| Key Largo (1948) | McCloud (Grandioso) | 1:40:06 - The End | fanfare | hero | The End |
| Out of the Fog (1941) | Russian Barcarolle (The End) | 1:24:24 - We see the dock then the words The End | fanfare | main theme | The End |
| We Are Not Alone (1939) | Frohe Botschaft (The End) | 1:51:01 - The End | end title sequence | familiar tune | folk song | German | home | quotation | room | The End |
| The Public Defender (1931) | Mystery (End Title) | 1:08:56 - A kiss and The End | arguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear |
| Hell’s Highway (1932) | Liberty Road | 1:01:16 - The End / Cast of Characters | calm | end title sequence | prison | spiritual | The End |
| Secrets of the French Police (1932) | Serenade | 0:56:57 - The End and Cast of Characters | closing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat |
| Emergency Call (1933) | Theme from Cimarron | 1:00:41 - The end | added-note chord | closing credits | dramatic | end title sequence | The End | transcribed by ear |
| Angels With Dirty Faces (1938) | Sanctus (Maestoso) | 1:36:06 - Jerry and the boys walk up the stairs | angelic | ascending | leading man | priest | resolution | room | stairs | teenager | The End | transcendence | triumphant | up |
| Crime School (1938) | Sue (The End) | 1:24:27 - The End | resolution | The End | triumphant |
| Is My Face Red? (1932) | You Bunch of Fun (Serious) | 1:05:05 - Cast of Characters / The End | calm | closing credits | end title sequence | popular music | The End | transcribed by ear |
| The Phantom of Crestwood (1932) | Spy Song | 1:15:20 - Cast list / The End | closing credits | end title sequence | somber | The End | transcribed by ear |
| Each Dawn I Die (1939) | Freedom | 1:30:31 - Frank leaves the prison | artwork in score | conclusion | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking |
| Blind Adventure (1933) | Isn't This a Night For Love | 1:02:18 - The End | end title | romantic | The End | transcribed by ear | triumphant |
| Murder on the Blackboard (1934) | End Titles | 1:10:39 - The End | end title sequence | grand | The End | transcribed by ear |
| State’s Attorney (1932) | Blues (The End) | 1:18:41 - The End | blue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear |
| Transgression (1931) | Main Title (Ending) | 1:09:15 - The End | embracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear |
| Three Who Loved (1931) | Love Dream | 1:03:22 - The End | appoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant |
| The Roadhouse Murder (1932) | Lady | 1:12:12 - End titles | common-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End |
| Headline Shooter (1933) | King Kong March | 1:00:16 - The End | end title | march | The End | upbeat |
| Thirteen Women (1932) | Ursula (The End) | 0:59:03 - Ursula jumps to her death | chromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear |
| Men of America (1932) | Lady with a Past Fox Trot | 0:56:42 - The End | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant |
| Penguin Pool Murder (1932) | Run Around | 1:01:51 - The End | 9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat |
