Tag Search

1870 results for "Lady" — see also Lady | woman

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Agitato	0:06:49 - Henriette leaves the classroom	agitated \| distressed \| establish character \| hurrying \| leading lady \| leaving \| minister \| principal \| school \| teacher \| walking
All This, and Heaven Too (1940)	Molto Agitato	0:07:21 - Henriette talks to Miss Haines	agitated \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| teacher
All This, and Heaven Too (1940)	Henry	0:07:41 - Henriette looks at Henry Field	establish character \| gentle \| hymn-like \| leading lady \| minister \| noble \| principal \| reassuring \| school \| teacher
All This, and Heaven Too (1940)	Henry (Agitated)	0:07:52 - Henriette talks to Henry Field	agitated \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| teacher
All This, and Heaven Too (1940)	Henriette (Moderato)	0:08:03 - Henriette talks to Henry Field	agitated \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| teacher
All This, and Heaven Too (1940)	Henriette (Proud)	0:08:21 - Mr. Field encourages Henriette	establish character \| hopeful \| leading lady \| minister \| mysterious \| principal \| reassuring \| school \| student \| teacher
All This, and Heaven Too (1940)	The Duke	0:09:55 - Henriette tells the girls her story	establish place \| flashback \| gentle \| leading lady \| light \| peaceful \| school \| storytelling \| student \| teacher
All This, and Heaven Too (1940)	The Duke (Ocean Waves)	0:10:10 - Ocean waves	boat \| establish place \| flashback \| gentle \| leading lady \| light \| peaceful \| storytelling \| student \| teacher \| traveling
All This, and Heaven Too (1940)	Henriette (Lento)	0:10:20 - Henriette on a ship	boat \| flashback \| hopeful \| leading lady \| mysterious \| storytelling \| tense \| traveling
All This, and Heaven Too (1940)	Henriette (Dolce)	0:12:43 - Henriette talks to Henry	boat \| conversing \| gentle \| leading lady \| leaving \| minister \| peaceful \| transition
All This, and Heaven Too (1940)	Henriette (Carriage)	0:13:05 - A carriage arrives	carriage \| driver \| leading lady \| pleasant \| street \| transition \| traveling \| upbeat
All This, and Heaven Too (1940)	Arriving	0:13:14 - Henriette gets out of the carriage	arriving \| carriage \| driver \| gentle \| leading lady \| pleasant \| street \| transition
All This, and Heaven Too (1940)	Arriving 2	0:13:24 - Henriette walks to the front door	arriving \| caretaker \| gentle \| leading lady \| pleasant \| street \| transition
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:13:37 - Henriette meets the caretaker	caretaker \| conversing \| leading lady \| mysterious \| street \| transition \| underscoring
All This, and Heaven Too (1940)	Pierre	0:13:47 - Pierre introduces himself	caretaker \| conversing \| introducing \| leading lady \| pleasant \| street \| tense \| transition
All This, and Heaven Too (1940)	The Duke (Maestoso)	0:14:03 - Henriette enters the palace	arriving \| butler \| calm \| establish place \| establish setting \| gentle \| leading lady \| noble \| palace \| walking
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Underscoring (Agitato)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Fairy Tale	0:23:13 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| establish character \| fairy tale \| governess \| leading lady \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Fairy Godmother	0:23:28 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| establish character \| fairy tale \| governess \| leading lady \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Illness	0:26:16 - The Duke asks about Raynald	advance plot \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| room \| worrying
All This, and Heaven Too (1940)	Henriette (Molto tranquillo)	0:26:30 - The Duke talks to Henriette	advance plot \| conversing \| delicate \| duke \| gentle \| governess \| leading lady \| room \| worrying
All This, and Heaven Too (1940)	The War of the Roses	0:27:13 - Henriette plays the harpsichord	advance plot \| child \| children's song \| dancing \| governess \| leading lady \| on-screen music \| pleasant \| room \| singing \| source music
All This, and Heaven Too (1940)	The War of the Roses	0:28:23 - The girls sing	advance plot \| child \| children's song \| dancing \| governess \| leading lady \| on-screen music \| pleasant \| room \| singing \| source music
All This, and Heaven Too (1940)	Underscoring (Tense)	NIF - not in film	advance plot \| child \| conversing \| cut from film \| duchess \| governess \| leading lady \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Not in film segment	NIF - not in film	advance plot \| arguing \| child \| cut from film \| duchess \| governess \| leading lady \| room
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Romance	0:30:48 - Henriette talks with the Duke	advance plot \| arguing \| child \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Andante)	0:31:04 - The Duke apologizes to Henriette	advance plot \| apologizing \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	The Duke (Tranquillo)	0:31:41 - The doctor treats Raynald	advance plot \| caring \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Sick Room	0:32:12 - The doctor talks to the Duke	advance plot \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald	0:32:53 - Henriette helps Raynald	advance plot \| caring \| child \| conversing \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| sweet
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| room \| tense \| zoom in
All This, and Heaven Too (1940)	Henriette (Molto Tranquillo 2)	0:34:17 - Henriette comforts Raynald	advance plot \| child \| comforting \| conversing \| dark \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Dark)	0:34:52 - Raynald talks with Henriette	advance plot \| child \| comforting \| conversing \| dark \| death \| duke \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Raynald (Lullaby)	0:35:24 - Henrietta talks to the Duke	advance plot \| calm \| caring \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:35:57 - The Duke thanks Henriette	advance plot \| calm \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:36:25 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| singing
All This, and Heaven Too (1940)	The Prayer	0:36:36 - The Abbe prays for Raynald	child \| duke \| governess \| hymn-like \| illness \| leading lady \| leading man \| praying \| priest \| religious scene \| room \| somber
All This, and Heaven Too (1940)	Underscoring (Tense)	0:37:37 - They rise from prayer	child \| conversing \| duchess \| duke \| governess \| illness \| leading lady \| leading man \| leaving \| priest \| religious scene \| room \| somber \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:38:09 - The Duchess argues with the doctor	arguing \| doctor \| duchess \| illness \| leading lady \| religious scene \| room \| tense
All This, and Heaven Too (1940)	Raynald (Adagio)	0:38:26 - The doctor takes Raynald's pulse	advance plot \| caring \| child \| conversing \| doctor \| duke \| governess \| governess \| illness \| leading lady \| leading man \| room \| solemn
All This, and Heaven Too (1940)	Raynald (Triste)	0:39:16 - The Duke talks to Henriette	advance plot \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Duchess (Expressivo con Schmalzo)	0:39:24 - The Duchess writes a letter	angry \| crying \| despair \| duchess \| leading lady \| mad scene \| on-screen text \| room \| writing
All This, and Heaven Too (1940)	Desperation	0:39:54 - The Duchess writes a letter	angry \| crying \| despair \| duchess \| leading lady \| mad scene \| on-screen text \| room \| writing
All This, and Heaven Too (1940)	Rushing	0:40:15 - The Duchess rushes to the Abbe	angry \| arguing \| despair \| duchess \| leading lady \| mad scene \| mickey-mousing \| priest \| room
All This, and Heaven Too (1940)	Pleading (Extended)	0:40:26 - The Abbe talks with the Duchess	angry \| arguing \| despair \| duchess \| leading lady \| mad scene \| priest \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	0:41:00 - The Duchess pleads with the Abbe	angry \| arguing \| crying \| despair \| illness \| leading lady \| mad scene \| priest \| room
All This, and Heaven Too (1940)	Raynald (Andante)	0:41:36 - Henriette and the Duke by Raynald's bedside	child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| solemn \| somber
All This, and Heaven Too (1940)	Henriette (Ethereal)	0:42:36 - Henriette asks to open the window	bright \| child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| timid
All This, and Heaven Too (1940)	Raynald (Ethereal)	0:43:04 - Raynald by the window	child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing 2	0:43:14 - The Duchess rushes into the room	arguing \| child \| duchess \| duke \| governess \| hurried \| illness \| illness scene \| leading lady \| leading man \| mickey-mousing \| room \| rushing
All This, and Heaven Too (1940)	Desperation (Furioso)	0:43:28 - The Duchess rushes out of the room	angry \| child \| despair \| duchess \| duke \| governess \| hurrying \| illness \| illness scene \| leading lady \| leading man \| leaving \| room
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Tranquillo)	0:43:53 - Henriette puts Raynald in bed	calm \| caring \| child \| duke \| gentle \| governess \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Appassionato)	0:44:08 - Raynald plays outside	advance plot \| child \| conversing \| courtyard \| duke \| governess \| happy \| leading lady \| leading man \| passionate \| playing
All This, and Heaven Too (1940)	Raynald (Mysterioso)	0:44:22 - Raynald talks with Henriette	advance plot \| child \| conversing \| courtyard \| duke \| governess \| happy \| leading lady \| leading man \| mysterious
All This, and Heaven Too (1940)	The Duchess (Molto Expressivo)	0:44:33 - Henriette reads a letter from the Duchess	advance plot \| governess \| leading lady \| letter \| on-screen text \| positive \| reading \| room
All This, and Heaven Too (1940)	The Duchess (Molto Screwieoso)	0:44:50 - Henriette looks at a gift from the Duchess	advance plot \| distressed \| gift \| governess \| leading lady \| looking \| opening \| room \| stinger
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:46:43 - The Duchess stares at Henriette	conversing \| duchess \| governess \| leading lady \| mysterious \| room \| transition \| underscoring
All This, and Heaven Too (1940)	Henriette (Carriage)	0:46:53 - Horses pulling a carriage	carriage \| child \| conversing \| governess \| horse \| leading lady \| mickey-mousing \| pleasant \| riding \| street \| traveling scene \| trotting \| upbeat
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:49:01 - The Duke looks at Henriette	advance plot \| child \| conversing \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| looking \| romance \| romantic \| room
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic music \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	Fanfan la Tulipe	0:51:48 - Henriette plays the harpsichord	advance plot \| child \| dancing \| duke \| folk music \| governess \| leading lady \| leading man \| on-screen music \| playing \| room \| upbeat
All This, and Heaven Too (1940)	Louise	0:52:39 - Louise hugs her father	advance plot \| child \| conversing \| duke \| excited \| governess \| happy \| hugging \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	The Duke (Lohengrin)	0:52:53 - The Duke gives Louise his rose	advance plot \| calm \| child \| conversing \| duke \| governess \| hugging \| kind \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Louise (Poco Animato)	0:53:39 - Louise talks to Henriette	advance plot \| child \| conversing \| excited \| governess \| happy \| leading lady \| room
All This, and Heaven Too (1940)	Henriette (Poco Animato)	0:53:44 - Henriette puts out the lights	advance plot \| child \| conversing \| excited \| governess \| happy \| leading lady \| room
All This, and Heaven Too (1940)	Henriette (Music Box)	0:54:04 - Henriette puts Louise to bed	advance plot \| calm \| child \| conversing \| goodnight \| governess \| happy \| leading lady \| lullaby \| music box \| room
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:56:57 - The Duchess enters	advance plot \| child \| conversing \| governess \| leading lady \| maid \| mysterious \| room \| tense \| trouble \| underscoring
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henrietta talks to the Duke	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Henriette (Emotional)	1:02:28 - The Duke talks to Henriette	conflict \| conversing \| duke \| governess \| leading lady \| leading man \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:02:57 - Henriette with tears in her eyes	conflict \| conversing \| duke \| governess \| leading lady \| leading man \| romance \| romantic \| room
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation from the King	1:03:46 - Invitation from the King	ballroom \| bold \| double exposure \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| walking
All This, and Heaven Too (1940)	Ascending	1:03:57 - The Duke and Duchess ascend	ascending \| ballroom \| double exposure \| duchess \| duke \| leading lady \| leading man \| mickey-mousing \| montage \| stairs \| tense
All This, and Heaven Too (1940)	The Duchess (Tutti)	1:04:02 - A concert program	ballroom \| bold \| carriage \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| riding \| romantic
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	La Parisienne (The King)	1:06:08 - The children watch from the balcony	advance plot \| arriving \| ballroom \| child \| crowd \| governess \| king \| leading lady \| march \| patriotic tune \| regal \| simulated source music
All This, and Heaven Too (1940)	La Parisienne (Expressivo)	1:06:51 - The children pray	advance plot \| calm \| child \| governess \| leading lady \| praying \| room
All This, and Heaven Too (1940)	Henriette (Goodnight)	1:06:59 - Henriette puts the children to bed	advance plot \| calm \| child \| goodnight \| governess \| leading lady \| peaceful \| room \| tucking in
All This, and Heaven Too (1940)	Isabelle	1:07:33 - Isabelle cries	advance plot \| child \| comforting \| crying \| governess \| leading lady \| room \| serious \| somber
All This, and Heaven Too (1940)	Isabelle 2	1:08:44 - Isabelle talks to Henriette	advance plot \| child \| comforting \| crying \| governess \| leading lady \| room \| serious \| somber
All This, and Heaven Too (1940)	Henriette (Duet)	1:09:26 - Isabelle talks to Henriette	advance plot \| child \| comforting \| crying \| gentle \| governess \| leading lady \| room \| sweet
All This, and Heaven Too (1940)	Henriette (Cello Solo)	1:10:09 - Henriette comforts Isabelle	advance plot \| child \| comforting \| crying \| gentle \| governess \| leading lady \| room
All This, and Heaven Too (1940)	The Duchess (Expressivo)	1:10:42 - The Duke complains to Henriette	abrupt \| advance plot \| angry \| complaining \| duke \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Transition)	1:10:55 - The Duke talks to Henriette	advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Rubato)	1:11:14 - The Duke talks to Henriette	advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| peaceful \| room
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:12:16 - The Duke talks to Henriette	advance plot \| combination of themes \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Falling Snow	1:12:39 - Henriette watches the falling snow	advance plot \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| point-of-view shot \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Henriette (Sad Waltz)	1:12:55 - Henriette watches the people dancing	advance plot \| ballroom \| crowd \| dancing \| dissolve \| governess \| leading lady \| point-of-view shot \| room \| somber \| watching
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:13:19 - Henriette watches the falling snow	advance plot \| arriving \| butler \| dramatic \| duchess \| duke \| leading lady \| leading man \| outside \| panning shot \| point-of-view shot \| room \| underscoring \| watching
All This, and Heaven Too (1940)	The Duchess (Con Moto)	1:13:45 - Henriette watches the Duke and Duchess	advance plot \| dramatic \| duchess \| duke \| leading lady \| leading man \| leaving \| painful \| point-of-view shot \| room \| watching
All This, and Heaven Too (1940)	Henriette (Somber)	1:15:09 - Henriette looks out the window	advance plot \| governess \| leading lady \| longing \| room \| somber
All This, and Heaven Too (1940)	Henriette (Quasi Agitato)	1:17:45 - Henriette paces anxiously	advance plot \| agitated \| conflicted \| gift \| governess \| leading lady \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Henriette (Tristan)	1:18:13 - Henriette opens a gift	advance plot \| gift \| governess \| happy \| leading lady \| opening \| room \| snow globe
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:18:26 - Snow swirling in a snow globe	advance plot \| calm \| combination of themes \| gift \| governess \| leading lady \| room \| snow \| snow globe \| snowing \| swirling
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| panning shot \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	Underscoring (Tense)	1:20:55 - Henriette calms the children down	caretaker \| child \| conflict \| crying \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Somber)	1:21:26 - The Duke descends the stairs	child \| conflict \| conversing \| crying gesture \| descending \| governess \| leading lady \| room \| somber \| tense
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	calm \| conflict \| conversing \| duchess \| duke \| gentle \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	The Duke (Dignified)	1:23:09 - A carriage arrives at the chateau	arriving \| child \| dignified \| driver \| governess \| leading lady \| noble \| on-screen text \| palace \| transition
All This, and Heaven Too (1940)	All Hallows' Eve	1:23:22 - A forest scene at night	child \| conversing \| create suspense \| forest \| governess \| Halloween \| hiding \| leading lady \| ombra topic \| on-screen text \| scaring \| scary \| spooky \| walking
All This, and Heaven Too (1940)	Spring Time	1:24:18 - The children laugh	cheerful \| child \| conversing \| create suspense \| forest \| governess \| leading lady \| walking
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	child \| cooking \| create suspense \| forest \| governess \| leading lady \| old man \| scary \| scored source music \| singer \| singing \| spooky
All This, and Heaven Too (1940)	Creeping	1:25:02 - A stranger approaches	child \| create suspense \| creeping \| duke \| forest \| governess \| leading lady \| leading man \| mickey-mousing \| scary \| sneaking \| spooky
All This, and Heaven Too (1940)	Spring Time	1:25:18 - The Duke talks with his children	advance plot \| cheerful \| child \| duke \| forest \| governess \| leading lady \| leading man \| recognizing \| relief
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:25:28 - Henriette smiles at the Duke	advance plot \| child \| conversing \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| tender \| underscoring
All This, and Heaven Too (1940)	Henriette (All Hallows' Eve)	1:25:46 - The Duke talks with Henriette	advance plot \| conversing \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| spooky \| sweet \| tender
All This, and Heaven Too (1940)	Spring Time (Grazioso)	1:26:48 - The Duke talks with the servants	advance plot \| arriving \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| light \| room \| servant
All This, and Heaven Too (1940)	Grazioso	1:27:26 - Madame Gauthier talks about the children	advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Raynald	1:27:35 - Madame Gauthier talks about Raynald	advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:27:58 - The Duke talks to Henriette by the fireplace	advance plot \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Heaven Theme	1:28:16 - Henriette tells the Duke about herself	duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| room \| storytelling
All This, and Heaven Too (1940)	Triste	1:28:51 - Henriette talks about a mystery	duke \| falling in love scene \| governess \| leading lady \| leading man \| room \| somber \| storytelling
All This, and Heaven Too (1940)	Henriette (Very Romantic)	1:29:07 - Henriette talks with the Duke	conversing \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| romantic \| room \| sweet
All This, and Heaven Too (1940)	Spring Time	1:30:22 - A carriage approaches the palace	arriving \| bright \| carriage \| chattering \| cheerful \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| transition
All This, and Heaven Too (1940)	Raynald	1:30:33 - The carriage arrives	arriving \| bright \| carriage \| chattering \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| transition
All This, and Heaven Too (1940)	Spring Time	1:30:41 - The children get out of the carriage	bright \| cheerful \| child \| conversing \| duke \| governess \| happy \| leading lady \| leading man \| palace \| transition
All This, and Heaven Too (1940)	Raynald (Extended)	1:30:51 - The children talk to Henriette	bright \| child \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Spring Time (Ominous)	1:31:04 - The children enter the palace	bright \| cheerful \| child \| conversing \| duke \| governess \| leading lady \| leading man \| ominous \| palace \| surprise \| transition
All This, and Heaven Too (1940)	Henriette (Ominous)	1:31:15 - Henriette talks to the Duke	conversing \| duke \| governess \| hopeful \| leading lady \| leading man \| love scene \| ominous \| palace \| reassuring
All This, and Heaven Too (1940)	Henriette (Molto Expressivo)	1:31:48 - The Duke talks to Henriette	conversing \| duke \| governess \| leading lady \| leading man \| love scene \| palace \| reassuring \| romantic \| stinger \| tender
All This, and Heaven Too (1940)	Henriette (Expressivo)	1:32:32 - Henriette enters the palace	governess \| leading lady \| love scene \| ominous \| palace \| somber \| walking
All This, and Heaven Too (1940)	The Duchess (Agitato)	1:34:41 - Henriette rushes away from the Duchess	chattering \| child \| conflict \| conversing \| duchess \| governess \| leading lady \| room \| somber \| worried
All This, and Heaven Too (1940)	Underscoring (Agitato)	1:35:05 - Henriette with the children	advance plot \| agitated \| child \| conversing \| governess \| leading lady \| room \| worried
All This, and Heaven Too (1940)	Spring Time (Shimmery)	1:35:12 - Henriette opens a gift	advance plot \| cheerful \| child \| conversing \| gift \| governess \| leading lady \| light \| opening \| room
All This, and Heaven Too (1940)	The Duchess (Distracted)	1:35:21 - Henriette opens a gift	advance plot \| agitated \| child \| conversing \| gift \| governess \| leading lady \| opening \| room \| worried
All This, and Heaven Too (1940)	Spring Time (Harry Cohn Moto)	1:35:26 - Henriette opens a gift	advance plot \| cheerful \| child \| gift \| governess \| happy \| leading lady \| opening \| room \| tense \| unwrapping
All This, and Heaven Too (1940)	Spring Time (Moderato)	1:35:45 - Henriette opens a gift	advance plot \| calm \| child \| gift \| governess \| leading lady \| locket \| opening \| room \| tender
All This, and Heaven Too (1940)	Henriette (Dolschissimo)	1:36:07 - Henriette reads the locket inscription	advance plot \| calm \| child \| conversing \| crying \| gift \| governess \| leading lady \| locket \| room \| stinger \| tender \| tense
All This, and Heaven Too (1940)	Underscoring (Somber)	1:37:35 - Henriette talks with the Duke	conversing \| duke \| governess \| leading lady \| leading man \| love scene \| room \| somber \| underscoring
All This, and Heaven Too (1940)	Expressivo	1:38:15 - Henriette talks with the Duke	conversing \| desperate \| duke \| governess \| leading lady \| leading man \| love scene \| romantic \| room
All This, and Heaven Too (1940)	The Duchess (Tender)	1:38:39 - Henriette talks with the Duke	conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| tender
All This, and Heaven Too (1940)	Desperation (Ethereal)	1:38:54 - Henriette talks with the Duke	conversing \| duke \| ethereal \| governess \| leading lady \| leading man \| love scene \| room
All This, and Heaven Too (1940)	Henriette (Sehr Delicatessen)	1:39:12 - Henriette talks with the Duke	calm \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sweet \| tender
All This, and Heaven Too (1940)	Henriette (Romantic)	1:39:53 - The Duke reads the locket inscription	conversing \| crying \| crying gesture \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| romantic \| room \| tender
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:41:02 - Henriette talks with the children	child \| conversing \| farewell scene \| gentle \| governess \| leading lady \| room \| tender \| underscoring
All This, and Heaven Too (1940)	Raynald	1:41:25 - Henriette says goodbye to the children	child \| conversing \| crying \| farewell scene \| gentle \| governess \| leading lady \| room \| tender
All This, and Heaven Too (1940)	Raynald (Dark)	1:41:54 - Raynald talks with Henriette	child \| conversing \| crying \| farewell scene \| governess \| leading lady \| room \| somber
All This, and Heaven Too (1940)	Lullaby (Tender)	1:42:13 - Henriette says goodbye to the children	child \| conversing \| farewell scene \| governess \| leading lady \| room \| somber
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:45:32 - Henriette reads a letter	cheerful \| leading lady \| letter \| pleasant \| room \| transition
All This, and Heaven Too (1940)	Henriette (Appassionato 2)	1:46:00 - Henriette descends the staircase	anxious \| descending \| excited \| hurrying \| leading lady \| not mickey-moused \| room \| stairs \| transition \| walking
All This, and Heaven Too (1940)	Henriette (Tristan)	1:46:15 - Henriette greets the children	arriving \| child \| duke \| grand \| greeting \| leading lady \| leading man \| reunion scene \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Meno)	1:46:24 - Henriette talks with the children	arriving \| calm \| child \| duke \| greeting \| leading lady \| leading man \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Calm)	1:46:38 - Henriette talks with the Duke	calm \| child \| conversing \| duke \| gentle \| leading lady \| leading man \| reunion scene \| room \| uneasy
All This, and Heaven Too (1940)	Spring Time (Flowers)	1:47:09 - The children give flowers to Henriette	cheerful \| child \| conversing \| leading lady \| pleasant \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	conflict \| conversing \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Screwissimo	1:48:47 - The Duke goes mad	conflict \| conversing \| creepy \| disturbing \| duke \| leading lady \| leading man \| madness \| ominous \| room
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	conflict \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	The Murder	1:51:56 - The Duke advances towards the Duchess	approaching \| blur \| climax \| dark \| duchess \| duke \| leading lady \| leading man \| menacing \| murder \| murdering \| murder scene \| ominous \| room
All This, and Heaven Too (1940)	Desperation (Subito)	1:52:22 - Soldiers climb the stairs	ascending \| conflict \| landlady \| leading lady \| not mickey-moused \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	The Duchess (Dramatic)	1:52:48 - Soldiers confront Henriette	accusing \| arresting \| conflict \| landlady \| leading lady \| ominous \| realizing \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	Henriette (Dark)	1:52:57 - A police wagon approaches	arresting \| carriage \| conflict \| crowd \| dark \| landlady \| leading lady \| soldier \| street \| suspect
All This, and Heaven Too (1940)	Henriette (Grandioso) + Desperation (Grandioso)	1:53:13 - The police wagon leaves	arresting \| bold \| carriage \| conflict \| conversing \| crowd \| crying \| dark \| landlady \| leading lady \| ominous \| soldier \| street \| suspect \| tense \| testifying
All This, and Heaven Too (1940)	Agitato 2	1:59:31 - Henriette is arrested	agitated \| crowd \| crying \| double exposure \| dramatic \| fanfare \| headline \| leading lady \| leaving \| mob \| montage \| newspaper \| soldier \| street \| suspect \| yelling
All This, and Heaven Too (1940)	Henriette (Molto Moderato)	1:04:10 - Women in prison	double exposure \| headline \| leading lady \| montage \| newspaper \| pacing \| prison \| prisoner \| solemn \| suspect \| walking
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:05:06 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Dolce	2:05:51 - Henriette talks to Henry	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Underscoring (Tense)	2:06:17 - Henriette argues with Henry	advance plot \| arguing \| leading lady \| minister \| prison \| prisoner \| suspect \| tense \| underscoring
All This, and Heaven Too (1940)	Heaven Theme (Delicato)	2:06:34 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Raynald (Delicato)	2:06:46 - Henry talks to Henriette	advance plot \| conversing \| delicate \| leading lady \| minister \| prison \| prisoner \| suspect \| tender \| tense \| worrying
All This, and Heaven Too (1940)	Heaven Theme (Dolce)	2:06:58 - Henry talks to Henriette	advance plot \| conversing \| gentle \| leading lady \| minister \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (The Truth)	2:07:07 - Henry talks to Henriette	advance plot \| calm \| conversing \| leading lady \| minister \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (Ostinato)	2:10:09 - A carriage leaves	carriage \| crowd \| dramatic \| leading lady \| mob \| ominous \| ostinato \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling
All This, and Heaven Too (1940)	Underscoring (Tense)	2:10:17 - A carriage arrives at the palace	arriving \| carriage \| leading lady \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling \| underscoring
All This, and Heaven Too (1940)	The Duke (Maestoso)	2:10:50 - Henriette enters the Duke's palace	arriving \| dark \| hearing voices \| leading lady \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Ghostly)	2:11:23 - Henriette hears voices	arriving \| dark \| hearing voices \| leading lady \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Serious)	2:11:50 - Henriette arrives upstairs	arriving \| detective \| hearing voices \| leading lady \| palace \| prisoner \| serious \| soldier \| solemn \| somber \| suspect \| transition
All This, and Heaven Too (1940)	Crying	2:12:15 - Pierre looks at Henriette	caretaker \| crying \| detective \| devastated \| leading lady \| looking \| palace \| prisoner \| soldier \| somber \| suspect \| transition
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Dying	2:13:46 - The Duke in his death bed	conversing \| death bed \| death scene \| detective \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	conversing \| death bed \| death scene \| detective \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Henriette (Funereal)	2:14:27 - Henriette leaves the Duke	conversing \| death bed \| death scene \| detective \| duke \| dying \| funeral march \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Moderato Maestoso)	2:16:29 - A hand signing a release form	hopeful \| leading lady \| leaving \| noble \| prison \| resolution \| walking \| writing
All This, and Heaven Too (1940)	The Duke (Gravestone)	2:16:48 - The Duke's gravestone	death \| gentle \| gravestone \| graveyard \| grieving \| leading lady \| resolution \| somber \| voice-over
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:17:25 - Henriette leaves with Henry Field	comforting \| death \| gravestone \| graveyard \| grieving \| hopeful \| leading lady \| minister \| resolution \| voice-over \| wave
All This, and Heaven Too (1940)	Desperation (Mysterioso)	2:17:47 - Henriette narrates her story	child \| leading lady \| mysterious \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	The Duchess	2:17:58 - Henriette narrates her story	child \| leading lady \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	2:18:09 - Children listening to Henriette	child \| leading lady \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	Columbia Gem of the Ocean	2:18:19 - Children listening to Henriette	child \| hopeful \| leading lady \| resolution \| school \| storytelling \| student \| teacher
All This, and Heaven Too (1940)	Henriette (Adagio)	2:18:52 - A child begins crying	child \| crying \| leading lady \| resolution \| school \| somber \| storytelling \| student \| teacher
All This, and Heaven Too (1940)	Henriette (Dolschissimo)	2:21:00 - Henriette kisses a child on the cheek	child \| conversing \| gentle \| leading lady \| leaving \| minister \| resolution \| school \| student \| sweet \| teacher
All This, and Heaven Too (1940)	Heaven Theme (Resolution)	2:21:31 - Henriette reacts to Henry	gentle \| leading lady \| looking \| minister \| resolution \| school \| sweet \| teacher
All This, and Heaven Too (1940)	Henriette + Falling Snow	2:21:43 - Henriette sees the falling snow	combination of themes \| hearing voices \| leading lady \| minister \| resolution \| school \| snow \| teacher \| tense
All This, and Heaven Too (1940)	Henriette (Resolution) + Falling Snow (Resolution)	2:22:03 - Henry talks to Henriette	combination of themes \| conversing \| gentle \| leading lady \| minister \| promising \| resolution \| school \| snow \| teacher
All This, and Heaven Too (1940)	Henriette (The End)	2:22:31 - The End	end title sequence \| grand \| leading lady \| looking \| minister \| school \| snow \| teacher \| The End
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	Jo (At the Phone)	0:59:24 - Rocks takes the phone apart	9th chord \| advance plot \| antagonist \| combination of themes \| dark \| gangster \| leading lady \| ominous \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	1:00:10 - Jo and Rocks quarrel	advance plot \| antagonist \| arguing \| dissonant bass \| gangster \| half-diminished 7th chord \| leading lady \| quarreling \| room \| tense
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury	0:41:37 - Laury pushes her way through the crowd	altered dominant \| arriving \| close-up \| conflict \| heartbroken \| leading lady \| love interest \| rushing \| sentimental \| shop
Angels With Dirty Faces (1938)	Underscoring (Romantic)	1:01:43 - Rocky and Laury talk	altered dominant \| conversing \| dissonant bass \| gangster \| leading lady \| leading man \| linear chromaticism \| love scene \| romantic \| room \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury (Sentimental)	1:01:59 - Rocky and Laury talk	added-note chord \| altered dominant \| conversing \| gangster \| leading lady \| leading man \| love scene \| parallel period \| romantic \| room
Angels With Dirty Faces (1938)	Foxtrot	1:02:20 - Rocky and Laury look out the window	added-note chord \| altered dominant \| common-tone diminished 7th \| dreaming \| foxtrot \| gangster \| hoping \| leading lady \| leading man \| looking \| love scene \| mode mixture \| romantic \| room
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	Pleading	1:11:08 - Laury pleads for Rocky	9th chord \| advance plot \| appoggiatura \| circle of fifths \| common-chord modulation \| crying \| leading lady \| leading man \| love interest \| pleading \| priest \| room \| somber
Angels With Dirty Faces (1938)	Jerry	1:11:35 - Jerry talks to Laury	9th chord \| advance plot \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love interest \| memory \| pleading \| priest \| room \| tender
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Are These Our Children? (1931)	Dreams B	0:01:33 - Two young people in love	common-chord modulation \| common-tone diminished 7th \| conductor score \| conversing \| establish character \| gentle \| leading lady \| leading man \| lovers \| love scene \| snuggling \| street
Are These Our Children? (1931)	Dreams	0:02:11 - Eddie and Mary talk	11th chord \| AABA structure \| conductor score \| establish character \| gentle \| leading lady \| leading man \| leaving \| lovers \| love scene \| mode mixture \| street \| waiting
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	The Aunts	0:09:05 - Aunt Abby scurries across the room	aunt \| crazy person \| delicate \| establish character \| foreign key modulation \| gentle \| harmonic sequence \| hurrying \| leading lady \| room \| scurrying
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	The Aunts	0:12:26 - Reverend leaves	advance plot \| aunt \| cheerful \| conversing \| crazy person \| delicate \| foreign key modulation \| gentle \| harmonic sequence \| leading lady \| street
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:12:31 - The aunts talk	advance plot \| aunt \| brother \| conversing \| crazy person \| familiar tune \| foreign key modulation \| gentle \| leading lady \| mysterious \| plotting \| room \| sequence \| tender \| whole-tone chord \| whole-tone scale
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:13:16 - The aunts talk	advance plot \| aunt \| brother \| cheerful \| conversing \| crazy person \| delicate \| foreign key modulation \| gentle \| harmonic sequence \| leading lady \| plotting \| room
Arsenic and Old Lace (1944)	Happy Land (Grazioso)	0:13:34 - The aunts talk	advance plot \| aunt \| conversing \| leading lady \| magical \| plotting \| room \| whole-tone chord
Arsenic and Old Lace (1944)	Wind blowing	0:13:48 - Wind blows the curtains at the window	advance plot \| aunt \| blowing \| chromatic parallelism \| leading lady \| looking \| mysterious \| room \| wind \| wind effect
Arsenic and Old Lace (1944)	The Aunts (Allegretto)	0:13:52 - The aunts run to the window	advance plot \| aunt \| cheerful \| harmonic sequence \| leading lady \| mode mixture \| pedal tone \| room \| running
Arsenic and Old Lace (1944)	Opens window	0:13:59 - The aunts open the window	advance plot \| aunt \| half-diminished 7th chord \| leading lady \| mickey-mousing \| opening \| raising \| room \| upbeat \| window
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Chasing	0:14:48 - Mortimer chases Elaine around a tree	bride \| cemetery \| chasing \| comical \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mickey-mousing \| secondary dominant
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:14:51 - Mortimer flirts with Elaine	bride \| cemetery \| conversing \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mysterious \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:25 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| conversing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:16:10 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| embracing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Chasing	0:16:31 - Elaine runs off	bride \| groom \| hurrying \| leading lady \| leading man \| light \| love \| love scene \| running \| secondary dominant \| street
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Jonathan	0:18:54 - Jonathan Brewster's picture is shown	advance plot \| aunt \| conversing \| diminished 7th chord \| groom \| leading lady \| leading man \| ominous \| pc set \| picture \| room \| sinister \| stinger
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	The Aunts	0:39:01 - The aunts talk	advance plot \| aunt \| cleaning \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| room \| upbeat
Arsenic and Old Lace (1944)	Happy Land (Screwyoso)	0:39:06 - The aunts talk	added-note chord \| advance plot \| altered dominant \| aunt \| calm \| cleaning \| conversing \| crazy person \| familiar tune \| hat \| leading lady \| murderer \| ominous \| room \| stinger \| suspension
Arsenic and Old Lace (1944)	Happy Land (String Quartet)	0:39:28 - The aunts set the table	advance plot \| aunt \| cleaning \| conversing \| crazy person \| direct modulation \| evaded cadence \| familiar tune \| hymn-like \| leading lady \| murderer \| peaceful \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:39:58 - The aunts see shadows at the door	augmentation \| aunt \| conversing \| crazy person \| dark \| establish character \| fear \| foreign key modulation \| fragmentation \| knocking \| leading lady \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| shadow \| whispering
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:52:20 - The aunts move through the kitchen	advance plot \| aunt \| calm \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| pleasant \| room
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Here Comes the Bride (Tense)	0:58:28 - Elaine comes in the door	advance plot \| bride \| calling \| darkness \| entering \| familiar tune \| half-diminished 7th chord \| leading lady \| room \| sequence \| sneaking \| tense
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
The Big Sleep (1946)	Transition	0:00:08 - Shadows of the main characters	bold \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list \| transition
The Big Sleep (1946)	The Big Sleep	0:00:13 - Starring actors and main title	cast list \| dark \| heavy \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list
The Big Sleep (1946)	Walking	0:25:22 - Vivian walks down the hall	advance plot \| butler \| calm \| inserted scene \| leading lady \| leading man \| not in score \| private eye \| reused recording \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:25:28 - Marlowe asks Vivian to help with Carmen	advance plot \| butler \| conversing \| femme fatale \| inserted scene \| leading lady \| leading man \| mysterious \| not in score \| private eye \| reused recording \| room
The Big Sleep (1946)	Walking	0:32:10 - Marlowe walks to his office	advance plot \| arriving \| calm \| leading lady \| leading man \| private eye \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:32:29 - Marlowe talks with Vivian	advance plot \| conversing \| leading lady \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Determined)	0:47:56 - Marlowe enters the apartment building	arriving \| ascending \| bold \| determined \| heroic \| investigating \| investigation scene \| leading lady \| leading man \| private eye \| stairs \| street \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| tense \| underscoring
The Big Sleep (1946)	Sternwood (Threatening)	0:51:52 - Carmen enters holding a gun on Brody	blackmailer \| conflict \| criminal \| dark \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| sinister \| stinger \| suspect \| threatening
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes and Joe trips Carmen	blackmailer \| conflict \| criminal \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	blackmail \| conflict \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| private eye \| room \| seductive
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence
The Big Sleep (1946)	Vivian + Marlowe (Ear Business)	NIF - not in film	advance plot \| combination of themes \| conversing \| cut from film \| deleted scene \| deleted scene \| leading lady \| leading man \| love interest \| mysterious \| private eye \| romantic \| room \| thinking
The Big Sleep (1946)	I Guess I'll Have to Change My Plan	1:00:50 - Vivian enters a restaurant	arriving \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	The Blue Room	1:02:15 - Vivan pays Marlowe	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	You Go to My Head	1:04:25 - Vivian and Marlowe talk in a restaurant	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Driving	1:14:54 - Marlowe and Vivian in the car	car \| car \| driving \| leading lady \| leading man \| love interest \| love scene \| mickey-mousing \| private eye \| tense
The Big Sleep (1946)	Vivian	1:15:22 - Marlowe and Vivian talk	car \| conversing \| kissing \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Sternwood (Tense)	1:16:26 - Marlowe asks about Eddie Mars	accusing \| car \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| cafe \| conversing \| leading lady \| leading man \| love interest \| mysterious \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| cafe \| conversing \| leading lady \| leading man \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| octatonic \| private eye \| room \| tense
The Big Sleep (1946)	Carmen	1:39:52 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| musical clue \| music reveals thoughts \| mysterious \| private eye \| room
The Big Sleep (1946)	Vivian	1:40:03 - Marlowe and Vivian kiss	captive \| freeing \| kissing \| leading lady \| leading man \| love interest \| love scene \| private eye \| romantic \| room
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	1:41:36 - Marlowe runs to his car	action scene \| criminal \| dramatic \| leading lady \| leading man \| love interest \| outside \| private eye \| running \| underscoring
The Big Sleep (1946)	Hostage + Marlowe (Fragment)	1:42:34 - Canino brings Vivian out as a hostage	action scene \| criminal \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| tense \| walking
The Big Sleep (1946)	Underscoring (Dramatic)	1:43:17 - Canino shoots	action scene \| criminal \| dramatic \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| shooting \| underscoring
The Big Sleep (1946)	Marlowe (Rises)	1:43:19 - Marlowe rises	action scene \| criminal \| dramatic \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| rising
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Driving 2	1:43:54 - Marlowe and Vivian drive away	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic \| tense
The Big Sleep (1946)	Driving 2	1:44:32 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:44 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic \| tense
The Big Sleep (1946)	Driving 2	1:44:51 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Carmen	1:45:06 - Marlowe talks about Carmen	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves here	arriving \| car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic \| tense
The Big Sleep (1946)	Marlowe (Bold)	1:45:44 - Marlowe and Vivian get out of the car	bold \| heroic \| leading lady \| leading man \| love interest \| outside \| private eye \| transition \| walking
The Big Sleep (1946)	Walking	1:45:45 - Marlowe and Vivian walk up to house	leading lady \| leading man \| love interest \| outside \| private eye \| tense \| transition \| walking
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Big Sleep (1946)	Hurrying	1:47:07 - Marlowe and Vivian make a plan	climax \| hurrying \| leading lady \| leading man \| love interest \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	bold \| death \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| phone call \| private eye \| resolution \| room \| tense \| uneasy
The Big Sleep (1946)	Vivian	1:52:48 - Marlowe talks to Vivian	conversing \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room
The Big Sleep (1946)	Vivian (Expressivo)	1:53:20 - Marlowe pulls Vivian close	conversing \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
His Greatest Gamble (1934)	Blue Ridge Moon	0:53:16 - Philip talks with Alice	advance plot \| conversing \| daughter \| gentle \| leading lady \| love interest \| mansion \| popular music \| radio \| sentimental \| source music \| waltz
His Greatest Gamble (1934)	Morning Glory Waltz (Radio)	0:57:06 - Philip talks with Alice	9th chord \| advance plot \| conversing \| daughter \| fugitive \| gentle \| leading lady \| leading man \| mansion \| mode mixture \| radio \| score to source \| sentimental \| source music \| transcribed by ear \| walking
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:21:28 - Peggy dances with Murray	crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz	0:21:46 - Peggy dances with Murray	conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Fanfare	0:22:58 - A trophy is brought out	award \| bold \| crowd \| dance band \| dance hall \| dancer \| dance scene \| fanfare \| leading lady \| on-screen music \| presenting \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz (Ethereal)	0:24:48 - Peggy peeks out of her door	advance plot \| arriving \| entering \| gentle \| leading lady \| mysterious \| room \| sneaking \| source to score
City for Conquest (1940)	I'm Just Wild About Harry (Delicato)	0:25:06 - Peggy calls Murray	advance plot \| calling \| conversing \| leading lady \| pleasant \| room \| source to score \| telephone \| upbeat
City for Conquest (1940)	The Words Are in My Heart	0:29:31 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| gentle \| leading lady \| montage \| source music \| waltz
City for Conquest (1940)	Original Rhumba	0:29:38 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| rhumba \| source music \| upbeat
City for Conquest (1940)	Original Bolero	0:29:43 - Peggy dances with Murray	applause \| bolero \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:29:51 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| tango \| upbeat
City for Conquest (1940)	Original Foxtrot	0:29:57 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| foxtrot \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Tone Poem A1 (Grazioso)	0:30:04 - Danny shaves	conversing \| delicate \| gentle \| leading lady \| leading man \| love scene \| room \| shaving
City for Conquest (1940)	Tone Poem A1 + Tone Poem A2	0:30:28 - Peggy talks to Danny	arguing \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Peggy Pokes Danny	0:30:47 - Peggy pokes Danny	flirting \| leading lady \| leading man \| love scene \| mickey-mousing \| playful \| room \| shaving \| teasing
City for Conquest (1940)	Only Fooling	0:30:54 - Peggy cleans Danny's face	arguing \| conversing \| flirting \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Tone Poem A1 (Expressivo) + Tone Poem A2 (Expressivo)	0:31:00 - Peggy apologizes to Danny	conversing \| kiss \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
City for Conquest (1940)	Tranquillo	0:31:35 - Peggy and Danny on a boat	boat \| conversing \| delicate \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A1 (Waltz)	0:31:48 - Peggy and Danny talk about the future	boat \| calm \| conversing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	Shadow Waltz (Dark)	0:33:22 - Peggy talks with Danny	boat \| conversing \| dark \| leading lady \| leading man \| love scene \| somber
City for Conquest (1940)	I'm Just Wild About Harry	0:33:35 - Peggy starts to leave	boat \| calm \| conversing \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A1 (Dolcissimo)	0:34:02 - Danny talks with Peggy	boat \| conversing \| gentle \| kissing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	I'm Just Wild About Harry	0:34:32 - Man operating a spotlight	audience \| clapping \| dancer \| dancing \| double exposure \| leading lady \| marquee \| montage \| source music \| stage \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| source music \| upbeat
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Tone Poem A1 (Romantic)	0:47:41 - Peggy talks with Danny	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| street \| tense
City for Conquest (1940)	Tone Poem A1 (Dolce)	0:48:06 - Danny talks to Peggy	boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Tone Poem A1 (Walking)	0:48:32 - Danny and Peggy walk down the street	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| romantic \| street \| walking
City for Conquest (1940)	Tone Poem A1 (Molto Expressivo)	0:48:44 - Danny talks with Peggy	boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Adios Muchachos	0:50:27 - Peggy arrives home	advance plot \| arriving \| cheerful \| conversing \| dancer \| leading lady \| record player \| room \| source music \| tango
City for Conquest (1940)	Adios Muchachos	0:51:19 - Peggy talks with Murray	advance plot \| arriving \| cheerful \| conversing \| dancer \| leading lady \| record player \| room \| source music \| tango
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Underscoring (Gentle)	0:55:19 - A taxi approaches	arriving \| farewell scene \| gentle \| leading lady \| leading man \| source and scoring overlap \| street \| taxi \| underscoring
City for Conquest (1940)	Tone Poem A1 (Farewell) + Tone Poem A2	0:55:31 - Peggy bids farewell to Danny	conversing \| crying \| embracing \| farewell scene \| leading lady \| leading man \| leaving \| romantic \| sentimental \| street
City for Conquest (1940)	Garden of the Moon	1:00:04 - Backstage at the Club Madrid	advance plot \| conversing \| dancer \| dressing room \| leading lady \| preparing \| upbeat
City for Conquest (1940)	Piggy Wiggy Woo	1:10:52 - Peggy cries	advance plot \| conversing \| crying \| dancer \| dressing room \| leading lady \| source music \| upbeat
City for Conquest (1940)	Powder My Back	1:23:34 - A burlesque marquee	advance plot \| conversing \| dancer \| dancing \| leading lady \| manager \| on-screen music \| singer \| singing \| source music \| stage \| upbeat
City for Conquest (1940)	Tone Poem A1	1:28:11 - Peggy cries	advance plot \| conversing \| crying \| friend \| leading lady \| room \| somber
City for Conquest (1940)	Tone Poem D (Dolce)	1:28:33 - Gladys talks to Peggy	advance plot \| comforting \| conversing \| crying \| friend \| gentle \| leading lady \| newspaper \| room \| sweet
City for Conquest (1940)	Tone Poem A1 (Maestoso)	1:29:11 - Peggy looks up	advance plot \| friend \| hopeful \| leading lady \| newspaper \| reading \| room
City for Conquest (1940)	Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)	1:40:11 - Danny working at his newsstand	blur \| conversing \| ethereal \| gentle \| into focus \| leading lady \| leading man \| love scene \| reunion \| reuniting \| shimmery \| squinting \| street \| victim
City for Conquest (1940)	Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)	1:41:14 - Danny talks with Peggy	conversing \| ethereal \| gentle \| leading lady \| leading man \| love scene \| optimistic \| reunion \| reuniting \| romantic \| shimmery \| street \| victim
Crime School (1938)	Underscoring (Mysterious)	0:09:53 - Frankie sneaks in the house	concern \| conversing \| dissonant bass \| establish character \| heroine \| leading lady \| mysterious \| pedal tone \| room \| sister \| sneaking \| sneaky \| teenager \| underscoring \| whole-tone chord \| whole-tone scale
Crime School (1938)	Sue (Quasi Blues)	0:11:08 - Sue talks to Frankie	bluesy \| chromatic parallelism \| common-chord modulation \| conversing \| crying \| establish character \| foreign key modulation \| Gershwinesque \| heroine \| leading lady \| room \| somber
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	Sue (Grazioso)	1:13:10 - Sue and Mark talk in the kitchen	cheerful \| conflict \| conversing \| cooking \| happy \| hero \| heroine \| kitchen \| leading lady \| leading man \| mode mixture \| secondary dominant
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
They Made Me a Criminal (1939)	The Fugitive (Looking Around)	0:25:11 - The young man sees Johnnie	9th chord \| deceptive resolution \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired \| walking
They Made Me a Criminal (1939)	The Fugitive (Arriving)	0:25:42 - Johnnie arrives at the ranch	9th chord \| arriving \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:26:48 - Peggy rushes to help Johnnie	64 chord \| dramatic \| establish character \| heroine \| leading lady \| mickey-mousing \| ranch \| running \| rushing \| underscoring
They Made Me a Criminal (1939)	Underscoring (Tender)	0:26:58 - Peggy helps Johnnie	9th chord \| 64 chord \| heroine \| leading lady \| leading man \| lovers meet \| mode mixture \| nursing \| room \| tender \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Recovering)	0:27:13 - Peggy takes care of Johnnie	9th chord \| foreign key modulation \| heroine \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| waking
They Made Me a Criminal (1939)	Peggy (Dolce)	0:28:20 - Peggy talks to Johnnie	9th chord \| 11th chord \| 13th chord \| deceptive resolution \| foreign key modulation \| heroine \| kissing \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| tender
They Made Me a Criminal (1939)	The Fugitive (Apology)	0:48:31 - Johnnie and Peggy talk	9th chord \| conversing \| hero \| leading lady \| leading man \| love scene \| romantic \| room \| secondary dominant \| tender
They Made Me a Criminal (1939)	Peggy (Delicatissimo)	0:49:16 - Johnnie and Peggy kiss	9th chord \| 11th chord \| 13th chord \| hero \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
They Made Me a Criminal (1939)	On the Make	0:49:40 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| leading lady \| leading man \| linear chromaticism \| love scene \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	On the Make (Extended)	0:53:21 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| advance plot \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| kissing \| leading lady \| leading man \| linear chromaticism \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	The Fugitive (Ashamed)	1:03:55 - Johnnie tells them he can't fight	9th chord \| conflict \| dark \| foreign key modulation \| harmonic sequence \| leading lady \| leading man \| lying \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	On the Make (Crying)	1:06:29 - Peggy cries after Johnnie leaves	11th chord \| conflict \| crying \| leading lady \| leading man \| room \| somber
They Made Me a Criminal (1939)	Spirit of Independence	1:14:53 - Johnnie marches into the ring	arena \| cheerful \| excited \| hero \| leading lady \| leading man \| march \| preparing \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	Peggy (Waiting)	1:24:39 - The detective talks to Johnnie	chromatic scale \| climax \| dark \| detective \| diminished 7th chord \| dissonant \| dissonant bass \| leading lady \| leading man \| lying \| ominous \| room \| waiting
They Made Me a Criminal (1939)	Lying	1:25:16 - Johnnie lies to Peggy about where he's going	added-note chord \| augmented sixth chord \| climax \| common-chord modulation \| detective \| dissonant bass \| foreign key modulation \| leading lady \| leading man \| lying \| minor-major 7th chord \| room \| turbulent
They Made Me a Criminal (1939)	On the Make (Appassionato)	1:25:51 - Peggy wants to go with Johnnie	9th chord \| altered dominant \| climax \| detective \| embracing \| kissing \| leading lady \| leading man \| leaving \| linear chromaticism \| mode mixture \| pedal tone \| romantic \| room \| sentimental \| sigh gesture \| tender
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Playful)	0:13:38 - Mabel talks to Joe	barn \| comical \| common-tone diminished 7th \| cow \| laughing \| leading lady \| leading man \| lovers meet \| playful \| prisoner \| romantic
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Pleading)	0:17:41 - Mabel pleads for Joe	advance plot \| intervallic expansion \| leading lady \| pleading \| prison \| sincere \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Medical Report)	0:17:58 - Warden talks about Charlie	advance plot \| leading lady \| oppressive \| parallelism \| prison \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Somber)	0:18:36 - Mabel reacts	conflict \| inversion \| leading lady \| prison \| sigh gesture \| somber
Dust Be My Destiny (1939)	Underscoring (Romantic)	0:21:46 - Mabel talks with Joe	barn \| leading lady \| leading man \| love scene \| pedal tone \| romantic \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:22:04 - Mabel and Joe talk	9th chord \| added-note chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant
Dust Be My Destiny (1939)	Dust Be My Destiny (Pensive)	0:23:08 - Joe tells Mabel about his dreams	11th chord \| barn \| chromatic mediant \| dreaming \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| pensive
Dust Be My Destiny (1939)	Dust Be My Destiny (Expressivo)	0:23:38 - Joe and Mabel talk	9th chord \| added-note chord \| augmented sixth chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant \| sequence
Dust Be My Destiny (1939)	Dust Be My Destiny (Ethereal)	0:24:50 - Joe tells Mabel he loves her	barn \| common-tone diminished 7th \| deceptive resolution \| inversion \| kissing \| leading lady \| leading man \| love scene \| romantic
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Dust Be My Destiny (1939)	Dust Be My Destiny (Fateful Decision)	0:26:17 - Joe and Mabel decide to run away together	barn \| confused \| deceptive resolution \| fragmentation \| hopeful \| leading lady \| leading man \| mode mixture \| runaway \| turning point
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:27:22 - Joe and Mabel talk	9th chord \| added-note chord \| advance plot \| common-tone diminished 7th \| freedom \| gentle \| leading lady \| leading man \| mode mixture \| runaway \| secondary dominant \| street \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Milkman)	0:27:38 - Joe and Mabel talk to the milkman	advance plot \| comical \| glass \| leading lady \| leading man \| milk \| milkman \| pizzicato \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (A Hotel)	0:28:47 - Joe mentions going to a hotel	advance plot \| altered dominant \| concerned \| leading lady \| leading man \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Waiting)	0:29:38 - Joe and Mabel talk about getting married	added-note chord \| augmented sixth chord \| chromatic mediant \| common-tone diminished 7th \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| street \| waiting
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Got Each Other)	0:30:49 - Mabel proclaims her love for Joe	courthouse \| leading lady \| leading man \| love scene \| producer \| romantic \| street
Dust Be My Destiny (1939)	Fairy Music	0:30:58 - Man takes their luggage	64 chord \| courthouse \| happy \| leading lady \| leading man \| love scene \| producer \| pump-up modulation \| romantic \| street
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Fear and Devotion)	0:35:50 - Joe and Mabel decide to stick together	alley \| common-tone diminished 7th \| devotion \| dramatic \| escape \| fear \| fragmentation \| leading lady \| leading man \| love \| mode mixture \| obsessive \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	0:36:28 - A speeding train	added-note chord \| foreign key modulation \| frantic \| hitch-hiking \| leading lady \| leading man \| linear chromaticism \| map \| montage \| pc set \| runaway \| sign \| train \| train \| train whistle \| traveling \| traveling scene \| truck \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Wandering)	0:37:16 - Joe and Mabel walk down the road	car \| car horn \| diminished 7th chord \| leading lady \| leading man \| montage \| oscillation \| runaway \| street \| tired \| traveling scene \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny	0:38:38 - Joe and Mabel part	common-tone diminished 7th \| conflict \| leading lady \| leading man \| leaving \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Parting Ways)	0:38:56 - Joe and Mabel part	altered dominant \| common-tone diminished 7th \| conflict \| dark \| leading lady \| leading man \| leaving \| mode mixture \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running)	0:39:33 - Mabel runs across the street	conflict \| leading lady \| leading man \| mickey-mousing \| runaway \| running \| somber \| street \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Regret)	0:39:53 - Joe walks away sadly	conflict \| dark \| leading lady \| leading man \| parallelism \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:40:03 - Joe runs to Mabel	64 chord \| altered dominant \| foreign key modulation \| joyful \| leading lady \| leading man \| mickey-mousing \| pump-up modulation \| resolution \| runaway \| running \| street
Dust Be My Destiny (1939)	The Poster	0:40:39 - Joe and Mabel see a sign for the train	chromatic sequence \| comedy \| comical \| laughing \| leading lady \| leading man \| runaway \| sign \| street
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:43:38 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:43:51 - Mabel and Nick talk	9th chord \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:44:01 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Calm)	0:44:32 - Mabel and Nick talk	added-note chord \| altered dominant \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Worried)	0:46:02 - Mabel talks to the police	11th chord \| create suspense \| leading lady \| police \| room \| somber
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Stick Up)	0:50:12 - Joe pulls out a gun	gun \| half-diminished 7th chord \| jail \| jail break \| leading lady \| leading man \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Grandioso)	0:50:50 - Joe and Mabel outside	42 chord \| 64 chord \| deceptive resolution \| escaping \| friend \| heroic \| jail break \| leading lady \| leading man \| pedal tone \| shopkeeper \| street \| triumphant
Dust Be My Destiny (1939)	Stinger	0:51:01 - They see approaching headlights	42 chord \| danger \| friend \| jail break \| leading lady \| leading man \| ominous \| shopkeeper \| siren \| stinger \| street
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Thankful)	0:51:24 - Joe, Mabel, and Nick talk in the car	augmented sixth chord \| escape \| friend \| leading lady \| leading man \| shopkeeper \| thankful \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Goodbye)	0:51:35 - Joe and Mabel say goodbye to Nick	9th chord \| escape \| familiar tune \| foreign key modulation \| friend \| leading lady \| leading man \| linear chromaticism \| mode mixture \| popular song \| shopkeeper \| tender \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Dust Be My Destiny (1939)	Dust Be My Destiny (Transformation)	0:57:38 - Joe comes back to the apartment	dissonant bass \| foreign key modulation \| leading lady \| leading man \| linear chromaticism \| love scene \| mysterious \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:58:04 - Joe embraces Mabel	9th chord \| 64 chord \| added-note chord \| embracing \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Dust Be My Destiny (1939)	Dust Be My Destiny (Emergency Room)	1:11:01 - The hospital waiting room	64 chord \| advance plot \| concern \| hospital \| leading lady \| pedal tone \| police \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	1:11:25 - Mabel embraces Joe after she meets him	64 chord \| advance plot \| doctor \| embracing \| happy \| hero \| hospital \| leading lady \| leading man \| nurse
Dust Be My Destiny (1939)	Dust Be My Destiny (Simply)	1:11:50 - Mabel and Joe talk	advance plot \| doctor \| hero \| hospital \| leading lady \| leading man \| nurse \| peaceful
Dust Be My Destiny (1939)	Dust Be My Destiny (Leaving Hospital)	1:11:57 - Mabel and Joe start to leave	11th chord \| advance plot \| hero \| hospital \| leading lady \| leading man \| peaceful \| pedal tone \| photographer \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionato)	1:12:09 - Mabel and Joe hide from the reporters	conflict \| countermelody \| hero \| hiding \| hospital \| leading lady \| leading man \| passionate \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Disagreement)	1:12:59 - Mabel and Joe argue	bright \| conflict \| dark \| foreign key modulation \| hero \| hospital \| leading lady \| leading man
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Tragico)	1:13:35 - Mabel turns Joe in to the police	confession \| conflict \| dark \| hospital \| leading lady \| leading man \| parallelism \| pedal tone \| suspect \| tragic
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicate)	1:22:18 - Mabel rises to testify for Joe	courtroom \| crowd \| delicate \| judge \| jury \| leading lady \| leading man \| sequence \| somber \| suspect \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	1:26:04 - Train approaches the screen	added-note chord \| foreign key modulation \| happy \| leading lady \| leading man \| pc set \| resolution \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Train)	1:26:17 - Joe and Mabel on the train	11th chord \| added-note chord \| happy \| leading lady \| leading man \| resolution \| sequence \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Hanging Hats)	1:26:31 - Joe and Mabel toss their hats	11th chord \| chromatic mediant \| foreign key modulation \| happy \| hat \| hook \| leading lady \| leading man \| mickey-mousing \| resolution \| throwing \| train \| traveling \| whistle effect
Dust Be My Destiny (1939)	Dust Be My Destiny (The End)	1:26:45 - "The End"	closing credits \| end title sequence \| foreign key modulation \| happy \| leading lady \| leading man \| The End \| train \| traveling
Each Dawn I Die (1939)	Frank (Released)	1:28:49 - Frank is released	9th chord \| altered dominant \| artwork in score \| conclusion \| embracing \| friend \| gentle \| goodbye \| leading lady \| leading man \| Neapolitan \| passionate \| peaceful
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	Vision of Salome	0:02:12 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Arabian Riff	0:02:36 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Vision of Salome	0:03:12 - Two men argue	arguing \| carnival \| carny \| dancer \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Lane (Moderato Grazioso)	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| Picardy third \| police \| room
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	9th chord \| altered dominant \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane (Poco Con Moto)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| parallelism \| police \| room
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Lightly)	NIF - not in film	altered dominant \| common-tone diminished 7th chord \| cut from film \| cut from film \| flirting \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| foreign key modulation \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chords \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love \| leading lady \| leading man \| police
Flamingo Road (1949)	Lane (Molto Expressivo)	NIF - not in film	11th chord \| conversing \| cut from film \| cut from film \| falling in love \| leading lady \| leading man \| police
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Goodnight	0:17:45 - Lane and Field talk	blue note \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| peaceful \| pedal tone \| police \| porch
Flamingo Road (1949)	Lane (Dolce)	0:17:58 - Lane flirts with Field	falling in love scene \| flirting \| leading lady \| leading man \| love interest \| pedal tone \| playful \| police \| porch \| sweet
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th chord \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	Driving	NIF - not in film	car \| cut from film \| driving \| foreign key modulation \| leading lady \| leading man \| love interest \| love scene
Flamingo Road (1949)	Tranquillo	0:29:07 - Lane and Field talk at the lakeside	appoggiatura \| conversing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| yearning
Flamingo Road (1949)	If I Could Be With You (Tenderly)	0:29:32 - Lane and Field prepare to leave	11th chord \| 13th chord \| altered dominant \| common-tone diminished 7th chord \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| romantic \| secondary dominant \| source to score
Flamingo Road (1949)	Lane	0:30:02 - Lane and Field kiss in the moonlight	added-note chord \| augmentation \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| romance \| romantic
Flamingo Road (1949)	Titus 2	0:33:41 - Field sits down	breakup \| café \| conversing \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	If I Could Be With You (Triste)	0:34:51 - Lane goes to the kitchen	breakup \| café \| dark \| diminished 7th chord \| foreign key modulation \| leading lady \| pondering \| somber \| waitress \| working
Flamingo Road (1949)	Lane (Triste)	0:35:13 - Lane comes back and Field is gone	breakup \| café \| dark \| employer \| firing \| leading lady \| somber \| waitress
Flamingo Road (1949)	Titus (Ostinato)	NIF - not in film	advance plot \| arguing \| café \| cut from film \| cut from film \| employer \| leading lady \| lying \| ostinato \| self-borrowing \| waitress
Flamingo Road (1949)	Lane (Not in Film 2)	NIF - not in film	9th chord \| advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| whole-tone chord
Flamingo Road (1949)	Titus 2 (Not in Film)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| self-borrowing
Flamingo Road (1949)	Titus 2 (Agitato)	0:37:11 - Lane goes to confront Titus	agitated \| angry \| chromatic sequence \| hurrying \| leading lady \| self-borrowing \| street \| transition \| walking
Flamingo Road (1949)	Agitato	0:39:09 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| hurrying \| leading lady \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus 2 (Walking)	0:39:17 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| conflict \| diminished 7th chord \| hurrying \| leading lady \| mickey-mousing \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus (Setup)	0:39:31 - A car follows Lane	conflict \| dark \| leading lady \| police \| self-borrowing \| setup \| street \| walking
Flamingo Road (1949)	Titus + Agitato (Extended)	0:39:55 - Police take Lane away	arresting \| combination of themes \| conflict \| driving \| leading lady \| police \| self-borrowing \| street \| tense \| turbulent
Flamingo Road (1949)	Titus 2 (Maestoso)	0:41:11 - Women enter the prison	advance plot \| dark \| dramatic \| leading lady \| prison \| prisoner \| self-borrowing \| walking
Flamingo Road (1949)	Lane (Lonely)	0:41:27 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| leading lady \| lonely \| prison \| prisoner \| reverse picardy \| somber
Flamingo Road (1949)	Lane (Grazioso)	0:41:46 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| hopeful \| leading lady \| prison \| prisoner \| upbeat
Flamingo Road (1949)	Lane (Hopeful)	0:41:58 - Lane talks to a fellow prisoner	advance plot \| conversing \| deceptive resolution \| gentle \| hopeful \| leading lady \| pedal tone \| prison \| prisoner
Flamingo Road (1949)	Lute Mae (A Reminiscence)	0:42:04 - A female prisoner talks about Lute Mae's	13th chord \| added-note chord \| advance plot \| altered dominant \| bluesy \| conversing \| countermelody \| Gershwinesque \| leading lady \| prison \| prisoner \| self-borrowing
Flamingo Road (1949)	Lane (Fragmented)	0:42:21 - Lane talks to a fellow prisoner	advance plot \| conversing \| fragmentation \| leading lady \| prison \| prisoner \| somber
Flamingo Road (1949)	If I Could Be With You (Slowly)	0:43:04 - Lane lies in bed	leading lady \| montage \| montage \| prison \| prisoner \| staring \| tragic
Flamingo Road (1949)	You Must Have Been a Beautiful Baby	0:43:13 - A woman sings and plays the piano	advance plot \| conversing \| employer \| leading lady \| on-screen music \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Blue Room	0:44:58 - Lane dresses for work	AABA structure \| advance plot \| club \| conversing \| leading lady \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Titus (Angry)	0:45:24 - Titus sees Lane	advance plot \| anger \| angry \| club \| dark \| leading lady \| noticing \| ominous \| politician \| retrograde \| self-borrowing \| sheriff \| sinister \| waitress
Flamingo Road (1949)	Agitato (Angry)	0:45:50 - Dan argues with Titus	advance plot \| anger \| angry \| arguing \| chromatic parallelism \| chromatic scale \| chromatic wedge \| club \| leading lady \| politician \| polychord \| self-borrowing \| sheriff \| smashing \| stinger \| waitress
Flamingo Road (1949)	Jalousie	0:46:06 - Woman dances	club \| conversing \| dance scene \| dancing \| employer \| leading lady \| on-screen music \| playing \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Lento)	0:50:04 - Dan meets Lane	added-note chord \| conversing \| countermelody \| gentle \| graceful \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane	0:50:59 - Lane gives Dan his money	conversing \| delicate \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| mode mixture \| pleasant \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	Molto Grazioso	0:51:40 - Dan notices Lane	conversing \| delicate \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lute Mae (Quasi Blues)	0:51:46 - Dan flirts with Lane	13th chord \| added-note chord \| conversing \| countermelody \| flirting \| flirty \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| self-borrowing \| sultry \| thematic transference
Flamingo Road (1949)	Slide whistle	0:53:00 - Dan surprises Lute Mae	comical \| employer \| leading lady \| leading man \| love interest \| mickey-mousing \| politician \| room \| surprising \| transition
Flamingo Road (1949)	Lute Mae (Driving)	0:53:02 - Lane drives Dan to the construction site	13th chord \| added-note chord \| arriving \| car \| car \| comical \| common-chord modulation \| driving \| leading lady \| leading man \| love interest \| politician \| rushed \| self-borrowing \| transition \| traveling
Flamingo Road (1949)	Lane (Bell-like)	0:54:43 - Lane gives Dan some change	fragmentation \| gentle \| giving \| leading lady \| leading man \| love interest \| love scene \| politician \| porch \| receiving \| sweet
Flamingo Road (1949)	Flamingo Road (Bluesy)	0:55:00 - Dan buys some cold drinks	9th chord \| altered dominant \| bluesy \| flirting \| foreshadowing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Romantic)	0:55:41 - Dan kisses Lane	embracing \| foreign key modulation \| foreshadowing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| romantic \| self-borrowing
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Lute Mae (Tenderly)	1:03:37 - Dan is grateful for Lane's gift to him	13th chord \| added-note chord \| advance plot \| comical \| common-chord modulation \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| maid \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Flamingo Road (Tenderly)	1:03:58 - Dan and Lane have tea	advance plot \| conversing \| gentle \| husband \| leading lady \| leading man \| mode mixture \| room \| self-borrowing \| serving \| tea \| wife
Flamingo Road (1949)	Flamingo Road (Tense) + Titus	1:04:16 - Titus enters the room	advance plot \| combination of themes \| conversing \| leading lady \| leading man \| politician \| room \| self-borrowing \| sheriff \| tense \| whole-tone scale
Flamingo Road (1949)	Flamingo Road (Misterioso) + Titus	1:04:33 - Titus talks to Dan	advance plot \| combination of themes \| conversing \| distortion \| fragmentation \| leading lady \| leading man \| mysterious \| politician \| room \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Titus 2 (Threatening)	1:04:45 - Titus threatens Lane	advance plot \| chromatic parallelism \| leading lady \| room \| self-borrowing \| sheriff \| threatening \| threatening
Flamingo Road (1949)	Titus	1:04:55 - Titus insults Lane	advance plot \| dark \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| threatening
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Lute Mae (Tenderly)	1:07:55 - Dan kisses Lane	13th chord \| added-note chord \| bluesy \| husband \| kissing \| leading lady \| leading man \| love scene \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Titus 2 (Buzzer)	1:13:16 - Titus arrives	arriving \| chromatic parallelism \| dark \| entering \| leading lady \| maid \| ominous \| politician \| room \| self-borrowing \| sheriff \| transition
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Flamingo Road (1949)	Lane (Lonely)	1:21:12 - Lane in her room	advance plot \| leading lady \| lonely \| mickey-mousing \| pondering \| rising \| room \| somber \| waiting
Flamingo Road (1949)	Lane (Ominous)	1:21:22 - A hand rings the doorbell	advance plot \| leading lady \| mysterious \| ominous \| pausing \| pedal tone \| ringing \| room
Flamingo Road (1949)	Lane (Descending the Staircase)	1:21:31 - Lane descends the stairs	advance plot \| delicate \| descending \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| parallelism \| room \| walking
Flamingo Road (1949)	If I Could Be With You (Triste)	1:22:18 - Field enters the house	death scene \| diminished 7th chord \| drunk \| drunk \| foreign key modulation \| leading lady \| leading man \| love interest \| room \| somber \| stumbling
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Dead)	1:24:41 - Lane sees Field has committed suicide	augmentation \| death scene \| discovering \| gunshot \| leading lady \| leading man \| love interest \| reacting \| room \| suicide \| surprise \| tragic \| violent
Flamingo Road (1949)	Mob	1:28:20 - A mob forms outside of Lane's home	advance plot \| angry \| anxious \| augmented triad \| chromatic parallelism \| chromatic scale \| friend \| leading lady \| minor-major 7th chord \| mob \| mobbing \| ostinato \| polyrhythm \| room \| tense \| whole-tone chord
Flamingo Road (1949)	Titus	1:28:52 - Lane says Titus's name	advance plot \| conversing \| dark \| friend \| leading lady \| mob \| ominous \| room \| self-borrowing \| zoom in
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	The Girl With the Spanish Drawl	1:29:10 - Lane arrives at Lute Mae's	arriving \| climax \| club \| dancer \| dancing \| leady lady \| musician \| on-screen music \| playing \| source and scoring overlap \| source music \| upbeat
Flamingo Road (1949)	Titus (Fragmented) + Titus 2 (Fragmented)	1:29:47 - Lane confronts Titus	arguing \| climax \| club \| combination of themes \| dark \| fragmentation \| inversion \| leading lady \| motivic transformation \| mysterious \| ominous \| retrograde \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus (Rising Tension)	1:30:09 - Lane confronts Titus	arguing \| climax \| club \| dark \| half-diminished 7th chord \| leading lady \| ominous \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:30:24 - Lane pulls a gun on Titus	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| sheriff \| stinger \| threatening
Flamingo Road (1949)	Titus (Slowly)	1:30:42 - Lane holds Titus at gunpoint	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| self-borrowing \| sheriff \| telephone \| threatening
Flamingo Road (1949)	Titus 2 (Ominous)	1:30:55 - Titus pretends to make a phone call	calling \| chromatic parallelism \| climax \| club \| dark \| deceiving \| gun \| leading lady \| mysterious \| self-borrowing \| sheriff \| telephone
Flamingo Road (1949)	Underscoring (Dramatic)	1:31:15 - Titus attacks Lane	attacking \| breaking \| chromatic parallelism \| climax \| club \| dramatic \| dropping \| gun \| leading lady \| linear chromaticism \| oscillation \| sheriff \| staggering \| stinger \| telephone \| tense \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:31:19 - Titus throws the phone at Lane	chromatic parallelism \| climax \| club \| dramatic \| gun \| leading lady \| mickey-mousing \| sheriff \| telephone \| throwing
Flamingo Road (1949)	Lane staggers	1:31:22 - Lane staggers after being hit	climax \| club \| dramatic \| leading lady \| mickey-mousing \| oscillation \| sheriff \| staggering
Flamingo Road (1949)	Titus (Ostinato 3)	1:31:25 - Titus holds a gun on Lane	climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| menacing \| ostinato \| self-borrowing \| sequence \| sheriff \| struggling \| tense \| threatening
Flamingo Road (1949)	Titus (Climax)	1:31:43 - Lane struggles with Titus	chromatic parallelism \| chromatic wedge \| climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| self-borrowing \| sequence \| sheriff \| struggling \| tense
Flamingo Road (1949)	Struggling	1:31:47 - Close-up on the gun	climax \| close up \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| mickey-mousing \| oscillation \| sheriff \| struggling \| tense
Flamingo Road (1949)	Titus 2 (Sinks)	1:31:50 - Titus collapses to the floor	climax \| club \| death \| dying \| falling \| gun \| gunshot \| leading lady \| self-borrowing \| sequence \| sheriff \| sinking \| tragic
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Steve exits the prison gate	conductor score \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| prison \| serious \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:02:01 - Marcia embraces Steve	conductor score \| embracing \| establish character \| friend \| gentle \| leading lady \| leading man \| street
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	club \| conductor score \| establish character \| familiar tune \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:23:26 - Marcia talks to Steve	club \| conductor score \| conversing \| establish character \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| playing \| popular music \| sentimental \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:24:44 - Steve packs	advance plot \| conductor score \| leading lady \| leading man \| packing \| room \| troubled
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:00 - Marcia enters	advance plot \| conductor score \| entering \| leading lady \| leading man \| room \| sentimental
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:14 - Marcia and Steve argue	advance plot \| arguing \| conductor score \| leading lady \| leading man \| room \| tense
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:27 - Marcia and Steve talk	advance plot \| agitated \| conductor score \| conversing \| leading lady \| leading man \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:56 - Marcia and Steve talk	advance plot \| conductor score \| conversing \| leading lady \| leading man \| room \| somber
Hell on Frisco Bay (1955)	Walking	0:26:31 - Marcia walks to the door	advance plot \| conductor score \| gangster \| hurried \| leading lady \| leading man \| mickey-mousing \| room \| walking
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:28:03 - The gangsters leave	action scene \| conductor score \| conversing \| gangster \| leading lady \| leading man \| leaving \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:28:43 - Marcia talks to Steve	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| somber
Hell on Frisco Bay (1955)	Menace 2	0:28:55 - Marcia reacts to Steve's comment	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| upset
Hell on Frisco Bay (1955)	Steve	1:01:01 - Steve talks to Marcia	conductor score \| conversing \| entering \| gentle \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Underscoring (Subtle)	1:01:30 - Marcia talks to Steve	conductor score \| conversing \| gentle \| leading lady \| leading man \| love scene \| room \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:41 - Steve talks to Marcia	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:53 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| somber
Hell on Frisco Bay (1955)	Menace	1:02:28 - Steve talks to Marcia	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:02:45 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| romantic \| room \| tender
Hell on Frisco Bay (1955)	Pleading	1:03:30 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:03:46 - Marcia talks to Steve	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	It Had to Be You	1:17:06 - Marcia sings at a club	advance plot \| calm \| club \| jazz \| leading lady \| leading man \| on screen music \| pianist \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:17:47 - Marcia and Steve talk	advance plot \| calm \| club \| conductor score \| conversing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:18:13 - Marcia and Steve talk	calm \| club \| conductor score \| conversing \| leading lady \| leading man \| love scene \| source to score
Hell on Frisco Bay (1955)	Underscoring (Dark)	1:19:09 - Marcia and Steve talk	club \| conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| ominous \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:19:28 - Marcia talks to Steve	club \| conductor score \| conversing \| gentle \| grand \| leading lady \| leading man \| love scene
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:28:48 - Marcia wakes up and answers the door	gentle \| leading lady \| room \| turning point \| waking
Hell on Frisco Bay (1955)	Kay	1:29:11 - Steve enters with Kay	arriving \| entering \| investigator \| leading lady \| leading man \| love interest \| room \| somber \| turning point \| witness
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:29:23 - Marcia calls the police	agitated \| calling \| investigator \| leading lady \| leading man \| leaving \| love interest \| room \| turning point \| witness
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:29:55 - Marcia talks to Kay	conversing \| leading lady \| love interest \| room \| tense \| turning point \| witness
Hell on Frisco Bay (1955)	Steve	1:33:17 - Marcia looks for Steve	action scene \| dock \| dramatic \| leading lady \| running \| tense
Hell on Frisco Bay (1955)	Amato	1:33:23 - Amato takes Marcia hostage	action scene \| dock \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| ominous \| tense
Hell on Frisco Bay (1955)	Amato	1:34:01 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:34:08 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| gun \| gunshot \| inspector \| kidnapping \| leading lady \| leading man \| shooting \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:35:05 - The police arrive	action scene \| arriving \| conversing \| dock \| leading lady \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:36 - Steve goes to his wife	arriving \| dock \| gentle \| inspector \| leading lady \| leading man \| romantic
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:52 - Steve and Marcia leave together	dock \| gentle \| inspector \| leading lady \| leading man \| peaceful \| romantic \| walking
In This Our Life (1942)	Roy	0:02:59 - Roy descends a staircase	conversing \| daughter \| delicate \| establish character \| father \| gentle \| greeting \| leading lady \| maid \| room
In This Our Life (1942)	Stanley Introduction	0:06:35 - A car arrives	arriving \| car \| conversing \| establish character \| leading lady \| leading man \| love interest \| stinger \| tense
In This Our Life (1942)	Stanley	0:06:56 - Stanley talks with Peter	car \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley B	0:07:06 - Stanley talks with Peter	car \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley	0:07:23 - Stanley drives away	car \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley (She Runs)	0:07:32 - Stanley runs inside	arriving \| establish character \| hurried \| leading lady \| mickey-mousing \| room \| running \| street
In This Our Life (1942)	Stanley (Rubato)	0:11:58 - Stanley talks with Roy	conversing \| establish character \| leading lady \| mysterious \| room \| sister \| stinger
In This Our Life (1942)	Roy (Dolce)	0:12:06 - Roy talks with Stanley	conversing \| establish character \| gentle \| leading lady \| room \| sister \| sweet
In This Our Life (1942)	Expressivo	0:12:28 - Stanley talks with Roy	conversing \| establish character \| expressive \| leading lady \| room \| sister
In This Our Life (1942)	Underscoring (Tense)	0:12:41 - Stanley leaves	establish character \| leading lady \| room \| sister \| stinger \| tense \| watching
In This Our Life (1942)	Roy (Triste)	0:12:54 - Roy walks up the stairs	establish character \| gentle \| leading lady \| room \| somber \| walking
In This Our Life (1942)	Caring	0:13:08 - Roy talks to Peter	advance plot \| conversing \| leading lady \| leading man \| packing \| passionate \| room \| tender
In This Our Life (1942)	Stanley (Peter Lies)	0:13:28 - Peter talks about his trip	advance plot \| conversing \| leading lady \| leading man \| lying \| musical clue \| packing \| room \| serious \| somber
In This Our Life (1942)	Roy	0:13:39 - Roy is relieved	advance plot \| calm \| conversing \| leading lady \| leading man \| room
In This Our Life (1942)	Stanley (Divisi)	0:13:57 - Roy helps Peter pack	advance plot \| conversing \| leading lady \| leading man \| passionate \| room
In This Our Life (1942)	Discussion	0:14:09 - Roy talks with Peter	advance plot \| conversing \| leading lady \| leading man \| room \| serious \| somber
In This Our Life (1942)	Roy (Rubato)	0:14:34 - Roy talks with Peter	advance plot \| conversing \| dark \| leading lady \| leading man \| playful \| room
In This Our Life (1942)	Pleadingly	0:14:53 - Roy looks at Peter	advance plot \| conversing \| leading lady \| leading man \| room \| yearning
In This Our Life (1942)	Roy (Lento)	0:14:59 - Roy talks about their future	advance plot \| conversing \| dark \| embracing \| leading lady \| leading man \| room \| sweet
In This Our Life (1942)	Stanley B (Agitato)	0:15:19 - Peter replies to Roy	advance plot \| agitated \| arguing \| leading lady \| leading man \| room \| tense
In This Our Life (1942)	Roy (Morendo)	0:15:43 - Roy responds to Peter	advance plot \| conversing \| embracing \| leading lady \| leading man \| room \| serious \| somber
In This Our Life (1942)	Stanley (Maestoso)	0:16:11 - Peter closes the door	advance plot \| brash \| dark \| leading lady \| leading man \| leaving \| room \| serious
In This Our Life (1942)	Stanley (Valse Triste)	0:16:22 - Roy looks out the window	advance plot \| dark \| leading lady \| leading man \| leaving \| room \| somber \| waltz \| watching \| window
In This Our Life (1942)	Stanley B (Valse Triste)	0:16:33 - Craig arrives	advance plot \| arriving \| dark \| leading lady \| leading man \| somber \| street \| waltz \| watching \| window
In This Our Life (1942)	Stanley (Valse Triste)	0:16:44 - Craig comes inside	advance plot \| dark \| father \| leading lady \| leading man \| room \| somber \| waltz
In This Our Life (1942)	Stanley Introduction	0:16:56 - Craig talks with Asa	advance plot \| conversing \| father \| fiancé \| leading lady \| room \| tense \| underscoring
In This Our Life (1942)	Stanley	0:17:11 - Stanley comes down the stairs	advance plot \| conversing \| fiancé \| kissing \| leading lady \| room \| sultry
In This Our Life (1942)	Stanley B (Slowly)	0:17:20 - Stanley talks with Craig	advance plot \| conversing \| dramatic \| fiancé \| kissing \| leading lady \| lying \| room \| sultry
In This Our Life (1942)	Stanley B (Poco Agitato)	0:17:44 - Stanley packs her things	advance plot \| agitated \| leading lady \| packing \| room \| tense
In This Our Life (1942)	Stanley (Packing)	0:17:51 - Stanley packs her things	advance plot \| agitated \| leading lady \| packing \| room \| tense
In This Our Life (1942)	Asa (Triste)	0:21:45 - Asa arrives home	arriving \| conflict \| father \| leading lady \| room \| solemn \| somber \| tense
In This Our Life (1942)	Stanley (Con Moto)	0:22:19 - Roy talks about Stanley's letter	angry \| bitter \| conflict \| conversing \| father \| leading lady \| letter \| room
In This Our Life (1942)	Roy (Risoluto)	0:22:40 - Roy talks to Asa	conflict \| conversing \| father \| gentle \| leading lady \| room
In This Our Life (1942)	Expressivo (Extended)	0:22:51 - Roy talks to Asa	conflict \| conversing \| expressive \| father \| leading lady \| room
In This Our Life (1942)	Roy (Grazioso)	0:23:08 - Roy looks at herself in the mirror	conflict \| conversing \| father \| leading lady \| mysterious \| room
In This Our Life (1942)	Caring	0:23:19 - Asa talks to Roy	conflict \| conversing \| father \| leading lady \| room \| sentimental \| underscoring
In This Our Life (1942)	Asa (Ostinato)	0:23:26 - Asa talks to Roy	conflict \| conversing \| dark \| father \| leading lady \| room \| serious
In This Our Life (1942)	Asa (Molto Expressivo)	0:23:49 - Roy leaves	conflict \| dark \| father \| leading lady \| leaving \| room \| somber
In This Our Life (1942)	South American Way	0:24:06 - A spinning record	advance plot \| conversing \| dancing \| Latin-American \| leading lady \| leading man \| love interest \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Stanley	0:28:32 - Roy walking in the park	advance plot \| dark \| depressed \| leading lady \| leading man \| park \| sitting
In This Our Life (1942)	Roy (Rubato)	0:29:00 - Roy talks to Craig	advance plot \| conversing \| leading lady \| leading man \| park \| uneasy
In This Our Life (1942)	Pleadingly	0:29:23 - Roy talks to Craig	advance plot \| conversing \| leading lady \| leading man \| park \| uneasy
In This Our Life (1942)	Stanley (Morendo)	0:29:32 - Craig talks with Roy	advance plot \| conversing \| leading lady \| leading man \| park \| somber
In This Our Life (1942)	Roy (Encouragement)	0:29:56 - Roy tries to cheer Craig up	advance plot \| conversing \| encouraging \| leading lady \| leading man \| park \| uplifting
In This Our Life (1942)	Roy	0:30:21 - Craig talks to Roy	advance plot \| conversing \| gentle \| leading lady \| leading man \| park \| sweet
In This Our Life (1942)	Here Comes the Bride (A Little Shimmer)	0:31:40 - A convertible	car \| courthouse \| happy \| leading lady \| leading man \| leaving \| street \| wedding \| wedding
In This Our Life (1942)	Stanley (Stringy)	0:32:14 - Stanley and Peter in the car	car \| conversing \| leading lady \| leading man \| sultry \| wedding \| wedding
In This Our Life (1942)	Stanley (She Runs)	0:32:24 - Stanley talks to Peter	car \| conversing \| leading lady \| leading man \| playful \| wedding \| wedding
In This Our Life (1942)	Stanley (Shimmery)	0:32:33 - Stanley smiles	car \| kissing \| leading lady \| leading man \| magical \| wedding \| wedding
In This Our Life (1942)	Java Jive	0:32:41 - A dance hall	dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	This Time the Dream's on Me	0:33:03 - Stanley and Peter sit at a table	conversing \| dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	Flirting	0:37:31 - Peter goes to Stanley	conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| room
In This Our Life (1942)	Stanley (Grazioso)	0:37:56 - Stanley talks to Peter	conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| pleasant \| room \| sultry
In This Our Life (1942)	Driving	0:38:19 - Roy and Craig in a car	calm \| car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene
In This Our Life (1942)	Driving + Love Theme	0:39:07 - Roy and Craig in a car	calm \| car \| combination of themes \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| romantic
In This Our Life (1942)	Danger	0:39:54 - A forest ranger	conversing \| danger \| fire \| forest ranger \| leading lady \| leading man \| love interest \| love scene \| outdoors \| tense
In This Our Life (1942)	Forest Fire	0:40:10 - A forest fire	conversing \| dangerous \| eerie \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors
In This Our Life (1942)	Love Theme (Molto Expressivo)	0:40:44 - Roy and Craig sit on the ground	artwork in score \| calm \| conversing \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors \| romantic
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Blues in the Night (Transition)	0:43:37 - Craig's office door	arriving \| assistant \| calm \| friend \| leading lady \| love scene \| office \| pleasant \| source to score
In This Our Life (1942)	Roy (Expressivo)	0:43:43 - Roy talks with Parry	assistant \| calm \| conversing \| friend \| leading lady \| love scene \| office \| pleasant
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:44:06 - Roy and Craig embrace	calm \| conversing \| leading lady \| leading man \| love scene \| office \| romantic \| waltz
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:46:31 - Roy talks with her uncle	conversing \| leading lady \| leading man \| love scene \| pleasant \| proposal \| room \| tender \| uncle \| waltz
In This Our Life (1942)	Funereal	0:48:25 - Asa calls for the others	bad news \| conversing \| father \| leading lady \| leading man \| room \| solemn \| stinger \| turning point \| uncle
In This Our Life (1942)	Underscoring (Somber)	0:48:46 - Asa relates the bad news	bad news \| conversing \| father \| leading lady \| leading man \| room \| somber \| turning point \| uncle \| underscoring
In This Our Life (1942)	Underscoring (Dark)	0:49:21 - Asa tells them Peter committed suicide	conversing \| dark \| father \| leading lady \| leading man \| room \| stinger \| suicide \| turning point \| uncle \| underscoring
In This Our Life (1942)	Stanley B (Agitato)	0:49:32 - Uncle Fitzroy asks about Stanley	agitated \| arguing \| father \| leading lady \| leading man \| room \| suicide \| tense \| turning point \| uncle
In This Our Life (1942)	Roy (Morendo 2)	0:49:54 - Roy reacts to the bad news	conversing \| father \| leading lady \| leading man \| room \| serious \| somber \| suicide \| turning point \| uncle
In This Our Life (1942)	Roy	0:50:40 - Roy arrives at Stanley's apartment	advance plot \| arriving \| friend \| gentle \| leading lady \| room \| sweet
In This Our Life (1942)	Underscoring (Gentle)	0:50:58 - Roy talks with Betty	advance plot \| conversing \| friend \| gentle \| leading lady \| room \| tender \| underscoring
In This Our Life (1942)	Door opens	0:51:37 - Betty opens the door	advance plot \| door \| friend \| gentle \| leading lady \| mickey-mousing \| opening \| room
In This Our Life (1942)	Caring	0:51:39 - Roy greets Stanley	advance plot \| arriving \| gentle \| leading lady \| room \| sister \| tender \| widow
In This Our Life (1942)	Stanley (Peter Lies)	0:51:55 - Roy at Stanley's bedside	advance plot \| conversing \| gentle \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley B (Slowly)	0:52:05 - Roy at Stanley's bedside	advance plot \| agitated \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Packing)	0:52:23 - Roy at Stanley's bedside	advance plot \| conversing \| gentle \| leading lady \| room \| sister \| tense \| widow
In This Our Life (1942)	Stanley (Valse Triste)	0:52:42 - Stanley talks to Roy	advance plot \| agitated \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley B (Valse Triste)	0:52:48 - Stanley talks to Roy	advance plot \| agitated \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Valse Triste)	0:52:56 - Stanley talks to Roy	advance plot \| agitated \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Discussion	0:53:04 - Stanley talks to Roy	advance plot \| agitated \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley B (Valse Triste)	0:53:17 - Stanley cries	advance plot \| agitated \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Valse Triste)	0:53:23 - Roy comforts Stanley	advance plot \| comforting \| crying \| gentle \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley Introduction	0:53:32 - Roy comforts Stanley	advance plot \| comforting \| crying \| leading lady \| room \| sister \| tense \| widow
In This Our Life (1942)	Stanley	0:53:46 - Roy comforts Stanley	advance plot \| calm \| comforting \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Morendo)	0:53:56 - Roy puts Stanley to bed	advance plot \| calm \| comforting \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Roy	0:54:15 - Roy tucks Stanley in	advance plot \| conversing \| gentle \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Blues in the Night	0:54:51 - Stanley dresses	advance plot \| blues \| dressing \| leading lady \| record player \| room \| source music \| upbeat \| widow
In This Our Life (1942)	How Do I Know It's Sunday	0:57:12 - Stanley starts a record playing	advance plot \| conversing \| crying \| dancing \| father \| flirting \| leading lady \| leading man \| popular music \| record player \| room \| sister \| source music \| upbeat \| widow
In This Our Life (1942)	Uncle Fitzroy	1:04:26 - Uncle Fitzroy talks to Stanley	conflict \| conversing \| crying \| dancing \| flirting \| leading lady \| room \| solemn \| uncle \| widow
In This Our Life (1942)	Anger	1:04:56 - Stanley gets angry	angry \| arguing \| conflict \| leading lady \| leaving \| room \| running \| tense \| uncle \| upset \| widow \| yelling
In This Our Life (1942)	Underscoring (Tense)	1:05:14 - Craig in his office	advance plot \| arriving \| lawyer \| leading lady \| leading man \| office \| tense \| underscoring
In This Our Life (1942)	Stanley Introduction (Extended 2)	1:05:31 - Stanley in Craig's office	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| reading \| uneasy
In This Our Life (1942)	Stanley (Extended)	1:05:53 - Stanley talks to Craig	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| solemn \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:06:13 - Stanley talks to Craig	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Triste)	1:06:29 - Stanley talks to Craig	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Misterioso)	1:06:47 - Stanley hesitates at the door	advance plot \| hesitating \| lawyer \| leading lady \| leading man \| mysterious \| office
In This Our Life (1942)	Stanley Introduction (Appassionato)	1:07:01 - Stanley talks to Craig	advance plot \| lawyer \| leading lady \| leading man \| manipulating \| office \| passionate
In This Our Life (1942)	Stanley	1:07:11 - Stanley talks to Craig	advance plot \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:07:19 - Stanley talks to Craig	advance plot \| anxious \| lawyer \| leading lady \| leading man \| manipulating \| office \| tense
In This Our Life (1942)	Stanley (Dark)	1:07:32 - Stanley leaves	advance plot \| dark \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	South American Way	1:07:39 - Stanley in a bar	advance plot \| bar \| bartender \| dancing \| drinking \| jukebox \| leading lady \| upbeat \| waiting
In This Our Life (1942)	Driving + Stanley	1:08:53 - Stanley driving	car \| car \| child \| combination of themes \| crime scene \| criminal \| driving \| drunk \| leading lady \| mysterious \| street \| tense \| uneasy \| victim \| walking
In This Our Life (1942)	Underscoring (Dramatic)	1:09:01 - Stanley has an accident	car \| child \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| leading lady \| street \| victim
In This Our Life (1942)	Car crash	1:09:01 - Stanley hits two pedestrians	accident \| car \| car crash \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| dying \| falling \| hit and run \| leading lady \| mickey-mousing \| street \| victim
In This Our Life (1942)	Turning around	1:09:06 - Stanley turns around	accident \| car \| car crash \| crime scene \| criminal \| dramatic \| drunk \| glaring \| hit and run \| leading lady \| mickey-mousing \| stinger \| street \| turning
In This Our Life (1942)	Driving	1:09:12 - Stanley drives away	accident \| car \| car \| car crash \| crime scene \| criminal \| driving \| drunk \| fleeing \| hit and run \| leading lady \| mysterious \| tense
In This Our Life (1942)	Underscoring (Tense)	1:09:25 - Policemen approach the house	arriving \| conversing \| criminal \| investigation scene \| leading lady \| mysterious \| police \| room \| tense \| walking \| watching
In This Our Life (1942)	Stanley	1:09:49 - Policemen enter the house	arriving \| conversing \| criminal \| investigating \| investigation scene \| leading lady \| mysterious \| police \| room \| sneaking \| tense \| walking \| watching
In This Our Life (1942)	Stanley Introduction (Extended 3)	1:12:42 - Stanley talks with Roy	advance plot \| conversing \| criminal \| leading lady \| lying \| room \| tense
In This Our Life (1942)	Stanley (Molto Expressivo)	1:12:57 - Stanley talks with Roy	advance plot \| calm \| conversing \| criminal \| leading lady \| lying \| room
In This Our Life (1942)	Roy (Triste 2)	1:13:12 - Roy talks with Minerva	advance plot \| conversing \| leading lady \| maid \| mother \| questioning \| room \| solemn \| somber
In This Our Life (1942)	Minerva and Parry	1:13:29 - Minerva talks with Roy	advance plot \| calm \| conversing \| leading lady \| maid \| mellow \| mother \| questioning \| room \| sentimental \| solemn \| spiritual
In This Our Life (1942)	Stanley (Packing)	1:14:36 - Newspaper headline about the accident	arriving \| conflict \| conversing \| headline \| lawyer \| leading lady \| leading man \| mysterious \| newspaper \| office
In This Our Life (1942)	Underscoring (Tense)	1:15:04 - Craig refuses Parry's case	conflict \| conversing \| denying \| lawyer \| leading lady \| leading man \| office \| ominous \| refusing \| tritone \| underscoring
In This Our Life (1942)	Stanley (Molto Accell)	1:15:15 - Craig talks about Stanley	anxious \| conflict \| conversing \| defending \| denying \| lawyer \| leading lady \| leading man \| office \| refusing \| tense
In This Our Life (1942)	Roy (Molto Modto)	1:15:51 - Roy leaves	angry \| conflict \| lawyer \| leading lady \| leading man \| leaving \| office
In This Our Life (1942)	You're a Lucky Guy	1:16:20 - Stanley dances	advance plot \| arriving \| conversing \| criminal \| dancing \| drinking \| leading lady \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Autumn Nocturne	1:17:45 - Stanley puts on a record	accusing \| arguing \| conflict \| criminal \| defending \| leading lady \| lying \| popular music \| record player \| room \| sentimental \| source music
In This Our Life (1942)	Underscoring (Tense)	1:20:10 - Craig's car pulls up to the jail	arriving \| car \| car \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| street \| tense \| underscoring \| uneasy
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| prison \| prisoner \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
In This Our Life (1942)	Stanley Introduction (Extended 4)	1:23:09 - Stanley and Craig leave the jail	car \| conflict \| criminal \| lawyer \| leading lady \| leading man \| leaving \| street \| tense
In This Our Life (1942)	London Bridge is Falling Down (Molto Expressivo)	1:23:33 - Craig talks to Stanley	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| somber
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
In This Our Life (1942)	Stanley (Agitato)	1:25:21 - Craig talks to Stanley	agitated \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Valse Triste)	1:26:23 - Stanley confesses	arguing \| climax \| confessing \| confession \| criminal \| crying \| dramatic \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect
In This Our Life (1942)	Stanley B (Slowly Extended)	1:26:39 - Stanley confesses	agitated \| arguing \| climax \| confessing \| confession \| criminal \| crying \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| room \| suspect
In This Our Life (1942)	Expressivo (Extended 2)	1:27:04 - Lavinia rises	arguing \| climax \| criminal \| emotional \| father \| lawyer \| leading lady \| leading man \| mother \| pleading \| room \| suspect
In This Our Life (1942)	Underscoring (Tense)	1:27:23 - Stanley reacts	climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| plotting \| room \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Extended)	1:27:33 - Stanley goes upstairs	climax \| conversing \| criminal \| crying \| father \| lawyer \| leading lady \| leading man \| mother \| room \| somber \| suspect \| uneasy
In This Our Life (1942)	Love Theme (Gentle)	1:27:58 - Roy talks to Craig	accusing \| climax \| conversing \| criminal \| crying \| embracing \| gentle \| lawyer \| leading lady \| leading man \| room \| sneaking \| tender
In This Our Life (1942)	Underscoring (Dramatic)	1:28:57 - Stanley escapes	climax \| criminal \| dramatic \| driving \| escaping \| lawyer \| leading lady \| leading man \| room \| underscoring \| watching
In This Our Life (1942)	Driving	1:29:17 - Stanley driving her car	criminal \| driving \| escaping \| leading lady \| street \| tense \| transition
In This Our Life (1942)	Stanley B (Agitato)	1:29:27 - Stanley runs inside	agitated \| butler \| criminal \| leading lady \| room \| running \| street \| transition
In This Our Life (1942)	Stanley (Triste)	1:29:42 - Stanley enters the house	agitated \| criminal \| leading lady \| room \| running \| somber \| tense \| transition \| uncle
In This Our Life (1942)	Anger (Agitato)	1:31:34 - Stanley yells at her uncle	agitated \| angry \| arguing \| conflict \| criminal \| distressed \| leading lady \| room \| uncle \| yelling
In This Our Life (1942)	Maestoso	1:31:51 - Stanley runs off crying	conflict \| criminal \| crying \| departing \| dramatic \| leading lady \| room \| running \| street \| uncle \| yelling
In This Our Life (1942)	Stanley B (Agitato Extended)	1:32:15 - Stanley hides from the police	agitated \| conflict \| criminal \| hiding \| leading lady \| mysterious \| police \| room \| running \| rushing \| street
In This Our Life (1942)	Underscoring (Dramatic)	1:32:30 - Stanley dashes through the gate	conflict \| criminal \| dramatic \| hiding \| leading lady \| police \| running \| rushing \| street \| underscoring
In This Our Life (1942)	Police (Chase)	1:32:36 - Stanley runs for her car	conflict \| criminal \| driving \| fleeing \| hiding \| leading lady \| police \| running \| rushing \| street \| tense
In This Our Life (1942)	Stanley (Chase)	1:32:59 - The police chase after Stanley	chase scene \| chasing \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Fleeing)	1:33:12 - The police chase after Stanley	chase scene \| chasing \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| leading lady \| police \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:33:29 - Two other policeman see Stanley	chase scene \| chasing \| climax \| criminal \| dark \| dramatic \| driving \| fleeing \| leading lady \| police \| street \| tense \| underscoring \| watching
In This Our Life (1942)	Stanley (Crying)	1:33:37 - Stanley crying in her car	chase scene \| chasing \| climax \| criminal \| crying \| dark \| dramatic \| driving \| fleeing \| leading lady \| police \| somber \| street \| tense
In This Our Life (1942)	Stanley B (Rising Tension)	1:33:49 - The police in hot pursuit	chase scene \| chasing \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Desperate)	1:34:02 - The police in hot pursuit	chase scene \| chasing \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| leading lady \| police \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:34:09 - Stanley's eyes in the rear-view mirror	chase scene \| chasing \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| leading lady \| police \| street \| tense \| underscoring
In This Our Life (1942)	Car crash 2	1:34:17 - Stanley's car crashes	brash \| car \| car crash \| chase scene \| climax \| crashing \| criminal \| dramatic \| driving \| dying \| falling \| fire \| leading lady \| mickey-mousing \| police \| street \| tense
In This Our Life (1942)	Stanley (Tragic)	1:34:28 - Police run to Stanley's car	brash \| car \| car crash \| chase scene \| climax \| criminal \| dramatic \| dying \| fire \| helping \| leading lady \| mournful \| police \| reporting \| rescuing \| rushing \| somber \| street \| tragic
In This Our Life (1942)	Love Theme (Slowly)	1:35:39 - Craig answers a phone call	comforting \| conversing \| leading lady \| leading man \| resolution \| room \| solemn \| somber \| tender \| The End
The Informer (1935)	Underscoring (Subtle)	0:04:22 - Close-up on Katie	establish character \| leading lady \| linear chromaticism \| mysterious \| staring \| street \| underscoring
The Informer (1935)	Katie	0:04:31 - Katie walks down the street	establish character \| foreign key modulation \| leading lady \| parallelism \| seductive \| staring \| street \| sultry \| walking
The Informer (1935)	Match strike	0:05:03 - Man strikes a match on the lamp post	establish character \| leading lady \| lighting \| match \| mickey-mousing \| playful \| street
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Blowing smoke	0:05:16 - Man blows smoke into Katie's face	blowing \| establish character \| leading lady \| mickey-mousing \| mysterious \| smoke \| street \| whole-tone
The Informer (1935)	Katie Calls Gypo	0:05:38 - Katie says Gypo's name	conversing \| diminished 7th chord \| dissonant bass \| establish character \| leading lady \| leading man \| mickey-mousing \| somber \| staring \| street
The Informer (1935)	Katie (Tired and Sad)	0:05:49 - Katie talks to Gypo	conversing \| crying \| diminished 7th chord \| establish character \| leading lady \| leading man \| parallelism \| Scotch snap \| sobbing gesture \| somber \| street
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	Katie (Triste)	0:22:38 - Katie appears at the window	64 chord \| advance plot \| antagonist \| conversing \| foreign key modulation \| leading lady \| leading man \| parallelism \| pub \| sultry \| watching
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	Blind Man + Blood Money	0:24:45 - Blind man wanders in and Gypo gives him money	advance plot \| antagonist \| augmented triad \| blind man \| combination of themes \| giving \| leading lady \| leading man \| money \| mysterious \| ominous \| street \| walking
The Informer (1935)	The Informer (Bold)	0:25:26 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| bold \| determined \| hurrying \| leading lady \| leading man \| Scotch snap \| street \| walking
The Informer (1935)	Here Comes the Bride	0:49:55 - Dream sequence of a voyage to America	64 chord \| advance plot \| antagonist \| boat \| double exposure \| dreaming \| familiar tune \| leading lady \| leading man \| pedal tone \| romantic \| ship \| street \| vision \| wedding
The Informer (1935)	Katie (Mistaken Identity)	0:52:34 - Gypo thinks he sees Katie, but it's someone else	advance plot \| antagonist \| augmented sixth chord \| hallucinating \| hallucination \| leading lady \| leading man \| party \| sentimental \| transcribed by ear
The Informer (1935)	The Informer (Drunk)	1:03:23 - Gypo walks down the street drunk	advance plot \| antagonist \| drunk \| leading lady \| leading man \| marching \| rebel \| street
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Blood Money (Ostinato)	1:04:10 - The rebels overhear Gypo talking about the money	advance plot \| antagonist \| conversing \| drunk \| leading lady \| leading man \| money \| mysterious \| ostinato \| rebel \| street \| whole-tone chord
The Informer (1935)	Katie (Tragic)	1:04:39 - Katie is left alone on the street	advance plot \| appoggiatura \| leading lady \| minor-major 7th chord \| money \| somber \| street \| worrying
The Informer (1935)	Blood Money (Ostinato)	1:22:00 - Gypo confesses to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| money \| ostinato \| room \| tense \| traitor \| whole-tone
The Informer (1935)	Katie (Allegro Appassionato)	1:22:20 - Gypo talks to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| room \| sequence \| tense \| traitor
The Informer (1935)	By the fire	1:22:36 - Gypo rests by the fire	antagonist \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| romantic \| room \| suspension \| traitor \| yearning
The Informer (1935)	Katie (Dolcissimo)	1:22:57 - Gypo talks to Katie	antagonist \| chromatic sequence \| leading lady \| leading man \| love \| love interest \| love scene \| romantic \| room \| traitor \| yearning
The Informer (1935)	Katie (Begging)	1:24:42 - Katie pleads for Gypo	64 chord \| advance plot \| begging \| leading lady \| love interest \| rebel \| room \| sequence \| serious \| tense
The Informer (1935)	Begging	1:25:13 - Katie pleads for Gypo	advance plot \| begging \| diminished 7th chord \| dissonant bass \| leading lady \| love interest \| pedal tone \| rebel \| room \| sequence \| serious \| tense
The Informer (1935)	The Informer (Begging)	1:25:50 - Katie pleads for Gypo	advance plot \| begging \| dramatic \| leading lady \| love interest \| main theme \| rebel \| room
The Informer (1935)	Dan and Mary (Begging)	1:25:53 - Katie talks to Mary about loving Gypo	advance plot \| begging \| gentle \| leading lady \| love interest \| rebel \| room \| sequence \| tender
The Informer (1935)	The Informer (Sympathetic)	1:26:35 - Katie tells Dan where Gypo is	advance plot \| eavesdropping \| leading lady \| love interest \| main theme \| rebel \| room \| spying \| tense
The Informer (1935)	Begging 2	1:26:41 - Katie begs for Gypo's life	advance plot \| anxiety \| begging \| chromatic scale \| despair \| leading lady \| love interest \| rebel \| room \| sequence \| tense
The Informer (1935)	Katie (Furioso)	1:26:55 - Katie becomes desperate	advance plot \| anxiety \| begging \| chromatic parallelism \| despair \| dissonant bass \| fragmentation \| leading lady \| love interest \| rebel \| room \| sentence form \| sequence \| tense \| whole-tone chord
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco 2	0:11:30 - Frank and Nora talk about Rocco	conversing \| establish character \| harsh \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud	0:11:41 - Nora talks about her husband George	conversing \| establish character \| heroic \| hotel \| leading lady \| leading man \| memorializing \| noble
Key Largo (1948)	Rocco 2 (Subito)	0:12:07 - Nora sees Curly	dangerous \| establish character \| gangster \| hotel \| leading lady \| mysterious \| watching
Key Largo (1948)	McCloud (Misterioso)	0:12:13 - Nora walks downstairs	establish character \| gangster \| hotel \| leading lady \| mysterious \| walking \| watching
Key Largo (1948)	Underscoring (Somber)	0:13:51 - Frank talks with Mr. Temple	advance plot \| conversing \| father \| hotel \| leading lady \| leading man \| prelude \| somber \| underscoring
Key Largo (1948)	McCloud (Noble)	0:14:28 - Frank talks about George and the war	advance plot \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling \| war
Key Largo (1948)	McCloud (Tense)	0:14:56 - Nora and Frank talk about George	advance plot \| agitated \| death \| father \| hotel \| leading lady \| leading man \| memory \| mode change \| remembering \| storytelling \| tense \| war
Key Largo (1948)	McCloud (Molto Expressivo)	0:15:36 - Frank and Mr. Temple talk about George	advance plot \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	Burial Place	0:16:11 - Frank talks about George's burial place	advance plot \| death \| father \| hotel \| hymn \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	McCloud (Bugle Call) + Taps	0:16:31 - Mr. Temple asks Frank about George's burial place	advance plot \| bugle call \| combination of themes \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| somber \| storytelling \| taps \| war
Key Largo (1948)	McCloud (Broad)	0:17:00 - Nora and Frank go outside	advance plot \| bright \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| walking \| war
Key Largo (1948)	Nora	0:17:32 - Nora and Frank walk to the boat	conversing \| dock \| falling in love scene \| leading lady \| leading man \| romantic \| triadic \| wind
Key Largo (1948)	Nora (Nervous)	0:17:53 - Nora sees the gangsters	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| nervous \| wind
Key Largo (1948)	Wind	0:18:21 - Frank helps prepare for the storm	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| storm \| tense \| wind
Key Largo (1948)	Tosses rope	0:18:32 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| rope \| tense \| throwing
Key Largo (1948)	Nora (Con Moto)	0:18:40 - Nora smiles at Frank	dock \| falling in love scene \| leading lady \| leading man \| romantic \| smiling \| watching
Key Largo (1948)	Tosses rope 2	0:18:47 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| romantic \| rope \| throwing
Key Largo (1948)	Seminoles	0:19:11 - Seminole Indians arrive	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| rowing \| serious
Key Largo (1948)	Seminoles (Grandma)	0:19:46 - Elderly Indian woman talks to Nora	advance plot \| arriving \| boat \| conversing \| dock \| grandmother \| Indian \| Indian \| leading lady \| leading man \| old woman \| serious \| smoking
Key Largo (1948)	Seminoles (Brothers)	0:20:29 - Nora talks with Seminole Indians	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| serious
Key Largo (1948)	McCloud (Noble)	0:21:22 - Nora and Frank talk about her life	advance plot \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Rocco (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut from Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Tension	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco (Tense 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Misterioso)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut From Film 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Slowly) + McCloud (Tritone)	0:32:57 - McCloud quotes FDR	angry \| boss \| combination of themes \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| quoting \| stinger
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	Rocco 2	0:33:53 - Rocco talks to Nora	boss \| conflict \| dangerous \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| threatening
Key Largo (1948)	McCloud (Tragic)	0:34:05 - McCloud and Nora help Mr. Temple up	boss \| conflict \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| mode change \| solemn \| somber
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whispering
Key Largo (1948)	Underscoring (Dramatic)	0:40:21 - Nora spits in Rocco's face	angry \| boss \| conflict \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| spitting \| staring \| stinger \| underscoring
Key Largo (1948)	McCloud (Dissonant)	0:40:25 - McCloud walks over to Nora	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| protecting
Key Largo (1948)	Rocco 3 (Angry)	0:40:32 - Rocco gets angry	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| stinger \| taunting
Key Largo (1948)	Rocco 2 (Agitato)	0:46:26 - Look of horror on Gaye's face	boss \| conflict \| father \| fear \| gangster \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| stinger \| watching
Key Largo (1948)	Underscoring (Tense)	0:46:30 - Rocco tells McCloud to shoot him	boss \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Shrill)	0:46:38 - Rocco mocks McCloud	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening
Key Largo (1948)	Tension (Violent)	0:46:44 - McCloud decides whether to shoot	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco + Tension	0:46:48 - Rocco's grinning face	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco 3 + Tension + Laughing	0:46:53 - Gangsters laugh at McCloud	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| laughing \| leading lady \| leading man \| mocking \| moll \| tense \| violence \| violent
Key Largo (1948)	Tosses gun	0:47:06 - McCloud tosses the gun onto a chair	boss \| conflict \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| tossing \| violence
Key Largo (1948)	Rocco 3 (Extended)	0:47:08 - Mr. Temple asks for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	McCloud (Triste)	0:47:23 - Rocco mocks McCloud	boss \| conflict \| conversing \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mode change \| moll \| serious \| somber
Key Largo (1948)	Scrambling	0:47:31 - Deputy runs for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| running \| scrambling \| tense \| violent
Key Largo (1948)	Rocco (Conflict)	0:47:39 - Gaye looks terrified	boss \| conflict \| danger \| father \| fear \| gangster \| gun \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| staring \| stinger \| threatening \| violence
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Ominous	0:51:32 - Lights begin to go out in the hotel	boss \| conversing \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll \| ominous \| preparing \| storm \| tense
Key Largo (1948)	Expressivo	0:52:37 - Mr. Temple is helped down the stairs	advance plot \| boss \| father \| gangster \| gentle \| helping \| hostage \| hotel \| leading lady \| leading man \| noble \| stairs
Key Largo (1948)	Rocco 2 (Menacing)	0:52:59 - Rocco stares at McCloud and Nora	advance plot \| boss \| dark \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| staring
Key Largo (1948)	Moanin’ Low	0:56:55 - Gaye sings "Moanin' Low"	awkward \| blues \| bluesy \| boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| on-screen music \| singer \| singing \| source music
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Underscoring (Tense)	0:59:37 - McCloud and Gaye exchange glances	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| underscoring
Key Largo (1948)	Rocco Pacing	1:02:01 - Rocco paces back and forth	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| ominous \| pacing \| sinister \| walking
Key Largo (1948)	Rocco 3 (Nervous)	1:02:52 - Rocco yells at Gaye	arguing \| boss \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll
Key Largo (1948)	McCloud (Molto Expressivo)	1:07:31 - McCloud wakes Nora after the storm	conversing \| gentle \| hotel \| leading lady \| leading man \| love interest \| love scene \| resting \| romance \| waking \| warm
Key Largo (1948)	McCloud (Delicato)	1:08:14 - McCloud talks with Nora	conversing \| delicate \| father \| gentle \| hotel \| leading lady \| leading man \| love interest \| love scene \| warm
Key Largo (1948)	Underscoring (Tense)	1:18:47 - They all walk to another room	boss \| father \| gangster \| hostage \| hotel \| investigation scene \| leading lady \| leading man \| moll \| obeying \| tense \| underscoring
Key Largo (1948)	Rocco Whispers	1:24:08 - Rocco whispers in Nora's ear	advance plot \| boss \| gangster \| hotel \| leading lady \| mysterious \| tense \| whispering
Key Largo (1948)	McCloud (Slowly)	1:24:14 - McCloud and Nora exchange glances	advance plot \| hotel \| leading lady \| leading man \| looking \| love interest \| somber
Key Largo (1948)	Rocco (Leaving)	1:25:33 - Gangsters leave the hotel with McCloud	advance plot \| boss \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| leaving \| moll \| ominous \| walking
Key Largo (1948)	Rocco (Tense)	1:25:49 - Gangsters leave to board the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| leading lady \| leading man \| moll \| tense \| walking
Key Largo (1948)	Hurrying	1:26:02 - Gangsters walk to the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| hurrying \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| walking
Key Largo (1948)	Underscoring (Dramatic)	1:26:10 - Gangsters board the boat with McCloud	advance plot \| boarding \| boss \| dock \| dramatic \| gangster \| hostage \| leading lady \| leading man \| moll \| storm \| tense \| underscoring \| wind
Key Largo (1948)	Underscoring (Somber)	1:27:42 - Nora and Gaye enter the hotel	advance plot \| conversing \| hotel \| leading lady \| moll \| somber \| underscoring \| walking
Key Largo (1948)	McCloud (Tense)	1:27:56 - Mr. Temple tries to make a phone call	advance plot \| conversing \| father \| hotel \| leading lady \| moll \| somber
Key Largo (1948)	Moanin’ Low (Triste)	1:38:30 - Gaye leaves	familiar tune \| father \| hotel \| leading lady \| moll \| resolution \| somber \| thinking \| waiting
Key Largo (1948)	Relief	1:38:40 - Nora answers the phone	answering \| hopeful \| hotel \| leading lady \| leading man \| relieved \| resolution \| telephone
Key Largo (1948)	McCloud (Tenderly)	1:39:12 - Nora tells her father the good news	father \| hopeful \| hoping \| hotel \| leading lady \| light \| opening \| relieved \| resolution \| sunlight \| thinking \| window
The Letter (1940)	Leslie (Mysterioissimo)	0:04:42 - A shadow appears	circle of fifths \| common-chord modulation \| foreign key modulation \| fragmentation \| home \| leading lady \| light \| looking \| murder scene \| mysterious \| oscillation \| parallel fifths \| servant \| turning on
The Letter (1940)	Leslie (Lacework)	0:04:55 - Worker picks up Leslie's lacework	changing meter \| crying \| foreign key modulation \| home \| leading lady \| murder scene \| mysterious \| oscillation \| sequence \| sequential modulation
The Letter (1940)	Underscoring (Tense)	0:12:42 - Leslie gets up	advance plot \| home \| leading lady \| recounting \| tense \| underscoring \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:13:14 - Leslie gives her story	advance plot \| changing meter \| home \| leading lady \| lying \| oscillation \| recounting \| tense \| whole-tone chord
The Letter (1940)	Leslie (Rising) + Deception	0:13:28 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| crying \| dramatic \| emotional \| home \| leading lady \| oscillation \| ostinato \| passionate \| pc set \| recounting \| sequence
The Letter (1940)	Leslie (Risoluto)	0:14:07 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| dramatic \| fragmentation \| home \| leading lady \| pc set \| polychord \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:14:31 - The scene of the crime	advance plot \| changing meter \| composer reference \| dramatic \| home \| leading lady \| oscillation \| point of view \| recounting \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:14:42 - The bottom of the stairs	advance plot \| common-chord modulation \| dramatic \| emotional \| home \| leading lady \| point of view \| recounting \| sequence
The Letter (1940)	Letter (Sarcastic)	0:15:10 - Robert comforts Leslie	advance plot \| chromatic sequence \| conversing \| dissonant bass \| home \| leading lady \| mysterious \| sequence
The Letter (1940)	Robert and Leslie	0:15:28 - Robert comforts Leslie	advance plot \| appoggiatura \| comforting \| crying \| gentle \| home \| leading lady \| love theme \| murder \| pedal tone \| sigh gesture \| suspension
The Letter (1940)	Murder	0:18:36 - Leslie reacts to the mention of murder	advance plot \| eating \| home \| leading lady \| major 7th chord \| murder \| mysterious \| oscillation \| stinger \| tense
The Letter (1940)	Leslie (Shimmery 2)	0:18:55 - Leslie stares at the full moon	changing meter \| home \| leading lady \| love scene \| moon \| mysterious \| oscillation \| sequence \| sequential modulation \| staring \| suspension
The Letter (1940)	Leslie B (Appassionato)	0:19:26 - Leslie closes the blinds	changing meter \| dramatic \| emotional \| home \| leading lady \| linear chromaticism \| love scene \| sequence \| walking
The Letter (1940)	Letter (Sarcastic)	0:19:45 - Robert looks at Leslie	chromatic sequence \| dissonant bass \| glance \| home \| leading lady \| longing \| love scene \| mysterious \| sequence \| staring
The Letter (1940)	Robert and Leslie	0:20:07 - Leslie looks in the drawer	appoggiatura \| embracing \| home \| husband \| leading lady \| love scene \| love theme \| pedal tone \| romantic \| sigh gesture \| suspension
The Letter (1940)	Kiss	0:20:33 - Robert kisses Leslie	home \| husband \| kissing \| leading lady \| love scene \| romantic \| suspension
The Letter (1940)	Leslie (Delicato)	0:21:46 - Men admire needlepoint	advance plot \| changing meter \| conversing \| delicate \| foreign key modulation \| gentle \| home \| lacework \| lawyer \| leading lady \| minor-major 7th chord \| oscillation \| polychord \| sequence
The Letter (1940)	Leslie (The Story)	0:22:26 - Leslie speaks with Howard	advance plot \| changing meter \| home \| lawyer \| leading lady \| lying \| oscillation \| recounting \| tense \| whole-tone \| whole-tone chord
The Letter (1940)	Letter (Sarcastic)	0:22:41 - Leslie and Howard leave	advance plot \| chromatic sequence \| dissonant bass \| home \| lawyer \| leading lady \| leaving \| mysterious \| passionate \| sequence
The Letter (1940)	Leslie (Ominous)	0:22:58 - The site of the murder	advance plot \| augmentation \| call and response \| Chinese \| dramatic \| leading lady \| leaving \| mysterious \| plantation \| reveal \| shadow \| spying \| stinger \| tense \| watching \| widow
The Letter (1940)	Leslie (Walking)	0:30:58 - Leslie in jail	64 chord \| advance plot \| chromatic parallelism \| fragmentation \| leading lady \| mysterious \| oscillation \| prison \| walking
The Letter (1940)	Leslie (Tense)	0:34:20 - Howard tells Leslie about the letter	9th chord \| altered dominant \| chromatic parallelism \| conversing \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| suspenseful \| tense
The Letter (1940)	Deception	0:34:35 - Leslie lies about the letter	chromatic scale \| deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:34:47 - Howard gives Leslie the letter	altered dominant \| augmented triad \| chromatic parallelism \| combination of themes \| deception \| denying \| lawyer \| leading lady \| letter \| lying \| oscillation \| ostinato \| pc set \| pivotal scene \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Denial	0:35:39 - Leslie denies writing the letter	augmented triad \| chromatic parallelism \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense
The Letter (1940)	Letter (Agitato)	0:36:08 - Leslie talks to Howard	deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Letter (Frantic)	0:36:16 - Leslie admits to writing the letter	chromatic sequence \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Underscoring (Tense)	0:36:22 - Leslie explains why she wrote the letter	deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:36:42 - Leslie lies to Howard	changing meter \| deception \| lawyer \| leading lady \| letter \| lying \| oscillation \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Underscoring (Tense)	0:36:53 - Howard takes out the letter	deception \| denying \| lawyer \| leading lady \| letter \| ominous \| pivotal scene \| prison \| tense \| tritone \| tritone \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Risoluto)	0:37:07 - Howard reads the letter to Leslie	anxious \| augmented triad \| buildup \| chromatic parallelism \| fearful \| fragmentation \| lawyer \| leading lady \| letter \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:37:21 - Howard talks to Leslie	anxious \| changing meter \| climax \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:37:34 - Howard talks to Leslie	anxious \| chromatic sequence \| conversing \| fearful \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Leslie (Shimmery 3)	0:37:54 - Howard talks to Leslie	anxious \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| stinger \| suspension \| tense
The Letter (1940)	Collapse	0:38:20 - Leslie collapses	anxious \| collapsing \| fainting \| falling \| fearful \| half-diminished 7th chord \| lawyer \| leading lady \| letter \| mickey-mousing \| pivotal scene \| prison \| suspension \| tense
The Letter (1940)	Leslie (Triste)	0:38:57 - Howard helps Leslie recover	advance plot \| calm \| conversing \| hospital \| lawyer \| leading lady \| oscillation \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Con Moto)	0:39:25 - Leslie asks Howard about the letter	advance plot \| conversing \| hospital \| lawyer \| leading lady \| letter \| sequence \| tense
The Letter (1940)	Leslie (Plotting)	0:39:32 - Howard and Leslie plot their next move	9th chord \| advance plot \| buildup \| changing meter \| chromatic sequence \| fragmentation \| hospital \| lawyer \| leading lady \| letter \| minor-major 7th chord \| ominous \| oscillation \| plotting \| tense
The Letter (1940)	Law Office (The Plea)	0:40:00 - Howard asks Leslie to be honest	9th chord \| advance plot \| anxious \| artwork in score \| chromatic sequence \| conversing \| hospital \| lawyer \| leading lady \| letter \| refusing \| tense
The Letter (1940)	Leslie (Despair)	0:40:33 - Leslie despairs	advance plot \| anxious \| changing meter \| conversing \| despair \| dissonant bass \| hospital \| lawyer \| leading lady \| letter \| oscillation \| sequence \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:40:57 - Leslie talks to Howard	advance plot \| angry \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| deception \| hospital \| lawyer \| leading lady \| letter \| sequence \| staring \| tense
The Letter (1940)	Robert and Leslie	0:41:12 - Howard says he will help Leslie	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| deception \| hospital \| lawyer \| leading lady \| letter \| love theme \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Robert and Leslie (Triste)	0:42:17 - Leslie and Howard talk about her husband	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| hospital \| lawyer \| leading lady \| letter \| love theme \| resolution \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Sociable	0:48:42 - People having dinner	ABA structure \| cheerful \| conversing \| deceptive resolution \| dinner \| Dorian mode \| foreign key modulation \| happy \| home \| husband \| lacework \| lawyer \| leading lady \| party \| whole-tone chord
The Letter (1940)	Leslie (Uneasy)	0:49:41 - They discuss the trial	dinner \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| planning \| tense \| tone cluster \| trial \| whole-tone chord
The Letter (1940)	Sociable (Ending)	0:49:58 - Pleasant conversation	cheerful \| conversing \| dinner \| foreign key modulation \| happy \| home \| husband \| lawyer \| leading lady \| reverse picardy
The Letter (1940)	Lento Mysterioso	0:50:37 - Leslie and Howard alone	advance plot \| altered dominant \| home \| lawyer \| leading lady \| mysterious \| planning \| sad \| upper pedal tone \| whole-tone chord
The Letter (1940)	Underscoring (Tense)	0:51:14 - Leslie talks to Howard	advance plot \| altered dominant \| dark \| foreign key modulation \| home \| lawyer \| leading lady \| planning
The Letter (1940)	Leslie (Ominous)	0:51:41 - Howard gets up to leave	advance plot \| call and response \| diminished 7th chord \| dissonant bass \| home \| lawyer \| leading lady \| ominous \| stretto imitation \| thinking
The Letter (1940)	Mrs. Hammond	0:51:49 - Howard and Leslie alone	advance plot \| Chinese \| home \| lawyer \| leading lady \| mysterious \| open fifth \| pacing \| parallel fifths \| pentatonic \| waiting
The Letter (1940)	Leslie (Lacework 2)	0:52:07 - Leslie does her lacework	advance plot \| changing meter \| conversing \| foreign key modulation \| home \| lacework \| lawyer \| leading lady \| mysterious \| oscillation \| sequence
The Letter (1940)	Leslie B (Ethereal)	0:52:33 - Howard and Leslie talk	advance plot \| chromatic sequence \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:52:55 - Howard and Leslie talk	advance plot \| changing meter \| conversing \| home \| lawyer \| leading lady \| oscillation \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B	0:53:10 - Howard and Leslie talk	advance plot \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Leslie (Leaving)	0:53:20 - Howard and Leslie leave the house	added-note chord \| fragmentation \| lawyer \| leading lady \| leaving \| mysterious \| plantation \| sequence \| sequential modulation \| transition
The Letter (1940)	Leslie (Screwyoso)	0:53:35 - Howard and Leslie walk away	lawyer \| leading lady \| leaving \| oscillation \| plantation \| sequence \| tense \| transition
The Letter (1940)	Mrs. Hammond (Grandioso)	0:53:54 - Leslie approaches the car	antagonist \| Chinese \| Chinese \| driving \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| pedal tone \| pentatonic \| plantation \| transition
The Letter (1940)	Chinese Quarter	0:54:15 - The car enters the Chinese Quarter	antagonist \| Chinatown \| Chinese \| Chinese \| driving \| exotic \| exoticism \| lawyer \| leading lady \| open fifth \| parallel fifths \| parallelism \| pentatonic \| setting \| transition
The Letter (1940)	Chinese Shop	0:55:30 - Howard and Leslie look around	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| exoticism \| lawyer \| layering \| leading lady \| Lydian mode \| mirroring \| mysterious \| open fifth \| parallel fifths \| parallelism \| polytonality \| quintal chord \| tense \| transition \| waiting \| walking
The Letter (1940)	Mrs. Hammond (Mysterioso)	0:56:29 - Howard and Leslie wait in the shop	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Dagger)	0:57:04 - Leslie looks at a Chinese dagger	antagonist \| Chinatown \| Chinese \| Chinese \| dagger \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| polytonality \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Slowly)	0:57:27 - Howard and Leslie walk into the back room	antagonist \| Chinatown \| Chinese \| Chinese \| conflict \| lawyer \| leading lady \| mysterious \| pentatonic \| quintal chord \| shop \| walking
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Solemn) + Glass Curtains	1:03:08 - Leslie and Howard leave	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| solemn \| staring \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Bitter)	1:08:54 - Leslie sees Mrs. Hammond in the courtroom	11th chord \| antagonist \| Chinese \| Chinese \| chromatic parallelism \| confronting \| courtroom \| dark \| husband \| leading lady \| trial
The Letter (1940)	Sociable	1:09:09 - Leslie and Robert meet with friends	64 chord \| celebrating \| dinner music \| drinking \| foreign key modulation \| happy \| home \| husband \| lawyer \| leading lady \| party \| pump-up modulation \| reverse picardy
The Letter (1940)	Leslie (Restless)	1:14:42 - Robert asks about the letter	arguing \| conflict \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| major 7th chord \| sequence \| tense
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Distress	1:15:08 - Robert confronts the lawyer	9th chord \| arguing \| conflict \| dissonant bass \| distress \| home \| husband \| lawyer \| leading lady \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Underscoring (Dramatic)	1:15:45 - Robert asks to see the letter	arguing \| augmented triad \| conflict \| diminished 7th chord \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| pc set \| sequence \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tragic)	1:16:14 - Leslie tells Howard to give Robert the letter	conflict \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| reading \| somber \| tense
The Letter (1940)	Leslie (Confession)	1:16:36 - Leslie confesses to Robert	confessing \| conflict \| dark \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| ostinato \| recounting \| sequence \| serious \| tritone \| tritone oscillation
The Letter (1940)	Mrs. Hammond (Confession)	1:17:35 - Leslie confesses to Robert	Chinese \| confessing \| conflict \| home \| husband \| lawyer \| leading lady \| letter \| open fifth \| parallel fifths \| parallelism \| pentatonic \| recounting \| serious \| somber \| tritone oscillation
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	1:17:59 - Leslie confesses to Robert	changing meter \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Ethereal)	1:18:13 - Leslie confesses to Robert	chromatic sequence \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Leslie (Dramatic)	1:18:32 - Leslie confesses to Robert	confessing \| conflict \| crying \| dramatic \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Robert and Leslie (Mournful)	1:19:00 - Robert cries after hearing the confession	conflict \| crying \| crying gesture \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| mournful \| murder \| pedal tone \| retardation \| sad \| suspension
The Letter (1940)	Foxtrot No. 1	1:19:49 - Leslie getting ready for the party	9th chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| sitting \| source music
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1	1:20:02 - Ong is seen in the mirror	advance plot \| antagonist \| calm \| combination of themes \| dagger \| dance music \| dropping \| foxtrot \| home \| leading lady \| mysterious \| open fifth \| parallel fifths \| pentatonic \| source music
The Letter (1940)	Foxtrot No. 1 B	1:20:05 - Leslie getting ready for the party	added-note chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| source music \| walking
The Letter (1940)	Leslie (Guilty) + Foxtrot No. 1	1:20:53 - Leslie looks at the full moon	advance plot \| combination of themes \| dagger \| dramatic \| home \| leading lady \| looking \| moon \| oscillation \| polytonality \| stinger \| suspension
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1 B	1:21:15 - Leslie looks around	advance plot \| Chinese \| combination of themes \| dagger \| dance music \| foxtrot \| home \| leading lady \| looking \| mysterious \| open fifth \| parallel fifths \| pentatonic \| polymeter \| polytonality \| source music \| tense
The Letter (1940)	Foxtrot No.1 C	1:21:36 - Leslie goes to the party	added-note chord \| altered dominant \| calm \| conversing \| dance music \| dancing \| foreign key modulation \| foxtrot \| friend \| leading lady \| party \| party \| plagal cadence \| source music
The Letter (1940)	Foxtrot No. 2	1:22:12 - Leslie joins the party	9th chord \| AABA structure \| altered dominant \| conversing \| dance music \| dancing \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| pump-up modulation \| secondary dominant \| source music
The Letter (1940)	Foxtrot No. 3	1:23:25 - Robert talks to friends at the party	9th chord \| added-note chord \| common-tone diminished 7th \| contrasting period \| conversing \| dance music \| drinking \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| source music
The Letter (1940)	Leslie + Foxtrot No. 3	1:25:08 - Leslie looks out the window	added-note chord \| climax \| combination of themes \| common-chord modulation \| dance music \| foreign key modulation \| foxtrot \| home \| lacework \| leading lady \| obsession \| obsessive \| oscillation \| sequence \| source music \| tense \| thinking
The Letter (1940)	Leslie (Distraught)	1:25:39 - Leslie cries	augmented sixth chord \| climax \| crying \| dramatic \| emotional \| foreign key modulation \| home \| leading lady \| oscillation \| sequence
The Letter (1940)	Underscoring (Dark)	NIF - not in film	climax \| dark \| home \| lacework \| leading lady \| leaving \| pedal tone
The Letter (1940)	Underscoring (Mysterious)	1:26:07 - Leslie talks to Robert	climax \| conversing \| home \| husband \| leading lady \| mysterious \| open fifth \| oscillation \| pedal tone \| staring \| underscoring
The Letter (1940)	Leslie (Ethereal)	1:26:36 - Leslie and Robert look at each other	climax \| home \| husband \| leading lady \| oscillation \| pc set \| pedal tone \| staring \| tense
The Letter (1940)	Underscoring (Tense)	1:26:52 - Leslie talks to Robert	climax \| conversing \| home \| husband \| leading lady \| staring \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tense)	1:27:06 - Leslie talks to Robert	chromatic mediant \| climax \| conversing \| gentle \| home \| husband \| leading lady \| love theme \| Neapolitan \| suspension \| tender \| tense
The Letter (1940)	Deception (Lohengreenish)	1:28:01 - Leslie reacts to Robert's forgiveness	chromatic mediant \| climax \| conversing \| diminished 7th chord \| dissonant bass \| home \| husband \| kissing \| leading lady \| ostinato \| retardation \| romantic \| sequence \| suspension \| tense
The Letter (1940)	Leslie (Very Slow)	1:29:01 - Leslie rejects Robert	augmented sixth chord \| changing meter \| climax \| enharmonic respelling \| home \| leading lady \| oscillation \| sequence \| somber \| stern \| weeping
The Letter (1940)	Mrs. Hammond (Dirge)	1:29:32 - Leslie heads towards the door	Chinese \| climax \| dark \| dirge \| home \| leading lady \| parallelism \| somber \| walking
The Letter (1940)	Mrs. Hammond (Missing Dagger)	1:29:49 - Leslie opens the door	Chinese \| climax \| dagger \| door \| gentle \| home \| leading lady \| mysterious \| open fifth \| opening \| parallel fifths \| parallelism \| pentatonic
The Letter (1940)	Leslie (Climactic)	1:30:02 - Leslie sees that the knife is gone	climax \| dagger \| door \| home \| leading lady \| looking \| oscillation \| passionate \| sequence
The Letter (1940)	Shadow	1:30:30 - Leslie leaves the house	chromatic parallelism \| climax \| leading lady \| major triad \| mysterious \| plantation \| polychord \| shadow \| walking
The Letter (1940)	Native (Climactic)	1:30:42 - Leslie walks through her garden	climax \| crying \| Dorian mode \| exoticism \| gamelan \| Indonesian music \| leading lady \| mysterious \| panning shot \| parallelism \| plantation \| setting \| somber \| walking
The Letter (1940)	Deception (Appassionato)	1:31:18 - Close-up of Leslie	climax \| crying \| leading lady \| mysterious \| pc set \| Phrygian mode \| plantation \| somber \| walking
The Letter (1940)	Leslie (The Moon)	1:31:36 - Leslie sees the moon go behind a cloud	climax \| cloud \| crying \| dramatic \| half-diminished 7th chord \| leading lady \| looking \| moon \| oscillation \| pc set \| plantation \| sequence
The Letter (1940)	Mrs. Hammond (Ambush)	1:31:55 - Leslie moves through the gate	Aeolian mode \| antagonist \| Chinese \| climax \| dark \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| walking
The Letter (1940)	Leslie (Deliberate)	1:32:48 - Mrs. Hammond approaches Leslie with a knife	antagonist \| changing meter \| Chinese \| climax \| dagger \| leading lady \| oscillation \| plantation \| somber \| walking
The Letter (1940)	Mrs. Hammond (Revenge)	1:33:01 - Mrs. Hammond stabs Leslie	64 chord \| antagonist \| Chinese \| Chinese \| climax \| dagger \| leading lady \| murder \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| somber \| walking
The Letter (1940)	Leslie (Reckoning)	1:33:42 - Mrs. Hammond walks away	11th chord \| antagonist \| augmentation \| body \| changing meter \| Chinese \| climax \| death \| leading lady \| moon \| oscillation \| plantation \| policeman \| somber \| suspension
Mildred Pierce (1945)	Mildred (Pier)	0:02:15 - Santa Monica pier at night	dock \| establish character \| heroine \| leading lady \| mickey-mousing \| pondering \| somber \| walking \| water \| wave
Mildred Pierce (1945)	Mildred (Tragic)	0:02:42 - Mildred walks out onto the dock	dock \| establish character \| heroine \| leading lady \| mickey-mousing \| pondering \| somber \| suicide \| tragic \| water \| wave
Mildred Pierce (1945)	Waves rumbling	0:03:15 - Policeman convinces Mildred not to jump	conversing \| dock \| establish character \| heroine \| leading lady \| mickey-mousing \| police \| somber \| suicide \| water \| wave
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	0:03:59 - Wally sees Mildred from the window	conversing \| establish character \| familiar tune \| friend \| heroine \| jazz \| leading lady \| on-screen music \| restaurant \| source music \| upbeat
Mildred Pierce (1945)	Mildred (Sehr Dramatic)	0:12:06 - Mildred arrives home	advance plot \| arriving \| dark \| daughter \| dramatic \| heroine \| leading lady \| street \| tense \| worrying
Mildred Pierce (1945)	Mildred (Ominous)	0:12:43 - The detectives talk to Mildred	advance plot \| conversing \| dark \| detective \| heroine \| leading lady \| ominous \| room
Mildred Pierce (1945)	Underscoring (Tense)	0:13:03 - Mildred leaves with the detectives	advance plot \| conversing \| detective \| heroine \| leading lady \| murder \| street \| tense \| underscoring
Mildred Pierce (1945)	Hall of Justice	0:13:35 - The Los Angeles Hall of Justice	advance plot \| arriving \| bold \| detective \| entering \| heroine \| justice \| leading lady \| police \| police station \| walking
Mildred Pierce (1945)	Mildred sits	0:14:11 - Mildred sits down	advance plot \| heroine \| leading lady \| mickey-mousing \| mysterious \| police station \| sitting
Mildred Pierce (1945)	Drink to Me Only With Thine Eyes	0:16:07 - Cop whistles to himself	advance plot \| detective \| familiar tune \| heroine \| leading lady \| on-screen music \| police \| police station \| source music \| tense \| ticking \| whistling
Mildred Pierce (1945)	Flashback starts	0:20:16 - Flashback to the past	double exposure \| establish character \| flashback \| gentle \| heroine \| leading lady \| mickey-mousing \| street
Mildred Pierce (1945)	Bert	0:20:18 - Bert comes home	arriving \| cooking \| establish character \| flashback \| gentle \| heroine \| husband \| leading lady \| room \| self-borrowing \| street
Mildred Pierce (1945)	Bert (Triste)	0:24:26 - Bert and Mildred separate	breaking up \| crying \| establish character \| heroine \| husband \| leading lady \| leaving \| room \| somber
Mildred Pierce (1945)	Waltz Brillante	0:26:39 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| dancing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Waltz Brillante	0:27:21 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Kay and Veda (Ashamed)	0:28:13 - Mildred overhears Veda complaining about her new dress	advance plot \| child \| heroine \| leading lady \| room \| somber \| watching
Mildred Pierce (1945)	Mildred (Lonely)	0:28:20 - Mildred looks through her desk	advance plot \| bills \| flashback \| gun \| heroine \| leading lady \| lonely \| photographs \| room \| somber \| voice-over \| writing
Mildred Pierce (1945)	Mildred (Tense)	0:28:43 - Mildred goes to open the door	advance plot \| heroine \| leading lady \| room \| tense \| walking
Mildred Pierce (1945)	Mildred (Delicate)	0:32:04 - Mildred walks up the stairs	advance plot \| gentle \| heroine \| leading lady \| room \| up \| walking
Mildred Pierce (1945)	Kay and Veda (Dolce)	0:32:13 - Mildred and Veda talk about Kay	advance plot \| child \| conversing \| heroine \| leading lady \| room \| sleeping \| sweet
Mildred Pierce (1945)	Kay and Veda (Coy)	0:32:32 - Veda talks to her mother	advance plot \| child \| conversing \| heroine \| leading lady \| room \| sleeping \| uneasy
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	0:32:38 - Veda fantasizes about her mother marrying Wally	advance plot \| child \| dreaming \| fantasy \| greed \| heroine \| leading lady \| room \| uneasy
Mildred Pierce (1945)	Mildred (Dark)	0:32:58 - Mildred scolds Veda	advance plot \| child \| dark \| heroine \| leading lady \| room \| scolding
Mildred Pierce (1945)	Kay and Veda (Deception)	0:33:08 - Veda lies to her mother	advance plot \| child \| deceiving \| deception \| heroine \| leading lady \| parallelism \| room \| selfish \| unstable
Mildred Pierce (1945)	Mildred (Risoluto)	0:33:23 - Mildred resolves to give her daughter nice things	advance plot \| child \| determined \| heroic \| heroine \| leading lady \| noble \| promising \| resolved \| room
Mildred Pierce (1945)	Kay and Veda (Dolce Foxtrot)	0:33:37 - Mildred puts Veda to bed	advance plot \| child \| dark \| heroine \| leading lady \| optimistic \| promising \| room \| tragic
Mildred Pierce (1945)	Mildred (Desperate)	0:34:05 - Mildred looks for a job	applying \| depressed \| heroine \| leading lady \| montage \| searching \| street \| voice-over \| walking
Mildred Pierce (1945)	Work	0:36:12 - Mildred works as a waitress	hectic \| heroine \| leading lady \| montage \| restaurant \| rushing \| self-borrowing \| serving \| upbeat \| voice-over \| waitress \| working
Mildred Pierce (1945)	Mildred (Hopeful)	0:36:42 - Mildred bakes some pies	cooking \| heroine \| hopeful \| kitchen \| leading lady \| montage \| optimistic \| restaurant \| success \| voice-over \| waitress \| working
Mildred Pierce (1945)	The Maid	0:36:57 - Mildred's maid in the kitchen	advance plot \| comical \| conversing \| cooking \| heroine \| kitchen \| leading lady \| maid \| working
Mildred Pierce (1945)	Work (Singing Lesson)	0:37:17 - Veda sings	child \| double exposure \| heroine \| leading lady \| montage \| on-screen music \| room \| scored source music \| self-borrowing \| singing \| upbeat \| voice-over \| working
Mildred Pierce (1945)	Ballet Lesson	0:37:25 - Kay dances	ballet \| child \| dancing \| double exposure \| graceful \| heroine \| leading lady \| montage \| pleasant \| room \| voice-over
Mildred Pierce (1945)	South American Way	0:37:36 - Veda sings and plays while Kay dances	child \| dancing \| heroine \| leading lady \| music scene \| on-screen music \| playing \| popular music \| room \| singing \| source music \| upbeat
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| conflict \| familiar tune \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Secret Revealed	0:39:10 - Mildred argues with Veda	angry \| arguing \| child \| conflict \| harsh \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Appassionato)	0:39:22 - Mildred argues with Veda	angry \| arguing \| child \| conflict \| heroine \| leading lady \| raising \| room \| standing \| tense
Mildred Pierce (1945)	Mildred raises Veda	0:39:22 - Mildred lifts her daughter up by the arm	angry \| arguing \| child \| conflict \| heroine \| leading lady \| mickey-mousing \| raising \| room \| standing \| tense
Mildred Pierce (1945)	Mildred B (Angry)	0:39:30 - Mildred argues with Veda	angry \| arguing \| child \| conflict \| heroine \| leading lady \| room \| slapping \| tense
Mildred Pierce (1945)	Mildred (Regretful)	0:39:37 - Mildred regrets slapping Veda	apologizing \| child \| conflict \| heroine \| hopeful \| leading lady \| regretting \| room \| somber
Mildred Pierce (1945)	Kay and Veda (Hopeful)	0:40:09 - Veda asks if they are going to be rich	child \| conflict \| greed \| heroine \| hopeful \| leading lady \| room
Mildred Pierce (1945)	Work (Excited)	0:42:35 - Mildred and Wally leave	excited \| excitement \| friend \| heroine \| leading lady \| leaving \| room \| self-borrowing \| shadow \| transition \| work
Mildred Pierce (1945)	Beach House	0:42:49 - They drive up to the beach house	arriving \| beach house \| driving \| friend \| heroine \| leading lady \| ocean \| peaceful \| transition \| water \| wave
Mildred Pierce (1945)	Walking	0:42:58 - Mildred and Wally walk to the house	arriving \| beach house \| excited \| friend \| heroine \| leading lady \| mickey-mousing \| ocean \| transition \| walking
Mildred Pierce (1945)	Bert (Sentimentale)	0:48:03 - Mildred watches her children leave	heroine \| husband \| leading lady \| leaving \| room \| serious \| somber \| thinking \| transition
Mildred Pierce (1945)	Work (Molto Grazioso)	0:48:16 - Mildred works at her restaurant	cheerful \| friend \| heroine \| ladder \| leading lady \| legs \| restaurant \| self-borrowing \| transition \| working
Mildred Pierce (1945)	First Kiss	0:49:40 - Monte steals a kiss from Mildred	cheerful \| falling in love scene \| friend \| heroine \| kissing \| leading lady \| restaurant \| romance
Mildred Pierce (1945)	Walking	0:49:48 - Driving to the beach house	beach house \| cheerful \| driving \| falling in love scene \| friend \| heroine \| leading lady \| room \| traveling \| walking
Mildred Pierce (1945)	Opens closet	0:49:57 - Mildred slides open a door	cheerful \| falling in love scene \| heroine \| leading lady \| love interest \| mickey-mousing \| opening \| room \| sliding
Mildred Pierce (1945)	Disrobes	0:50:47 - Monte takes off Mildred's robe	beach house \| cheerful \| disrobing \| falling \| falling in love scene \| flirting \| heroine \| leading lady \| love interest \| mickey-mousing \| robe
Mildred Pierce (1945)	Bathing Suit	0:50:49 - Monte looks at Mildred in her bathing suit	attraction \| beach house \| cheerful \| falling in love scene \| flirting \| heroine \| leading lady \| love interest \| mickey-mousing
Mildred Pierce (1945)	Mildred (Frolicking)	0:51:01 - Mildred runs to the beach	beach \| cheerful \| falling in love scene \| flirting \| frolicking \| heroine \| jaunty \| leading lady \| love interest \| running
Mildred Pierce (1945)	Frolicking in the Surf	0:51:05 - Monte and Mildred run to the water	beach \| falling in love scene \| frolicking \| heroine \| jaunty \| leading lady \| love interest \| mickey-mousing \| playful \| running \| splashing \| swimming \| water \| waves
Mildred Pierce (1945)	Waves	0:51:11 - Waves crash onto the beach	beach \| calm \| falling in love scene \| heroine \| leading lady \| love interest \| mickey-mousing \| rolling \| splashing \| waves
Mildred Pierce (1945)	It Can't Be Wrong	0:51:16 - Monte plays a record for Mildred	conversing \| heroine \| kissing \| leading lady \| love interest \| love scene \| popular music \| record \| record player \| romantic \| room \| score to source borrowing \| source music
Mildred Pierce (1945)	Kay and Veda (Misterioso)	0:54:01 - Bert tells Mildred that Kay is sick	bad news \| conversing \| dark \| death scene \| distress \| ex-husband \| heroine \| leading lady \| mysterious \| ominous \| stinger \| street \| turning point
Mildred Pierce (1945)	Bert (Dark)	0:54:14 - Bert and Mildred rush off to see Kay	bad news \| conversing \| dark \| death scene \| distress \| ex-husband \| heroine \| leading lady \| leaving \| street \| turning point
Mildred Pierce (1945)	Pneumonia	0:54:25 - A doctor works on Kay	child \| dark \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| mickey-mousing \| nurse \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Kay and Veda (Dying)	0:55:05 - Kay's family waits and watches	child \| dark \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| nurse \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Pneumonia (Dying)	0:55:24 - Kay passes away	child \| dark \| death \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| nurse \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Mildred (Mourning)	0:56:07 - Mildred mourns Kay's death	child \| death \| death scene \| doctor \| ex-husband \| heroine \| leading lady \| mourning \| nurse \| patient \| room \| sick person \| somber \| turning point
Mildred Pierce (1945)	Kay and Veda (Tenderly)	0:56:34 - Veda and Mildred mourn for Kay	calm \| child \| death \| death scene \| ex-husband \| heroine \| hopeful \| leading lady \| mourning \| room \| somber \| turning point
Mildred Pierce (1945)	T'Ain't No Good	0:57:37 - Mildred at the opening of her restaurant	advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	While You're Away	0:59:47 - Monte arrives at the restaurant	advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| love interest \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	Please Think of Me	1:01:54 - Monte dances with Veda	antagonist \| celebrating \| dance scene \| dancing \| daughter \| friend \| heroine \| jukebox \| leading lady \| love interest \| on-screen music \| popular music \| restaurant \| singing \| source music \| upbeat
Mildred Pierce (1945)	Mildred (Sorrow)	1:03:41 - Monte asks about Kay	advance plot \| conversing \| heroine \| leading lady \| love interest \| restaurant \| somber
Mildred Pierce (1945)	It Can't Be Wrong (Romantic)	1:04:11 - Monte kisses Mildred	advance plot \| door \| ex-husband \| familiar tune \| heroine \| interrupting \| kissing \| leading lady \| love interest \| popular music \| restaurant \| romantic \| slamming \| source to score \| stinger
Mildred Pierce (1945)	It Can't Be Wrong (Troubled)	1:04:30 - Bert interrupts Mildred and Monte's kiss	advance plot \| conversing \| dark \| ex-husband \| familiar tune \| heroine \| leading lady \| love interest \| popular music \| restaurant \| source to score \| tense \| troubled
Mildred Pierce (1945)	Bert (Regretful)	1:04:43 - Bert tells Mildred about the divorce	advance plot \| conversing \| divorce \| ex-husband \| heroine \| leading lady \| love interest \| regretting \| restaurant \| somber
Mildred Pierce (1945)	Breaks glass	1:05:35 - Bert slaps the glass out of Monte's hand	advance plot \| breaking \| down \| ex-husband \| falling \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| restaurant \| tense \| throwing \| violence
Mildred Pierce (1945)	It Can't Be Wrong (Uneasy)	1:05:36 - Bert stares angrily at Monte	advance plot \| dark \| ex-husband \| familiar tune \| glaring \| heroine \| leading lady \| leaving \| love interest \| popular music \| restaurant \| source to score \| tense \| uneasy
Mildred Pierce (1945)	Flashback ends	1:05:49 - Screen wipe back to the present day	advance plot \| flashback \| heroine \| leading lady \| mickey-mousing \| police station \| wipe
Mildred Pierce (1945)	Mildred (Sweepingly)	1:08:09 - Mildred greets customers	happy \| heroine \| leading lady \| montage \| restaurant \| smiling \| voice-over \| working
Mildred Pierce (1945)	Polo	1:08:14 - Veda at a polo match	antagonist \| cheering \| daughter \| field \| heroine \| leading lady \| love interest \| montage \| playing \| polo \| sports \| upbeat \| voice-over \| watching
Mildred Pierce (1945)	How Sweet You Are	1:08:28 - Veda dances at a club	advance plot \| club \| conversing \| dance music \| dancing \| heroine \| leading lady \| love interest \| on-screen music \| relaxed \| source music
Mildred Pierce (1945)	Kay and Veda (Subtle)	1:09:27 - Mildred looks at Monte's bills	advance plot \| conversing \| friend \| heroine \| leading lady \| room \| subtle \| voice-over
Mildred Pierce (1945)	Kay and Veda (Excited)	1:13:21 - Veda drives away in her new car	advance plot \| car \| child \| driving \| excited \| happy \| heroine \| kissing \| leading lady \| love interest \| room \| running
Mildred Pierce (1945)	Kay and Veda (Sly)	1:13:55 - Mildred tells Monte to not see Veda	arguing \| breakup \| conflict \| disagreement \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:14:06 - Mildred and Monte argue	arguing \| breakup \| conflict \| disagreement \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense
Mildred Pierce (1945)	Mildred (Agitato)	1:14:37 - Mildred and Monte argue	agitated \| arguing \| breakup \| conflict \| heroine \| leading lady \| love interest \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:14:53 - Mildred and Monte argue	arguing \| bitter \| breakup \| conflict \| heroine \| leading lady \| love interest \| room \| tense \| underscoring
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| familiar tune \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	Closes blinds	1:15:59 - Mildred closes the blinds	blinds \| breakup \| closing \| conflict \| down \| heroine \| leading lady \| mickey-mousing \| room \| somber \| window
Mildred Pierce (1945)	Mildred (Angry)	1:18:21 - Mildred walks out of an argument	aggressive \| angry \| arriving \| conflict \| heroine \| hurrying \| leading lady \| leaving \| room \| walking
Mildred Pierce (1945)	Underscoring (Tense)	1:18:34 - Veda tells her mother she is married	antagonist \| conflict \| conversing \| daughter \| friend \| heroine \| leading lady \| reverse stinger \| room \| tense \| underscoring
Mildred Pierce (1945)	Secret Revealed	1:18:59 - Veda talks to her mother	antagonist \| conflict \| conversing \| daughter \| fear \| friend \| heroine \| leading lady \| room \| surprised \| tense
Mildred Pierce (1945)	Kay and Veda (Coy)	1:19:11 - Veda talks to her mother	antagonist \| apologizing \| conflict \| daughter \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:19:18 - Mildred talks to Veda	antagonist \| comforting \| conflict \| daughter \| dream-like \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Tenderly)	1:19:37 - Wally talks about a settlement	antagonist \| conflict \| conversing \| daughter \| friend \| heroine \| leading lady \| room \| tender
Mildred Pierce (1945)	Kay and Veda (Troubled 2)	1:21:34 - Veda looks at the divorce settlement check	antagonist \| blackmail \| conflict \| daughter \| heroine \| laughing \| leading lady \| mickey-mousing \| mocking \| room \| troubled \| ugly
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:22:22 - Veda and her mother argue	agitated \| antagonist \| arguing \| blackmail \| conflict \| daughter \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:22:43 - Veda argues with her mother	antagonist \| arguing \| conflict \| dark \| daughter \| heroine \| insulting \| leading lady \| ominous \| room \| ugly
Mildred Pierce (1945)	Mildred (Appassionato)	1:23:00 - Veda expresses her disgust with her mother	angry \| antagonist \| arguing \| conflict \| daughter \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry 2)	1:23:09 - Mildred gets angry at Veda	angry \| antagonist \| arguing \| conflict \| daughter \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry)	1:23:38 - Mildred tears up Veda's check	angry \| antagonist \| arguing \| check \| conflict \| daughter \| fighting \| heroine \| leading lady \| room \| slapping \| tearing \| tense \| violence \| yelling
Mildred Pierce (1945)	Stunned Reaction	1:23:44 - Mildred is stunned after Veda slaps her	angry \| antagonist \| conflict \| daughter \| dramatic \| heroine \| leading lady \| room \| staring \| stunned \| violence
Mildred Pierce (1945)	Mildred (Tragic)	1:24:04 - Veda watches her daughter leave	angry \| ascending \| conflict \| heroine \| leading lady \| leaving \| mickey-mousing \| room \| stern
Mildred Pierce (1945)	Rushing train	1:24:15 - A rushing train	double exposure \| excited \| heroine \| leading lady \| mickey-mousing \| train \| train \| transition \| traveling
Mildred Pierce (1945)	Oceana Roll	1:27:46 - Veda sings at a restaurant	advance plot \| antagonist \| cheerful \| club \| dancing \| daughter \| ex-husband \| heroine \| leading lady \| on-screen music \| playing \| popular music \| singing \| source music
Mildred Pierce (1945)	Sweet Georgia Brown	1:29:05 - Mildred confronts Wally	advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	It Had to Be You	1:30:25 - Mildred and Veda talk	advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	Work (Montage)	1:34:44 - Montage of Mildred and Monte's marriage	cheerful \| ex-husband \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| montage \| newspaper \| self-borrowing \| shadow
Mildred Pierce (1945)	Glasses clink	1:35:44 - Mildred and Monte clink glasses together	cheerful \| clinking \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| montage
Mildred Pierce (1945)	Bert (Somber)	1:37:06 - Bert talks with Mildred in her new house	advance plot \| conversing \| ex-husband \| heroine \| leading lady \| room \| somber
Mildred Pierce (1945)	Mildred stands and walks to window	1:38:02 - Mildred stands up and goes to the window	advance plot \| delicate \| graceful \| heroine \| leading lady \| mickey-mousing \| peaceful \| rising \| room \| standing \| up \| walking
Mildred Pierce (1945)	Kay and Veda (Returning Home)	1:38:10 - Mildred looks at Veda through the window	advance plot \| conversing \| daughter \| emotional \| happy \| heroine \| leading lady \| loving \| mother \| room \| warm \| watching
Mildred Pierce (1945)	Mildred (Happy Homecoming)	1:38:50 - Mildred and her daughter embrace	advance plot \| apologizing \| daughter \| embracing \| forgiveness \| happy \| heroine \| leading lady \| loving \| mother \| returning \| reuniting \| room \| warm
Mildred Pierce (1945)	Bert (Tenderly)	1:39:33 - Mildred thanks Bert	advance plot \| ex-husband \| gentle \| heroine \| leading lady \| mother \| room \| sweet \| thanking
Mildred Pierce (1945)	It Can't Be Wrong (Molto Misterioso)	1:42:42 - Mildred learns that Monte has betrayed her	bankruptcy \| betrayal \| dark \| familiar tune \| friend \| heroine \| leading lady \| love theme \| memory \| mysterious \| popular music \| realizing \| room \| somber \| turning point
Mildred Pierce (1945)	Mildred (Mad)	1:43:19 - Mildred makes a phone call	anger \| angry \| calling \| heroine \| leading lady \| room \| tense \| turbulent \| turning point \| walking
Mildred Pierce (1945)	Hopes Crushed	1:43:38 - Mildred realizes Monte has left her	dark \| heroine \| leading lady \| lost hope \| mickey-mousing \| realizing \| room \| tritone \| turning point
Mildred Pierce (1945)	Mildred (Revenge)	1:43:57 - Mildred drives to the beach house	car \| dark \| dramatic \| driving \| flashback ends \| gun \| heroine \| leading lady \| street \| transition
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:44:53 - Mildred tells Veda not to confess	detective \| harsh \| heroine \| interrogating \| interrogation \| leading lady \| pleading \| police station
Mildred Pierce (1945)	Mildred B (Twist)	1:45:20 - Mildred walks into the beach house	arriving \| climax \| dark \| flashback \| heroine \| leading lady \| room
Mildred Pierce (1945)	Mildred (Ominous)	1:45:25 - Mildred walks downstairs	arriving \| climax \| dark \| heroine \| leading lady \| ominous \| room
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:46:05 - Veda reveals that she is in love with Monte	antagonist \| betrayal \| betraying \| climax \| dark \| daughter \| heroine \| leading lady \| revealing \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Very Slow)	1:46:22 - Mildred reacts to Veda's betrayal	antagonist \| betrayal \| climax \| contemplating \| dark \| daughter \| gun \| heroine \| leading lady \| ominous \| room
Mildred Pierce (1945)	Mildred (Tragic)	1:46:43 - Mildred runs away	antagonist \| arguing \| betrayal \| climax \| daughter \| dramatic \| emotional \| heroine \| leading lady \| room \| running
Mildred Pierce (1945)	Mildred (Breakdown)	1:47:11 - Mildred tries to start her car	climax \| crying \| dramatic \| emotional \| heroine \| leading lady \| leaving \| street
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:47:42 - Mildred rushes in to check on Veda	antagonist \| confessing \| dark \| daughter \| heroine \| leading lady \| lying \| murder \| murderer \| murder scene \| ominous \| room
Mildred Pierce (1945)	Mildred B (Angry)	1:48:06 - Veda confesses to Mildred	angry \| antagonist \| confessing \| confession \| daughter \| heroine \| leading lady \| lying \| murderer \| murder scene \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:48:22 - Veda pleads for help to escape	antagonist \| begging \| confessing \| daughter \| distressed \| frantic \| heroine \| leading lady \| murderer \| murder scene \| room
Mildred Pierce (1945)	Mildred (Ominous)	1:48:41 - Mildred calls the police	antagonist \| begging \| daughter \| heroine \| leading lady \| murderer \| murder scene \| ominous \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:48:54 - Veda asks her mother not to turn her in	antagonist \| begging \| daughter \| heroine \| leading lady \| murderer \| murder scene \| room \| tense \| underscoring
Mildred Pierce (1945)	Kay and Veda (Returning Home 2)	1:49:17 - Veda convinces her mother to not report her	antagonist \| crying \| daughter \| heroine \| leading lady \| loving \| mother \| murderer \| murder scene \| room \| sacrificing \| tender \| warm
Mildred Pierce (1945)	Kay and Veda (Triste)	1:49:37 - Veda is led out by the police	antagonist \| conversing \| daughter \| defeat \| detective \| heroine \| leading lady \| leaving \| mother \| murderer \| police station \| resigned \| resolution \| somber
Mildred Pierce (1945)	Mildred (The End)	1:50:07 - Mildred leaves with Bert	ex-husband \| heroine \| leading lady \| leaving \| police station \| resolution \| triumphant
The Life of Vergie Winters (1934)	Lullaby + Funeral March	0:02:32 - Vergie in her jail cell	classical music \| combination of themes \| funeral \| funeral march \| leading lady \| plagal cadence \| pondering \| prison \| prisoner \| sequence \| somber \| source music \| suspect \| watching
The Life of Vergie Winters (1934)	Lullaby (Slowly)	0:04:07 - Vergie working in a shop window	64 chord \| establish character \| leading lady \| peaceful \| plagal cadence \| shop \| working
The Life of Vergie Winters (1934)	Lullaby (Hospital Scene)	0:27:51 - The sign for a hospital	advance plot \| calm \| child \| childbirth \| conversing \| fragmentation \| hospital \| leading lady \| lullaby \| peaceful \| plagal cadence
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Lullaby (Not in Score)	0:32:18 - Vergie and John look at a baby picture	AABA structure \| calm \| common-chord modulation \| conversing \| cuddling \| leading lady \| leading man \| love interest \| love scene \| lullaby \| peaceful \| room \| score to source \| secret love \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Park)	0:36:28 - Nurse and baby in the park	AABA structure \| added-note chord \| advance plot \| calm \| child \| common-chord modulation \| conversing \| leading lady \| lullaby \| nurse \| park \| peaceful \| waiting
The Life of Vergie Winters (1934)	Stars and Stripes Forever (Allegro)	0:46:04 - Newspaper montage	64 chord \| added-note chord \| gentle \| leading lady \| leading man \| love interest \| montage \| patriotic tune \| pedal tone \| politician \| soldier
The Life of Vergie Winters (1934)	Lullaby (Joan)	0:50:31 - Joan enters Vergie's shop	advance plot \| child \| conversing \| daughter \| distortion \| entering \| foreign key modulation \| fragmentation \| gentle \| harmonic sequence \| leading lady \| meeting \| mother \| octatonic scale \| reunion \| secret \| shop \| timid
The Life of Vergie Winters (1934)	Underscoring (Gentle)	0:51:06 - Joan talks with Vergie	9th chord \| advance plot \| altered dominant \| augmented sixth chord \| child \| chromatic parallelism \| conversing \| daughter \| foreign key modulation \| gentle \| half-diminished 7th chord \| leading lady \| mother \| reunion \| secret \| shop \| timid
The Life of Vergie Winters (1934)	Lullaby (Delicato)	0:51:39 - Joan talks with Vergie	9th chord \| advance plot \| child \| conversing \| daughter \| gentle \| leading lady \| mother \| parallel 63s \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Underscoring (Gentle)	0:51:52 - Vergie gives Joan a fan	9th chord \| advance plot \| child \| conversing \| daughter \| gentle \| leading lady \| mother \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Lullaby (Solo Violin)	0:52:06 - Vergie gets a ribbon for Joan	advance plot \| child \| common-chord modulation \| conversing \| daughter \| fragmentation \| gentle \| leading lady \| mother \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Lullaby (Strings)	0:52:30 - Vergie puts a ribbon in Joan's hair	advance plot \| child \| chromatic mediant \| conversing \| countermelody \| daughter \| direct modulation \| gentle \| leading lady \| mode mixture \| mother \| pedal tone \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Lullaby (Sentimental)	0:53:43 - Vergie talks with John by the lake	conversing \| leading lady \| leading man \| love scene \| outside \| pedal tone \| secret love \| secret lover \| tender
The Life of Vergie Winters (1934)	Lullaby (Flowing)	0:53:59 - John talks with Vergie by the lake	altered dominant \| conversing \| diminished 7th chord \| happy \| leading lady \| leading man \| love scene \| outside \| pedal tone \| reassuring \| secret love \| secret lover
The Life of Vergie Winters (1934)	Lullaby (Somber)	0:54:14 - Vergie listens to John	altered dominant \| conversing \| leading lady \| leading man \| love scene \| outside \| secret love \| secret lover \| somber
The Life of Vergie Winters (1934)	Lullaby (Quasi Appassionato)	0:54:24 - John expresses his love for Vergie	conversing \| direct modulation \| dissonant bass \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love scene \| outside \| passionate \| secret love \| secret lover
The Life of Vergie Winters (1934)	Lullaby (Poco Con Moto)	0:54:53 - Joan and Vergie talk about the future	13th chord \| altered dominant \| conversing \| dissonant bass \| gentle \| leading lady \| leading man \| longing \| love scene \| outside \| pedal tone \| secret love \| secret lover \| sigh gesture
The Life of Vergie Winters (1934)	A Boy and a Girl	1:07:00 - John and Vergie listen to the radio	advance plot \| altered dominant \| common-chord modulation \| conversing \| leading lady \| leading man \| listening \| room \| secret lover \| sentimental \| simulated source music \| source to score \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Dolce)	1:08:00 - Vergie talks with John	9th chord \| advance plot \| common-chord modulation \| conversing \| leading lady \| leading man \| room \| score to source \| secret lover \| tender
The Life of Vergie Winters (1934)	Lullaby (Cello Solo)	1:08:38 - Vergie talks with John	added-note chord \| advance plot \| common-chord modulation \| confident \| hopeful \| hoping \| leading lady \| leading man \| room \| secret lover \| sweet \| warm
The Life of Vergie Winters (1934)	Lullaby (Passionate)	1:09:39 - John and Vergie embrace	9th chord \| advance plot \| embracing \| leading lady \| leading man \| pedal tone \| romantic \| room \| secret lover \| tense
The Life of Vergie Winters (1934)	Lullaby + Here Comes the Bride	1:10:07 - Vergie imagines the wedding	added-note chord \| bride \| calm \| chromatic mediant \| combination of themes \| common-chord modulation \| daughter \| double exposure \| familiar tune \| groom \| leading lady \| leading man \| peaceful \| secret lover \| ternary form \| transcribed by ear \| walking \| wedding \| wedding \| wedding music
The Life of Vergie Winters (1934)	Lullaby (Dark)	1:17:11 - Newspaper headline about John's murder	dark \| leading lady \| secret lover \| serious \| transition
The Life of Vergie Winters (1934)	Lullaby (Ending) + Funeral March (Ending)	1:18:06 - Vergie in her jail cell	classical music \| combination of themes \| crying \| funeral \| funeral march \| leading lady \| prisoner \| somber \| suspect
The Life of Vergie Winters (1934)	Lullaby (Very Ethereal)	1:19:04 - Vergie exits the prison	daughter \| dissonant bass \| husband \| leading lady \| pedal tone \| prison \| prisoner \| resolution \| somber \| suspect \| tense \| walking
Rockabye (1932)	Improvised Lullaby	0:11:04 - Elizabeth sings a lullaby	advance plot \| calm \| daughter \| doll \| leading lady \| lullaby \| mother \| on-screen music \| room \| singing \| source music
Rockabye (1932)	Sleep, My Sweet	0:11:20 - Judy sings with her daughter	advance plot \| calm \| daughter \| humming \| leading lady \| lullaby \| mother \| on-screen music \| room \| score to source \| singing \| source music
Rockabye (1932)	Out of the Blue	0:33:38 - People at a party	advance plot \| calm \| club \| conversing \| friend \| leading lady \| on-screen music \| pianist \| playing \| playwright \| singer \| singing \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	0:33:55 - Judy at the party	advance plot \| club \| conversing \| dancing \| friend \| leading lady \| love interest \| on-screen music \| pianist \| playing \| playwright \| source music \| upbeat
Rockabye (1932)	Out of the Blue (Piano Improvisation)	0:35:57 - Judy and Jacobs talk	AABA structure \| advance plot \| calm \| club \| conversing \| leading lady \| love interest \| on-screen music \| playwright \| score to source borrowing \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	0:39:24 - Judy sings a song	AABA structure \| advance plot \| club \| dancing \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| upbeat
Rockabye (1932)	Till the Real Thing Comes My Way	0:40:21 - Judy sings on top of a truck	advance plot \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| street \| upbeat
Rockabye (1932)	You've Got What Gets Me	0:55:05 - Judy at a party	ABAB structure \| advance plot \| celebrating \| cheerful \| leading lady \| maid \| mother \| party \| source music
Rockabye (1932)	Rockin' Chair	0:59:16 - Judy talks to her manager	AABA structure \| advance plot \| conversing \| drinking \| leading lady \| manager \| party \| somber \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	1:01:37 - Judy sings at a party	advance plot \| cheerful \| leading lady \| love interest \| on-screen music \| party \| playwright \| singing \| source music
Out of the Fog (1941)	Stella Runs	0:11:35 - Stella runs out of the restaurant	boyfriend \| criminal \| departing \| dock \| emotional \| establish character \| leading lady \| leading man \| restaurant \| running \| watching
Out of the Fog (1941)	Stella and George	0:11:54 - George talks to Stella	arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| romantic
Out of the Fog (1941)	Underscoring (Subtle)	0:13:05 - A boy runs in	arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| underscoring \| uneasy
Out of the Fog (1941)	Stella and George (Tender)	0:13:24 - George talks to Stella	boyfriend \| conversing \| crying \| departing \| dock \| establish character \| leading lady \| tender
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Escape	0:33:23 - Nick punches man on street	advance plot \| boxer \| car \| hurried \| hurrying \| leading lady \| leading man \| not by Steiner \| street \| transcribed by ear
Kid Galahad (1937)	The Moon Is In Tears Tonight (Love's Sorrow)	0:53:05 - Ward professes his love for Marie	conversing \| heartbroken \| leading lady \| leading man \| love scene \| newspaper \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	The Split Up

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