Tag Search

431 results for "character" in 44 films — see also reference

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Agitato	0:06:49 - Henriette leaves the classroom	agitated \| appoggiatura \| chromatic scale \| distressed \| establish character \| hurrying \| leading lady \| leaving \| minister \| Neapolitan \| principal \| school \| teacher \| walking
All This, and Heaven Too (1940)	Molto Agitato	0:07:21 - Henriette talks to Miss Haines	agitated \| conversing \| dissonant bass \| distressed \| establish character \| foreign key modulation \| leading lady \| minister \| principal \| school \| suspension \| teacher
All This, and Heaven Too (1940)	Henry	0:07:41 - Henriette looks at Henry Field	establish character \| gentle \| hymn-like \| leading lady \| minister \| noble \| principal \| reassuring \| school \| secondary dominant \| teacher
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:07:52 - Henriette talks to Henry Field	agitated \| chromatic parallelism \| chromatic sequence \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| teacher
All This, and Heaven Too (1940)	Henriette (Moderato)	0:08:03 - Henriette talks to Henry Field	agitated \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| secondary dominant \| teacher
All This, and Heaven Too (1940)	Henriette (Proud)	0:08:21 - Mr. Field encourages Henriette	added-note chord \| deceptive resolution \| establish character \| hopeful \| leading lady \| minister \| mode mixture \| mysterious \| pedal tone \| principal \| reassuring \| reverse picardy \| school \| student \| teacher
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| chromatic scale \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| chromatic parallelism \| chromatic scale \| distressed \| dominant 7th chord \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| augmented triad \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	acceleration \| agitated \| arguing \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| fragmentation \| leading lady \| leading man \| parallelism \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| dissonant bass \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| parallelism \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Fairy Tale	0:23:13 - Henriette reads a fairy tale	added-note chord \| book \| calm \| child \| delicate \| establish character \| fairy tale \| governess \| leading lady \| pentatonic \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Fairy Godmother	0:23:28 - Henriette reads a fairy tale	9th chord \| altered dominant \| book \| calm \| child \| delicate \| establish character \| fairy tale \| foreign key modulation \| governess \| leading lady \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| countermelody \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
Angels With Dirty Faces (1938)	The Gangster (Reformatory)	0:05:04 - Sign: "Society for Juvenile Delinquents"	establish character \| main title \| Neapolitan \| prisoner \| reformatory \| serious \| sign \| somber \| teenager
Angels With Dirty Faces (1938)	The Gangster (Fingerprints)	0:06:17 - Montage of juvenile detention and prison life	digging \| dramatic \| establish character \| fingerprints \| foreign key modulation \| headline \| leading man \| main title \| marching \| montage \| mug shot \| newspaper \| prison \| prisoner \| reformatory \| sequence \| serious \| working
Angels With Dirty Faces (1938)	Bootlegging	0:06:46 - Bootlegging liquor	alcohol \| boat \| dock \| establish character \| gangster \| leading man \| mickey-mousing \| montage \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Running and shooting	0:06:52 - Police chase gangsters and Rocky shoots	agent \| augmented triad \| chasing \| dissonant bass \| dominant 7th chord \| dramatic \| establish character \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| montage \| newspaper \| quartal chord \| running \| shooting \| street \| zoom out
Angels With Dirty Faces (1938)	Roulette	0:07:01 - Roulette wheel spins	club \| double exposure \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| parallelism \| pedal tone \| sequence \| spinning
Angels With Dirty Faces (1938)	Night Club Music	0:07:05 - Rocky gambles in a nightclub	altered dominant \| club \| dancing \| double exposure \| drinking \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| pouring
Angels With Dirty Faces (1938)	Explosion	0:07:16 - Building explodes after car drives by	bomb \| chromatic scale \| dissonant bass \| dramatic \| driving \| establish character \| explosion \| gangster \| mickey-mousing \| montage \| polychord \| street \| throwing
Angels With Dirty Faces (1938)	The Gangster (Headlines)	0:07:21 - Newspaper headline	dark \| establish character \| headline \| main title \| montage \| mysterious \| newspaper \| octatonic scale \| pedal tone \| street
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Shuffle Off to Buffalo	0:58:27 - Boys in pool hall	betting \| develop character \| gambling \| gang \| playful \| pool hall \| ragtime \| source music \| teenager
Angels With Dirty Faces (1938)	From Me to You	0:58:56 - Boys in pool hall	betting \| develop character \| gambling \| gang \| leading man \| playful \| playing \| pool \| pool hall \| priest \| ragtime \| source music \| teenager
Are These Our Children? (1931)	Dreams B	0:01:33 - Two young people in love	common-chord modulation \| common-tone diminished 7th \| conductor score \| conversing \| establish character \| gentle \| leading lady \| leading man \| lovers \| love scene \| snuggling \| street
Are These Our Children? (1931)	Dreams	0:02:11 - Eddie and Mary talk	11th chord \| AABA structure \| comment on score \| conductor score \| establish character \| gentle \| leading lady \| leading man \| leaving \| lovers \| love scene \| mode mixture \| street \| waiting
Are These Our Children? (1931)	Dreams (Whistling)	0:03:29 - Eddie walks home	cheerful \| establish character \| gentle \| leading man \| love scene \| on-screen music \| score to source \| source and scoring overlap \| source music \| street \| transcribed by ear \| walking \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Marriage License Bureau)	0:01:59 - "Marriage License Bureau" sign	64 chord \| arriving \| calm \| conversing \| crowd \| direct modulation \| establish character \| familiar tune \| marriage \| office \| parallelism \| reporter \| romantic \| sequence \| spouse
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Wow Wow Trumpet)	0:02:42 - Reporters talk	64 chord \| chromatic mediant \| comical \| conversing \| establish character \| familiar tune \| foreign key modulation \| marriage \| office \| reporter
Arsenic and Old Lace (1944)	Two by Two	0:02:51 - The marriage clerk sings	clerk \| establish character \| marriage \| office \| on-screen music \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	The Aunts	0:09:05 - Aunt Abby scurries across the room	aunt \| crazy person \| delicate \| establish character \| foreign key modulation \| gentle \| harmonic sequence \| hurrying \| leading lady \| room \| scurrying
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:39:58 - The aunts see shadows at the door	augmentation \| aunt \| conversing \| crazy person \| dark \| establish character \| fear \| foreign key modulation \| fragmentation \| knocking \| leading lady \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| shadow \| whispering
Arsenic and Old Lace (1944)	Jonathan 2	0:40:30 - Jonathan enters the house	arriving \| chromatic scale \| chromatic wedge \| close-up \| criminal \| dark \| dissonant bass \| establish character \| leading man \| observing \| ominous \| pc set \| room \| walking \| zoom in
Arsenic and Old Lace (1944)	Scar	0:40:54 - The scar on Jonathan's face	close-up \| criminal \| dark \| establish character \| horn flare \| leading man \| observing \| ominous \| pc set \| polychord \| room \| scar
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:41:03 - Jonathan looks around the house	added-note chord \| augmented triad \| brother \| conversing \| crazy person \| criminal \| dark \| dissonant bass \| distortion \| doctor \| establish character \| familiar tune \| leading man \| observing \| ominous \| room
Arsenic and Old Lace (1944)	Scar (Misterioso)	0:41:31 - They see the food	brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading man \| mysterious \| observing \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Beyond the Forest (1949)	Lewis (Moderato Expressivo)	0:06:23 - Fishing in a stream	calm \| canoe \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| rowing \| wife
Beyond the Forest (1949)	Lewis	0:10:42 - The doctor in a canoe	calm \| canoe \| departing \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| noble \| rowing \| wife
Beyond the Forest (1949)	Moose	0:11:22 - Moose enters the house	cabin \| conversing \| establish character \| exotic \| friend \| leading lady \| liquor \| wife \| working
Beyond the Forest (1949)	Liquor	0:11:52 - Moose finds some alcohol	cabin \| drunk \| establish character \| friend \| liquor \| pouring
Beyond the Forest (1949)	Porcupine	0:11:59 - A porcupine in a tree	cabin \| climbing \| comical \| dying \| establish character \| falling \| leading lady \| porcupine \| shooting \| wife
The Big Sleep (1946)	Underscoring (Tense)	0:01:01 - Sign for the Sternwood mansion	arriving \| butler \| establish character \| leading man \| mansion \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Walking	0:01:26 - Carmen walks down the stairs	arriving \| daughter \| deceptive resolution \| descending \| establish character \| femme fatale \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Flirtation	0:01:42 - Carmen flirts with Marlowe	chromatic parallelism \| chromatic scale \| comical \| daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe	0:02:01 - Marlowe gives Carmen a fake name	added-note chord \| comical \| common-tone dominant 7th \| daughter \| establish character \| femme fatale \| flirting \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe (Sly)	0:02:12 - Marlowe and Carmen talk	daughter \| establish character \| femme fatale \| flirting \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Carmen falls	0:02:20 - Carmen falls into Marlowe's arms	daughter \| diminished 7th chord \| establish character \| falling \| femme fatale \| flirting \| leading man \| mickey-mousing \| playful \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Carmen	0:02:21 - Carmen in Marlowe's arms	daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| mysterious \| oscillation \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Sternwood	0:02:31 - Carmen walks away	9th chord \| added-note chord \| altered dominant \| bluesy \| daughter \| establish character \| femme fatale \| leading man \| Neapolitan \| private eye \| retardation \| room \| seductive \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:02:45 - Marlowe goes to meet Sternwood	9th chord \| altered dominant \| butler \| chromatic scale \| establish character \| leading man \| private eye \| room \| tense \| underscoring \| walking
Caged (1950)	Marie	0:08:04 - Marie poses for mugshot	augmented sixth chord \| camera \| dissonant bass \| establish character \| guard \| leading lady \| mug shot \| photographer \| photographing \| prison \| prisoner \| sigh gesture \| somber
Caged (1950)	Isolation Ward	0:08:54 - Edna lying in a bed	9th chord \| conversing \| dark \| dissonant bass \| establish character \| illness \| isolation \| leading lady \| mysterious \| ominous \| oscillation \| prison \| prisoner \| rain \| uneasy
Caged (1950)	Mrs. Benton (Not in Film)	NIF - not in film	9th chord \| added-note chord \| altered dominant \| augmented sixth chord \| comforting \| common-tone modulation \| crying \| cut from film \| disbelief \| establish character \| gentle \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| realization \| warden
Caged (1950)	Crying	NIF - not in film	comforting \| crying \| cut from film \| deceptive resolution \| dramatic \| establish character \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Mrs. Benton (Not in Film 2)	NIF - not in film	comforting \| crying \| cut from film \| establish character \| foreign key modulation \| gentle \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| warden
Caged (1950)	Marie 2 (Not in Film)	NIF - not in film	added-note chord \| conversing \| cut from film \| establish character \| gentle \| leading lady \| office \| pregnancy \| prison \| prisoner \| warden
Caged (1950)	Lullaby	NIF - not in film	9th chord \| added-note chord \| conversing \| cut from film \| establish character \| gentle \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Mrs. Benton (Not in Film 3)	NIF - not in film	altered dominant \| chromatic mediant \| conversing \| cut from film \| establish character \| gentle \| guard \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| reading \| room \| sigh gesture \| warden
Caged (1950)	Underscoring (Subtle)	0:36:52 - June gets dressed for her parole board hearing	dressing \| establish character \| excited \| friend \| leading lady \| prison \| prisoner \| sequential modulation \| tense \| underscoring
Caged (1950)	June and Marie	0:37:06 - June and Marie talk	conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| noble \| prison \| prisoner
Caged (1950)	June	0:37:27 - June and Marie talk	11th chord \| 13th chord \| conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| melancholy \| prison \| prisoner \| sequence \| somber
Caged (1950)	Underscoring (Dark)	0:37:58 - June and Marie argue	arguing \| dark \| dissonant bass \| establish character \| friend \| leading lady \| prison \| prisoner \| underscoring
Caged (1950)	June (Triste)	0:38:14 - June and Marie talk	common-tone diminished 7th \| conversing \| cut from film \| establish character \| friend \| leading lady \| melancholy \| prison \| prisoner \| somber
Caged (1950)	June (Slowly)	0:38:39 - Marie looks for June	arriving \| chromatic mediant \| conversing \| deceptive resolution \| establish character \| friend \| guard \| leading lady \| melancholy \| minor-major 7th chord \| prison \| prisoner \| somber
Caged (1950)	June (Adagio)	0:39:34 - Inmates play cards	cards \| chromatic mediant \| chromatic scale \| close-up \| conversing \| establish character \| foreign key modulation \| friend \| leading lady \| melancholy \| playing \| prison \| prisoner \| somber \| underscoring \| uneasy
Caged (1950)	June and Marie (Very Slow)	0:39:59 - Marie helps June	9th chord \| consoling \| dark \| despair \| establish character \| friend \| guard \| helping \| leading lady \| prison \| prisoner \| somber \| whole-tone chord
Caged (1950)	Harper	0:40:20 - Harper walks	dark \| establish character \| friend \| guard \| leading lady \| mickey-mousing \| prison \| prisoner \| tritone oscillation \| walking \| whole-tone chord
His Greatest Gamble (1934)	Bavardage	0:01:10 - The beach	AABA structure \| beach \| casino \| establish character \| establish place \| establish setting \| gambler \| gambling \| leading man \| luggage \| pleasant \| roulette wheel \| transcribed by ear \| upbeat
His Greatest Gamble (1934)	Morning Glory Waltz (Tender)	0:02:35 - Philip in the casino	casino \| child \| conversing \| establish character \| gentle \| leading man \| leaving \| transcribed by ear \| waltz
His Greatest Gamble (1934)	Home Sweet Home	0:03:14 - Philip and Alice go home	child \| establish character \| gentle \| humming \| leading man \| on-screen music \| room \| sleeping \| source music
City for Conquest (1940)	The Bowery	0:05:00 - People on a New York street	child \| conversing \| crowd \| establish character \| on-screen music \| playing \| pleasant \| source music \| street \| street organ \| upbeat
City for Conquest (1940)	Sidewalks of New York (Soliloquy 2)	0:05:44 - Old-timer talks to a stone carver	9th chord \| 13th chord \| bluesy \| child \| chromatic parallelism \| conversing \| establish character \| fragmentation \| love \| old man \| romantic \| sentimental \| soliloquy \| street \| worker
City for Conquest (1940)	Sidewalks of New York (Waltz Grazioso)	0:06:09 - Two children playing	9th chord \| child \| conversing \| establish character \| foreign key modulation \| love \| Neapolitan \| old man \| romantic \| sentimental \| soliloquy \| street \| waltz
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:13:03 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| brother \| common-chord modulation \| composer \| conversing \| deceptive resolution \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
Crime School (1938)	Elephant Walk	0:04:57 - Kids whistle as cop walks away	comical \| establish character \| gang \| on-screen music \| source music \| street \| teenager \| whistling
Crime School (1938)	Underscoring (Mysterious)	0:09:53 - Frankie sneaks in the house	concern \| conversing \| dissonant bass \| establish character \| heroine \| leading lady \| mysterious \| pedal tone \| room \| sister \| sneaking \| sneaky \| teenager \| underscoring \| whole-tone chord \| whole-tone scale
Crime School (1938)	Sue (Quasi Blues)	0:11:08 - Sue talks to Frankie	bluesy \| chromatic parallelism \| common-chord modulation \| conversing \| crying \| establish character \| foreign key modulation \| Gershwinesque \| heroine \| leading lady \| room \| somber
Crime School (1938)	The Warden	0:23:15 - Warden stands up to face the boys	antagonist \| arguing \| augmented triad \| authority \| chromatic parallelism \| establish character \| falling \| gang \| lightning \| ominous \| police \| reformatory \| slapping \| stinger \| teenager \| warden \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	0:27:20 - Frankie is taken to the warden's office	develop character \| reformatory \| teenager \| tense \| threatening \| underscoring \| warden \| whip
Crime School (1938)	The Warden (Quasi Mysterioso)	0:27:46 - Warden approaches Frankie with a whip	chromatic parallelism \| develop character \| reformatory \| rising \| standing \| teenager \| tense \| threatening \| warden \| whip
They Made Me a Criminal (1939)	M-O-T-H-E-R	0:05:01 - Drunken man sings	comical \| drunk \| establish character \| on-screen music \| room \| singing \| source music
They Made Me a Criminal (1939)	Cowboy From Brooklyn	0:25:04 - A young man whistles	establish character \| jaunty \| on-screen music \| ranch \| source music \| teenager \| whistling \| working
They Made Me a Criminal (1939)	The Fugitive (Looking Around)	0:25:11 - The young man sees Johnnie	9th chord \| deceptive resolution \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired \| walking
They Made Me a Criminal (1939)	Date picking	0:25:21 - Boys picking dates	9th chord \| establish character \| light \| ranch \| sequence \| step modulation \| teenager \| working
They Made Me a Criminal (1939)	Throws date	0:25:34 - Boy throws date	comical \| establish character \| mickey-mousing \| ranch \| teenager \| throwing
They Made Me a Criminal (1939)	The Fugitive (Arriving)	0:25:42 - Johnnie arrives at the ranch	9th chord \| arriving \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired
They Made Me a Criminal (1939)	The Fugitive (Fainting)	0:26:32 - Johnnie stumbles and faints	9th chord \| dark \| deceptive resolution \| dissonant bass \| establish character \| fainting \| falling \| foreign key modulation \| leading man \| ranch \| tired \| tragic \| walking
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:26:48 - Peggy rushes to help Johnnie	64 chord \| dramatic \| establish character \| heroine \| leading lady \| mickey-mousing \| ranch \| running \| rushing \| underscoring
Deep Valley (1947)	Homestead (Grazioso)	0:01:02 - A rooster crowing	barnyard \| calm \| establish character \| establish place \| farmhouse
Deep Valley (1947)	Joe	0:01:29 - A dog	cheerful \| dog \| establish character \| friendly \| leading lady \| mother \| opening \| porch \| room \| running \| upbeat \| waking
Deep Valley (1947)	Libby 2	NIF - not in film	cut from film \| establish character
Deep Valley (1947)	Joe (Not in Film)	NIF - not in film	cut from film \| establish character
Deep Valley (1947)	Joe (Poco Meno Expressivo)	0:01:59 - Libby gets up	dog \| dressing \| establish character \| leading lady \| mother \| room \| scolding \| upbeat \| waking
Deep Valley (1947)	Drudge	0:03:59 - Libby goes downstairs	descending \| establish character \| leading lady \| room \| somber \| stairs \| upset \| walking
Deep Valley (1947)	Drudge (Kitchen)	0:04:12 - Libby works in kitchen	cooking \| dog \| establish character \| kitchen \| leading lady \| somber \| upset
Deep Valley (1947)	Joe (Very Light)	0:04:29 - Joe watches Libby work	cheerful \| cooking \| dog \| establish character \| kitchen \| leading lady \| upbeat
Deep Valley (1947)	Drudge (Sentimentale)	0:04:49 - Libby feeds Joe	cooking \| dog \| establish character \| kitchen \| leading lady \| somber
Deep Valley (1947)	Libby	0:06:09 - Libby returns to her work	establish character \| father \| kitchen \| leading lady \| serving \| somber
Deep Valley (1947)	Homestead (Morendo)	0:06:44 - Cliff makes his bed	cleaning \| establish character \| father \| room \| somber
Deep Valley (1947)	Libby (Rubato)	0:08:13 - Libby at the kitchen table	establish character \| kitchen \| leading lady \| leaving \| somber \| tense
Deep Valley (1947)	Woods	0:08:25 - Libby leaves the house	cheerful \| dog \| establish character \| forest \| leading lady \| playing \| running \| upbeat
Deep Valley (1947)	Squirrel	0:09:26 - Libby feeds a squirrel	cheerful \| conversing \| establish character \| forest \| leading lady \| squirrel \| upbeat
Deep Valley (1947)	Woods	0:09:57 - Libby walks in the woods	cheerful \| cut from film \| dog \| establish character \| forest \| leading lady \| upbeat \| walking
Deep Valley (1947)	Woods (Misterioso)	NIF - not in film	cut from film \| establish character
Dust Be My Destiny (1939)	Mysterioso	0:02:00 - Warden talks to Joe	conversing \| drone \| establish character \| leading man \| mysterious \| parallelism \| polytonality \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Charlie	0:10:58 - Charlie talks to inmates	conversing \| dark \| drunk \| establish character \| leading man \| polychord \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Hiccough	0:11:35 - Charlie hiccups	comical \| drunk \| establish character \| hiccuping \| leading man \| mickey-mousing \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Cow	0:11:39 - Man calls Charlie a cow	comical \| cow \| drunk \| establish character \| leading man \| mickey-mousing \| mooing \| prison \| prisoner \| stinger \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Marching	0:12:27 - Inmates marching	establish character \| march \| marching \| pedal tone \| prison \| prisoner \| somber
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:43:38 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:43:51 - Mabel and Nick talk	9th chord \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:44:01 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Calm)	0:44:32 - Mabel and Nick talk	added-note chord \| altered dominant \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Prison sign	conductor score \| dark \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| opening \| prison \| serious \| street \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay (Excited)	0:02:01 - Marcia embraces Steve	conductor score \| embracing \| establish character \| friend \| gate \| gentle \| leading lady \| leading man \| prison \| street
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:02:12 - Steve mentions a divorce	conductor score \| conversing \| dark \| detective \| establish character \| friend \| gate \| leading lady \| leading man \| prison \| street \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay (Somber)	0:02:29 - Steve talks to Marcia	bus \| conductor score \| conversing \| departing \| detective \| establish character \| friend \| leading man \| reacting \| somber \| street \| underscoring
Hell on Frisco Bay (1955)	Amato (Agitato)	0:14:48 - Mario runs to talk to Amato	antagonist \| boss \| conductor score \| establish character \| fearful \| gangster \| hurried \| leading man \| office \| running \| rushing
Hell on Frisco Bay (1955)	Spring Song (Country Fiddler)	0:14:56 - Amato talks to Mario	antagonist \| boss \| conductor score \| conversing \| dark \| establish character \| gangster \| menacing \| office \| ominous \| out of tune \| tritone
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	0:15:33 - Amato talks to Lye	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| mysterious \| office \| underscoring
Hell on Frisco Bay (1955)	Amato	0:15:44 - Amato talks to Lye	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| harsh \| office \| pestering
Hell on Frisco Bay (1955)	Lye	0:16:52 - Amato talks to Lye	antagonist \| boss \| comical \| conductor score \| conversing \| establish character \| gangster \| gentle \| mickey-mousing \| office \| pestering \| scar \| twitching
Hell on Frisco Bay (1955)	Menace (Very Broad)	0:17:13 - Amato talks to Lye	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| office \| ominous
Hell on Frisco Bay (1955)	Amato (Quick)	0:17:47 - Gangsters talk	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| harsh \| office
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:19:33 - Amato slaps Lou	antagonist \| boss \| conductor score \| conversing \| dark \| establish character \| gangster \| office \| old man \| slapping \| stinger \| underscoring
Hell on Frisco Bay (1955)	Menace (Ominous)	0:19:43 - Amato talks to old man	antagonist \| arguing \| boss \| conductor score \| dark \| establish character \| gangster \| office \| old man \| yelling
Hell on Frisco Bay (1955)	Menace (Slowly)	0:20:30 - Amato talks to Lye	antagonist \| boss \| conductor score \| conversing \| dark \| establish character \| gangster \| office
Hell on Frisco Bay (1955)	Amato (Walking)	0:20:40 - Amato leaves	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| office \| ominous
Hell on Frisco Bay (1955)	Kay	0:20:48 - Lye and Amato come down the stairs	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| kissing \| love interest \| romantic \| street \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay (Expressivo)	0:21:37 - Marcia on a poster	arriving \| club \| conductor score \| detective \| establish character \| leading man \| romantic \| walking
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	applauding \| arriving \| bartender \| club \| detective \| establish character \| familiar tune \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| singing \| source music \| waiter
Hell on Frisco Bay (1955)	Hell on Frisco Bay (Piano Solo)	0:23:26 - Marcia talks to Steve	bartender \| club \| conductor score \| conversing \| detective \| establish character \| leading lady \| leading man \| on-screen music \| pianist \| playing \| popular music \| score to source \| sentimental \| singer \| source music \| waiter
Hell on Frisco Bay (1955)	Anna	0:46:05 - Anna talks with Amato	antagonist \| boss \| conductor score \| conversing \| establish character \| gangster \| gentle \| leading man \| room \| sentimental \| warning \| wife \| worrying
Her Kind of Man (1946)	You Do Something to Me	0:02:52 - A night club	AABA structure \| celebrating \| club \| conversing \| dancing \| establish character \| flashback \| mickey-mousing \| on-screen music \| playing \| popular music \| ripple effect \| source music \| upbeat \| working
Her Kind of Man (1946)	It Had to Be You	0:12:33 - Steve whistles	establish character \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| room \| sentimental \| singer \| source music \| whistling
Her Kind of Man (1946)	April in Paris	0:12:48 - Steve enters Georgia's dressing room	AABA structure \| conversing \| establish character \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| popular music \| room \| sentimental \| singer \| source music
In This Our Life (1942)	Asa	0:02:02 - The Timberlake crest	64 chord \| added-note chord \| common-chord modulation \| establish character \| noble \| plagal cadence \| street \| worker \| working
In This Our Life (1942)	Asa (Expressivo)	0:02:33 - Asa walks	conversing \| deceptive resolution \| establish character \| gentle \| mode mixture \| noble \| pedal tone \| street \| walking \| worker
In This Our Life (1942)	Roy	0:02:59 - Roy descends a staircase	64 chord \| conversing \| daughter \| delicate \| establish character \| father \| foreign key modulation \| gentle \| greeting \| leading lady \| maid \| room
In This Our Life (1942)	Stanley Introduction	0:06:35 - A car arrives	9th chord \| arriving \| car \| chromatic scale \| conversing \| establish character \| leading lady \| leading man \| love interest \| stinger \| tense
In This Our Life (1942)	Stanley	0:06:56 - Stanley talks with Peter	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley B	0:07:06 - Stanley talks with Peter	car \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| establish character \| fragmentation \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley	0:07:23 - Stanley drives away	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley (She Runs)	0:07:32 - Stanley runs inside	arriving \| chromatic parallelism \| chromatic sequence \| diminution \| establish character \| hurried \| leading lady \| mickey-mousing \| room \| running \| sequence \| street
In This Our Life (1942)	Stanley (Rubato)	0:11:58 - Stanley talks with Roy	conversing \| establish character \| leading lady \| mysterious \| pc set \| room \| sister \| stinger
In This Our Life (1942)	Roy (Dolce)	0:12:06 - Roy talks with Stanley	added-note chord \| altered dominant \| conversing \| establish character \| gentle \| half-diminished 7th chord \| leading lady \| room \| sequence \| sister \| sweet
In This Our Life (1942)	Expressivo	0:12:28 - Stanley talks with Roy	chromatic scale \| conversing \| establish character \| expressive \| leading lady \| plagal cadence \| retardation \| room \| sister
In This Our Life (1942)	Big Sweep	0:12:41 - Stanley leaves	altered dominant \| dramatic \| establish character \| leading lady \| pc set \| room \| sister \| stinger \| tense \| watching
In This Our Life (1942)	Roy (Triste)	0:12:54 - Roy walks up the stairs	9th chord \| altered dominant \| countermelody \| establish character \| foreign key modulation \| gentle \| leading lady \| room \| somber \| walking
The Informer (1935)	The Informer (Walking)	0:01:44 - Gypo walks down the street	countermelody \| establish character \| leading man \| mickey-mousing \| mysterious \| poster \| Scotch snap \| street \| walking
The Informer (1935)	Poster	0:02:01 - Gypo looks at the reward poster for Frankie McPhillip	establish character \| leading man \| mickey-mousing \| mysterious \| poster \| stepping \| stinger \| street
The Informer (1935)	Drinking Song	0:02:15 - Gypo and Frankie sing at a pub	cheerful \| drinking \| establish character \| flashback \| leading man \| on-screen music \| pub \| remembering \| singing \| somber \| source music \| street
The Informer (1935)	Underscoring (Tense)	0:02:23 - Gypo stares at the poster, thinking	64 chord \| establish character \| leading man \| muttering \| mysterious \| street \| thinking \| underscoring
The Informer (1935)	Rule, Britannia!	0:02:32 - Close-up on the 20 pound reward on the poster	British \| dark \| establish character \| familiar tune \| leading man \| linear chromaticism \| looking \| mode change \| patriotic tune \| poster \| source music \| street \| tense
The Informer (1935)	Tearing down poster	0:02:47 - Gypo tears the reward poster off of the wall	dissonant bass \| down \| establish character \| leading man \| linear chromaticism \| mickey-mousing \| poster \| removing \| street \| tearing \| upset
The Informer (1935)	The Rose of Tralee	0:02:54 - Man sings an Irish folk song by a lamp post	calm \| establish character \| familiar tune \| folk song \| Irish \| leading man \| on-screen music \| poster \| singing \| source music \| street \| walking
The Informer (1935)	Poster blowing 1	0:03:05 - Torn poster blows down the street onto Gypo's leg	augmented sixth chord \| blowing \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Poster blowing 2	0:03:26 - Torn poster blows down the street onto Gypo's leg again	blowing \| clinging \| diminished 7th chord \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Underscoring (Subtle)	0:04:22 - Close-up on Katie	establish character \| leading lady \| linear chromaticism \| mysterious \| staring \| street \| underscoring
The Informer (1935)	Katie	0:04:31 - Katie walks down the street	establish character \| foreign key modulation \| leading lady \| parallelism \| seductive \| staring \| street \| sultry \| walking
The Informer (1935)	Match strike	0:05:03 - Man strikes a match on the lamp post	establish character \| leading lady \| lighting \| match \| mickey-mousing \| playful \| street
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Blowing smoke	0:05:16 - Man blows smoke into Katie's face	blowing \| establish character \| leading lady \| mickey-mousing \| mysterious \| smoke \| street \| whole-tone
The Informer (1935)	Throwing man down	0:05:31 - Gypo picks the man up and throws him in the street	angry \| down \| establish character \| falling \| leading man \| mickey-mousing \| street \| throwing \| whole-tone \| whole-tone chord
The Informer (1935)	Katie Calls Gypo	0:05:38 - Katie says Gypo's name	conversing \| diminished 7th chord \| dissonant bass \| establish character \| leading lady \| leading man \| mickey-mousing \| somber \| staring \| street
The Informer (1935)	Katie (Tired and Sad)	0:05:49 - Katie talks to Gypo	conversing \| crying \| diminished 7th chord \| establish character \| leading lady \| leading man \| parallelism \| Scotch snap \| sobbing gesture \| somber \| street
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	Footsteps	0:07:16 - Close-up on walking feet	establish character \| footsteps \| leading man \| mickey-mousing \| mysterious \| street \| tritone \| walking
The Informer (1935)	The Wearin' o' the Green	0:07:32 - Frankie looks at reward poster with his picture on it	64 chord \| dark \| establish character \| folk song \| hero \| Irish \| marching \| mickey-mousing \| mysterious \| source music \| street \| thinking
The Informer (1935)	Running and hiding	0:07:54 - Frankie runs and hides in the shadows	chromatic scale \| establish character \| familiar tune \| folk song \| hero \| hiding \| mickey-mousing \| running \| soldier \| street \| tense
The Informer (1935)	Running (Not in Film)	NIF - not in film	chromatic scale \| establish character \| hero \| mickey-mousing \| running \| street
The Informer (1935)	The Wearin' o' the Green (Mysterious)	0:08:57 - Frankie enters the Dunboy house to join the rebels	arriving \| diminished 7th chord \| dissonant bass \| establish character \| familiar tune \| folk song \| hero \| Irish \| leading man \| mysterious \| parallelism \| room \| street \| tense
Key Largo (1948)	I Gotta Right to Sing the Blues	0:04:21 - Frank speaks with people in the bar	conversing \| establish character \| gangster \| hotel \| jazz \| leading man \| moll \| radio \| sentimental \| source music
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco 2	0:11:30 - Frank and Nora talk about Rocco	conversing \| establish character \| harsh \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud	0:11:41 - Nora talks about her husband George	conversing \| establish character \| heroic \| hotel \| leading lady \| leading man \| memorializing \| noble
Key Largo (1948)	Rocco 2 (Subito)	0:12:07 - Nora sees Curly	dangerous \| establish character \| gangster \| hotel \| leading lady \| mysterious \| watching
Key Largo (1948)	McCloud (Misterioso)	0:12:13 - Nora walks downstairs	establish character \| gangster \| hotel \| leading lady \| mysterious \| walking \| watching
Key Largo (1948)	Rocco 2 (Molto Misterioso)	0:12:22 - Curly walks down the hall	dangerous \| establish character \| gangster \| hotel \| mysterious \| walking \| watching
Key Largo (1948)	Rocco 3	0:25:37 - Curly pushes Nora	dangerous \| establish character \| gangster \| gun \| hotel \| leading man \| mysterious \| stinger \| threatening \| violence
Key Largo (1948)	Rocco	0:25:46 - Rocco in the bathtub	bathing \| boss \| establish character \| gangster \| hotel \| menacing \| sinister \| tremolo
Key Largo (1948)	Rocco (Tense)	0:26:13 - Curly talks with Rocco	boss \| conversing \| dressing \| establish character \| gangster \| hotel \| tense \| tremolo
Key Largo (1948)	Tension	0:26:48 - Rocco slaps bleeding man	boss \| establish character \| gangster \| hostage \| hotel \| menacing \| police \| sinister \| slapping \| violence
Key Largo (1948)	Ominous	0:51:32 - Lights begin to go out in the hotel	boss \| conversing \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll \| ominous \| preparing \| storm \| tense
Key Largo (1948)	Gaye	0:52:06 - Gaye awkwardly walks past Rocco	awkward \| bluesy \| boss \| develop character \| gangster \| hotel \| jazz \| moll \| sultry \| walking
Key Largo (1948)	Gaye Pours a Drink	0:52:16 - Gaye pours herself a drink	alcohol \| bluesy \| boss \| develop character \| gangster \| hotel \| jazzy \| moll \| obsessive \| pouring \| shaking \| sultry
Key Largo (1948)	Alcohol Denial	0:52:29 - Rocco tells Gaye she can't drink	alcohol \| boss \| denying \| develop character \| disappointed \| gangster \| hotel \| moll
Key Largo (1948)	Moanin’ Low	0:56:55 - Gaye sings "Moanin' Low"	awkward \| blues \| bluesy \| boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| on-screen music \| singer \| singing \| source music
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Underscoring (Tense)	0:59:37 - McCloud and Gaye exchange glances	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| underscoring
Key Largo (1948)	Rocco Pacing	1:02:01 - Rocco paces back and forth	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| ominous \| pacing \| sinister \| walking
Key Largo (1948)	Rocco 3 (Nervous)	1:02:52 - Rocco yells at Gaye	arguing \| boss \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll
The Letter (1940)	Mrs. Hammond	0:23:27 - Mrs. Hammond appears	Aeolian mode \| Chinese \| Chinese \| death \| delicate \| dissonant bass \| establish character \| grieving \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| stinger \| widow
The Letter (1940)	Mrs. Hammond (Appassionato)	0:24:12 - Mrs. Hammond looks at her husband	Aeolian mode \| Chinese \| Chinese \| death \| delicate \| establish character \| grieving \| open fifth \| parallel fifths \| parallelism \| passionate \| pedal tone \| pentatonic \| plantation \| widow
Lightning Strikes Twice (1951)	Menace	0:01:23 - Priest in a prison	arriving \| conversing \| dark \| establish character \| funeral march \| funereal \| guard \| leading man \| priest \| prison \| prisoner \| solemn \| somber \| walking \| warden
Lightning Strikes Twice (1951)	Liza	0:02:55 - Trev is released from death row	calm \| conversing \| deceptive resolution \| establish character \| guard \| hopeful \| leading man \| priest \| prison \| prisoner \| relief \| reprieve \| Scotch snap \| walking \| warden \| whole-tone chord
Lightning Strikes Twice (1951)	Trev	0:07:18 - Myra talks about finding Trev	actor \| conversing \| establish character \| father \| foreign key modulation \| gentle \| hotel \| leading lady \| mode mixture \| mother \| Neapolitan \| owner
Lightning Strikes Twice (1951)	Shelly	0:07:42 - Shelly wakes up	actor \| augmentation \| calm \| deceleration \| establish character \| fragmentation \| leading lady \| ostinato \| owner \| room \| waking
Lightning Strikes Twice (1951)	Menace (Ominous)	0:17:50 - Newspaper headline about Trev	9th chord \| 64 chord \| actor \| conversing \| dark \| establish character \| headline \| leading lady \| leading man \| newspaper \| ominous \| room \| suspect
Lightning Strikes Twice (1951)	Trev (Screwy)	0:18:19 - Trev hands a candle to Shelly	actor \| candle \| chromatic scale \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| suspect \| tense \| uneasy \| whole-tone chord
Lightning Strikes Twice (1951)	Shelly (Concerned)	0:18:30 - Shelly looks at Trev	actor \| candle \| concerned \| conversing \| establish character \| leading lady \| leading man \| room \| sigh gesture \| suspect \| tense \| thinking
Lightning Strikes Twice (1951)	Shelly 2 (Worried)	0:18:41 - Shelly walks to her room	actor \| candle \| concerned \| countermelody \| establish character \| leading lady \| room \| walking \| worried
Lightning Strikes Twice (1951)	Shelly 3	0:18:52 - Shelly puts down her candle	actor \| augmented sixth chord \| candle \| common-chord modulation \| concerned \| establish character \| leading lady \| leading man \| room \| sequence \| suspect \| unpacking \| walking \| worried
Lightning Strikes Twice (1951)	Shelly 2 (Misterioso)	0:19:14 - Shelly gets ready for bed	actor \| added-note chord \| candle \| concerned \| establish character \| leading lady \| leading man \| oscillation \| pedal tone \| preparing \| room \| suspect \| thinking \| thoughtful \| worried
Lightning Strikes Twice (1951)	Blows out candle	0:19:35 - Shelly blows out a candle	actor \| blowing \| candle \| establish character \| leading lady \| light \| mickey-mousing \| mysterious \| room \| turning off
Lightning Strikes Twice (1951)	Fear	0:19:42 - Shelly lies down in the dark	actor \| chromatic parallelism \| darkness \| establish character \| fear \| leading lady \| leading man \| listening \| room \| suspect \| tense \| thinking \| whole-tone chord
Lightning Strikes Twice (1951)	Shelly and Trev	NIF - not in film	9th chord \| actor \| blowing \| candle \| cut from film \| establish character \| leading lady \| leading man \| light \| room \| suspect \| suspension \| tense \| turning off
Lightning Strikes Twice (1951)	Shelly and Trev (Smile)	0:20:20 - Shelly looks at Trev	actor \| calm \| chromatic parallelism \| establish character \| foreign key modulation \| leading lady \| leading man \| looking \| morning \| peaceful \| room \| sleeping \| smiling \| staring \| suspect \| thinking \| waking
Mildred Pierce (1945)	Mildred (Pier)	0:02:15 - Santa Monica pier at night	chromatic parallelism \| dock \| establish character \| fragmentation \| heroine \| leading lady \| mickey-mousing \| pedal tone \| pondering \| sequence \| somber \| walking \| water \| wave
Mildred Pierce (1945)	Mildred (Tragic)	0:02:42 - Mildred walks out onto the dock	altered dominant \| dock \| establish character \| half-diminished 7th chord \| heroine \| leading lady \| mickey-mousing \| pondering \| sequence \| somber \| suicide \| tragic \| water \| wave
Mildred Pierce (1945)	Waves rumbling	0:03:15 - Policeman convinces Mildred not to jump	conversing \| dock \| establish character \| heroine \| leading lady \| mickey-mousing \| police \| somber \| suicide \| water \| wave
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	0:03:59 - Wally sees Mildred from the window	conversing \| establish character \| familiar tune \| friend \| heroine \| jazz \| leading lady \| on-screen music \| restaurant \| source music \| upbeat
Mildred Pierce (1945)	Flashback starts	0:20:16 - Flashback to the past	double exposure \| establish character \| flashback \| gentle \| heroine \| leading lady \| mickey-mousing \| street
Mildred Pierce (1945)	Bert	0:20:18 - Bert comes home	9th chord \| added-note chord \| arriving \| common-chord modulation \| cooking \| establish character \| flashback \| gentle \| heroine \| husband \| leading lady \| mode mixture \| room \| self-borrowing \| street
Mildred Pierce (1945)	Bert (Triste)	0:24:26 - Bert and Mildred separate	augmented sixth chord \| breaking up \| crying \| establish character \| fragmentation \| heroine \| husband \| leading lady \| leaving \| Neapolitan \| pedal tone \| room \| somber
Mildred Pierce (1945)	Kay and Veda	0:25:03 - Kay plays football in the street	11th chord \| added-note chord \| child \| establish character \| football \| mickey-mousing \| playing \| street \| upbeat
Mildred Pierce (1945)	Kay falls	0:25:12 - Kay falls to the ground	child \| establish character \| falling \| football \| mickey-mousing \| playing \| street \| upbeat
Mildred Pierce (1945)	Kay and Veda (Going Home)	0:25:13 - Veda leads Kay home	child \| establish character \| graceful \| oscillation \| street \| walking
Mildred Pierce (1945)	Kay and Veda (Skipping)	0:25:25 - Kay skips on her way home	added-note chord \| child \| establish character \| graceful \| playing \| skipping \| street
Mildred Pierce (1945)	Kay and Veda (Sentimental)	0:25:37 - Veda and Kay see their father leaving	child \| establish character \| interrupting \| leaving \| mode mixture \| packing \| sentimental \| somber \| stopping \| street
The Life of Vergie Winters (1934)	Lullaby (Slowly)	0:04:07 - Vergie working in a shop window	64 chord \| establish character \| leading lady \| peaceful \| plagal cadence \| shop \| working
Out of the Fog (1941)	Harbor Front	0:01:11 - Goff descends a ladder	boat \| criminal \| establish character \| fire \| harbor \| leading man \| sneaking \| tense
Out of the Fog (1941)	Concert in the Park	0:01:57 - Goff walks along the dock	arriving \| conversing \| criminal \| dock \| establish character \| gambling \| leading man \| popular music \| restaurant \| source and scoring overlap \| source music \| upbeat \| worker
Out of the Fog (1941)	Russian Barcarolle (Dark)	0:06:06 - Goff looks around the restaurant	chef \| criminal \| dark \| establish character \| leading man \| restaurant \| sneaking \| transcribed by ear
Out of the Fog (1941)	Stella Runs	0:11:35 - Stella runs out of the restaurant	boyfriend \| criminal \| departing \| dock \| emotional \| establish character \| evaded cadence \| leading lady \| leading man \| restaurant \| running \| transcribed by ear \| watching
Out of the Fog (1941)	Stella and George	0:11:54 - George talks to Stella	AABA structure \| arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| romantic \| transcribed by ear
Out of the Fog (1941)	Underscoring (Subtle)	0:13:05 - A boy runs in	arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| underscoring \| uneasy
Out of the Fog (1941)	Stella and George (Tender)	0:13:24 - George talks to Stella	boyfriend \| conversing \| crying \| departing \| dock \| establish character \| evaded cadence \| leading lady \| tender \| transcribed by ear
Kid Galahad (1937)	Boxing poster	0:00:41 - Boxing poster	64 chord \| augmentation \| chromatic sequence \| diminution \| establish character \| jaunty \| poster \| street \| zoom in
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Whistling)	0:01:25 - A man whistles on a train	cheerful \| comment on score \| establish character \| on-screen music \| popular song \| salesman \| source music \| train \| train \| transcribed by ear \| whistling
Traveling Husbands (1931)	There's a Sob in My Heart (Singing)	0:01:44 - A man sings on a train	cheerful \| comment on score \| establish character \| on-screen music \| popular song \| salesman \| singing \| source music \| train \| train \| transcribed by ear
The Unfaithful (1947)	Chris	0:01:26 - Chris arrives at home	9th chord \| arriving \| Beverly Hills \| calm \| establish character \| foreign key modulation \| house \| leading lady
The Unfaithful (1947)	Chris 2	0:01:40 - Chris runs through the house	establish character \| graceful \| joyful \| leading lady \| room \| running
The Unfaithful (1947)	Unfaithful (Chris)	0:01:46 - Chris answers the phone	establish character \| foreshadowing \| leading lady \| mode change \| peaceful \| room
The Unfaithful (1947)	Stride Piano	0:03:20 - Larry arrives at the party	establish character \| jazz \| lawyer \| leading lady \| on-screen music \| party \| sister \| source music \| upbeat
The Unfaithful (1947)	Deep Night	0:05:47 - Roger argues with Paula	AABA structure \| antagonist \| arguing \| establish character \| lawyer \| leading lady \| on-screen music \| party \| sister \| somber \| source music
We Are Not Alone (1939)	Surprise Symphony (Glissando)	0:02:20 - David rides his bike home	bicycle \| classical music \| establish character \| familiar tune \| fragmentation \| glissando \| Haydn \| hero \| playful \| quotation \| score to source \| sequence \| source music \| street
We Are Not Alone (1939)	Surprise Symphony (Theme and Variations)	0:02:37 - David enters his home	augmented triad \| classical music \| deceptive resolution \| establish character \| familiar tune \| Haydn \| hero \| home \| playful \| quotation \| scored source music \| source music \| street \| whistling
We Are Not Alone (1939)	Boy runs downstairs	0:03:07 - Gerald runs down the stairs	9th chord \| altered dominant \| antagonist \| boy \| child \| chromatic mediant \| down \| downstairs \| establish character \| foreign key modulation \| gentle \| home \| mickey-mousing \| mother \| pedal tone \| playful \| running
We Are Not Alone (1939)	Appassionato	0:03:13 - Gerald is scolded by his mother	antagonist \| boy \| child \| chromatic parallelism \| chromatic scale \| deceptive resolution \| dominant 7th chord \| establish character \| fragmentation \| harmonic sequence \| hero \| home \| linear chromaticism \| mother \| passionate \| scolding \| sequence \| telling a story \| tense
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:03:55 - David talks to his son	boy \| child \| chromatic parallelism \| establish character \| father \| gentle \| hero \| home \| playful \| sweet \| telling a story
We Are Not Alone (1939)	Playful	0:04:39 - David asks his son to find a cat	boy \| child \| establish character \| father \| foreign key modulation \| fragmentation \| hero \| home \| playful \| sequence \| step modulation
We Are Not Alone (1939)	Boy runs back and forth	0:04:52 - Gerald runs to the door and back	back and forth \| boy \| child \| establish character \| father \| hero \| home \| mickey-mousing \| playful \| running
We Are Not Alone (1939)	Surprise Symphony (Hushed)	0:04:59 - David talks to his son	boy \| child \| classical music \| establish character \| familiar tune \| father \| half-diminished 7th chord \| Haydn \| hero \| home \| hushed \| quotation \| subtle
We Are Not Alone (1939)	Surprise Symphony (Hug)	0:05:14 - David hugs his son	boy \| child \| classical music \| establish character \| familiar tune \| father \| gentle \| Haydn \| hero \| home \| mode mixture \| quotation
We Are Not Alone (1939)	Surprise Symphony (Innocent)	0:06:36 - Gerald runs inside	9th chord \| boy \| child \| classical music \| comforting \| common-tone diminished 7th \| establish character \| familiar tune \| father \| foreign key modulation \| fragmentation \| Haydn \| hero \| home \| innocent \| mode mixture \| nagging \| parallel fifths \| playful \| quotation \| step modulation \| tritone \| Wagner
We Are Not Alone (1939)	Doctor	0:08:10 - David sees Tommy (his patient)	augmented sixth chord \| boy \| cat \| delicate \| establish character \| foreign key modulation \| gentle \| hero \| office
We Are Not Alone (1939)	Tommy	0:08:41 - David and Tommy talk about cats	64 chord \| boy \| cat \| deceptive resolution \| doctor \| establish character \| hero \| mode mixture \| office \| parallelism \| playful
We Are Not Alone (1939)	Allergic Reaction	0:09:04 - Tommy has an allergic reaction to the cat	9th chord \| 64 chord \| allergies \| boy \| cat \| doctor \| dramatic \| establish character \| hero \| office
We Are Not Alone (1939)	Tommy (Recovering)	0:09:17 - David tells Tommy he is allergic to cats	11th chord \| boy \| cat \| cheerful \| doctor \| establish character \| fragmentation \| hero \| office \| playful \| sequence
We Are Not Alone (1939)	Tommy (Lyrical)	0:09:34 - David gets some medicine for Tommy	9th chord \| boy \| cat \| doctor \| establish character \| gentle \| hero \| lyrical \| Mozart \| office \| peaceful
We Are Not Alone (1939)	Surprise Symphony (Chromatic Shift)	0:09:49 - David puts the cat outside	cat \| classical music \| establish character \| familiar tune \| foreign key modulation \| Haydn \| hero \| office \| playful \| quotation \| step modulation
We Are Not Alone (1939)	Jessica	0:10:01 - Jessica enters the room	9th chord \| antagonist \| chromatic parallelism \| chromatic scale \| establish character \| half-diminished 7th chord \| office \| sour \| wife
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:10:16 - Jessica rushes David away	antagonist \| chromatic parallelism \| classical music \| establish character \| familiar tune \| Haydn \| hero \| office \| playful \| quotation
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:10:56 - David visits an injured Leni	chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| gentle \| hero \| heroine \| mode mixture \| quotation \| room \| step modulation
We Are Not Alone (1939)	Surprise Symphony (Not Afraid)	0:11:24 - David sets Leni's wrist	chromatic scale \| classical music \| delicate \| doctor \| establish character \| familiar tune \| foreign key modulation \| fragmentation \| Haydn \| hero \| heroine \| quotation \| room \| somber
We Are Not Alone (1939)	Surprise Symphony (Calm)	0:12:01 - David's treatment is successful	calm \| classical music \| countermelody \| deceptive resolution \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Not in film)	NIF - not in film	classical music \| cut from film \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| pedal tone \| quotation \| room
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Peaceful)	0:12:13 - David's treatment is successful	calm \| chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| hero \| heroine \| mode mixture \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Quasi Rubato)	0:12:46 - David treats Leni's leg	classical music \| doctor \| establish character \| familiar tune \| fragmentation \| gentle \| Haydn \| hero \| heroine \| parallelism \| playful \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony (Humbly)	0:13:10 - David treats Leni's leg	classical music \| common-tone diminished 7th \| doctor \| establish character \| familiar tune \| fragmentation \| gentle \| Haydn \| hero \| heroine \| hymn-like \| quotation \| room \| sweet
We Are Not Alone (1939)	Tenderness	0:13:40 - David talks to Leni	64 chord \| doctor \| establish character \| friendly \| hero \| heroine \| mode mixture \| room \| sequence \| tender
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Tragico)	0:14:05 - Leni talks with David	doctor \| establish character \| familiar tune \| hero \| heroine \| minor-major 7th chord \| quotation \| room \| tragic
We Are Not Alone (1939)	Frohe Botschaft (Tenderly)	0:14:22 - Leni takes off her wig	64 chord \| doctor \| establish character \| familiar tune \| folk song \| German \| hero \| heroine \| pedal tone \| quotation \| room \| tender
We Are Not Alone (1939)	Blue Danube	0:14:52 - Leni says she is from Austria	classical music \| doctor \| establish character \| familiar tune \| hero \| heroine \| mode mixture \| peaceful \| quotation \| room \| Strauss
We Are Not Alone (1939)	Surprise Symphony (Gute Nacht)	0:15:00 - David says goodnight in German to Leni	classical music \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| peaceful \| perfect authentic cadence \| quotation \| room
We Are Not Alone (1939)	Surprise Symphony	0:17:34 - David whistles while helping a patient	classical music \| comical \| diminution \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| office \| on-screen music \| quotation \| source music \| whistling
We Are Not Alone (1939)	Frohe Botschaft (At the Piano)	0:34:49 - Leni plays and sings	boy \| cheerful \| child \| establish character \| familiar tune \| father \| folk song \| foreign key modulation \| German \| hero \| heroine \| home \| on-screen music \| piano \| playing \| score to source \| singing \| source music \| transcribed by ear
We Are Not Alone (1939)	Frohe Botschaft	0:36:41 - Leni plays the piano	boy \| child \| establish character \| familiar tune \| folk song \| German \| heroine \| home \| on-screen music \| piano \| playing \| source music \| warm
We Are Not Alone (1939)	Piano Banging	0:37:12 - Gerald bangs on the piano	antagonist \| boy \| chaotic \| child \| dissonant \| establish character \| heroine \| home \| mother \| on-screen music \| piano \| playing \| tone cluster
White Heat (1949)	Steam	0:04:54 - Man gets burned by steam from train	burning \| bursting \| countryside \| dramatic \| establish character \| falling \| gangster \| leading man \| murderer \| pain \| robbery \| steam \| steam effect \| stinger \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Danger	0:05:02 - Gangsters leap from the train	announcer \| countryside \| dramatic \| escaping \| establish character \| gangster \| jumping \| leading man \| murderer \| pain \| radio \| robbery \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Underscoring (Mysterious)	0:05:27 - Gangsters listen to the radio	announcer \| car \| establish character \| gangster \| listening \| mysterious \| radio \| street \| underscoring
White Heat (1949)	Cody	0:05:35 - Gangsters listen to the radio	announcer \| car \| conversing \| establish character \| gangster \| radio \| street \| tense
White Heat (1949)	Agitato	0:05:43 - Big Ed plots against Cody	agitated \| conversing \| establish character \| gangster \| plotting \| street \| tense \| walking
White Heat (1949)	Big Ed	0:06:00 - Big Ed talks to Cody	arriving \| dark \| establish character \| gangster \| leading man \| murderer \| room \| tense \| victim
White Heat (1949)	Thinking	0:06:23 - Cody walks across the room	establish character \| gangster \| leading man \| mother \| murderer \| room \| tense \| thinking \| victim \| walking
White Heat (1949)	Stirring the pot	0:06:29 - Ma stirs food in a pot	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| stirring \| uneasy \| victim
White Heat (1949)	Ma	0:06:34 - Ma cooks dinner	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| uneasy \| victim
White Heat (1949)	Moll	0:06:40 - Verna sleeps	calm \| establish character \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| sleeping \| snoring \| waking
White Heat (1949)	Verna	0:06:56 - Verna gets up	arguing \| bluesy \| complaining \| dark \| establish character \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| rising \| room \| victim \| waking
White Heat (1949)	Verna (Cello Solo)	1:28:30 - Cody talks about Verna	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| somber \| undercover agent \| yard
White Heat (1949)	Ma (Molto Expressivo)	1:28:38 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Ma (Triste)	1:29:29 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
The Woman in White (1948)	Appearing	0:02:54 - The woman in white appears	appearing \| establish character \| forest \| leading lady \| leading man \| magical \| magical effect \| mickey-mousing \| mysterious
The Woman in White (1948)	Ann	0:03:00 - The woman in white talks to Walter	calling \| conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:03:15 - The woman in white talks to Walter	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman's Whistle (Rubato)	0:03:23 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:03:29 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	Ann (Quasi Misterioso)	0:03:36 - Walter talks to the woman in white	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann (Poco Agitato)	0:03:55 - The woman in white talks to Walter	agitated \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	Ann 2	0:04:13 - The woman in white talks to Walter	conversing \| establish character \| forest \| gentle \| leading lady \| leading man \| warm
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:04:26 - The woman in white talks to Walter	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Fosco	0:04:40 - Walter hears a carriage approaching	arriving \| bold \| carriage \| conversing \| establish character \| fanfare \| forest \| leading man \| tense
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:05:23 - Walter talks to a man in the carriage	carriage \| conversing \| establish character \| forest \| leading man \| tense
The Woman in White (1948)	Ann (Molto Misterioso)	0:05:30 - Closeup on Count Fosco	carriage \| conversing \| establish character \| forest \| leading man \| mysterious
The Woman in White (1948)	Underscoring (Tense)	0:05:38 - Walter talks to a man in the carriage	carriage \| conversing \| establish character \| forest \| leading man \| stinger \| tense \| underscoring
The Woman in White (1948)	Fosco	0:05:43 - The carriage rolls away	carriage \| departing \| establish character \| fanfare \| forest \| leading man \| tense
The Woman in White (1948)	The Carman's Whistle	0:06:09 - Walter walks away	arriving \| calm \| establish character \| garden \| leading man \| mansion \| walking
The Woman in White (1948)	The Carman's Whistle (Arriving) + Ann	0:06:22 - The woman in white appears	arriving \| calm \| combination of themes \| establish character \| garden \| leading lady \| leading man \| mansion \| sneaking \| tense \| tremolo \| walking
The Woman in White (1948)	Limmeridge	0:06:41 - Walter arrives at the mansion	arriving \| bold \| butler \| establish character \| leading lady \| leading man \| mansion
The Woman in White (1948)	Underscoring (Gentle)	0:06:56 - Walter meets Marian	arriving \| butler \| establish character \| gentle \| leading lady \| leading man \| mansion \| underscoring
The Woman in White (1948)	Fairlie	0:11:53 - The butler takes Walter to see Mr. Fairlie	butler \| conversing \| establish character \| grand \| leading man \| mansion \| noble
The Woman in White (1948)	Fairlie (Poco Meno)	0:12:33 - They arrive at Mr. Fairlie's room	arriving \| butler \| establish character \| gentle \| leading man \| mansion
The Woman in White (1948)	Fairlie (Gentle)	0:12:57 - Walter enters Mr. Fairlie's room	arriving \| butler \| establish character \| gentle \| leading man \| mansion
The Woman in White (1948)	Limmeridge 2	0:19:36 - Walter walks outside	establish character \| garden \| leading lady \| leading man \| mansion \| noble \| walking \| watching
The Woman in White (1948)	Ann (Poco Agitato)	0:20:03 - Walter sees Laura	conversing \| establish character \| garden \| leading lady \| leading man \| mansion \| tense \| walking
The Woman in White (1948)	Laura	0:21:27 - Walter talks with Laura	butler \| conversing \| establish character \| family \| gentle \| leading lady \| leading man \| refined \| room \| walking
The Woman in White (1948)	Laura (Harp Countermelody)	0:22:03 - The Fairlies sit at the table	butler \| conversing \| establish character \| family \| gentle \| leading lady \| leading man \| refined \| room \| walking
The Woman in White (1948)	Ann (Poco Agitato)	0:22:39 - Laura talks about a mysterious woman	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| tense \| walking
The Woman in White (1948)	Fosco	0:22:53 - Closeup on Fosco's face	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	The Carman's Whistle	0:23:04 - Walter talks about the woman in white	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:23:16 - Fosco gets up to leave	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| walking
The Woman in White (1948)	Fosco	0:23:42 - Fosco walks up the stairs	butler \| establish character \| leading man \| pushing \| room \| rushing \| tense \| walking
High Stakes (1931)	Close to Me	0:01:09 - People at a party	conversing \| establish character \| friend \| on-screen music \| playing \| source music \| upbeat \| waiting \| wedding
Transgression (1931)	Dance	0:08:10 - Elsie and Don Arturo at a club	AB structure \| calm \| club \| conversing \| establish character \| leading lady \| love interest \| sophisticated \| source music \| tango
Men of America (1932)	Cimarron C	0:01:08 - Smokey Joe fights the Indians	ambush \| common-chord modulation \| cowboy \| establish character \| establish setting \| fanfare \| gun \| gunshot \| horse \| Indian \| leading man \| noble \| parallel double period \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| title card \| transcribed by ear
Men of America (1932)	Cimarron B (Transition)	0:02:19 - Smokey Joe fights the Indians	ambush \| chromatic mediant \| cowboy \| dramatic \| establish character \| establish setting \| fragmentation \| gun \| gunshot \| horse \| Indian \| leading man \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| tense \| title card \| transcribed by ear
State’s Attorney (1932)	Na Moku Eha	0:01:19 - Hula dancer	cheerful \| club \| conversing \| dancer \| dancing \| drinking \| establish character \| gambling \| Hawaiian \| leading man \| on-screen music \| playing \| politician \| singing \| source music
Thirteen Women (1932)	Blue Streak	0:01:54 - A circus poster	ABA structure \| circus \| circus music \| conversing \| cousin \| establish character \| establish place \| horoscope \| letter \| performer \| reading \| source music \| upbeat
Thirteen Women (1932)	Circus Music	0:03:44 - June talks to Hazel	AB structure \| circus \| circus music \| conversing \| cousin \| establish character \| performer \| source music \| upbeat
Thirteen Women (1932)	The Swami	0:07:16 - The swami	Aeolian mode \| antagonist \| conversing \| establish character \| fortune \| fortune teller \| leading lady \| parallelism \| predicting \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Thirteen Women (Destiny)	0:07:52 - Ursula talks to the swami	antagonist \| common-chord modulation \| conversing \| destiny \| establish character \| fortune teller \| harmonic sequence \| leading lady \| predicting \| relative key \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Past Life)	0:08:18 - The swami talks to Ursula	antagonist \| chromaticism \| chromatic parallelism \| conversing \| establish character \| fortune teller \| leading lady \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Romance)	0:08:37 - The swami kisses Ursula	antagonist \| embracing \| establish character \| fortune teller \| kissing \| leading lady \| romantic \| room \| secondary dominant \| swami \| transcribed by ear \| waltz
Thirteen Women (1932)	Ursula (Horoscope)	0:08:56 - The swami talks to Ursula	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| predicting \| quintal chord \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Fate)	0:09:11 - The swami predicts Ursula's fate	antagonist \| conversing \| dark \| establish character \| fate \| fortune teller \| half-diminished 7th chord \| leading lady \| mickey-mousing \| mysterious \| predicting \| room \| somber \| stinger \| swami \| train whistle \| transcribed by ear
Thirteen Women (1932)	The Swami (Rising Tension)	0:09:53 - The swami shrinks from Ursula's gaze	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| parallelism \| room \| swami \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Hypnotic)	0:10:05 - Ursula hypnotizes the swami	antagonist \| diminished 7th chord \| establish character \| fortune teller \| hypnotic \| hypnotizing \| leading lady \| mysterious \| room \| seductive \| sleeping \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Sleeping)	0:10:46 - Ursula leaves the swami	antagonist \| establish character \| fortune teller \| leading lady \| mysterious \| room \| sleeping \| swami \| transcribed by ear \| whole-tone \| whole-tone chord
Headline Shooter (1933)	He's Not the Marrying Kind	0:02:32 - Radio announcer talking	announcing \| beauty contestant \| conversing \| establish character \| filming \| film staff \| leading man \| modeling \| on-screen music \| pageant \| parallel period \| photographer \| pleasant \| radio announcer \| source music
Headline Shooter (1933)	Ensemble Tuning	0:04:41 - Bill talks to business man	business man \| calm \| conversing \| establish character \| leading man \| pageant \| source music \| tuning
Headline Shooter (1933)	You Can Depend on Me	0:05:21 - Bathing beauties walk past	AABA structure \| announcing \| beauty contestant \| conversing \| drunk \| establish character \| filming \| film staff \| leading lady \| leading man \| modeling \| on-screen music \| pageant \| photographer \| pleasant \| radio announcer \| source music
Sing and Like It (1934)	Indiana	0:01:30 - Ruby changes the radio station	ABAC structure \| boss \| conversing \| establish character \| gangster \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	It's Sunday Down in Caroline	0:04:11 - Fenny prepares for a meeting	AABA structure \| boss \| conversing \| establish character \| gangster \| jazz \| laughing \| leading lady \| leading man \| moll \| plotting \| radio \| room \| source music \| upbeat
Murder on the Blackboard (1934)	The Janitor	0:01:30 - A janitor gets out of bed	diminished 7th chord \| dressing \| establish character \| janitor \| mysterious \| parallelism \| school \| transcribed by ear \| waking \| walking
Murder on the Blackboard (1934)	Blackboard Murder (Mysterious)	0:01:52 - A janitor goes about his work	establish character \| janitor \| mysterious \| school \| transcribed by ear \| walking
Star of Midnight (1935)	Swing it Sister	0:10:50 - Clay talks with Jim	AABA structure \| blackmail \| blackmailing \| conversing \| criminal \| detective \| establish character \| leading man \| radio \| room \| source music \| threatening \| upbeat
Another Face (1935)	Russian Waltz (Meno) + The Iron Door	0:02:11 - Gangsters talk with doctor	chromatic scale \| combination of themes \| conversing \| doctor \| establish character \| gangster \| mysterious \| nurse \| office \| pedal tone \| tense
Another Face (1935)	Underscoring (Tense)	0:02:30 - Gangster talks with nurse	chromatic parallelism \| conversing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| nurse \| office \| tense \| underscoring
Another Face (1935)	Zaroff (Molto Moderato) + The Iron Door	0:02:43 - The gangsters depart	chromatic scale \| combination of themes \| conversing \| departing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| mysterious \| nurse \| office \| tense
Another Face (1935)	Courage + The Iron Door	0:02:53 - Close up on the nurse	dramatic \| establish character \| gangster \| headline \| laughing \| newspaper \| nurse \| office \| pedal tone \| reacting \| reading \| stinger \| tense
Another Face (1935)	Underscoring (Mysterious)	0:03:08 - Gangster smoking in chair	augmented triad \| chromatic parallelism \| establish character \| gangster \| office \| smoking \| tense \| underscoring \| waiting
Girl of the Rio (1932)	Toreador Song	0:04:23 - A man cues the orchestra to play	arriving \| celebrity \| crowd \| establish character \| leading man \| night club \| source music \| Spanish \| three-phrase period \| upbeat \| walking
Girl of the Rio (1932)	Querida	0:06:40 - Don Jose admires a woman	ABAC structure \| arriving \| celebrity \| conversing \| crowd \| establish character \| laughing \| leading lady \| leading man \| night club \| on-screen music \| performing \| romantic \| singer \| singing \| source music \| Spanish
Without Honor (1949)	Expressivo	0:03:57 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| room \| uneasy
Without Honor (1949)	Ecstatic	0:04:07 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| excited \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Ecstatic (Molto Expressivo)	0:04:21 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| excited \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Appassionato 2	0:04:37 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| room \| uneasy
Without Honor (1949)	Molto Misterioso	0:05:03 - Jane walks to the door	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| mysterious \| room \| tense
Without Honor (1949)	Dog	0:05:12 - Jane finds the dog	adulterer \| affair \| conversing \| dog \| establish character \| leading lady \| leading man \| light \| love interest \| mysterious \| playful \| room
Without Honor (1949)	Tempo di Gavotte	0:05:30 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| light \| love interest \| playful \| room
Without Honor (1949)	Twilight (Triste)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Appassionato 2 (Molto Agitato)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Twilight (Poco Agitato)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Molto Expressivo	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Twilight (Misterioso)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
The Most Dangerous Game (1932)	A Moment In The Dark	0:04:39 - A picture of a hunting trip	boat \| conversing \| establish character \| friend \| hunter \| leading man \| radio \| radio \| source music \| upbeat
The Most Dangerous Game (1932)	Zaroff	0:13:51 - Bob looks at Zaroff	castle \| count \| establish character \| leading man \| mute \| ominous \| servant \| staring \| walking \| watching
The Most Dangerous Game (1932)	Centaur	0:13:56 - Bob sees a centaur on the tapestry	castle \| count \| establish character \| jump scare \| leading man \| mute \| ominous \| servant \| staring \| stinger \| tapestry
The Most Dangerous Game (1932)	Zaroff (Staring)	0:14:08 - The Count watches Bob	castle \| count \| establish character \| leading man \| mute \| ominous \| servant \| staring \| walking \| watching
The Most Dangerous Game (1932)	Piano Noise	0:23:59 - Martin falls on the piano	brother \| castle \| count \| drunk \| establish character \| leading lady \| leading man \| neutral \| on-screen music \| source music \| stumbling
The Most Dangerous Game (1932)	Russian Waltz	0:24:22 - Zaroff plays the piano	brother \| castle \| conversing \| count \| dog \| drunk \| establish character \| leading lady \| leading man \| on-screen music \| piano \| playing \| recounting \| score to source \| somber \| source music \| warning
Mara Maru (1952)	Gregory (Underwater)	0:01:16 - A diver (Gregory) underwater	boat \| close-up \| diver \| diving \| diving suit \| establish character \| fanfare \| grand \| heroic \| leading man \| ocean \| underwater \| working
Mara Maru (1952)	Manuelo (Giocoso)	0:01:32 - A boy (Perol) working	boat \| boat \| child \| establish character \| light \| playful \| smoking \| worker \| working
Mara Maru (1952)	Manuelo (Guitar)	0:01:40 - Boys working	boat \| boat \| calling \| child \| establish character \| light \| playful \| worker \| working \| yelling
Mara Maru (1952)	Underwater	0:01:48 - Gregory underwater	close-up \| dark \| diver \| diving \| diving suit \| establish character \| floating \| leading man \| suspenseful \| underwater \| working
Mara Maru (1952)	Floating	0:02:21 - Gregory floating underwater	close-up \| diver \| diving \| diving suit \| establish character \| floating \| leading man \| suspenseful \| underwater \| working
Mara Maru (1952)	Surfacing	0:02:34 - Gregory rises from the water	assisting \| boat \| boat \| child \| diver \| diving suit \| establish character \| heroic \| hopeful \| leading man \| mickey-mousing \| rising \| surfacing \| underwater \| worker \| working
Mara Maru (1952)	On Deck	0:02:52 - Gregory steps onto the boat	boat \| boat \| child \| conversing \| diver \| diving suit \| establish character \| heroic \| hopeful \| leading man \| underscoring \| worker \| working
Mara Maru (1952)	Manuelo (Allegretto Giocoso)	0:03:20 - Perol lights a cigar	boat \| boat \| child \| conversing \| diver \| establish character \| leading man \| light \| playful \| reveal \| worker \| working
Mara Maru (1952)	Manuelo 2 (Extended)	0:03:36 - The boys help Gregory	boat \| boat \| child \| conversing \| diver \| establish character \| leading man \| light \| playful \| worker \| working
Mara Maru (1952)	Manuelo (Giocoso)	0:03:58 - The boys help Gregory	boat \| boat \| child \| conversing \| diver \| establish character \| leading man \| light \| playful \| worker \| working
Mara Maru (1952)	Manuelo (Meno)	0:04:10 - Gregory stands up	boat \| boat \| child \| conversing \| diver \| establish character \| gentle \| leading man \| worker \| working
Mara Maru (1952)	Gregory (Con Moto)	0:04:24 - A boat in the harbor	arriving \| boat \| child \| conversing \| diver \| establish character \| gambling \| grand \| harbor \| heroic \| leading man \| ocean \| sailing \| worker
Mara Maru (1952)	Misterioso	0:12:16 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| stinger \| tense
Mara Maru (1952)	Underscoring (Tense)	0:12:54 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| room \| tense \| underscoring
Mara Maru (1952)	Lovers	0:13:15 - Stella talks to Gregory	conversing \| establish character \| leading lady \| leading man \| room \| sentimental
Mara Maru (1952)	Appassionato	0:13:27 - Stella argues with Gregory	arguing \| conversing \| establish character \| leading lady \| leading man \| passionate \| room
Mara Maru (1952)	Stella (Molto Expressivo)	0:13:53 - Gregory grabs Stella's arm	conversing \| embracing \| establish character \| leading lady \| leading man \| romantic \| room \| waltz
Mara Maru (1952)	Nassau	0:27:20 - People in a club	club \| conversing \| crowd \| drinking \| establish character \| exotic \| gentle \| leading man \| private eye \| waitress
Mara Maru (1952)	Ortega	0:40:26 - Gregory talks with Ortega	arguing \| brother \| conversing \| distrust \| establish character \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Grabbing	0:41:15 - Gregory grabs Ortega	arguing \| brother \| distrust \| dramatic \| establish character \| grabbing \| gun \| leading man \| mickey-mousing \| room \| tense
Mara Maru (1952)	Underscoring (Tense)	0:41:23 - Ortega points a gun at Gregory	arguing \| brother \| distrust \| establish character \| gun \| leading man \| room \| stinger \| tense \| underscoring
Mara Maru (1952)	Cross (Fragment)	0:41:40 - A cross on Ortega's keychain	arguing \| brother \| cross \| distrust \| dramatic \| establish character \| gun \| keys \| leading man \| room \| stinger
Mara Maru (1952)	Ortega	0:41:50 - Gregory tosses Ortega's keys	arguing \| brother \| distrust \| establish character \| gun \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Benedict (Misterioso)	1:06:32 - Benedict talks with Stella	antagonist \| conversing \| leading lady \| love interest \| mysterious \| plotting \| reveal character \| ship \| ship \| tense \| turning point
Mara Maru (1952)	Benedict (Bored to Death)	1:07:34 - Benedict threatens to kill Gregory	antagonist \| conversing \| dark \| leading lady \| love interest \| mysterious \| ominous \| plotting \| reveal character \| ship \| ship \| stinger \| tense \| threat \| turning point

Tag Search Results