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28 results for "11th chord" — see also 9th chord

FilmTheme nameInstanceTags
Are These Our Children? (1931)Dreams0:00:15 - Title of the film and opening credits11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting
They Made Me a Criminal (1939)Peggy0:00:25 - Director credit9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make (Crying)1:06:29 - Peggy cries after Johnnie leaves11th chord | conflict | crying | leading lady | leading man | room | somber
Dust Be My Destiny (1939)Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Dust Be My Destiny (Worried)0:46:02 - Mabel talks to the police11th chord | create suspense | leading lady | police | room | somber

Dust Be My Destiny (1939)

Dust Be My Destiny (Leaving Hospital)1:11:57 - Mabel and Joe start to leave11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Train)1:26:17 - Joe and Mabel on the train11th chord | added-note chord | happy | leading lady | leading man | resolution | sequence | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Hanging Hats)1:26:31 - Joe and Mabel toss their hats11th chord | chromatic mediant | foreign key modulation | happy | hat | hook | leading lady | leading man | mickey-mousing | resolution | throwing | train | traveling | whistle effect
Each Dawn I Die (1939)On the Make1:31:02 - Closing credits9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing
Flamingo Road (1949)Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th chord | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th chord | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition
The Informer (1935)The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning
We Are Not Alone (1939)Tommy (Recovering)0:09:17 - David tells Tommy he is allergic to cats11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Frohe Botschaft (Viennese)0:32:51 - Gerald rushes in to see Leni11th chord | advance plot | boy | child | familiar tune | folk song | foreign key modulation | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Underscoring (Dramatic)1:03:40 - Jessica takes Gerald outside 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking

We Are Not Alone (1939)

Frohe Botschaft (Singing)1:50:32 - Gerald sings in the tub9th chord | 11th chord | boy | child | conclusion | death | familiar tune | folk song | German | home | peaceful | quotation | room
Hat, Coat, and Glove (1934)Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear