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78 results for "call" in 23 films — see also Call | asking | conclusion | meet | name | phone | phone call | promise | ring | see | song | telephone | view

FilmTheme nameInstanceTags
Arsenic and Old Lace (1944)Jonathan0:23:14 - Mortimer reacts to the revealcalling | conversing | dialing | diminished 7th chord | groom | leading man | ominous | pc set | quartal chord | reveal | room | sinister | stinger | telephone effect | thinking | turning point

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | half-diminished 7th chord | leading lady | room | sequence | sneaking | tense

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Bugle Call1:32:56 - Teddy plays the buglebrother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim

Arsenic and Old Lace (1944)

Bugle Call1:49:14 - Mortimer blows the buglebugle | bugle call | climax | dramatic | leading man | on-screen music | playing | room | source music

Arsenic and Old Lace (1944)

Happy Land1:50:41 - Mortimer singsbugle call | climax | leading man | on-screen music | room | singing | source music | upbeat
Beyond the Forest (1949)Chicago (City)0:44:28 - Downtown Chicagoarriving | bright | calling | calm | city | familiar tune | hotel | leading lady | phone book | popular tune | telephone | transition | traveling

Beyond the Forest (1949)

Rosa (Telephone)0:44:52 - Rosa makes a phone calladvance plot | calling | hotel | leading lady | mysterious | telephone | telephone effect

Beyond the Forest (1949)

Rosa (Moderato 2)0:45:30 - Rosa in her hotel roomadvance plot | calling | hotel | leading lady | somber | telephone | waiting | worrisome

Beyond the Forest (1949)

The Arkansas Traveler1:02:55 - Folk musicianscrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Portland Fancy1:03:11 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Devil’s Dream1:03:26 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Little Brown Jug1:03:57 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife
The Big Sleep (1946)Marlowe 2 (Dialing)0:59:47 - Marlowe walks to the phonecalling | corpse | dialing | investigating | investigation scene | leading man | mysterious | private eye | room | spinning | tense

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | tense

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense

The Big Sleep (1946)

Coin in phone1:21:04 - Marlowe puts a coin in the phoneadvance plot | cafe | coin | dropping | leading man | mickey-mousing | mysterious | phone call | private eye | telephone

The Big Sleep (1946)

Phone dialing1:21:07 - Marlowe dials a phone numberadvance plot | cafe | dialing | leading man | mickey-mousing | mysterious | phone call | private eye | telephone | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:19 - Marlowe speaks on the phoneadvance plot | cafe | conversing | leading man | mysterious | phone call | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone callbold | conversing | death scene | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | phone call | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone callconversing | death | death scene | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Agnes calls for Jonesconversing | death scene | informer | leading man | mysterious | phone call | private eye | room

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | phone call | private eye | resolution | room | tense | uneasy
Caged (1950)Marie (Expressivo)0:32:12 - The prison laundryalarm | bell | double exposure | dramatic | guard | leading lady | montage | montage | prison | prisoner | ringing | roll call | working

Caged (1950)

Swimmy (Poco Agitato)0:43:53 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | phone call | playing | prison | telephone | tense | warden

Caged (1950)

Mrs. Benton0:44:07 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden
City for Conquest (1940)I'm Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murray11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat
Crime School (1938)Underscoring (Dramatic)0:29:09 - Frankie hides then runsbarbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense

Crime School (1938)

Sue (Barbed Wire)0:29:18 - Frankie gets caught on barbed wireanguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense

Crime School (1938)

The Warden (The Guards)0:29:34 - Warden's guards run to catch Frankie64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden

Crime School (1938)

Underscoring (Tense)1:12:21 - Cooper talks with the wardenchromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden
Death of a Scoundrel (1956)Clementi C (Phone Call)0:38:09 - Clementi calls for Mr. O'Haracoffee shop | flashback | phone call

Death of a Scoundrel (1956)

Clementi C0:58:26 - Clementi calls Mrs. Ryan's secretaryflashback | phone call

Death of a Scoundrel (1956)

Clementi A1:34:34 - Clementi's butler calls and interruptsflashback | gun | phone call

Death of a Scoundrel (1956)

Clementi A1:36:28 - Clementi answers the phoneflashback | phone call

Death of a Scoundrel (1956)

Clementi A (Appassionato)1:56:30 - Clementi leaves his mother and walks down the hallflashback | injury | phone call

Death of a Scoundrel (1956)

Bridget (Sweetly)1:56:56 - Clementi speaks with Bridget on the phoneflashback | injury | phone call | sweet

Death of a Scoundrel (1956)

Clementi A (Appassionato)1:57:14 - Clementi speaks with Bridget on the phone, then diesdeath | flashback | injury | phone call
Deep Valley (1947)Libby 2 (Misterioso)0:37:32 - Cliff looks for Libbyadvance plot | calling | father | mysterious | room | searching | tense

Deep Valley (1947)

Barry (Appassionato)1:41:02 - Libby arrives at the cabincabin | calling | death scene | leading lady | passionate | resolution | searching

Deep Valley (1947)

Molto Expressivo1:41:09 - Libby looks for Barrycalling | death scene | forest | leading lady | passionate | resolution | searching
Flamingo Road (1949)Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone
Hell on Frisco Bay (1955)Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

Underscoring (Mysterious)1:24:05 - Amato calls detectiveadvance plot | calling | gangster | leading man | mysterious | room | statue | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Horn Call1:36:10 - The police boat advancesaction scene | battle call | boat | departing | dock | police | tense
Her Kind of Man (1946)First Call0:33:53 - Horses before a racebugle call | crowd | excited | racetrack | transition | waiting

Her Kind of Man (1946)

Candy (Dark)1:12:58 - Candy leavesbar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse
Illegal (1955)Stinger0:08:11 - Man calls Vic on the phonephone call | stinger

Illegal (1955)

Operator0:09:49 - Operator connects the calloperator | phone call

Illegal (1955)

Underscoring (Dark)0:10:22 - Vic tries to stop the executiondark | death | execution | execution | phone call | tense | underscoring

Illegal (1955)

Underscoring (Mysterious)1:03:04 - Ray goes to the bedroom and calls Mr. Garlandmysterious | phone call | underscoring
In This Our Life (1942)Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | phone call | room | telephone | tense | turning point

In This Our Life (1942)

Stanley (Driving Away)1:29:06 - Craig goes to the phoneagitated | calling | climax | lawyer | leading man | room | telephone | walking

In This Our Life (1942)

Underscoring (Tense)1:35:07 - Policemen on the radiocalling | police | police station | reporting | resolution | room | solemn | somber | stinger | tense | underscoring
Key Largo (1948)McCloud (Bugle Call) + Taps0:16:31 - Mr. Temple asks Frank about George's burial placeadvance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war

Key Largo (1948)

Hope1:36:11 - McCloud calls for help on the radioboat | calling | conflict | hopeful | leading man | radio | steering
The Letter (1940)Leslie (Ominous)0:22:58 - The site of the murderadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow

The Letter (1940)

Leslie (Ominous)0:51:41 - Howard gets up to leaveadvance plot | call and response | diminished 7th chord | dissonant bass | home | lawyer | leading lady | ominous | stretto imitation | thinking
Mildred Pierce (1945)Mildred (Mad)1:43:19 - Mildred makes a phone callanger | angry | calling | dissonant bass | half-diminished 7th chord | heroine | leading lady | room | tense | turbulent | turning point | walking
The Unfaithful (1947)Unfaithful (Ominous)0:43:39 - Secretary makes a calladvance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning

The Unfaithful (1947)

Unfaithful (Ominous)1:09:06 - Chris on the phoneadvance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking
The Woman in White (1948)Ann0:03:00 - The woman in white talks to Waltercalling | conversing | establish character | forest | leading lady | leading man | mysterious
Hell’s Highway (1932)Hikin' Jerry0:00:14 - Main titles and newspaper headlinescall and response | establish setting | guard | headline | montage | newspaper | opening title sequence | prison | prisoner | singing | solemn | source music | transcribed by ear | working
Secrets of the French Police (1932)Taps0:02:18 - Taps is played at a military funeralbugle call | familiar tune | funeral | funeral | military | on-screen music | playing | somber | source music
We're Only Human (1935)Katie (Begging)0:29:21 - Close up on Danny64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim
Without Honor (1949)Underscoring (Tense)0:15:21 - advance plot | calling | conversing | doorbell | fidgeting | leading lady | room | telephone | tense | underscoring | walking

Without Honor (1949)

First Call0:27:58 - Jane looks at Billantagonist | brother | bugle call | conflict | leading lady | leading man | radio | room | source music | taunting | upbeat

Without Honor (1949)

Unidentified dance tune 40:34:19 - Bill tunes the radioantagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife

Without Honor (1949)

Appassionato (Broad)0:54:27 - Bill talks on the phoneantagonist | brother | calling | climax | leading lady | leading man | room | searching | telephone | tense | wandering | yard
The Most Dangerous Game (1932)The Iron Door (Horn Call)0:48:50 - Zaroff blows his hunting hornaction scene | count | dark | horn | horn call | jungle | leading lady | leading man | playing | scored source music | score to source | source music | tense | victim | villain