| All This, and Heaven Too (1940) | Henriette | 0:00:28 - Cast list | 64 chord | added-note chord | cast list | chromatic mediant | countermelody | deceptive resolution | diminished third chord | foreign key modulation | mode mixture | opening title sequence | pedal tone | pleasant | romantic | sentence form | suspension |
All This, and Heaven Too (1940) | Henriette (Dolce) | 0:12:43 - Henriette talks to Henry | 64 chord | boat | chromatic mediant | conversing | deceptive resolution | gentle | leading lady | leaving | minister | peaceful | transition |
All This, and Heaven Too (1940) | La Parisienne | 0:12:55 - A shot of Paris | 64 chord | augmented sixth chord | enharmonic modulation | establish place | establish time | fanfare | foreign key modulation | noble | on-screen text | patriotic tune | street | transition |
All This, and Heaven Too (1940) | Henriette (Carriage) | 0:13:05 - A carriage arrives | 64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat |
All This, and Heaven Too (1940) | Henriette (Andante) | 0:31:04 - The Duke apologizes to Henriette | 9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign key modulation | governess | illness | leading lady | leading man | romantic | room |
All This, and Heaven Too (1940) | The Sick Room | 0:32:12 - The doctor talks to the Duke | 64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room |
All This, and Heaven Too (1940) | Raynald (Triste) | 0:39:16 - The Duke talks to Henriette | 64 chord | advance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber |
All This, and Heaven Too (1940) | Raynald (Andante) | 0:41:36 - Henriette and the Duke by Raynald's bedside | 9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber |
All This, and Heaven Too (1940) | Raynald (Ethereal) | 0:43:04 - Raynald by the window | 64 chord | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | pedal tone | room |
All This, and Heaven Too (1940) | Henriette (Appassionato) | 0:44:08 - Raynald plays outside | 64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign key modulation | governess | happy | leading lady | leading man | passionate | playing |
All This, and Heaven Too (1940) | The Duchess (Molto Screwieoso) | 0:44:50 - Henriette looks at a gift from the Duchess | 64 chord | advance plot | chromatic parallelism | distressed | gift | governess | leading lady | looking | opening | pedal tone | room | stinger |
All This, and Heaven Too (1940) | Raynald (Carriage) | 0:46:53 - Horses pulling a carriage | 64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat |
All This, and Heaven Too (1940) | Falling Snow | 1:12:39 - Henriette watches the falling snow | 64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy |
All This, and Heaven Too (1940) | Henriette (Sad Waltz) | 1:12:55 - Henriette watches the people dancing | 9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching |
All This, and Heaven Too (1940) | Henriette (Slowly) | 1:22:19 - The Duke bids farewell to Henriette | 64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture |
All This, and Heaven Too (1940) | Spring Time | 1:25:18 - The Duke talks with his children | 64 chord | advance plot | cheerful | child | chromatic sequence | common-tone diminished 7th | duke | forest | governess | leading lady | leading man | pedal tone | recognizing | relief |
All This, and Heaven Too (1940) | Henriette (All Hallows Eve) | 1:25:46 - The Duke talks with Henriette | 64 chord | advance plot | conversing | deceptive resolution | duke | forest | gentle | governess | leading lady | leading man | mode mixture | spooky | sweet | tender | whole-tone chord |
All This, and Heaven Too (1940) | The Carousel | 1:26:22 - A spinning carousel | 64 chord | amusement park | augmented sixth chord | bright | carousel | child | enharmonic modulation | foreign key modulation | fun | mode mixture | on-screen text | pedal tone | riding | spinning | transition | upbeat |
All This, and Heaven Too (1940) | Underscoring (Tender) | 1:26:48 - The Duke talks with the servants | 11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant |
All This, and Heaven Too (1940) | Grazioso | 1:27:26 - Madame Gauthier talks about the children | 9th chord | 64 chord | added-note chord | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant |
All This, and Heaven Too (1940) | Raynald | 1:27:35 - Madame Gauthier talks about Raynald | 64 chord | advance plot | cheerful | chromatic sequence | conversing | deceptive resolution | duke | governess | leading lady | leading man | room | servant |
All This, and Heaven Too (1940) | Spring Time | 1:30:22 - A carriage approaches the palace | 64 chord | arriving | bright | carriage | chattering | cheerful | child | duke | foreign key modulation | governess | happy | leading lady | leading man | Neapolitan | palace | pedal tone | riding | transition |
All This, and Heaven Too (1940) | Spring Time | 1:30:41 - The children get out of the carriage | 64 chord | bright | cheerful | child | chromatic sequence | conversing | duke | governess | happy | leading lady | leading man | Neapolitan | palace | pentatonic | transition |
All This, and Heaven Too (1940) | Spring Time (Ominous) | 1:31:04 - The children enter the palace | 9th chord | 64 chord | augmented sixth chord | bright | cheerful | child | common-chord modulation | conversing | deceptive resolution | diminished third chord | duke | governess | leading lady | leading man | mode mixture | ominous | palace | surprise | transition |
All This, and Heaven Too (1940) | Henriette (Ominous) | 1:31:15 - Henriette talks to the Duke | 9th chord | 64 chord | added-note chord | conversing | duke | foreign key modulation | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring |
All This, and Heaven Too (1940) | Spring Time (Shimmery) | 1:35:12 - Henriette opens a gift | 9th chord | 64 chord | added-note chord | advance plot | cheerful | child | conversing | foreign key modulation | gift | governess | leading lady | light | opening | room |
All This, and Heaven Too (1940) | Spring Time (Moderato) | 1:35:45 - Henriette opens a gift | 9th chord | 64 chord | advance plot | augmentation | calm | child | chromatic mediant | foreign key modulation | gift | governess | leading lady | locket | opening | parallelism | room | tender |
All This, and Heaven Too (1940) | Henriette (Dolschissimo) | 1:36:07 - Henriette reads the locket inscription | 64 chord | advance plot | calm | child | chromatic mediant | conversing | crying | dissonant bass | foreign key modulation | gift | governess | leading lady | locket | mode mixture | room | stinger | tender | tense |
All This, and Heaven Too (1940) | Desperation (Subito) | 1:52:22 - Soldiers climb the stairs | 64 chord | ascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense |
All This, and Heaven Too (1940) | Crying | 2:12:15 - Pierre looks at Henriette | 64 chord | caretaker | chromatic scale | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition |
All This, and Heaven Too (1940) | Henriette (Dolschissimo) | 2:21:00 - Henriette kisses a child on the cheek | 9th chord | 64 chord | child | chromatic mediant | conversing | foreign key modulation | gentle | leading lady | leaving | minister | mode mixture | resolution | school | student | sweet | teacher |
| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Meeting) | 0:21:30 - Dr. Clitterhouse is taken upstairs | 64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Tense) | 0:45:45 - Criminals talk about the professor | 64 chord | altered dominant | conversing | crime | criminal | gangster | robbery | rooftop | tense | thief | underscoring |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Comical) | 0:46:08 - Doctor examines a criminal | 64 chord | chromatic parallelism | comical | criminal | doctor | examining | fragmentation | gangster | leading man | pedal tone | robbery | rooftop | sequence | thief | underscoring |
The Amazing Dr. Clitterhouse (1938) | How Dry I Am (Nervous) | 0:47:20 - Criminals talking | 64 chord | conversing | criminal | doctor | gangster | leading man | nervous | parallelism | pedal tone | robbery | rooftop | source music | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Giving Orders) | 0:48:32 - Doctor gives orders to the criminals | 64 chord | anger | annoyance | chromatic parallelism | commanding | criminal | doctor | fragmentation | gangster | leading man | ordering | pedal tone | robbery | sequence | store | tense | thief |
| Angels With Dirty Faces (1938) | Stickup | 0:42:30 - Rocky points a gun at Frazier | 64 chord | advance plot | assaulting | dramatic | gangster | garage | grabbing | lawyer | leading man | mickey-mousing |
Angels With Dirty Faces (1938) | Headlines | 1:10:28 - A montage of newspaper headlines | 9th chord | 42 chord | 64 chord | dramatic | foreign key modulation | headline | mickey-mousing | montage | montage | newspaper | newspaper editor | newspaper office | spinning | zooming |
Angels With Dirty Faces (1938) | The Gangster (Funebre) | 1:31:55 - Rocky is taken away | 64 chord | climax | gangster | leading man | police | priest | prison | pushing | somber |
| Arsenic and Old Lace (1944) | Happy Land (Chromatic) | 0:00:21 - Cast list | 64 chord | cast list | chromatic mediant | chromatic scale | dramatic | familiar tune | foreign key modulation | opening title sequence |
Arsenic and Old Lace (1944) | Happy Land (Screwy Gavotte) | 0:00:39 - Cast list | 9th chord | 64 chord | added-note chord | cast list | happy | opening title sequence | ostinato | pedal tone | upbeat |
Arsenic and Old Lace (1944) | Sidewalks of New York (Misterioso) | 0:01:10 - New York City | 64 chord | added-note chord | card | city | establish place | familiar tune | mysterious | New York City | opening title sequence | tense |
Arsenic and Old Lace (1944) | Sidewalks of New York (Expressivo) | 0:01:53 - A ship sailing under a bridge | 64 chord | boat | bridge | calm | card | city | establish place | familiar tune | pedal tone | sailing | transition |
Arsenic and Old Lace (1944) | Here Comes the Bride (Marriage License Bureau) | 0:01:59 - "Marriage License Bureau" sign | 64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse |
Arsenic and Old Lace (1944) | Here Comes the Bride (Wow Wow Trumpet) | 0:02:42 - Reporters talk | 64 chord | chromatic mediant | comical | conversing | establish character | familiar tune | foreign key modulation | marriage | office | reporter |
Arsenic and Old Lace (1944) | Sidewalks of New York (Quasi Barcarolle) | 0:05:13 - The Brewster home | 64 chord | calm | card | cemetery | chromatic mediant | common-tone diminished 7th | enharmonic modulation | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect |
Arsenic and Old Lace (1944) | Sidewalks of New York (Walking) | 0:05:30 - Cops patrol the neighborhood | 64 chord | calm | establish setting | familiar tune | fragmentation | police | street | walking |
Arsenic and Old Lace (1944) | Here Comes the Bride (Religioso) | 0:14:41 - Mortimer and Elaine in the cemetery | 64 chord | bride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious | suspension |
Arsenic and Old Lace (1944) | Here Comes the Bride (Appassionato) | 0:15:02 - The aunts peek out of the window | 64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic |
Arsenic and Old Lace (1944) | Here Comes the Bride (Church Bells) | 0:15:17 - Mortimer follows Elaine | 64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic |
Arsenic and Old Lace (1944) | Here Comes the Bride (Appassionato) | 0:15:25 - Mortimer and Elaine kiss | 64 chord | bride | cemetery | conversing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic |
Arsenic and Old Lace (1944) | Here Comes the Bride (Appassionato) | 0:16:10 - Mortimer and Elaine kiss | 64 chord | bride | cemetery | embracing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic |
Arsenic and Old Lace (1944) | Here Comes the Bride (Church Bells) | 0:16:22 - Mortimer and Elaine talk | 64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic |
| The Big Sleep (1946) | Marlowe (Action) | 0:57:01 - Marlowe runs to his car | 64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense |
The Big Sleep (1946) | Hostage + Marlowe (Fragment) | 1:42:34 - Canino brings Vivian out as a hostage | 64 chord | action scene | criminal | hostage | leading lady | leading man | love interest | ostinato | ostinato | outside | private eye | tense | tritone oscillation | walking |
| City for Conquest (1940) | Transition | 0:00:25 - Credits over a city skyline | 64 chord | calm | cast list | chromatic sequence | city | opening title sequence | skyline | suspension |
City for Conquest (1940) | Tone Poem D (Main Title) | 0:01:00 - Credits over a city skyline | 9th chord | 64 chord | added-note chord | blue note | bluesy | cast list | city | countermelody | mode mixture | opening title sequence | sentimental | skyline |
City for Conquest (1940) | Sidewalks of New York (Snake) | 0:02:35 - A montage of New York City scenes | 13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy |
City for Conquest (1940) | Tone Poem A (Molto Expressivo) | 0:48:44 - Danny talks with Peggy | 9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street |
City for Conquest (1940) | Sidewalks of New York (Snake) | 1:43:16 - Old timer talks to himself | 64 chord | conversing | gentle | old man | resolution | romantic | soliloquy |
City for Conquest (1940) | Sidewalks of New York (The End) | 1:43:24 - The End | 64 chord | bold | conversing | end title sequence | grand | old man | plagal cadence | soliloquy | The End |
City for Conquest (1940) | Tone Poem A (Tag) | NIF - not in film | 64 chord | cut from film | plagal cadence |
| Crime School (1938) | The Warden (The Guards) | 0:29:34 - Warden's guards run to catch Frankie | 64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden |
Crime School (1938) | Unveiling the statue | 0:49:31 - Mark takes the veil off of the statue | 64 chord | chromatic parallelism | chromatic wedge | comedy | gang | hero | leading man | mickey-mousing | reformatory | teenager | tense | uncovering | unveiling |
| They Made Me a Criminal (1939) | The Printing Press | 0:14:10 - A printing press | 64 chord | dark | dissonant bass | fanfare | headline | heroic | mode change | montage | montage | motoric | newspaper | oscillation | printing press |
They Made Me a Criminal (1939) | The Street | 0:14:31 - Newspaper boy on street | 64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition |
They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:26:48 - Peggy rushes to help Johnnie | 64 chord | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring |
They Made Me a Criminal (1939) | Underscoring (Tender) | 0:26:58 - Peggy helps Johnnie | 9th chord | 64 chord | heroine | leading lady | leading man | lovers meet | mode mixture | nursing | room | tender | underscoring |
They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:30:01 - Johnnie sneaks away | 64 chord | conflict | dramatic | leading man | mysterious | ranch | sneaking |
They Made Me a Criminal (1939) | Marche Funebre | 1:02:45 - Boys look at poster of a boxer | 64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Opening A) | 0:00:21 - Main title | 64 chord | chromatic mediant | dissonant bass | dust | main title | mickey-mousing | opening title sequence | romantic | title of film |
Dust Be My Destiny (1939) | Dust Be My Destiny (Injustice) | 0:02:29 - Joe reacts to the warden | 9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Away) | 0:25:55 - Joe and Mabel run | 64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence |
Dust Be My Destiny (1939) | Turning around | 0:26:13 - Joe and Mabel turn around | 64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Up and Down) | 0:30:12 - Man runs up the courthouse steps | 64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up |
Dust Be My Destiny (1939) | Here Comes the Bride (Triple) | 0:30:31 - Man talks to Joe and Mabel | 9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street |
Dust Be My Destiny (1939) | Fairy Music | 0:30:58 - Man takes their luggage | 64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:40:03 - Joe runs to Mabel | 64 chord | altered dominant | foreign key modulation | joyful | leading lady | leading man | mickey-mousing | pump-up modulation | resolution | runaway | running | street |
Dust Be My Destiny (1939) | Whistling | 0:45:44 - Joe whistles as he walks | 64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:47:58 - Joe walks to the jail | 64 chord | friend | jail | jail break | leading man | runaway | shopkeeper | tense | underscoring | walking |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:49:05 - Joe enters the jail | 64 chord | jail | jail break | leading man | tense | underscoring | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (The Escape) | 0:50:26 - Joe and Mabel leave the jail | 64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Grandioso) | 0:50:50 - Joe and Mabel outside | 42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant |
Dust Be My Destiny (1939) | My Wild Irish Rose (Grandioso) | 0:52:06 - Joe and Mabel leave on a train | 9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:58:04 - Joe embraces Mabel | 9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:59:15 - A bank alarm sounds | 42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:59:53 - Police arrive at the scene | 64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring |
Dust Be My Destiny (1939) | Buzzing | 1:01:05 - Men working in the dark room | 64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working |
Dust Be My Destiny (1939) | Dust Be My Destiny (Emergency Room) | 1:11:01 - The hospital waiting room | 64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 1:11:25 - Mabel embraces Joe after she meets him | 64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse |
| In This Our Life (1942) | Meno | 0:00:34 - Cast list | 64 chord | cast list | chromatic parallelism | deceptive resolution | dramatic | fanfare | opening title sequence | pedal tone | tritone |
In This Our Life (1942) | Asa | 0:02:02 - The Timberlake crest | 64 chord | added-note chord | common-chord modulation | establish character | noble | plagal cadence | street | worker | working |
In This Our Life (1942) | Roy | 0:02:59 - Roy descends a staircase | 64 chord | conversing | daughter | delicate | establish character | father | foreign key modulation | gentle | greeting | leading lady | maid | room |
In This Our Life (1942) | Roy (In Love) | 0:13:39 - Roy is relieved | 64 chord | advance plot | calm | chromatic sequence | conversing | dissonant bass | leading lady | leading man | room | sequential modulation | whole-tone chord |
In This Our Life (1942) | Roy (Lento) | 0:14:59 - Roy talks about their future | 64 chord | advance plot | common-chord modulation | conversing | dark | deceptive resolution | dissonant bass | embracing | leading lady | leading man | room | sweet |
In This Our Life (1942) | Asa (Triste) | 0:21:45 - Asa arrives home | 64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense |
In This Our Life (1942) | Roy (Risoluto) | 0:22:40 - Roy talks to Asa | 64 chord | chromatic parallelism | conflict | conversing | deceptive resolution | father | gentle | leading lady | room |
In This Our Life (1942) | Asa (Molto Expressivo) | 0:23:49 - Roy leaves | 64 chord | added-note chord | conflict | dark | father | leading lady | leaving | mode mixture | pedal tone | reverse picardy | room | somber |
In This Our Life (1942) | Roy (Tender) | 0:30:21 - Craig talks to Roy | 64 chord | advance plot | conversing | deceptive resolution | gentle | leading lady | leading man | mode mixture | park | sweet |
In This Our Life (1942) | Here Comes the Bride (A Little Shimmer) | 0:31:40 - A convertible | 9th chord | 11th chord | 64 chord | car | courthouse | deceptive resolution | happy | leading lady | leading man | leaving | pump-up modulation | sequential modulation | street | wedding | wedding |
In This Our Life (1942) | Flirting | 0:37:31 - Peter goes to Stanley | 9th chord | 64 chord | conversing | flirting | happy | leading lady | leading man | love scene | mode mixture | room |
In This Our Life (1942) | Roy (Expressivo) | 0:43:43 - Roy talks with Parry | 64 chord | assistant | calm | conversing | deceptive resolution | friend | leading lady | love scene | office | pleasant |
In This Our Life (1942) | Roy (Tender) | 0:54:15 - Roy tucks Stanley in | 64 chord | advance plot | augmented sixth chord | conversing | foreign key modulation | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Minerva and Parry (Triste) | 1:22:39 - Parry talks to Stanley | 64 chord | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | mode change | prison | prisoner | solemn | somber | suspect | testifying | victim |
In This Our Life (1942) | Stanley (Fleeing) | 1:33:12 - The police chase after Stanley | 64 chord | chase scene | chasing | chromatic mediant | climax | criminal | desperate | diminution | dramatic | driving | fleeing | leading lady | ostinato | police | sequential modulation | street | tense |
| The Informer (1935) | Underscoring (Tense) | 0:02:23 - Gypo stares at the poster, thinking | 64 chord | establish character | leading man | muttering | mysterious | street | thinking | underscoring |
The Informer (1935) | The Wearin' o' the Green | 0:07:32 - Frankie looks at reward poster with his picture on it | 64 chord | dark | establish character | folk song | hero | Irish | marching | mickey-mousing | mysterious | source music | street | thinking |
The Informer (1935) | Blind Man | 0:19:29 - Gypo meets the blind man | 64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking |
The Informer (1935) | The Informer (Whiskey) | 0:20:46 - Gypo enters a pub | 64 chord | advance plot | antagonist | entering | hurrying | leading man | mysterious | pub | Scotch snap |
The Informer (1935) | Katie (Triste) | 0:22:38 - Katie appears at the window | 64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching |
The Informer (1935) | The Informer (Bold) | 0:25:26 - Gypo storms off down the street | 64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking |
The Informer (1935) | The Informer (Suspicion) | 0:29:47 - Gypo leaves the wake | 64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring |
The Informer (1935) | The Informer (Walking Fast) | 0:30:13 - Gypo storms off down the street | 64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking |
The Informer (1935) | The Wearin' o' the Green (Headquarters) | 0:31:29 - Irish rebel headquarters | 64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting |
The Informer (1935) | The Informer (Accused) | 0:38:40 - Rebel accuses Gypo of being the informer | 64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense |
The Informer (1935) | Mary | 0:38:47 - Rebels talk about Frankie's sister Mary | 64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap |
The Informer (1935) | Here Comes the Bride | 0:49:55 - Dream sequence of a voyage to America | 64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding |
The Informer (1935) | The Wearin' o' the Green (Somber) | 0:57:08 - Dan and Mary talk about the rebel organization | 64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense |
The Informer (1935) | The Informer (Quiet!) | 1:01:27 - The rebels enter and start an argument | 64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel |
The Informer (1935) | The Wearin' o' the Green (Fighting) | 1:03:51 - Gypo struggles with the rebels | 64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation |
The Informer (1935) | The Wearin' o' the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | 64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
The Informer (1935) | Judges (Maestoso) | 1:08:01 - Gypo looks at the judges | 64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching |
The Informer (1935) | Blind Man (Tribunal) | 1:08:08 - Gypo looks at the blind man | 64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching |
The Informer (1935) | Underscoring (Tense) | 1:08:34 - Gypo accuses Peter | 64 chord | accusing | courtroom | courtroom scene | headquarters | mickey-mousing | room | stinger | suspect | tense |
The Informer (1935) | Underscoring (Dramatic) | 1:20:24 - Rebels plan how to catch Gypo | 9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense |
The Informer (1935) | The Informer (Up the Stairs) | 1:21:35 - Gypo goes up the stairs | 64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up |
The Informer (1935) | Katie (Begging) | 1:24:42 - Katie pleads for Gypo | 64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense |
| The Letter (1940) | Leslie (Walking) | 0:30:58 - Leslie in jail | 64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking |
The Letter (1940) | Sociable | 1:09:09 - Leslie and Robert meet with friends | 64 chord | celebrating | dinner music | drinking | foreign key modulation | happy | home | husband | lawyer | leading lady | party | pump-up modulation | reverse picardy |
The Letter (1940) | Mrs. Hammond (Revenge) | 1:33:01 - Mrs. Hammond stabs Leslie | 64 chord | antagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallel fifths | parallelism | pentatonic | plantation | somber | walking |
| Lightning Strikes Twice (1951) | Menace (Ominous) | 0:17:50 - Newspaper headline about Trev | 9th chord | 64 chord | actor | conversing | dark | establish character | headline | leading lady | leading man | newspaper | ominous | room | suspect |
| Mildred Pierce (1945) | Kay and Veda (Deception) | 0:33:08 - Veda lies to her mother | 64 chord | advance plot | child | chromatic parallelism | deceiving | deception | heroine | leading lady | room | selfishness | unstable | whole-tone |
Mildred Pierce (1945) | Mildred (Risoluto) | 0:33:23 - Mildred resolves to give her daughter nice things | 64 chord | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room |
Mildred Pierce (1945) | Kay and Veda (Dolce Foxtrot) | 0:33:37 - Mildred puts Veda to bed | 64 chord | added-note chord | advance plot | child | chromatic parallelism | dark | heroine | leading lady | mode mixture | optimistic | promising | room | tragic |
Mildred Pierce (1945) | Work | 0:36:12 - Mildred works as a waitress | 64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working |
Mildred Pierce (1945) | Frolicking in the Surf | 0:51:05 - Monte and Mildred run to the water | 9th chord | 64 chord | beach | falling in love scene | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves |
Mildred Pierce (1945) | Waves | 0:51:11 - Waves crash onto the beach | 64 chord | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves |
| The Life of Vergie Winters (1934) | Yankee Doodle | 0:03:37 - Children playing | 64 chord | cheerful | child | children's song | dancing | direct modulation | establish place | establish setting | flashback | park | playing | wipe |
The Life of Vergie Winters (1934) | Lullaby (Slowly) | 0:04:07 - Vergie working in a shop window | 64 chord | establish character | leading lady | peaceful | plagal cadence | shop | working |
The Life of Vergie Winters (1934) | Lullaby (Military Band) | 0:45:45 - Newspaper montage | 64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Stars and Stripes Forever (Allegro) | 0:46:04 - Newspaper montage | 64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier |
The Life of Vergie Winters (1934) | Old Lavender (Gentle) | 1:04:45 - Ranny takes the ring back from Joan | 64 chord | altered dominant | conflict | daughter | leading man | love interest | peaceful | pedal tone | proposal | proposing | room | wife |
The Life of Vergie Winters (1934) | Here Comes the Bride (Slow) | 1:05:05 - Ranny re-proposes to Joan | 64 chord | conflict | daughter | familiar tune | leading man | love interest | peaceful | proposal | proposing | room | wife |
| Kid Galahad (1937) | Boxing poster | 0:00:41 - Boxing poster | 64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in |
Kid Galahad (1937) | Kid Galahad (Montage) | 0:46:47 - Montage of newspaper headlines | 64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper |
Kid Galahad (1937) | Kid Galahad (Montage 2) | 1:18:47 - Newspaper headline montage | 64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation |
Kid Galahad (1937) | Kid Galahad (Tender) | 1:39:15 - Nick speaks his final words | 9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation |
| The Unfaithful (1947) | Attorney | 0:42:51 - Close up of sign on the lawyer's door | 64 chord | altered dominant | deceptive resolution | door | glorious | heroic | law office | office | parallel 63s | sign | transition |
The Unfaithful (1947) | Attorney | 1:09:14 - Larry drives to the art shop | 64 chord | deceptive resolution | driving | heroic | lawyer | street | transition |
| We Are Not Alone (1939) | Heart of Oak | 0:01:02 - View of London ("England, 1914") | 64 chord | added-note chord | bold | British | card | England | establish location | familiar tune | folk song | London | march | pedal tone | setting |
We Are Not Alone (1939) | Tommy | 0:08:41 - David and Tommy talk about cats | 64 chord | boy | cat | deceptive resolution | doctor | establish character | hero | mode mixture | office | parallelism | playful |
We Are Not Alone (1939) | Allergic Reaction | 0:09:04 - Tommy has an allergic reaction to the cat | 9th chord | 64 chord | allergies | boy | cat | doctor | dramatic | establish character | hero | office |
We Are Not Alone (1939) | Tenderness | 0:13:40 - David talks to Leni | 64 chord | doctor | establish character | friendly | hero | heroine | mode mixture | room | sequence | tender |
We Are Not Alone (1939) | Frohe Botschaft (Tenderly) | 0:14:22 - Leni takes off her wig | 64 chord | doctor | establish character | familiar tune | folk song | German | hero | heroine | pedal tone | quotation | room | tender |
We Are Not Alone (1939) | Frohe Botschaft (Ethereal) | 0:25:12 - David tells his son about his patient, Leni | 9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Frohe Botschaft (Crying) | 0:45:45 - Leni kisses Gerald | 9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone |
We Are Not Alone (1939) | Rule, Britannia (Throwing Stones) | 1:05:14 - Susan throws a rock at the shop | 64 chord | angry | antagonist | conflict | mickey-mousing | rock | street | throwing |
We Are Not Alone (1939) | Underscoring (Tense) | 1:05:17 - David scolds Susan | 64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring |
We Are Not Alone (1939) | Surprise Symphony (Someday) | 1:39:55 - David is hopeful | 64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet |
| Thirteen Women (1932) | Ursula (Dark) | 0:11:28 - Ursula reads a horoscope | 64 chord | advance plot | antagonist | dark | funeral march | horoscope | leading lady | reading | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Mysterious Waltz) | 0:33:37 - Ursula talks to Burns | 64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz |
| Dangerous Corner (1934) | Finishing School B | 0:01:05 - Video snapshots of the actors | 64 chord | common-tone diminished 7th | common-tone modulation | opening title sequence | pedal tone | phrase extension | pleasant | transcribed by ear | upbeat | video cast list |
| We're Only Human (1935) | Old Lavender (Gentle) | 0:22:34 - A man scoops up some pasta | 64 chord | advance plot | altered dominant | buying | detective | food | leading lady | leading man | love interest | ordering | peaceful | pedal tone | reporter | store | worker | working |
We're Only Human (1935) | The Informer (Up the Stairs) | 0:27:17 - Pete prepares to advance | 64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense |
We're Only Human (1935) | Katie (Begging) | 0:29:21 - Close up on Danny | 64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim |
We're Only Human (1935) | Lost Patrol 3 | 1:06:52 - Pete looks at Berger | 64 chord | climax | conflict | death | detective | gangster | hostage | leading man | murderer | reacting | room | solemn |
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