| Arsenic and Old Lace (1944) | Bugle Call | 1:32:56 - Teddy plays the bugle | brother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim |
Arsenic and Old Lace (1944) | Bugle Call | 1:49:14 - Mortimer blows the bugle | bugle | bugle call | climax | dramatic | leading man | on-screen music | playing | room | source music |
Arsenic and Old Lace (1944) | Happy Land | 1:50:41 - Mortimer sings | bugle call | climax | leading man | on-screen music | room | singing | source music | upbeat |
| The Big Sleep (1946) | Coin in phone | 1:21:04 - Marlowe puts a coin in the phone | advance plot | cafe | coin | dropping | leading man | mickey-mousing | mysterious | phone call | private eye | telephone |
The Big Sleep (1946) | Phone dialing | 1:21:07 - Marlowe dials a phone number | advance plot | cafe | dialing | leading man | mickey-mousing | mysterious | phone call | private eye | telephone | tense |
The Big Sleep (1946) | Underscoring (Mysterious) | 1:21:19 - Marlowe speaks on the phone | advance plot | cafe | conversing | leading man | mysterious | phone call | private eye | tense | underscoring |
The Big Sleep (1946) | Marlowe (Mysterious Organ) | 1:21:42 - Marlowe speaks to waitress | advance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | tense |
The Big Sleep (1946) | Underscoring (Mysterious) | 1:21:57 - Marlowe speaks with Vivian on the phone | advance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | stinger | tense | underscoring |
The Big Sleep (1946) | Marlowe (Risoluto) | 1:30:12 - Marlowe makes a phone call | bold | conversing | death scene | leading man | phone call | private eye | room | victim |
The Big Sleep (1946) | Underscoring (Tense) | 1:30:24 - Marlowe makes a phone call | conversing | death scene | leading man | phone call | private eye | room | tense | underscoring | victim |
The Big Sleep (1946) | Wrong Address | 1:30:46 - Marlowe ends the phone call | conversing | death | death scene | leading man | phone call | private eye | room | somber | victim |
The Big Sleep (1946) | Marlowe (Molto Misterioso) | 1:31:23 - Agnes calls for Jones | conversing | death scene | informer | leading man | mysterious | phone call | private eye | room |
The Big Sleep (1946) | Underscoring (Tense) | 1:31:48 - Marlowe talks to Agnes on the phone | conversing | death scene | informer | leading man | phone call | private eye | room | tense | underscoring |
The Big Sleep (1946) | Carmen (Tense) | 1:52:28 - Marlowe talks on the phone | conversing | leading lady | leading man | love interest | lying | mysterious | phone call | private eye | resolution | room | tense | uneasy |
| Caged (1950) | Phoning | 0:43:53 - Mrs. Benton calling a doctor on the phone | mickey-mousing | phone call | prison | telephone |
Caged (1950) | Mrs. Benton | 0:44:07 - Mrs. Benton talks to Dr. Benton on the phone | doctor | phone call | prison |
| Crime School (1938) | Underscoring (Dramatic) | 0:29:09 - Frankie hides then runs | barbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense |
Crime School (1938) | Sue (Barbed Wire) | 0:29:18 - Frankie gets caught on barbed wire | anguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense |
Crime School (1938) | The Warden (The Guards) | 0:29:34 - Warden's guards run to catch Frankie | 64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden |
Crime School (1938) | Underscoring (Tense) | 1:12:21 - Cooper talks with the warden | chromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden |
| Death of a Scoundrel (1956) | Clementi C (Phone Call) | 0:38:09 - Clementi calls for Mr. O'Hara | coffee shop | flashback | phone call |
Death of a Scoundrel (1956) | Clementi C | 0:58:26 - Clementi calls Mrs. Ryan's secretary | flashback | phone call |
Death of a Scoundrel (1956) | Clementi A | 1:34:34 - Clementi's butler calls and interrupts | flashback | gun | phone call |
Death of a Scoundrel (1956) | Clementi A | 1:36:28 - Clementi answers the phone | flashback | phone call |
Death of a Scoundrel (1956) | Clementi A (Appassionato) | 1:56:30 - Clementi leaves his mother and walks down the hall | flashback | injury | phone call |
Death of a Scoundrel (1956) | Bridget (Sweetly) | 1:56:56 - Clementi speaks with Bridget on the phone | flashback | injury | phone call | sweet |
Death of a Scoundrel (1956) | Clementi A (Appassionato) | 1:57:14 - Clementi speaks with Bridget on the phone, then dies | death | flashback | injury | phone call |
| Hell on Frisco Bay (1955) | Horn Call | 1:36:10 - The police boat advances | action scene | battle call | boat | departing | dock | police | tense |
| Illegal (1955) | Stinger | 0:08:11 - Man calls Vic on the phone | phone call | stinger |
Illegal (1955) | Operator | 0:09:49 - Operator connects the call | operator | phone call |
Illegal (1955) | Underscoring (Dark) | 0:10:22 - Vic tries to stop the execution | dark | death | execution | execution | phone call | tense | underscoring |
Illegal (1955) | Underscoring (Mysterious) | 1:03:04 - Ray goes to the bedroom and calls Mr. Garland | mysterious | phone call | underscoring |
| In This Our Life (1942) | Phone Call | 0:47:29 - Asa answers the phone | bad news | conversing | dark | eerie | father | mysterious | phone call | room | telephone | tense | turning point |
| Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
| The Letter (1940) | Leslie (Ominous) | 0:22:58 - The site of the murder | advance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow |
The Letter (1940) | Leslie (Ominous) | 0:51:41 - Howard gets up to leave | advance plot | call and response | diminished 7th chord | dissonant bass | home | lawyer | leading lady | ominous | stretto imitation | thinking |
| The Unfaithful (1947) | Unfaithful (Ominous) | 0:43:39 - Secretary makes a call | advance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning |
The Unfaithful (1947) | Unfaithful (Ominous) | 1:09:06 - Larry and Chris talk on the phone | advance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking |
| Hell’s Highway (1932) | Hikin' Jerry | 0:00:14 - Main titles and newspaper headlines | call and response | establish setting | guard | headline | montage | newspaper | opening title sequence | prison | prisoner | singing | solemn | source music | transcribed by ear | working |
| Secrets of the French Police (1932) | Taps | 0:02:18 - Taps is played at a military funeral | bugle call | familiar tune | funeral | funeral | military | on-screen music | playing | somber | source music |
| Her Kind of Man (1946) | First Call | 0:33:53 - Horses before a race | bugle call | crowd | excited | racetrack | transition | waiting |
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