| Crime School (1938) | Underscoring (Mysterious) | 0:09:53 - Frankie sneaks in the house | concern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale |
Crime School (1938) | Sue (Minor) | 0:20:38 - Judge sentences boys to the reformatory | augmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial |
| Her Kind of Man (1946) | Love Is Sweeping the Country | 0:58:02 - The crowd applauds | advance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife |
Her Kind of Man (1946) | Steve Shoots Sister | 1:03:37 - Steve shoots his sister | action scene | chromatic scale | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim |
Her Kind of Man (1946) | The Escape | 1:03:50 - Steve tries to escape | action scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim |
| In This Our Life (1942) | Stanley (Rubato) | 0:11:58 - Stanley talks with Roy | conversing | establish character | leading lady | mysterious | pc set | room | sister | stinger |
In This Our Life (1942) | Roy (Dolce) | 0:12:06 - Roy talks with Stanley | added-note chord | altered dominant | conversing | establish character | gentle | half-diminished 7th chord | leading lady | room | sequence | sister | sweet |
In This Our Life (1942) | Expressivo | 0:12:28 - Stanley talks with Roy | chromatic scale | conversing | establish character | expressive | leading lady | plagal cadence | retardation | room | sister |
In This Our Life (1942) | Big Sweep | 0:12:41 - Stanley leaves | altered dominant | dramatic | establish character | leading lady | pc set | room | sister | stinger | tense | watching |
In This Our Life (1942) | Caring | 0:51:39 - Roy greets Stanley | 9th chord | advance plot | arriving | chromatic parallelism | gentle | leading lady | room | sister | tender | widow |
In This Our Life (1942) | Stanley (Peter Lies) | 0:51:55 - Roy at Stanley's bedside | 9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley B (Slowly) | 0:52:05 - Roy at Stanley's bedside | 9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | dissonant bass | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley (Packing) | 0:52:23 - Roy at Stanley's bedside | 9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow |
In This Our Life (1942) | Stanley (Valse Triste) | 0:52:42 - Stanley talks to Roy | 9th chord | advance plot | agitated | altered dominant | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:52:48 - Stanley talks to Roy | 9th chord | advance plot | agitated | conversing | dissonant bass | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley | 0:52:56 - Stanley talks to Roy | 9th chord | advance plot | agitated | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow |
In This Our Life (1942) | Discussion | 0:53:04 - Stanley talks to Roy | 9th chord | advance plot | agitated | altered dominant | conversing | leading lady | room | sister | whole-tone chord | widow |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:53:17 - Stanley cries | 9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley | 0:53:23 - Roy comforts Stanley | 9th chord | advance plot | appoggiatura | circle of fifths | comforting | crying | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley Introduction | 0:53:32 - Roy comforts Stanley | 9th chord | advance plot | chromatic scale | comforting | crying | leading lady | room | sister | tense | widow |
In This Our Life (1942) | Stanley | 0:53:46 - Roy comforts Stanley | 9th chord | advance plot | appoggiatura | calm | circle of fifths | comforting | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley (Morendo) | 0:53:56 - Roy puts Stanley to bed | 9th chord | advance plot | calm | comforting | harmonic sequence | leading lady | room | sister | widow |
In This Our Life (1942) | Roy (Tender) | 0:54:15 - Roy tucks Stanley in | 64 chord | advance plot | augmented sixth chord | conversing | foreign key modulation | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
| The Informer (1935) | Dan and Mary (Legato) | 1:07:46 - Gypo looks at Mary | antagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching |
| Kid Galahad (1937) | Heart's Affair (Yearning) | 0:44:11 - Ward and Nick leave the farm | advance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture |
Kid Galahad (1937) | Yearning | 0:48:47 - Marie speaks with her mother | advance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning |
Kid Galahad (1937) | Heart's Affair | 0:49:16 - Marie speaks with her mother | advance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning |
Kid Galahad (1937) | The Moon Is In Tears Tonight (The Kid) | 0:50:05 - Louise looks at her Kid Galahad scrapbook | advance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Arriving) | 0:58:30 - A newspaper headline | arriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Kiss) | 0:58:47 - Ward talks to Marie | AABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear |
Kid Galahad (1937) | Sand In My Shoes | 1:10:15 - Ward, Marie, and Louise talk in the club | advance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Trouble) | 1:15:53 - Ward talks to Marie at the farm | advance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear |
Kid Galahad (1937) | Doublecross (Heated) | 1:16:02 - Nick arrives at the farm | advance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear |
Kid Galahad (1937) | Doublecross (Entanglements) | 1:17:24 - Nick falls to the ground | advance plot | dark | descending tetrachord | farm | fighting | leading man | manager | mother | not by Steiner | sister | somber | tragic | transcribed by ear |
Kid Galahad (1937) | Kid Galahad (Tender) | 1:39:15 - Nick speaks his final words | 9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation |
| The Unfaithful (1947) | Stride Piano | 0:03:20 - Larry arrives at the party | establish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat |
The Unfaithful (1947) | Deep Night | 0:05:47 - Roger argues with Paula | AABA structure | antagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music |
The Unfaithful (1947) | Oh But I Do | 0:32:27 - Ladies talk at a restaurant | AABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim |
| Bachelor Apartment (1931) | You're Wonderful | 0:44:30 - Lita in a phone booth | advance plot | bachelor | conversing | leading man | sister | source music | telephone | upbeat |
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