (Extended)	0:30:27 - Field overhears people talking about Titus	advance plot \| chromatic sequence \| dark \| leading man \| mysterious \| newspaper \| parallelism \| reading \| self-borrowing \| street \| townsfolk
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Lane (Not in Film 2)	NIF - not in film	9th chord \| advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| whole-tone chord
Flamingo Road (1949)	Titus 2 (Not in Film)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| self-borrowing
Flamingo Road (1949)	Titus 2 (Agitato)	0:37:11 - Lane goes to confront Titus	agitated \| angry \| chromatic sequence \| hurrying \| leading lady \| self-borrowing \| street \| transition \| walking
Flamingo Road (1949)	Agitato	0:39:09 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| hurrying \| leading lady \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus 2 (Walking)	0:39:17 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| conflict \| diminished 7th chord \| hurrying \| leading lady \| mickey-mousing \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Agitato (Angry)	0:45:50 - Dan argues with Titus	advance plot \| anger \| angry \| arguing \| chromatic parallelism \| chromatic scale \| chromatic wedge \| club \| leading lady \| politician \| polychord \| self-borrowing \| sheriff \| smashing \| stinger \| waitress
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	The Capitol	0:56:03 - The Olympic City capitol building	chromatic mediant \| courthouse \| deceptive resolution \| establish setting \| Mixolydian mode \| noble \| self-borrowing
Flamingo Road (1949)	Titus 2 (Threatening)	1:04:45 - Titus threatens Lane	advance plot \| chromatic parallelism \| leading lady \| room \| self-borrowing \| sheriff \| threatening \| threatening
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Agitato (Angry)	1:09:25 - Titus leaves	advance plot \| agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| leading man \| leaving \| politician \| polychord \| sheriff \| street \| tense
Flamingo Road (1949)	Titus + Titus 2	1:09:43 - Titus bullies Field	advance plot \| bullying \| chromatic parallelism \| combination of themes \| commanding \| dark \| leading man \| ominous \| ostinato \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Titus 2 (Buzzer)	1:13:16 - Titus arrives	arriving \| chromatic parallelism \| dark \| entering \| leading lady \| maid \| ominous \| politician \| room \| self-borrowing \| sheriff \| transition
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Maestoso)	1:26:31 - Dan reads a telegram about Field's death	advance plot \| chromatic parallelism \| diminished 7th chord \| lawyer \| leading man \| linear chromaticism \| politician \| reading \| suicide \| telegram \| tragic \| train \| violent
Flamingo Road (1949)	Mob	1:28:20 - A mob forms outside of Lane's home	advance plot \| angry \| anxious \| augmented triad \| chromatic parallelism \| chromatic scale \| friend \| leading lady \| minor-major 7th chord \| mob \| mobbing \| ostinato \| polyrhythm \| room \| tense \| whole-tone chord
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	Titus 2 (Ominous)	1:30:55 - Titus pretends to make a phone call	calling \| chromatic parallelism \| climax \| club \| dark \| deceiving \| gun \| leading lady \| mysterious \| self-borrowing \| sheriff \| telephone
Flamingo Road (1949)	Underscoring (Dramatic)	1:31:15 - Titus attacks Lane	attacking \| breaking \| chromatic parallelism \| climax \| club \| dramatic \| dropping \| gun \| leading lady \| linear chromaticism \| oscillation \| sheriff \| staggering \| stinger \| telephone \| tense \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:31:19 - Titus throws the phone at Lane	chromatic parallelism \| climax \| club \| dramatic \| gun \| leading lady \| mickey-mousing \| sheriff \| telephone \| throwing
Flamingo Road (1949)	Titus (Climax)	1:31:43 - Lane struggles with Titus	chromatic parallelism \| chromatic wedge \| climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| self-borrowing \| sequence \| sheriff \| struggling \| tense
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
In This Our Life (1942)	Signature	0:00:00 - WB shield	bold \| chromatic mediant \| fanfare \| fragmentation \| main title \| metric dissonance \| opening title sequence \| WB shield
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	Running and hiding	0:07:54 - Frankie runs and hides in the shadows	chromatic scale \| establish character \| familiar tune \| folk song \| hero \| hiding \| mickey-mousing \| running \| soldier \| street \| tense
The Informer (1935)	Running (Not in Film)	NIF - not in film	chromatic scale \| establish character \| hero \| mickey-mousing \| running \| street
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	The Informer (Walking Fast)	0:30:13 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| chromatic parallelism \| diminished 7th chord \| hurrying \| leading man \| Scotch snap \| street \| tense \| walking
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	Dan and Mary	0:55:53 - Dan and Mary talk alone	ABA structure \| chromatic parallelism \| deceptive resolution \| diminished 7th chord \| dissonant bass \| embracing \| half-diminished 7th chord \| hero \| love interest \| love scene \| love theme \| mode mixture \| passionate \| pedal tone \| romantic \| room
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Dan and Mary (Descending)	1:05:08 - Mary enters, looking for Dan	chromatic sequence \| courtroom scene \| dissonant bass \| down \| headquarters \| hero \| love interest \| love theme \| mickey-mousing \| romantic \| stairs \| street \| suspect \| walking
The Informer (1935)	Falling down the stairs	1:06:19 - Gypo falls down the stairs	9th chord \| antagonist \| chromatic scale \| courtroom scene \| down \| dramatic \| falling \| headquarters \| leading man \| mickey-mousing \| rebel \| room \| stairs \| suspect
The Informer (1935)	Judges (Maestoso)	1:08:01 - Gypo looks at the judges	64 chord \| chromatic scale \| courtroom \| courtroom scene \| headquarters \| judge \| judging \| pedal tone \| room \| serious \| somber \| watching
The Informer (1935)	Blind Man (Tribunal)	1:08:08 - Gypo looks at the blind man	64 chord \| accusing \| antagonist \| blind man \| chromatic scale \| courtroom \| courtroom scene \| headquarters \| leading man \| pedal tone \| room \| serious \| suspect \| watching
The Informer (1935)	The Escape	1:19:46 - Gypo escapes and a chase ensues	advance plot \| antagonist \| chromatic scale \| dramatic \| escaping \| headquarters \| hurrying \| leading man \| mickey-mousing \| prison \| rebel \| room \| running \| traitor \| whole-tone \| whole-tone chord
The Informer (1935)	Gypo runs away	1:21:26 - Gypo runs and hides	agitated \| antagonist \| chromatic parallelism \| diminished 7th chord \| hiding \| leading man \| mickey-mousing \| running \| sequence \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Up the Stairs)	1:21:35 - Gypo goes up the stairs	64 chord \| agitated \| antagonist \| chromatic sequence \| fragmentation \| hallway \| hiding \| leading man \| mickey-mousing \| running \| sequence \| stairs \| tense \| traitor \| transition \| up
The Informer (1935)	Katie (Dolcissimo)	1:22:57 - Gypo talks to Katie	antagonist \| chromatic sequence \| leading lady \| leading man \| love \| love interest \| love scene \| romantic \| room \| traitor \| yearning
The Informer (1935)	Begging 2	1:26:41 - Katie begs for Gypo's life	advance plot \| anxiety \| begging \| chromatic scale \| despair \| leading lady \| love interest \| rebel \| room \| sequence \| tense
The Informer (1935)	Katie (Furioso)	1:26:55 - Katie becomes desperate	advance plot \| anxiety \| begging \| chromatic parallelism \| despair \| dissonant bass \| fragmentation \| leading lady \| love interest \| rebel \| room \| sentence form \| sequence \| tense \| whole-tone chord
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
Key Largo (1948)	Signature	0:00:00 - Warner Brothers shield	bold \| chromatic mediant \| deceptive resolution \| fanfare \| opening title sequence \| WB shield
The Letter (1940)	Signature	0:00:00 - WB Shield	bold \| chromatic mediant \| fanfare \| foreign key modulation \| main title \| opening title sequence \| WB shield
The Letter (1940)	Leslie B	0:00:25 - Cast list	cast list \| changing meter \| chromatic scale \| chromatic sequence \| harmonic sequence \| main title \| opening title sequence \| romantic
The Letter (1940)	Runners	0:05:14 - Workers run through jungle	action scene \| chromatic parallelism \| dramatic \| heroic \| jungle \| running \| sequential modulation \| servant \| tense
The Letter (1940)	Underscoring (Tense)	0:06:21 - Robert goes in the house	arriving \| chromatic scale \| diminished 7th chord \| home \| husband \| tense \| transition \| underscoring
The Letter (1940)	Leslie (Rising) + Deception	0:13:28 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| crying \| dramatic \| emotional \| home \| leading lady \| oscillation \| ostinato \| passionate \| pc set \| recounting \| sequence
The Letter (1940)	Leslie (Risoluto)	0:14:07 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| dramatic \| fragmentation \| home \| leading lady \| pc set \| polychord \| recounting \| sequence \| tense
The Letter (1940)	Letter (Sarcastic)	0:15:10 - Robert comforts Leslie	advance plot \| chromatic sequence \| conversing \| dissonant bass \| home \| leading lady \| mysterious \| sequence
The Letter (1940)	Leslie (Dark)	0:16:09 - Men look at dead body	advance plot \| augmented major 7th chord \| changing meter \| chromatic parallelism \| creeping \| dark \| death \| dissonant bass \| investigating \| murder \| pc set \| plantation \| servant \| shadow \| sinister
The Letter (1940)	Letter (Sarcastic)	0:19:45 - Robert looks at Leslie	chromatic sequence \| dissonant bass \| glance \| home \| leading lady \| longing \| love scene \| mysterious \| sequence \| staring
The Letter (1940)	Letter (Sarcastic)	0:22:41 - Leslie and Howard leave	advance plot \| chromatic sequence \| dissonant bass \| home \| lawyer \| leading lady \| leaving \| mysterious \| passionate \| sequence
The Letter (1940)	Leslie (Walking)	0:30:58 - Leslie in jail	64 chord \| advance plot \| chromatic parallelism \| fragmentation \| leading lady \| mysterious \| oscillation \| prison \| walking
The Letter (1940)	Leslie (Tense)	0:34:20 - Howard tells Leslie about the letter	9th chord \| altered dominant \| chromatic parallelism \| conversing \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| suspenseful \| tense
The Letter (1940)	Deception	0:34:35 - Leslie lies about the letter	chromatic scale \| deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:34:47 - Howard gives Leslie the letter	altered dominant \| augmented triad \| chromatic parallelism \| combination of themes \| deception \| denying \| lawyer \| leading lady \| letter \| lying \| oscillation \| ostinato \| pc set \| pivotal scene \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Denial	0:35:39 - Leslie denies writing the letter	augmented triad \| chromatic parallelism \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense
The Letter (1940)	Letter (Frantic)	0:36:16 - Leslie admits to writing the letter	chromatic sequence \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:37:07 - Howard reads the letter to Leslie	anxious \| augmented triad \| buildup \| chromatic parallelism \| fearful \| fragmentation \| lawyer \| leading lady \| letter \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:37:34 - Howard talks to Leslie	anxious \| chromatic sequence \| conversing \| fearful \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Leslie (Plotting)	0:39:32 - Howard and Leslie plot their next move	9th chord \| advance plot \| buildup \| changing meter \| chromatic sequence \| fragmentation \| hospital \| lawyer \| leading lady \| letter \| minor-major 7th chord \| ominous \| oscillation \| plotting \| tense
The Letter (1940)	Law Office (The Plea)	0:40:00 - Howard asks Leslie to be honest	9th chord \| advance plot \| anxious \| artwork in score \| chromatic sequence \| conversing \| hospital \| lawyer \| leading lady \| letter \| refusing \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:40:57 - Leslie talks to Howard	advance plot \| angry \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| deception \| hospital \| lawyer \| leading lady \| letter \| sequence \| staring \| tense
The Letter (1940)	Robert and Leslie	0:41:12 - Howard says he will help Leslie	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| deception \| hospital \| lawyer \| leading lady \| letter \| love theme \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Robert and Leslie (Triste)	0:42:17 - Leslie and Howard talk about her husband	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| hospital \| lawyer \| leading lady \| letter \| love theme \| resolution \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Leslie B (Ethereal)	0:52:33 - Howard and Leslie talk	advance plot \| chromatic sequence \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Solemn) + Glass Curtains	1:03:08 - Leslie and Howard leave	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| solemn \| staring \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Bitter)	1:08:54 - Leslie sees Mrs. Hammond in the courtroom	11th chord \| antagonist \| Chinese \| Chinese \| chromatic parallelism \| confronting \| courtroom \| dark \| husband \| leading lady \| trial
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Leslie B (Ethereal)	1:18:13 - Leslie confesses to Robert	chromatic sequence \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Robert and Leslie (Tense)	1:27:06 - Leslie talks to Robert	chromatic mediant \| climax \| conversing \| gentle \| home \| husband \| leading lady \| love theme \| Neapolitan \| suspension \| tender \| tense
The Letter (1940)	Deception (Lohengreenish)	1:28:01 - Leslie reacts to Robert's forgiveness	chromatic mediant \| climax \| conversing \| diminished 7th chord \| dissonant bass \| home \| husband \| kissing \| leading lady \| ostinato \| retardation \| romantic \| sequence \| suspension \| tense
The Letter (1940)	Shadow	1:30:30 - Leslie leaves the house	chromatic parallelism \| climax \| leading lady \| major triad \| mysterious \| plantation \| polychord \| shadow \| walking
The Letter (1940)	Robert and Leslie (The Body)	NIF - not in film	alternate music \| body \| chromatic mediant \| climax \| death \| foreign key modulation \| love theme \| Neapolitan \| pedal tone \| plantation \| somber
The Life of Vergie Winters (1934)	Underscoring (Gentle)	0:51:06 - Joan talks with Vergie	9th chord \| advance plot \| altered dominant \| augmented sixth chord \| child \| chromatic parallelism \| conversing \| daughter \| foreign key modulation \| gentle \| half-diminished 7th chord \| leading lady \| mother \| reunion \| secret \| shop \| timid
The Life of Vergie Winters (1934)	Lullaby (Strings)	0:52:30 - Vergie puts a ribbon in Joan's hair	advance plot \| child \| chromatic mediant \| conversing \| countermelody \| daughter \| direct modulation \| gentle \| leading lady \| mode mixture \| mother \| pedal tone \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Old Lavender (Allegretto)	1:04:31 - Ranny reacts to the revelation	chromatic mediant \| conflict \| conversing \| daughter \| foreign key modulation \| fragmentation \| leading man \| light \| love interest \| mode mixture \| optimistic \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Lullaby + Here Comes the Bride	1:10:07 - Vergie imagines the wedding	added-note chord \| bride \| calm \| chromatic mediant \| combination of themes \| common-chord modulation \| daughter \| double exposure \| familiar tune \| groom \| leading lady \| leading man \| peaceful \| secret lover \| ternary form \| transcribed by ear \| walking \| wedding \| wedding \| wedding music
Out of the Fog (1941)	Signature	0:00:00 - Warner Brothers logo	added-note chord \| bold \| chromatic mediant \| fanfare \| foreign key modulation \| opening title sequence \| phrase extension \| WB shield
Kid Galahad (1937)	Boxing poster	0:00:41 - Boxing poster	64 chord \| augmentation \| chromatic sequence \| diminution \| establish character \| jaunty \| poster \| street \| zoom in
Kid Galahad (1937)	Kid Galahad (Montage)	0:46:47 - Montage of newspaper headlines	64 chord \| advance plot \| appoggiatura \| boxer \| boxing \| boxing ring \| cheering \| chromatic parallelism \| fanfare \| fragmentation \| harmonic sequence \| heroic \| leading man \| montage \| newspaper
Kid Galahad (1937)	Yearning	0:48:47 - Marie speaks with her mother	advance plot \| chromatic mediant \| conversing \| deceptive resolution \| foreign key modulation \| home \| mother \| nervous \| newspaper \| not by Steiner \| sister \| transcribed by ear \| yearning
Kid Galahad (1937)	Doublecross (Heated)	1:16:02 - Nick arrives at the farm	advance plot \| arguing \| arriving \| chromatic mediant \| farm \| leading man \| manager \| not by Steiner \| sister \| tense \| transcribed by ear
Kid Galahad (1937)	Kid Galahad (Montage 2)	1:18:47 - Newspaper headline montage	64 chord \| chromatic mediant \| climax \| fanfare \| foreign key modulation \| heroic \| hurrying \| manager \| montage \| newspaper \| pedal tone \| room \| syncopation
Traveling Husbands (1931)	There's a Sob In My Heart (Radio Dance Band)	0:32:46 - Music is played on the radio	AABA structure \| chromatic mediant \| comedy \| dancing \| leading lady \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear \| upbeat
We Are Not Alone (1939)	Signature	0:00:00 - WB shield	added-note chord \| chromatic mediant \| fanfare \| linear chromaticism \| main title \| opening title sequence \| phrase extension \| starring list \| WB shield
We Are Not Alone (1939)	Transition	0:00:18 - Book pages showing main cast	augmented sixth chord \| cast list \| chromatic scale \| linear chromaticism \| main title \| opening title sequence \| tense
We Are Not Alone (1939)	Boy runs downstairs	0:03:07 - Gerald runs down the stairs	9th chord \| altered dominant \| antagonist \| boy \| child \| chromatic mediant \| down \| downstairs \| establish character \| foreign key modulation \| gentle \| home \| mickey-mousing \| mother \| pedal tone \| playful \| running
We Are Not Alone (1939)	Appassionato	0:03:13 - Gerald is scolded by his mother	antagonist \| boy \| child \| chromatic parallelism \| chromatic scale \| deceptive resolution \| dominant 7th chord \| establish character \| fragmentation \| harmonic sequence \| hero \| home \| linear chromaticism \| mother \| passionate \| scolding \| sequence \| telling a story \| tense
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:03:55 - David talks to his son	boy \| child \| chromatic parallelism \| establish character \| father \| gentle \| hero \| home \| playful \| sweet \| telling a story
We Are Not Alone (1939)	Jessica	0:10:01 - Jessica enters the room	9th chord \| antagonist \| chromatic parallelism \| chromatic scale \| establish character \| half-diminished 7th chord \| office \| sour \| wife
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:10:16 - Jessica rushes David away	antagonist \| chromatic parallelism \| classical music \| establish character \| familiar tune \| Haydn \| hero \| office \| playful \| quotation
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:10:56 - David visits an injured Leni	chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| gentle \| hero \| heroine \| mode mixture \| quotation \| room \| step modulation
We Are Not Alone (1939)	Surprise Symphony (Not Afraid)	0:11:24 - David sets Leni's wrist	chromatic scale \| classical music \| delicate \| doctor \| establish character \| familiar tune \| foreign key modulation \| fragmentation \| Haydn \| hero \| heroine \| quotation \| room \| somber
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Peaceful)	0:12:13 - David's treatment is successful	calm \| chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| hero \| heroine \| mode mixture \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Lighting the House)	0:23:40 - David lights candles in the house	advance plot \| boy \| candle \| child \| chromatic sequence \| classical music \| dissonant bass \| familiar tune \| father \| Haydn \| helping \| hero \| home \| lighting \| positive \| quotation \| working
We Are Not Alone (1939)	Jessica (Upset)	0:24:32 - Jessica enters and stops the conversation	advance plot \| antagonist \| chromatic scale \| conversing \| dark \| home \| parallelism \| upset \| wife
We Are Not Alone (1939)	Frolic	0:33:45 - Leni and Gerald run through the park	advance plot \| antagonist \| boy \| child \| chromatic mediant \| diminished 7th chord \| foreign key modulation \| gossiping \| heroine \| joyful \| park \| pedal tone \| playing \| running
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	0:38:09 - Jessica tells Leni to leave	altered dominant \| antagonist \| chromatic parallelism \| conflict \| conversing \| familiar tune \| folk song \| gentle \| German \| heroine \| home \| quotation \| sinister \| tense \| whole-tone chord
We Are Not Alone (1939)	Jessica	0:45:10 - Jessica enters the room	9th chord \| advance plot \| antagonist \| chromatic parallelism \| chromatic scale \| conversing \| half-diminished 7th chord \| home \| mother \| room \| sour
We Are Not Alone (1939)	Surprise Symphony (Expanded)	0:45:36 - Leni hugs Gerald	advance plot \| boy \| child \| chromatic parallelism \| classical music \| dissonant bass \| familiar tune \| Haydn \| heroine \| home \| hugging \| quotation \| room \| sweet
We Are Not Alone (1939)	Surprise Symphony (Turbulent)	0:50:14 - Jessica reacts to David's departure	11th chord \| angry \| antagonist \| chromatic parallelism \| classical music \| conflict \| crying \| dark \| familiar tune \| Haydn \| hero \| home \| husband \| leaving \| quotation \| room \| sad \| tragic \| wife
We Are Not Alone (1939)	Underscoring (Tense)	1:03:56 - The crowd outside	agitated \| chromatic scale \| conflict \| confused \| crowd \| hero \| linear chromaticism \| metric dissonance \| pedal tone \| polychord \| riot \| rioting \| street \| tense \| underscoring
We Are Not Alone (1939)	Furioso	1:04:49 - Man throws rock through shop window	chromatic scale \| conflict \| crowd \| dissonant bass \| dramatic \| riot \| rioting \| street \| underscoring
We Are Not Alone (1939)	God Save the King (Violent)	1:05:00 - British mobs in the street	British \| chromatic scale \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Underscoring (Tense)	1:05:17 - David scolds Susan	64 chord \| antagonist \| chromatic scale \| conflict \| conversing \| foreign key modulation \| hero \| street \| tense \| underscoring
We Are Not Alone (1939)	Birds	NIF - not in film	augmentation \| birds \| chromatic mediant \| cut from film \| inversion \| layering \| pastoral \| pentatonic
We Are Not Alone (1939)	Birds (Extended)	NIF - not in film	augmentation \| birds \| chromatic mediant \| chromatic parallelism \| cut from film \| inversion \| pastoral \| pentatonic
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
We Are Not Alone (1939)	Birds	NIF - not in film	chromatic parallelism \| cut from film \| pastoral \| pentatonic
The Public Defender (1931)	Crowd thronging	0:01:17 - A crowd pressing towards a guarded door	arguing \| chromatic scale \| crowd \| hurried \| noise \| street \| tense \| transcribed by ear \| transition
Is My Face Red? (1932)	Steam whistle	0:15:08 - A steam whistle blows	boat \| chromatic scale \| mickey-mousing \| polychord \| steam whistle \| tense \| transcribed by ear \| transition
Is My Face Red? (1932)	Sailing of the Olympic	0:15:16 - William on the deck of a busy ship	AB structure \| advance plot \| boat \| bustling \| chromatic sequence \| crowd \| hurried \| leading man \| metric dissonance \| parallelism \| searching \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Commotion)	0:16:39 - Four people talk at once to Mildred	advance plot \| arguing \| argument \| boat \| chromatic sequence \| eavesdropping \| hurried \| leading lady \| leading man \| metric dissonance \| parallelism \| tense \| transcribed by ear
Men of America (1932)	Cimarron B (Transition)	0:02:19 - Smokey Joe fights the Indians	ambush \| chromatic mediant \| cowboy \| dramatic \| establish character \| establish setting \| fragmentation \| gun \| gunshot \| horse \| Indian \| leading man \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| tense \| title card \| transcribed by ear
Penguin Pool Murder (1932)	Whirlpool	0:00:20 - Penguin in a whirlpool	chromatic scale \| double exposure \| hectic \| opening title sequence \| penguin \| pool \| transcribed by ear \| whirling \| whirlpool
Penguin Pool Murder (1932)	Penguin Pool Murder	0:00:23 - Main title, starring list, and cast list	cast list \| chromatic parallelism \| diminution \| diving \| double exposure \| dramatic \| hemiola \| linear chromaticism \| mysterious \| opening title sequence \| penguin \| pool \| starring list \| swimming \| tense \| thematic transformation \| through-composed \| title of film \| transcribed by ear \| whirlpool \| whole-tone \| whole-tone chord
Penguin Pool Murder (1932)	Fish	0:01:32 - Fish	augmented triad \| chromatic parallelism \| dramatic \| establish setting \| fish \| fluttering \| stinger \| transcribed by ear \| underwater \| whole-tone chord
Thirteen Women (1932)	Ursula	0:01:11 - A quotation about suicide	book \| chromatic mediant \| dark \| opening title sequence \| pedal tone \| psychology \| tragic \| transcribed by ear
Thirteen Women (1932)	The Train	0:01:33 - A rushing train	chromatic mediant \| mickey-mousing \| pedal tone \| rushing \| sorting \| train \| train \| train whistle \| transcribed by ear \| transition \| traveling \| upbeat
Thirteen Women (1932)	The Swami (Past Life)	0:08:18 - The swami talks to Ursula	antagonist \| chromaticism \| chromatic parallelism \| conversing \| establish character \| fortune teller \| leading lady \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Dramatic Agitato	0:12:41 - Hazel screams	augmented sixth chord \| chromatic scale \| double exposure \| dramatic \| half-diminished 7th chord \| headline \| letter \| murder \| murderer \| murder scene \| newspaper \| room \| screaming \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Ursula (Mysterious Waltz)	0:33:37 - Ursula talks to Burns	64 chord \| advance plot \| chromatic parallelism \| conversing \| half-diminished 7th chord \| leading lady \| love interest \| mode mixture \| romantic \| room \| transcribed by ear \| waltz
Thirteen Women (1932)	Ursula (The End)	0:59:03 - Ursula jumps to her death	chromatic scale \| climax \| dark \| dramatic \| dying \| jumping \| leading lady \| murderer \| The End \| train \| transcribed by ear
Blind Adventure (1933)	Opening Fanfare	0:00:16 - Title of film and starring list	cast list \| chromatic mediant \| cloud \| exciting \| fanfare \| opening title sequence \| pedal tone \| title of film \| transcribed by ear
Blind Adventure (1933)	My Imaginary Sweetheart	0:00:32 - Credits over a foggy background	AABA structure \| cast list \| cheerful \| chromatic parallelism \| mode mixture \| opening title sequence \| popular music \| secondary dominant \| transcribed by ear \| video cast list
Headline Shooter (1933)	You Bunch of Fun (Introduction)	0:00:15 - Title and starring list over camera lens montage	9th chord \| boat \| camera lens \| car \| cast list \| cheerful \| chromatic parallelism \| kaleidoscope effect \| opening title sequence \| plane \| racing \| reused recording \| sequence \| split screen \| title of film \| transcribed by ear
Headline Shooter (1933)	You Bunch of Fun (Transition)	0:01:08 - Video cast list	augmented triad \| chromatic parallelism \| excited \| opening title sequence \| parallelism \| pedal tone \| reused recording \| transcribed by ear \| video cast list
Hat, Coat, and Glove (1934)	Transient Love	0:00:12 - Title of film; starring list; cast list	AABA structure \| added-note chord \| altered dominant \| cast list \| chromatic mediant \| common-tone diminished 7th \| opening title sequence \| pedal tone \| pleasant \| starring list \| title of film \| transcribed by ear
Star of Midnight (1935)	Midnight in Manhattan	0:00:34 - Cast list	added-note chord \| altered dominant \| cast list \| chromatic scale \| mode mixture \| mysterious \| opening title sequence \| sentimental \| transcribed by ear
Star of Midnight (1935)	Midnight in Manhattan (Montage)	0:54:11 - Feet walking	bus \| chromatic parallelism \| fragmentation \| hurried \| montage \| pedal tone \| street \| transcribed by ear \| traveling \| walking
Star of Midnight (1935)	Sidewalks of New York	0:54:28 - Feet walking	bus \| calm \| chromatic parallelism \| foreign key modulation \| lighthearted \| montage \| street \| transcribed by ear \| traveling \| walking
Star of Midnight (1935)	Midnight in Manhattan (Accelerando)	0:54:42 - Feet walking	added-note chord \| bus \| chromatic parallelism \| hurried \| mickey-mousing \| mode mixture \| montage \| street \| transcribed by ear \| traveling \| walking

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